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[post_content] => There’s a ton of ways to stand out at an audition: acting like a diva, wearing a crazy costume, or being just plain crazy. Stand out you will, but for all the wrong reasons. Here are some positive ways to be more memorable at your next audition.
Whether you land the lead or are just thrilled to see your name up on that list (Elle Woods, anyone?), there’s no describing that combo feeling of relief and joy that rushes through your veins as you realize your slot in the show has been secured. Pat yourself on the back, you superstar —
You didn’t get in. It hurts. It really hurts. And it’s going to hurt for a while, especially when you have to hear about the show for months on end and then eventually see it hit the stage. It’s OK to be sad and disappointed and angry, so grab some Ben & Jerry’s, distract yourself with other activities and try to remember that, there’s always next year.
Once the initial shock of landing a speaking role wears off, reality sets in: You’re going to have to learn a helluva lot of lines to make it from the beginning to the end of the show. Now is a good time to buy some stock in yellow highlighters — you’re going to need more than a couple!
Being in a show is an incredible, life-changing experience. But as everyone will tell you, it has the tendency to zap your social life into tiny microscopic — if not nonexistent — pieces. Get used to calling your castmates your “Theatre Family,” because they’re the only members you’re going to be seeing for the next two months.
Theatre rivalries are a tale as old as time, and sometimes you can’t settle them over a sing-off of “Anything You Can Do, I Can Do Better.” When it comes down between you and someone else for a role and you don’t get it, it’s fine to feel frustrated, so long as you don’t make your disappointment public. Bring your best to the role you’re given, and you’re sure to stand out anyway!
Unless you miraculously get paired off with your longtime crush and this is the opportunity of a lifetime, chances are, you’re going to have to smooch faces with someone you’re not necessarily jazzed up about. Hopefully, your director won’t make you rehearse over and over again!
So, the part you got was a bit of a stretch from what you were expecting — congrats! However, this is not the kind of role you can easily breeze through without some focus. The moment you walk away from the cast list, you’re ready to crank up your favorite Broadway pump-up playlist, start practicing those lines in the mirror and live and breathe your part. So what if it’s a challenge? It’s your time to shine.
Even if you’ve ended up in the chorus for the third year in a row, that doesn’t mean you aren’t incredibly excited for your friends who snagged leads. Jump around in a group hug, squeal a bit and make a scene as you celebrate the fact you’ll all be able to hang out together after school for weeks upon weeks.
Sometimes you just can’t help yourself. Count ‘em up, compare them to everyone else in the show, and then move on. Whether you’re dominating the solo arena or have a single word to pipe out, it’s cause to celebrate!
Sometimes you just know from the get-go which part you’re going to get. Maybe your director let something slip, or a role just seemed so suited to your personality that there was no way you weren’t getting it. In this case, the big reveal warrants nothing more than a shoulder shrug and an “Oh, that makes sense!”
From the second you find out what part you get, you want to get this show on the road. In fact, you’re the one who leads the march into your director’s office so you can beg and plead to be handed the script before rehearsals even start. Let the memorization begin!
You can get just as excited about wearing a costume as you do about your lines and solos. Whether you’re busting out an iconic costume a la Roxie in “Chicago” or The Phantom in “Phantom of the Opera,” or just get to wear a sparkly over-the-top ridiculous wedding dress, it’s beyond exciting that you’ll get to ditch your typical wardrobe for something out of this world for a while.
After the surprise and glee wears off, self-doubt has a way of settling in. You think that there must have been a mistake, there’s no way you can take on a part like this! However, your director chose you for a reason — because they believe in you — and you are absolutely going to nail this role. That uncertainty will only push you to work harder.
Reading the cast list after it’s posted can be an experience as dramatic as the show you’re performing, whether you get the part of your dreams or get let off the list entirely. Regardless of how the process shakes out, remember to be thankful for the roles you do get and remember that there will other be other shows you can try out for!
A cult classic but worth all of the hype. If you are looking for something less dramatic and more comedic, this is for you. The original film heralds from 1975 and is a tribute to science fiction, horror and the punk-rock scene in Britain. Kenny Ortega (of Newsies and High School Musical fame) has helmed the star-studded remake, set to air on October 20th on Fox. Or if you are looking to catch the original, check out nearby cinemas, as there are frequent showings of the film where viewers are encouraged to come in character. Start brushing up on your Time Warp now!
Watch the film version on Amazon
Alan Menken is the composer behind this musical. Sound familiar? He’s composed the score for many a Disney hit including Aladdin, Newsies, Little Mermaid and Beauty and the Beast. Needless to say, the music is great. Little Shop is comedic horror in the same vein as Rocky Horror, about a cannibalistic plant. The film adaptation from 1986 boasts some of Hollywood’s finest comedy actors including Steve Martin, Billy Murray, Ellen Greene and Rick Moranis.
Watch the film version on Amazon
I love to watch this every year in October to get me in Halloween mood. If you haven’t seen Phantom, stop whatever you are doing and watch it right now. The 1986 musical is one of Andrew Lloyd Webber’s finest pieces of work, based on the dark and romantic novel by Gaston Leroux about a disfigured musician who becomes deeply obsessed with a beautiful opera singer. The movie version is good, however, if you have not seen the 25th-anniversary version at Royal Albert Hall, definitely give that a look. Sierra Boggess is stunning as Christine, but it is Ramin Karimloo who steals the show with his performance as the tortured Phantom.
Watch the film version on Amazon
What more can I say but "They're creepy and they're kookey. Mysterious and spookey. They're altogether together ookey. The Addams Family." This old story of the quirky family has been told in film, book, and finally a Broadway musical in 2009. A popular musical for high school & community theaters to put on during the dark days of fall.
Want to get in the mood? Listen to the soundtrack
It doesn’t get much darker than Sweeney Todd. Originally a play about a sadistic barber who kills his clients and hands them over to be made into meat pies, Sondheim worked his magic, and this musical thriller took flight in 1979. Johnny Depp earned an Oscar nod for his role in the Tim Burton film adaption, which heralds an incredible cast of Hollywood talent including Helena Bonham Carter and the late Alan Rickman.
Watch the film version on Amazon
*Note: 2007 film version also currently available on Netflix (U.S.)
What says Halloween more than a trip to Transylvania. This monstrous (pun intended) Mel Brooks film was adapted into a successful Broadway musical in 2007.
Young Frankenstein tells the story of the grandson of Victor Frankenstein, Frederick Frankenstein (pronounced "Fronk-en-steen"). With his hunchbacked sidekick, Igor (pronounced "Eye-gore"), and lab assistant Inga (pronounced normally), he follows the footsteps of his ancestors to bring a treacherous monster to life. When the monster escapes, that's when things get silly.
I mean, what could be better than a monster singing & tap dancing to puttin' on the ritz
https://www.youtube.com/watch?v=w1FLZPFI3jc
Based on the famous horror story by Robert Louis Stevenson, this musical tells the tale of a young doctor who takes a potion to transform into an evil sociopath that commits crimes and then returns to his former self. The musical premiered in 1990 and opened on Broadway in 1997. There is a DVD recording of a performance from 2000 starring David Hasselhoff in the title role. If you are looking for something more dramatic, this is a solid choice.
Get film version on Amazon
It’s a common misconception that acting is broken down into comedy and drama, and that actors have “chosen” one side or the other. The truth is that acting is acting is acting. To say that I’m a “comedic” actor implies that I will intentionally play a character “funny,” which isn’t the case. An actor’s job is to live truthfully in a character. Think about your friends. Are they either a “funny person” or a “serious person?” Nope. They’re just people. Sometimes they might make a joke, sometimes they cry. Characters are the same way. Actors don’t approach it from an idea of “being funny” or not.
I always think this is the goofiest compliment (?) to get after a show. Like, if I ever play Hamlet, and the first thing someone says to me after was “Wow! That was a lot of lines!” I’m gonna feel pretty crappy. Memorizing your lines is the BARE MINIMUM thing you have to do. It’s like telling a painter “Hey! GREAT job getting the paint on the canvas!!” and not saying anything about the actual painting.
Or “When will I see you on TV?” Well. Not everyone will be on TV. But that doesn’t mean that they’re not kicking ass and taking names off screen. The theatre industry is HUGE. Just because you haven’t seen someone on TV doesn’t mean that they’re not successful.
How is someone supposed to respond to this one except for the ole' "yep". Acting is a tough industry, but the variety of jobs may surprise some people. Sure, there are movie and big stage bookings. However, many don't consider the gigs that can keep actors paid, such as: extra work, voice overs, educational & instructional videos, etc. Many worthwhile and rewarding industries are tough, acting just seems to be an easy parental target.
Kinda like #1, these two things aren’t mutually exclusive. Actors can be constantly flowing between stage work and film. It’s not necessarily something you have to choose. Plenty of actors do both.
Is this some secret acting test? I’ve cried in a performance like...once in my life. And that was also by far not my best performance. There are soooooo many ways that people express sadness, and crying is just one of those ways. I’m not a big crier in real life, but I’m still experiencing a full range of emotions. Crying is not a requirement in order to “prove” that you’re sad. I went to see Chris Colfer speak in New York, and a member of the audience asked him “how do you cry so well?” His response: “It’s actually like a glandular thing. Like, I squeeze my eyes a certain way and they just tear up.”...Lucky son of a gun.
This sentiment is so bittersweet. It makes me sad that they didn’t feel like they were able to fully explore and pursue something that they’re obviously passionate about. It also makes me so grateful that I have the opportunity.
This classic phrase haunts 99.99999 percent of all actors trying to make it in the industry. We don't have a backup plan because this is a legitimate business (that requires school and experience just like any other profession). Sure, we may be an actor who's currently waitering, but we are not a waiter who's currently acting.
Corny, but by far the best response out there.
Extra work (also known as background work) is a great way to gain experience on film sets while using some of those skills you obtained during your theatre training. You’ll be on set observing how the film crew works with the other actors and the director to create the big picture. Plus, you get access to craft services. And the best part… a paycheck.
Backstage has a ton of extras listings you can browse through
Some ‘reader’ jobs are volunteer based; however, if you get a job as an assistant to a casting director you not only get a legit paycheck, you also get key insights into how a casting office works, which will be very beneficial in the long run, plus, you get to practice those cold reading skills on a daily basis…in front of casting. It’s a major win-win.
There are plenty of teaching opportunities for actors of all different levels. From community service to kid’s summer art camps, to setting up shop in your living room and teaching singing lessons. Whether your strong suit is improv, dancing, singing, or Shakespeare, there are educational opportunities everywhere, and if not, there’s no reason why you can’t create one.
Most actors like to dress up, so why not dress up like a superhero or a princess and dabble in the time-honored tradition of working children’s birthday parties. The money can be good and the hours are pretty fantastic for most actor schedules.
If you’re afflicted with not only the acting bug but the writer bug as well, why not combine your two loves and blog about your theatre passion? Blogs are great ways to express yourself and you may even bring in some dough while you’re at it. We are always looking for great writers here at TN - shoot us a sample of your writing and a couple of article ideas and see what happens. It never hurts to try new things, and sometimes it can lead to awesome new opportunities!
Apply to write for Theatre Nerds here
Will Connolly and George Salazar in "Be More Chill" Photo Credit: Charles Erickson Photography[/caption]
Theatre Nerds - Let’s talk about Tick, Tick...Boom! Super exciting it’s coming back. Also insane that the venue had to change due to high ticket demands. This cast really only consists of you and two other characters. What was the audition process like?
Salazar - The audition process was as lovely as audition processes can possibly go. I got the audition and immediately texted Nick Blaemire. We did Godspell together and we're thick as thieves. I loved the idea of doing Tick, Tick...Boom! and especially loved the idea of doing it with Nick. I had also worked with Ciara Renee and fell in love with her immediately. Nick told me he was going to be at the audition, reading opposite the actors coming in for the role, and I couldn't wait to read opposite him. I knew our chemistry as friends was going to be very helpful. I went in for it and fell instantly in love with Jonathan Silverstein, our director, Joey Chancey, our MD, and Christine O'Grady, our choreographer, who I have known for years but hadn't gotten an opportunity to work with her.
The energy in the room totally fit my vibe and I loved every moment of my fifteen minutes in the room. I sang "Michael in the Bathroom" from Be More Chill, written by Joe Iconis, sang "Real Life" from Tick, Tick...Boom!, and read two scenes opposite Nick. I left the room feeling really good about it. A few hours later, I got the offer from my agent and I screamed and texted Nick. It's been the most incredible experience working on this show with Nick and Ciara and we can't wait to share it with audiences.
[caption id="attachment_5132" align="alignnone" width="970"]
George Salazar, Ciara Renee & Nick Blaemire in Tick Tick...Boom![/caption]
Theatre Nerds - One of my favorite things about this show is it causes us to all ask ourselves, “Is my dream still worth pursuing?” We’ve all gotten to that hard spot in our careers. How do you think this show is relevant today?
Salazar - There are a lot of similarities in the themes of this show and Sunday in the Park with George. Two shows that revolve around the timeless process of creating art and how the creation of art reacts with various aspects of real life. That clash (or harmony, if you're lucky) remains the same as time passes. It's the most relevant thing specific to us as artists and lovers of theater.
The show is also relevant because it's an autobiographical piece about Jonathan Larson. He is very clearly one of the most innovative and earth-changing composers of any generation and influenced so much of what we see and hear today. This year marks the 20th anniversary of Rent and the untimely death of Jonathan Larson, and our production pays such a tribute to this genius and game changer. Jonathan changed the American musical theater, inspiring so many and paving the way for artists like Joe Iconis and Lin-Manuel Miranda. Also, Jon is approaching his 30th birthday and for those of us who are approaching 30 or have passed 30, the stress that number holds is relatable in the most visceral way.
This story showcases the artist's life, specifically this artist's life. People think of Jonathan Larson as the writer of Rent, but he also wrote a musical called Superbia that never grew legs and went anywhere. And Tick, Tick...Boom! was written as a sort of open letter to the industry. You get to know the starving artist: the complicated individual who tries so desperately to balance his art and his personal life, do his work for his art yet pay his bills, the very life that so many of us "theatre nerds" commit ourselves to. Jon never gave up and worked his ass off until the end to make his dreams come true. It's an affirmation of sorts. Believe in yourself, take criticisms as water off a duck's back, trudge on and conquer the world.
In the show, Larson says, “I want to write music. I want to sit down right now at my piano and write a song that people will listen to and remember.” Despite his doubts, he did just that. You can see George Salazar and the rest of the cast of Tick, Tick...Boom! from now until November 20th at the Acorn Theatre. Get Tix Here
Learn more about George at https://www.thegeorgesalazar.com/
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…Because we’re a hard working tech crew and this set won’t build itself.
…Because they were from harsh theatre critics.
…Said every actor who ever refused makeup.
…He’s writing his own version of West Side Story, but instead of casting Puerto Ricans… he’s casting Mexicans.
Every good script gets a revival performance.
Because I work for a non-profit theater and we’re tax exempt.
…Which is okay, because we’re working on a modernized adaptation of Oedipus Rex.
…the half that leaves the theater before curtain call is over.
He’s a method actor getting ready for really challenging role.
It’s the first day off-book and Gary just needed a line call.
…Because they’re working on hitting their cues faster.
As Sherie Rene Scott would say, “The scary thing about theatre—it doesn’t live on… It doesn’t last. Only in people’s memories and their hearts. That’s the beauty and sadness of it. But that’s life—beauty and sadness. And that’s why theatre is life.”
Moving to a new city can be nerve wrecking but it can also be the greatest adventure of your life. For every success, you’ll have a step back (like moving into a building that vibrates.) You will make mistakes- but you’re a performer, role with it like you would on stage when someone drops a line. Prepare yourself the best you can and then do as you would in improve and say, ‘Yes, and….’
In “The Phantom of the Opera,” Christine Daae has a voice that stuns, awes and seemingly makes all the men around her fall madly and deeply in love with her. The Phantom adores her from afar as he teaches her how to sing, while her childhood sweetheart Raoul swoops in to sweep her off her feet after reappearing in her life. The two jockey for her affections throughout the musical (some in more violent ways than others), and the triangle reaches a head when The Phantom makes her choose between killing Raoul and spending the rest of her life with him. Talk about a high-stakes decision!
Best love song: “All I Ask of You” — and, of course, The Phantom’s reprise!
In “Chess,” leading lady Florence is caught between two bitter rival chess players from opposite sides of the world. She begins the show on the arm of Freddie, a hot-mouthed American, but slowly falls for the Russian Anatoly as she works to find some peace between the two in the midst of a heated chess competition. Complicating things further is Anatoly’s wife, Svetlana, making this a love rhombus.
Best love song: “I Know Him So Well”
In “A Gentleman’s Guide to Love and Murder” rising heir Monty Navarro is torn between the newly married vixen Sibella and his pious distant cousin Phoebe. The two couldn’t be more different if they tried, and they unknowingly vie for Monty’s affections as he systematically murders his other family members to inherit his family’s fortune. Unlike others on this list, Monty inexplicably lucks out in the end as each woman decides to be with him while being totally OK with the other one. Huh. Interesting twist.
Best love song: “I’ve Decided to Marry You”
Get the tissues out. In “Miss Saigon,” soldier Chris must confront his past when he finds himself at a crossroads between his wife, Ellen, and Kim, the woman he fell in love with during his last few days stationed in Vietnam. This is one of the more tragic triangles, with Kim blinded by her faith that Chris will come looking for her and Chris’ belief that she has died. And then there’s Ellen, who you want to hate but really can’t as she, too, even wonders whether she should step aside to let Kim and Chris be together.
Best love song: “I Still Believe”
In “Wicked,” everything seems to be going great for Shiz’s new “It” couple Glinda and Fiyero until, well, it isn’t. After setting free an imprisoned lion cub together, Elphaba and Fiyero share a moment where she sees him for who he is and they clasp hands. From then on, Fiyero struggles with his growing feelings for the soon-to-be Wicked Witch of the West, breaking the heart of his bride-to-be when he ultimately chooses her.
Best love song: “I’m Not That Girl”
You all knew this was coming. This list would be wholly incomplete without an appearance from the trio that puts the “miserable” in “Les Miserables.” Eponine is madly in love with her best friend, student Marius, but he falls in love nearly immediately with Cosette when she arrives in town. Eponine even goes along with helping Marius win Cosette’s heart by bringing him by her house and delivering a letter when he’s at the barricade. Eponine loves Marius until the very end, and in some versions of the show, it appears he may love her a little too.
Best love song: “On My Own” (duh)
Oof. Awkward.[/caption]
Angelicaaaa...Elizaaaaa...and Hamilton? This “Hamilton” love triangle might not be the most historically accurate part of the show, but from the moment the words “Me, I loved him” are sung, your heart is torn in two. Alexander never really has a choice between these two Schuyler sisters (Angelica made sure of that), but that didn’t stop her from loving him from afar as he married Eliza. Though Alexander is devoted to Eliza — well, as devoted as you can be when you’re repeatedly cheating on her with your mistress — but the flirtationship between the two is tough to ignore. We’ll forever be left wondering whether the comma after “Dearest” actually meant something.
Best love song: “Satisfied”
In another horribly depressing love story, Radames is stuck in the middle of his betrothed, Princess Amneris, and Nubian slave (and secret princess) Aida. First off, if you’re loved by not one, but TWO princesses, you should call yourself pretty lucky. But I digress. To complicate things further, Aida becomes the handmaiden of Amneris, and the two develop a deep friendship. The love these three have for each other culminates as the two lovers are sentenced to death and Amneris allows them to die together in a final act of mercy.
Best love song: “A Step Too Far”
In the easiest case of “He is SO not worth it,” aspiring singers Effie and Deena fall for the same man, their sleazy manager Curtis, in “Dreamgirls.” Effie falls hard for Curtis, but he sets his sights on Deena, delivering a double whammy when he makes her the star act of the Dreamettes and dumps a pregnant Effie. Luckily, the two wisen up in the end and kick Curtis to the curb as they reunite for one final concert. Bye, Felicia.
Best love song: “And I Am Telling You I’m Not Going”
Miscommunications land two friends in the middle of this complicated love triangle, as painter Jerry falls in love with a mysterious woman who turns out to be be in a relationship with his friend Henri. Lise struggles with deciding between the two men, torn between her newfound love for Jerry and feeling beholden to Henri for the role he played in saving her during the occupation of France.
Best love song: “An American in Paris”
It might not technically count if the love stories are playing out over two separate storylines, but If/Then’s Elizabeth is caught between two men who love her as her life diverges as result of a singular decision. Should she end up with her best friend, or the soldier she met on the street? Or, to even further complicate things, there’s the matter of the crush she has on her boss, Stephen. What role does fate play in all of this?
Best love song: “You Don’t Need to Love Me”
It’s a scenario seen in every teen movie ever made: As part of a bet, distinguished phonetician Henry Higgins wagers he can teach Cockney flower girl Eliza Doolittle to act like a distinguished woman. Over time, the two form a bond that is threatened when the newly distinguished Eliza
catches the eye of the aristocratic Freddy. It is then that Henry realizes he may have come to love her — but is it too late?
Best love song: “On the Street Where You Live”
In yet another love rectangle, things get complicated among performers right from the get-go in this Irving Berlin musical, “Holiday Inn.” Jim and Lila begin the musical planning to quit their performing trio and run a country hotel, but Lila abandons the plan — and Jim — at the last minute as she reveals she’s fallen in love with their third member, Ted. Things can’t get more complicated, right? Think again. A broken-hearted Jim later falls for Linda at his inn, but when a recently single Ted returns, he starts pursuing her as well. They say there’s plenty of fish in the sea, but it seems these two can’t help themselves when it comes to chasing the same ones.
Best love song: “White Christmas”
Broadway heartthrob Jeremy Jordan meets Hollywood A-lister Anna Kendrick in this film adaptation of Jason Robert Brown’s romantically raw musical. Scandal. Heartache. Goosebump-inducing harmonies. An ex-stripper roommate who owns a snake...it’s all here.
There’s no better way to spend your next night in than basking in the glory of Babs. Barbra Streisand flaunts some serious fashion choices and her award-winning vocal chops in this classic musical.
There are approximately 525,600 reasons to watch Rent. You only need one: It’s streamable on Netflix, so why not?
Make the best of these last summer nights by watching John Travolta and Olivia Newton-John in their prime. It’s truly one of a kind (like dip da-dip da-dip doo-wop da doo-bee doo...or whatever).
With broadcast-for-television musicals receiving plenty of mixed reviews, Grease Live seems to do it right. Instead of filming on a stage, this primetime special has a whole TV lot that they’ve transformed into the world of Rydell High. Plus, it stars a host of theatre vets.
$15.95
BUY NOW
Travel back to a time of peace, love and war in this unique story woven together with Beatles hits. It’s the perfect pick after a hard day’s night.
This 1950’s classic stars Fred Astaire. Can song and dance get any better?
The Demon Barber of Fleet Street is already ultra creepy. Put Sondheim’s music with Director Tim Burton’s bizarre, melancholy style and you get a movie that’s worth the watch (if you like meat pies, of course).
What’s the use of wonderin’ if you should or shouldn’t watch this timeless tale? It’s a Rodgers and Hammerstein musical full of tragedy, heart and beautiful ballads.
This seasonal classic gives you a warm, toasty feeling no matter the time of year.
There’s plenty of song, dance and laughs to go around. Add this one to your list!
Continue the Marilyn Monroe-athon by streaming this iconic movie. We promise you’ll stop humming “There’s No Business Like Show Business” eventually...
This beloved ogre tale is now transformed into a full-fledged stage production starring Sutton Foster and Brian d'Arcy James. A rare win for those of us wanting more stage musicals on Netflix, here's your chance to see the Broadway adaptation from the comforts of your home.
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[post_content] => Love life got you down? Get through it Theatre Nerd style with this Broadway soundtrack for the broken hearted thespian. A song for every type of romantic rejection.
Schönberg and Boublil are most well-known for a little musical tragedy called Les Mis. Their second show, however, chronicles a love story between an American soldier and a native from Vietnam, and is just as tragically beautiful.
Andrew Lippa’s roarin’ twenties musical carries a powerful story and has graced the stage with a number of big-name Broadway talent. Though overshadowed by big productions opening on Broadway the same year such as Jesus Christ Superstar, The Music Man and Kiss Me, Kate (all revivals), it definitely deserved more attention than it received.
Fans of Sondheim know that this Tony Award/Pulitzer Prize-winning masterpiece is one of the composer’s best. Unfortunately, popular Hollywood adaptations of Sondheim’s other works (i.e., Sweeney Todd or Into the Woods), Sunday in the Park seems to be overshadowed.
Nominated for Best Musical in 1998, Ragtime is believed--by many in the theatre community--to be snubbed. Weaving together a group of African Americans, European immigrants and American upper-class during the early twentieth century, this show combines spectacular music and a thought-provoking glimpse into history.
There’s no other musical quite like Piazza. It is based on the book by Elizabeth Spencer, and was written by Adam Guettel (the grandson of a little composer by the name of Richard Rodgers). This show is beloved by fans for Guettel’s unique songs. It blends classical-style music, opera and Italian as it tells a story about romantic love and the undying love of a mother.
As another Sondheim ‘hidden gem,’ this musical recounts the assassination attempts of various U.S. presidents...as told by the culprit. With the structure of a revue show and music styles spanning across decades, this morbid piece is flawlessly executed (no pun intended).
What’s better than a musical that parodies a musical? This whimsical comedy gives audiences that ‘classic Broadway’ feel, and for that we love it. Plus, there are plenty of catchy tunes and snappy dances to go around.
Fans of the iconic 90’s chick flick, You’ve Got Mail, are in for a treat. As the musical that inspired the Meg Ryan/Tom Hanks staple, She Loves Me is delicious in every way. Set in a time before e-mail (in this version, our protagonists are pen pals), we’re sure this show is sure to become a new favorite.
Breaking free from traditional Broadway style, The Last Five Years gives audiences a detailed look into modern relationships. Told from two very different perspectives, this musical is known for its innovative structure: From Cathy, the aspiring actress, we hear about the demise of the relationship; from Jamie, a successful writer, we hear about the romantic beginning.
This musical captures the heartfelt magic of the classic novel. It may not be a ‘mainstream’ hit, but hosts a collection of good music, good storytelling and gorgeous costumes. It also took home Best Book of a Musical back in 1991.
What do you get when you combine a Meryl Streep classic, the incomparable music of Jason Robert Brown, and modern-day Broadway stars, Kelli O’Hara and Steven Pasquale? Fabulousness. Reminiscent of both folk style and classic opera, Bridges may have been ahead of its time.
This musical doesn’t exactly follow the Adam Sandler/Drew Barrymore movie, but it does keep that fun and outrageous spirit. With plenty of upbeat music and an easy-to-love storyline, this underrated musical is totally one you need in your music library.
If you like your dazzling Broadway spectacle whacky and wild, On the Twentieth Century is your cup of tea. Created to parody a classic operetta, this hilarious musical follows a train from Chicago to New York City. Obviously, chaos ensues.
This Adler and Ross classic isn’t one you hear about often--but it’s full of fantastic dance numbers and songs you’ll be humming. This Broadway musical spawned popular numbers such as “Steam Heat” and “There Once Was A Man”.
While this astounding musical received plenty of acclaim in its time, we still think it’s severely underrated. Barbra Streisand (QUEEN!) originates the role of Follies girl Fanny Brice, both on Broadway and in the 1968 film version. For millennials, it doesn’t ring a bell like Hello, Dolly!, but remains a staple musical for both Babs and Broadway in general.
Props people are pretty well caricatured as over-anxious perfectionists desperately intent on protecting their wares. I’m not saying that we’re all like that, but like any good caricature, there is definitely some truth there. We can get a little edgy - but it isn’t our fault you know, it isn’t easy being a Properties Designer.
Do you even know exactly what a Props Designer’s job is? I’m only asking because I’ve worked as one for over 10 years, and it has never been made exactly clear to me. Every group, every person, seems to have a different idea of what constitutes a prop, and what all Props Designers should be in charge of.
If you believe the lists in the back of the Actor’s Edition of any script, Props are things carried on or off stage during the show. That’s the easy definition - the one most people understand - and the job would be a lot easier if this definition stuck. Another definition, a more comprehensive one, is anything that is not nailed down to the set - which, as you can imagine, really makes that list grow quite a bit.
You see, there are the hand props, but you also have costume props and set dressing. So you ask the Set Designer about who gets the furniture and dressing, and you check to see if the Costume Designer has specific wants for the hats and purses, and you coordinate with the Lighting Designer on the lantern that serves as the only light in a scene, and you work with the Sound Designer on the working 1920s microphone. So, you talk, and you negotiate, and you collaborate with the other designers and THEN you make your lists and hope beyond hope that you’ve thought of everything … But you haven’t, because all during rehearsals, you’ll be getting notes of new things that need to be gotten - and lots and lots of reminders of things that you already know.
So, now you have your ever-fluctuating list. Now what? Well, if you’re lucky, you are working on a show set in modern time, and you can just run out to the store and pick up what you need, or find it in props storage (again, if you’re lucky enough to have one). If you’re not-so-lucky, than you have to do research - a LOT of research. You’d be surprised how much obscure history you have to learn as a Props Designer. For instance, did you know that barcodes were not placed on products until 1974? And ballpoint pens were not commonplace in the home until the late 50s, early 60s? You need to know this kind of thing if you want to do Props for show.
But even this is subject to change, because it is not your job to be 100% historically accurate - unless you are directed to be so, which you never are, because like all Designers, we make a world that is at the intersection of: What Is Right, What The Director Wants, and What The Audience Will Believe … oh yeah, and What Is Possible (that last one is the most important - budget rules our artistic lives).
Getting/Making the props can either be where all the fun is, or the most stressful part. It is different for every one, for every show, every time. Me? I love it. Essentially we get paid (if you’re lucky) to shop and do crafts. Do you like flea markets, rummage sales, thrift shops, antique malls, Arts & Crafts and Hardware Stores? Let’s hope so, because you spend a large amount of your time at one place or another, searching for the things you need.
Sometimes that obtaining process is … a bit of a challenge. I can’t say that I know this for a fact, but I’m pretty sure that all good props designers are probably on some kind government watch list. Have you ever done Twelve Angry Men? Or West Side Story? How about Wait Until Dark? Or Sweeney Todd? Or Assassins? Do you think it’s easy to get weapons without arousing suspicions? Switchblades and Brass Knuckles are illegal - but props designers everywhere have to find them, or at least find realistic look-alikes. Weapons are hard, but there are more embarrassing things in a props designer’s life: Soap-on-a-Rope, nazi arm-bands and flags, severed limbs, several Red G-strings, ingredients for meth, vibrators, joints, handcuffs, pills, chains, pipes … the list goes on and on, and those are just the things I’ve had to buy - you don’t even want to know some of the things I had had to make!
But the worst? The worst is Food Props. Yes, Actors, that’s right. We have something in common. I’m fairly certain that we can all get together on this: Food Props just suck. For everyone. Trust me, Actors, I empathize with you, and trust me, it is no fun for us either: it is a drain on our budget; we have to work within everybody’s dietary restrictions; they’re a pain to keep replacing and making every day; and if they actually are good, they have a tendency to disappear.
But there is one thing to be said about Props Designers and Food Props: Jesus isn’t the only one who can turn water into wine. We can too - and we’ll even do you one better and turn it into whiskey, scotch, tequila, rum, you name it, we do it. All for you actors, all for you!
You see? We don’t hate actors. It’s true, you sometimes drive us crazy, but we don’t hate you. We need you as much as you need us. We also appreciate you. There is nothing so satisfying as an actor who takes a special interest in our props. Someone who really owns it, and uses it to their character’s advantage. It sounds silly, but other Props Designers will understand - it’s the little things in life.
Like most Designers, for us Props people, we don’t look for recognition from the average theatre audience member. I mean, what do you think someone would say if you went up to them after the performance and asked what they thought of the props? There are some exceptions, but most of the time, if the audience didn’t take notice of it, it means we didn’t do anything wrong - and we celebrate!
Still, the next time you work on a show, take note of the Props and Dressing around you. Sometimes a Designer will find a way to leave their mark somewhere - either hidden on set, or taped to the furniture, or written in the notebook. Take notice of their work, and respect it …
That’s our boy on the left[/caption]
She graduated from Fordham University School of Law, she’s a lawyer...oh! and also a scientist.
Release Date: September 25, 2015
Votes: 86 Theatre Nerds
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Release Date: December 16, 2003
Votes: 74 Theatre Nerds
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Release Date: February 7, 2012
Votes: 68 Theatre Nerds
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Release Date: 1985
Votes: 61 Theatre Nerds
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Release Date: December 10, 1991
Votes: 57 Theatre Nerds
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Release Date: January 19, 1988
Votes: 53 Theatre Nerds
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Release Date: October 22, 2013
Votes: 49 Theatre Nerds
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Release Date: August 27, 1996
Votes: 47 Theatre Nerds
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Release Date: May 12, 2009
Votes: 42 Theatre Nerds
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Release Date: October 7, 2003
Votes: 38 Theatre Nerds
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Release Date: December 12, 2006
Votes: 37 Theatre Nerds
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Release Date: 1964
Votes: 33
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Release Date: July 17, 2007
Votes: 28
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Release Date: 1971
Votes: 26
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Release Date: May 11, 2004
Votes: 23
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Release Date: 1982
Votes: 20
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Release Date: August 13, 2002
Votes: 19
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Release Date: May 15, 2012
Votes: 17
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Release date: July 8, 2016
Votes: 16
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I’m ‘a get a scholarship to King’s College / I prob’ly shouldn’t brag, but dag, I amaze and astonish…”
Though King’s College is now known as Columbia University, this institution is where Hamilton got his education after arriving in America. While you’re strolling around the grounds, turn up “My Shot” and “Farmer Refuted” and imagine what it was like to study here in the midst of a revolution. Outside Hamilton Hall, snap a shot or two of the statue of the ten-dollar Founding Father. Afterward, head down the street to the worshipped Hamilton Deli (otherwise known as Hamdel) for a sandwich that will guarantee that “you’ll be back.”
“Two Virginians and an immigrant walk into a room, diametrically opposed foes...”
If you want to be in the room where it happens, head to the Thomas Jefferson Residence at 57 Maiden Lane. Jefferson rented out this space while he was serving as secretary of state, and it is the spot of the infamous dinner between Hamilton, Jefferson and Madison that settled the Compromise of 1790 (and none for Aaron Burr, bye!) Though the home is no longer standing, there is a plaque you can read and take pictures of that commemorates the site’s history.
“Eliza, do you like it uptown? It’s quiet uptown…”
Hamilton’s love for the city of New York is a prevalent theme throughout the musical, and though he only lived in this Harlem estate for two years before his death, it’s a can’t-miss stop for any Hamilton fan. Press pause on your 100th listen to “It’s Quiet Uptown” and take a break to check out the interactive exhibit in this Federalist-style home. The National Park Service website for the Hamilton Grange does advise you to arrive 30 minutes before the time you’d like to take a tour — believe it or not, its popularity has been kicked up a notch over the past year!
“Weehawken. Dawn. Guns. Drawn.”
“You’re on.”
A tour of the best Hamilton landmarks would be incomplete without a trip across the Hudson into Jersey — everything is legal in New Jersey. Weehawken is the site of not one, but two deadly duels in the show as both Phillip and Alexander Hamilton faced off with their enemies there. Though the original site has been covered up by train tracks, you can still check out a monument while you’re there and imagine what it was like for Hamilton and Aaron Burr to let their political rivalry reach such a violent point. And, of course, you won’t be able to help humming “The Ten Duel Commandments” under your breath.
“She is buried in Trinity Church near you…”
Hamilton spent his entire life working tirelessly to secure his legacy in history, and Trinity Church Cemetery is the perfect place to go pay your respects. Eliza Hamilton, Angelica Schuyler and Phillip Hamilton are buried here as well. The epitaph on Hamilton’s tombstone honors him with these words:
While Smash may have not been a smash hit among the masses, it’s a delicious watch for anyone interested in what it takes to bring a Broadway workshop all the way to Opening Night. Starring Debra Messing, Katharine McPhee and a host of Broadway favorites (Megan Hilty, Christian Borle, Will Chase and Brian d'Arcy James to name a few), the series chronicles the creation of Bombshell, a musical based on the life of Marilyn Monroe. Smash includes a stellar soundtrack, epic choreography and the perfect amount of scandal and drama.
How To Watch? AMAZON
To watch or not to watch Slings & Arrows? This is no question! Slings and Arrows traces the lives of the cast and crew of the “New Burbage Shakespeare Festival” (loosely based on the Stratford Festival). This canadian series, which ran in the late ‘90s a hidden gem for any thespian. Each of the shows three seasons focuses on one season the festival and one production in particular - “Hamlet,” “MacBeth,” and “King Lear” respectively. Following the ups and downs of a mentally unstable artist director, recently returned from a stint in an institution, and a whole host of actors, crew-members and festival managers, this show gives you characters that you have met in your own life as a theatre nerd, but are at the same time unique and original. Oh! And there’s a theatre ghost too!
(This one is Theatre Nerd’s Editor in Chief Ben Bailey’s absolutely favorite btw)
How to watch? AMAZON
Say what you will about Ryan Murphy’s overdramatized, far-fetched comedy---Glee brought plenty of famous theatre tunes to light during its six-season reign. Once you’ve accepted that outrageous plotlines and petty high school bickering are the norm, it’s easy to appreciate the unique renditions of “Don’t Rain On My Parade” or “Defying Gravity.” This is the perfect show to binge-watch over a bowl of ice cream or a big old glass of wine.
How to watch? AMAZON
Technically, this one’s a documentary...but it’s the perfect choice for theatre nerds who love reality TV! Think of Broadway or Bust as the So You Think You Can Dance of theatre. The show takes 60 of the best performers from high schools across the nation and puts them to the test (what would reality TV be without a competition?). Aspiring actors undergo a rigorous song and dance boot-camp and give showstopping performances.
How to watch? PBS
Actress Penny Reilly dreams of making it big in NYC, but it’s not all glitz and glam. This hilarious web series dives into the dog-eat-dog audition process and spotlights a star-studded cast. It features cameos from Chita Rivera, Audra McDonald, Lin-Manuel Miranda, Adam Pascal, Kristin Chenoweth, Kelli O’Hara, Danny Burstein and more. What theatre nerd wouldn’t want to watch this?
How to watch? submissionsonly.com
1. Be Prepared
Being prepared in every possible way is sure to make you stand out as a true professional. i.e.: Be warmed up, physically and vocally, have your headshot and résumé (plus extra copies), carry your sides, know the character, understand the project and the tone of the script, and be aware of who’s in the room. As the saying goes, “Success happens when preparedness meets opportunity.”2. Be On time
Being on time is super important. Perhaps you won’t stand out for being on time, but you’ll definitely stand out for being late- and not in a good way. Being on time shows that you are a professional and you value both your time and the casting director’s time.3. Slate Professionally
Having proper audition technique is a must. Slate accordingly and don’t do any ‘green’ actor ticks that make you look like a newbie or a hack. No last minute tongue twisters in front of casting or strange turns into character. Say your name, take a beat, and begin.4. Dress Appropriately
No matter what the character, dress in a way that shows a hint of them. If you’re auditioning for a Queen don’t wear a ballgown, but simply something that shows you have class and poise. Most importantly, always dress with respect for yourself.5. Be confident
Go in and do the best you can do and be happy with that. Don’t seek validation, it’s needy and casts doubt over your entire performance.6. Be Kind
Be kind to the other actors in the waiting room, to the monitor, to the receptionist, to the security guard- to everyone. First of all, you never know who’s watching, and secondly, you should be kind regardless because it generates positive energy, which is good for everyone.7. Take Direction
Be pliable. Even if you disagree with the direction given just go with the flow.8. Connect
When you go in front of casting, try to connect with them on a human level instead of putting them on a pedestal. Ask them how they are doing and try to strike up a quick convo on something you can both connect on. Be aware of time and your surroundings; don’t be overly chatty if you sense they are rushed.9. Discover Something Different
This is one of the most important things you can do. A hundred other actors just read the same copy as you did with basically the same instincts. Find a moment in the script where you can add something surprising and unexpected, while remaining true to the scene. This is your chance to let your creativity shine.10. Reinvigorate Your Material
If you’ve been doing the same tired monologue over and over again- mix it up. Try something that scares you. Taking a risk is always noticeable.11. Show You Care
If you connected with the script or the character let the casting director know. It never hurts to mention that you really loved the story, or that you found the character eerily similar to you.12. Be Uniquely You
Find a way to allow what makes you unique, shine through the copy.13. Do Something Unexpected
If an opportunity to mix up the material arises- take it. If they aren’t specific that your monologue/scene comes from a play, take one from a lesser known movie or television series. As long as it fits the needs of what they may be looking for and it’s okay to do so- it’s a great chance to do something they’ve probably never seen before instead of the same tired Heidi Chronicle monologue.14. Gender-bender
Try doing a scene or a monologue written for the opposite sex. It adds a fun twist and when done correctly it can really turn heads.15. Do your Research
It’s impressive when an actor knows how to properly pronounce the strange word in the script, or understands the odd historic reference. It also makes you look super smart- which never hurts.16. Ask Genuine Questions
If you have a genuine question about the script or character, ask it. But don’t waste time by asking arbitrary questions just to stand in front of casting for a few moments longer.17. Find the Button
Whether it’s commercial copy or a comedic scene look for a button. Find it, then end strong with it. When actors don’t hit the button it’s equivalent to never receiving the sweet satisfaction of hearing the other shoe drop.18. Make a Strong Choice
The most important thing above all else is to make a choice, a strong choice, and then stick with it. Don’t change your mind in the middle of the scene- for better or for worse, ride that choice to the end.Have another tip for standing out at auditions? Leave a reply below...
[post_title] => 18 Ways To Stand Out At An Audition [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 18-ways-to-stand-out-at-an-audition [to_ping] => [pinged] => [post_modified] => 2016-10-27 10:03:41 [post_modified_gmt] => 2016-10-27 14:03:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=5278 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 9 [filter] => raw ) [1] => WP_Post Object ( [ID] => 4407 [post_author] => 440 [post_date] => 2016-10-26 09:04:55 [post_date_gmt] => 2016-10-26 13:04:55 [post_content] => We’ve all been there. A deadline is looming, and you have hit a wall. It could be procrastination, where you become suddenly interested in crocheting or inventorying your entire closet or learning Japanese, all in the name of avoidance. It could also be that the ideas have run out. Or even that you simply lack the stamina to finish. Fear not, here is a playlist to help get those creative juices flowing and kickstart your motivation (ironically I used this list to help me stop procrastinating finishing this piece):1. "My Shot" from Hamilton
https://www.youtube.com/watch?v=NwlBxYyjrqM All of the odds were against him, and he pushed through.2. "The Wizard and I" from Wicked
https://www.youtube.com/watch?v=uZyQwjVRT5c While ‘Defying Gravity’ seems like the more obvious choice, this song is so uplifting while also being about achieving big dreams.3. "Don’t Rain on My Parade" from Funny Girl
https://www.youtube.com/watch?v=TeyY2TPc35c Get out of my way, a train of awesome coming through.4. "Seize the Day" from Newsies
https://www.youtube.com/watch?v=DLRKUCXzfHM Band together with those in your situation. There are others out there!5. "Finale B" from Rent
https://www.youtube.com/watch?v=gH1pm5AMtLY We have to make every moment count because we don’t know when our time is up. It is hopeful while also being motivational.6. "School of Rock" (Teacher's Pet) from School of Rock
https://www.youtube.com/watch?v=OI0_3Z1Hkoo Don’t worry about being what everyone else says you should be, go after your passions.7. "Middle of a Moment" from James and the Giant Peach
https://www.youtube.com/watch?v=z_fEIZOv0JY It can feel like this time is going to last forever, but there is light at the other side of your tunnel.8. "Son of Man" from Tarzan
https://www.youtube.com/watch?v=F4-aVBsavH4 The journey is just as important as the destination. This moment will one day be part of the ‘working on it’ montage in the movie of your life.9. "Something’s Coming" from West Side Story
https://www.youtube.com/watch?v=5FkcZYdwSlA Your future it out there, just waiting for you to take hold of it and make it incredible.10. "So Much Better" from Legally Blonde
https://www.youtube.com/watch?v=1hKrd0QFMYo You can achieve anything you set your mind to and don't let anyone tell you otherwise.11. "Let Me Be Your Star" from Smash
https://www.youtube.com/watch?v=KQwmnn8oarg (okay, not technically Broadway but...) This is your chance to dazzle them with your talents and abilities, make it count.12. "I Have Confidence" from The Sound of Music
https://www.youtube.com/watch?v=9PX9SIQdCjs Channel your inner Julie Andrews. Between her and her character, there is no confidence lacking. Borrow some.13. "Do You Hear The People Sing" from Les Miserables
https://www.youtube.com/watch?v=to1PCOpLcYU You will not be a slave to this deadline anymore!14. "Revolting Children" from Matilda
https://www.youtube.com/watch?v=gYXjYJNPbgI Sometimes you have to break the rules and think outside of the box.15. "And I’m Telling You I’m Not Going" from Dreamgirls
https://www.youtube.com/watch?v=0GxiXg5WfO4 You’re winning them over already, keep it up! You! Yeah, you! You’re going to love me!16. "Wait For It" from Hamilton
https://www.youtube.com/watch?v=2nUEhZyF6mU Your incredible future and your big break, are all coming soon, just hang on and wait for it.What Broadway songs get you ready to crush it?! Leave a reply below...
[post_title] => This Broadway Playlist Will Get You Motivated To Crush The Day! [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => this-broadway-playlist-will-get-you-motivated-to-crush-the-day [to_ping] => [pinged] => [post_modified] => 2016-10-26 12:37:22 [post_modified_gmt] => 2016-10-26 16:37:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4407 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [2] => WP_Post Object ( [ID] => 4832 [post_author] => 395 [post_date] => 2016-10-24 10:41:11 [post_date_gmt] => 2016-10-24 14:41:11 [post_content] => We all know the feeling. You’ve gone through a lengthy audition process, been thanked for your time and told that roles will be posted outside the director’s classroom within the next two days. You walk into school. Your palms sweat and your mouth goes completely dry. Over the sound of slamming lockers and morning announcements, you can hear a slight din from the small crowd gathered around a single piece of paper. The font is too small to read over everyone’s head, so you gently shove your way to the front until it’s there, right in front of your face, in full view. The cast list. Whether you get the part of your dreams or this show isn’t for you, the following are 13 thoughts you’ll likely have as you peruse the cast list in search of your name:1. I AM A SUPERSTAR!
Whether you land the lead or are just thrilled to see your name up on that list (Elle Woods, anyone?), there’s no describing that combo feeling of relief and joy that rushes through your veins as you realize your slot in the show has been secured. Pat yourself on the back, you superstar —
2. What did I do wrong?
You didn’t get in. It hurts. It really hurts. And it’s going to hurt for a while, especially when you have to hear about the show for months on end and then eventually see it hit the stage. It’s OK to be sad and disappointed and angry, so grab some Ben & Jerry’s, distract yourself with other activities and try to remember that, there’s always next year.
3. How on earth am I going to learn all those lines?
Once the initial shock of landing a speaking role wears off, reality sets in: You’re going to have to learn a helluva lot of lines to make it from the beginning to the end of the show. Now is a good time to buy some stock in yellow highlighters — you’re going to need more than a couple!
4. Welp! There goes my social life!
Being in a show is an incredible, life-changing experience. But as everyone will tell you, it has the tendency to zap your social life into tiny microscopic — if not nonexistent — pieces. Get used to calling your castmates your “Theatre Family,” because they’re the only members you’re going to be seeing for the next two months.
5. How did he/she get that part over me?
Theatre rivalries are a tale as old as time, and sometimes you can’t settle them over a sing-off of “Anything You Can Do, I Can Do Better.” When it comes down between you and someone else for a role and you don’t get it, it’s fine to feel frustrated, so long as you don’t make your disappointment public. Bring your best to the role you’re given, and you’re sure to stand out anyway!
6. I have to kiss HIM/HER?!
Unless you miraculously get paired off with your longtime crush and this is the opportunity of a lifetime, chances are, you’re going to have to smooch faces with someone you’re not necessarily jazzed up about. Hopefully, your director won’t make you rehearse over and over again!
7. Ooh, a challenge!
So, the part you got was a bit of a stretch from what you were expecting — congrats! However, this is not the kind of role you can easily breeze through without some focus. The moment you walk away from the cast list, you’re ready to crank up your favorite Broadway pump-up playlist, start practicing those lines in the mirror and live and breathe your part. So what if it’s a challenge? It’s your time to shine.
8. I’m so happy for my friends!
Even if you’ve ended up in the chorus for the third year in a row, that doesn’t mean you aren’t incredibly excited for your friends who snagged leads. Jump around in a group hug, squeal a bit and make a scene as you celebrate the fact you’ll all be able to hang out together after school for weeks upon weeks.
9. How many solos do I get?
Sometimes you just can’t help yourself. Count ‘em up, compare them to everyone else in the show, and then move on. Whether you’re dominating the solo arena or have a single word to pipe out, it’s cause to celebrate!
10. Oh...duh!
Sometimes you just know from the get-go which part you’re going to get. Maybe your director let something slip, or a role just seemed so suited to your personality that there was no way you weren’t getting it. In this case, the big reveal warrants nothing more than a shoulder shrug and an “Oh, that makes sense!”
11. How quickly can I get the script?
From the second you find out what part you get, you want to get this show on the road. In fact, you’re the one who leads the march into your director’s office so you can beg and plead to be handed the script before rehearsals even start. Let the memorization begin!
12. I CAN’T WAIT TO WEAR THAT COSTUME!
You can get just as excited about wearing a costume as you do about your lines and solos. Whether you’re busting out an iconic costume a la Roxie in “Chicago” or The Phantom in “Phantom of the Opera,” or just get to wear a sparkly over-the-top ridiculous wedding dress, it’s beyond exciting that you’ll get to ditch your typical wardrobe for something out of this world for a while.
13. What if I’m not good enough?
After the surprise and glee wears off, self-doubt has a way of settling in. You think that there must have been a mistake, there’s no way you can take on a part like this! However, your director chose you for a reason — because they believe in you — and you are absolutely going to nail this role. That uncertainty will only push you to work harder.
Reading the cast list after it’s posted can be an experience as dramatic as the show you’re performing, whether you get the part of your dreams or get let off the list entirely. Regardless of how the process shakes out, remember to be thankful for the roles you do get and remember that there will other be other shows you can try out for!
What goes through your mind upon seeing the cast list? Leave a reply below...
[post_title] => 13 Thoughts You Have When The Cast List Goes Up [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 13-thoughts-you-have-when-the-cast-list-goes-up [to_ping] => [pinged] => [post_modified] => 2016-10-24 10:41:11 [post_modified_gmt] => 2016-10-24 14:41:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4832 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [3] => WP_Post Object ( [ID] => 5103 [post_author] => 440 [post_date] => 2016-10-23 10:26:29 [post_date_gmt] => 2016-10-23 14:26:29 [post_content] => It’s hard to make it through October without getting sucked into the vortex of watching Hocus Pocus or It’s The Great Pumpkin, Charlie Brown multiple times on television. There’s something so lovely and familiar about both of these films that always signals the arrival of the Halloween season. But just incase you were looking for something a little different to take in, of the more musical variety, I’ve compiled a few options as you gear up for All Hallows’ Eve.Here are five musicals to help ignite that Halloween spirit:
Rocky Horror Picture Show
A cult classic but worth all of the hype. If you are looking for something less dramatic and more comedic, this is for you. The original film heralds from 1975 and is a tribute to science fiction, horror and the punk-rock scene in Britain. Kenny Ortega (of Newsies and High School Musical fame) has helmed the star-studded remake, set to air on October 20th on Fox. Or if you are looking to catch the original, check out nearby cinemas, as there are frequent showings of the film where viewers are encouraged to come in character. Start brushing up on your Time Warp now!
Watch the film version on Amazon
Little Shop of Horrors
Alan Menken is the composer behind this musical. Sound familiar? He’s composed the score for many a Disney hit including Aladdin, Newsies, Little Mermaid and Beauty and the Beast. Needless to say, the music is great. Little Shop is comedic horror in the same vein as Rocky Horror, about a cannibalistic plant. The film adaptation from 1986 boasts some of Hollywood’s finest comedy actors including Steve Martin, Billy Murray, Ellen Greene and Rick Moranis.
Watch the film version on Amazon
Phantom of the Opera
I love to watch this every year in October to get me in Halloween mood. If you haven’t seen Phantom, stop whatever you are doing and watch it right now. The 1986 musical is one of Andrew Lloyd Webber’s finest pieces of work, based on the dark and romantic novel by Gaston Leroux about a disfigured musician who becomes deeply obsessed with a beautiful opera singer. The movie version is good, however, if you have not seen the 25th-anniversary version at Royal Albert Hall, definitely give that a look. Sierra Boggess is stunning as Christine, but it is Ramin Karimloo who steals the show with his performance as the tortured Phantom.
Watch the film version on Amazon
The Addams Family
What more can I say but "They're creepy and they're kookey. Mysterious and spookey. They're altogether together ookey. The Addams Family." This old story of the quirky family has been told in film, book, and finally a Broadway musical in 2009. A popular musical for high school & community theaters to put on during the dark days of fall.
Want to get in the mood? Listen to the soundtrack
Sweeney Todd
It doesn’t get much darker than Sweeney Todd. Originally a play about a sadistic barber who kills his clients and hands them over to be made into meat pies, Sondheim worked his magic, and this musical thriller took flight in 1979. Johnny Depp earned an Oscar nod for his role in the Tim Burton film adaption, which heralds an incredible cast of Hollywood talent including Helena Bonham Carter and the late Alan Rickman.
Watch the film version on Amazon
*Note: 2007 film version also currently available on Netflix (U.S.)
Young Frankenstein
What says Halloween more than a trip to Transylvania. This monstrous (pun intended) Mel Brooks film was adapted into a successful Broadway musical in 2007.
Young Frankenstein tells the story of the grandson of Victor Frankenstein, Frederick Frankenstein (pronounced "Fronk-en-steen"). With his hunchbacked sidekick, Igor (pronounced "Eye-gore"), and lab assistant Inga (pronounced normally), he follows the footsteps of his ancestors to bring a treacherous monster to life. When the monster escapes, that's when things get silly.
I mean, what could be better than a monster singing & tap dancing to puttin' on the ritz
https://www.youtube.com/watch?v=w1FLZPFI3jc
Jekyll and Hyde
Based on the famous horror story by Robert Louis Stevenson, this musical tells the tale of a young doctor who takes a potion to transform into an evil sociopath that commits crimes and then returns to his former self. The musical premiered in 1990 and opened on Broadway in 1997. There is a DVD recording of a performance from 2000 starring David Hasselhoff in the title role. If you are looking for something more dramatic, this is a solid choice.
Get film version on Amazon
You May Like: Which Broadway Character Should You Be For Halloween?
Have a favorite musical that gets you in the Halloween mood? Let us know in the comments below…
[post_title] => 7 Musicals To Get You In The Halloween Spirit [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 7-musicals-to-get-you-in-the-halloween-spirit [to_ping] => [pinged] => https://theatrenerds.com/which-broadway-character-should-you-be-for-halloween/ [post_modified] => 2018-10-07 16:46:41 [post_modified_gmt] => 2018-10-07 20:46:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=5103 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 5 [filter] => raw ) [4] => WP_Post Object ( [ID] => 5243 [post_author] => 1 [post_date] => 2016-10-22 18:10:37 [post_date_gmt] => 2016-10-22 22:10:37 [post_content] => Watch the complete behind the scenes documentary of the smash-hit Hamilton right here on TheatreNerds.com. (full screen version available after you hit the play button)Need an intermission? Take these Hamilton quizzes:
Which Hamilton Character Are You?
Just How Hamilton Obsessed Are You?
How Well Do You Know These Hamilton Lyrics?
Finished with the documentary? Let us know what you thought in the comments below...
[post_title] => Watch The Complete "Hamilton’s America" Documentary Here [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => watch-hamiltons-america-documentary [to_ping] => [pinged] => [post_modified] => 2017-07-06 11:29:59 [post_modified_gmt] => 2017-07-06 15:29:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=5243 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [5] => WP_Post Object ( [ID] => 5151 [post_author] => 11 [post_date] => 2016-10-22 10:08:55 [post_date_gmt] => 2016-10-22 14:08:55 [post_content] => [viralQuiz id=18] [post_title] => Quiz: Can We Guess What Type Of Thespian You Are Based On Your Starbucks Order? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => can-we-guess-what-type-of-thespian-you-are-based-on-your-starbucks-order [to_ping] => [pinged] => [post_modified] => 2016-10-22 10:16:08 [post_modified_gmt] => 2016-10-22 14:16:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=5151 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [6] => WP_Post Object ( [ID] => 5121 [post_author] => 190 [post_date] => 2016-10-21 09:51:45 [post_date_gmt] => 2016-10-21 13:51:45 [post_content] =>Are you a Drama Actor or Comedy Actor?
It’s a common misconception that acting is broken down into comedy and drama, and that actors have “chosen” one side or the other. The truth is that acting is acting is acting. To say that I’m a “comedic” actor implies that I will intentionally play a character “funny,” which isn’t the case. An actor’s job is to live truthfully in a character. Think about your friends. Are they either a “funny person” or a “serious person?” Nope. They’re just people. Sometimes they might make a joke, sometimes they cry. Characters are the same way. Actors don’t approach it from an idea of “being funny” or not.
How do you memorize all those lines?
I always think this is the goofiest compliment (?) to get after a show. Like, if I ever play Hamlet, and the first thing someone says to me after was “Wow! That was a lot of lines!” I’m gonna feel pretty crappy. Memorizing your lines is the BARE MINIMUM thing you have to do. It’s like telling a painter “Hey! GREAT job getting the paint on the canvas!!” and not saying anything about the actual painting.
See you on the Big Screen soon?
Or “When will I see you on TV?” Well. Not everyone will be on TV. But that doesn’t mean that they’re not kicking ass and taking names off screen. The theatre industry is HUGE. Just because you haven’t seen someone on TV doesn’t mean that they’re not successful.
Oh... that's a tough industry
How is someone supposed to respond to this one except for the ole' "yep". Acting is a tough industry, but the variety of jobs may surprise some people. Sure, there are movie and big stage bookings. However, many don't consider the gigs that can keep actors paid, such as: extra work, voice overs, educational & instructional videos, etc. Many worthwhile and rewarding industries are tough, acting just seems to be an easy parental target.
Stage Acting or Movies?
Kinda like #1, these two things aren’t mutually exclusive. Actors can be constantly flowing between stage work and film. It’s not necessarily something you have to choose. Plenty of actors do both.
So can you make yourself cry right now?
Is this some secret acting test? I’ve cried in a performance like...once in my life. And that was also by far not my best performance. There are soooooo many ways that people express sadness, and crying is just one of those ways. I’m not a big crier in real life, but I’m still experiencing a full range of emotions. Crying is not a requirement in order to “prove” that you’re sad. I went to see Chris Colfer speak in New York, and a member of the audience asked him “how do you cry so well?” His response: “It’s actually like a glandular thing. Like, I squeeze my eyes a certain way and they just tear up.”...Lucky son of a gun.
In another life I would have done that.
This sentiment is so bittersweet. It makes me sad that they didn’t feel like they were able to fully explore and pursue something that they’re obviously passionate about. It also makes me so grateful that I have the opportunity.
So... what's your 'backup' plan?
This classic phrase haunts 99.99999 percent of all actors trying to make it in the industry. We don't have a backup plan because this is a legitimate business (that requires school and experience just like any other profession). Sure, we may be an actor who's currently waitering, but we are not a waiter who's currently acting.
Well cool! Keep following your dreams.
Corny, but by far the best response out there.
What crazy/funny things do your friends parents say to you? Leave a reply below...
[post_title] => Things My Friend’s Parents Say When They Find Out I’m An Actor [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => things-my-friends-parents-say-when-they-find-out-im-an-actor [to_ping] => [pinged] => [post_modified] => 2016-10-21 09:54:03 [post_modified_gmt] => 2016-10-21 13:54:03 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=5121 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [7] => WP_Post Object ( [ID] => 5089 [post_author] => 714 [post_date] => 2016-10-19 10:13:50 [post_date_gmt] => 2016-10-19 14:13:50 [post_content] => Tony Awards season can feel like Christmas for thespians across America. You count down the days until the 2nd weekend in June, and make a wish list of cast albums you need to get your hands on ASAP. From revivals to ‘revolutionary’ new shows, this past Broadway season provided so many possibilities to expand your audition book. Save yourself from singing something that casting directors have heard thousands of times, and pick your next audition room success story fresh off the Great White Way!1. “When He Sees Me” from Waitress
Range: Ab3 - Eb5 The Sara Bareilles musical based on the 2007 film, Waitress tells the story of Jenna, a waitress who becomes pregnant and falls in love with her gynecologist. Meanwhile she hopes to enter a pie-baking contest in order to have the funds to leave her dysfunctional marriage. Sung by the one of Jenna’s fellow waitresses, Dawn, this song is a humorous uptempo about the anxiety of going on a first date. It’s cute, has solid character development, but has more depth than your average uptempo audition song. https://www.youtube.com/watch?v=l290icCebDk2. “Higher” from Allegiance
Range: G3 - D5 Allegiance is the musical inspired by the life of George Takei, and follows the story of a family in a Japanese internment camp during World War II. Lea Salonga slays this beautiful, heart-breaking, girl-power ballad. I personally love this song because I feel like women of any age can relate to this message. https://www.youtube.com/watch?v=-Cb2f09OS-U3. “She Loves Me” from She Loves Me
Range: C4 - D5 This title song from Harnick and Bock’s musical is a little too adorable, especially in the most recent revival with Zachary Levi. After a flirty encounter with his co-worker Amalia (Laura Benanti) after bringing her ice cream to cheer her up, Georg (Zachary Levi) walks down the street, giddy with butterflies, that he has found an unexpected love. https://www.youtube.com/watch?v=bwUzteO1Nsc4. “Top of the World” from Tuck Everlasting
Range: A3 - G#5 Tuck Everlasting tells the story of eleven-year-old Winnie who runs away from home and meets Jesse Tuck. Jesse drank water from a spring that grants eternal life, and will forever be 17-years-old. This song is perfect for the youthful male protagonist. Plus, Andrew-Keenan Bolger is always swoon-worthy. https://www.youtube.com/watch?v=BDrQvtP2w9k5. Come Out Of The Dark from On Your Feet
Range: E3 - E5 The musical that tells the story of Emilio and Gloria Estefan brings their classic songs to the stage. Originally performed by Gloria Estefan, this ballad has such a cool melody and a whole lot of soul. https://www.youtube.com/watch?v=D3phWULcMrw6. If Only You Would Listen from School of Rock
Range: A3 - D5 Based on the 2003 movie starring Jack Black, School of Rock is about a rock guitarist/singer who finds himself as a substitute teacher for a 4th grade class. He taps into the students’ musical talent and prepares them to compete in Battle of the Bands. This song from School of Rock is a better alternative to the cringe-worthy “Castle on a Cloud” or “Maybe” for child actors. The kids of School of Rock sing about the difficulties of feeling like their voices aren’t heard or valued by adults in society. It can be hard for child actors to find songs, but this one can definitely show the audition panel that you can be taken seriously. https://www.youtube.com/watch?v=Tpg0hEeCZcs7. You’ll Be Back from Hamilton
Range: D3 - C5 One of the more “classic” musical theatre songs from Lin-Manuel’s new hit, “You’ll Be Back” is the perfect arrogant-villain song. I could imagine someone picking this song to audition for Gaston in Beauty and the Beast. Although, I’d hurry and use this one before Hamilton is added to “overdone” and “do-not-sing” lists everywhere! https://www.youtube.com/watch?v=fdxLohjwhoQ8. The Sailor of My Dreams from Dames at Sea
Range: C4 - F5 Originally off-Broadway with Bernadette Peters, and recently on Broadway with Eloise Kropp, Dames at Sea tells the story of a chorus girl who comes to the Big Apple, gets a role on Broadway, and quickly rises to stardom. In this song, Ruby sing about Dick, a songwriter and sailor who she has developed feelings for. https://www.youtube.com/watch?v=tiJH9Pr3ZiQ Keeping up to date with Broadway’s newest shows can put you at an advantage during auditions. Casting directors are less likely to have heard your song, but are probably at least aware of the show it is from.Do you have a favorite song from a current Broadway show? Share it with us below...
[post_title] => 8 Great Audition Songs From The 2015-2016 Broadway Season [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 8-great-audition-songs-2015-2016-broadway-season [to_ping] => [pinged] => [post_modified] => 2016-10-19 22:59:18 [post_modified_gmt] => 2016-10-20 02:59:18 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=5089 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [8] => WP_Post Object ( [ID] => 4843 [post_author] => 391 [post_date] => 2016-10-18 10:08:11 [post_date_gmt] => 2016-10-18 14:08:11 [post_content] => For the past several decades, New York’s Broadway and London’s West End have had a fair exchange of musicals between them. In fact, three of the five longest-running musicals on Broadway premiered in London before transferring to New York (The Phantom of the Opera, Les Miserables, and Cats). At the same time, Americans who are not as familiar with the West End scene have missed out on certain shows which (regrettably) never transferred to New York. Here are 10 great London musicals that never had a Broadway transfer. If they aren’t already on your radar, check them out to take your Theatre Nerd status to the next (international) level.1. Love Never Dies.
The long-anticipated sequel to Lloyd Webber’s The Phantom of the Opera premiered in London in 2010. The plot concerns the character, soprano Christine Daaé, who receives a mysterious invitation to perform at the opening of Phantasma, a new attraction on Coney Island. The musical had runs in Melbourne, Copenhagen, Hamburg, Tokyo, and is expected to have a U.S. tour next year. https://www.youtube.com/watch?v=zZoQLaYKOGg2. We Will Rock You.
Featuring the music of Queen, this jukebox musical premiered in London in 2002, and ran there for 12 years. The plot concerns a group of Bohemians who wish to restore freedom of expression to a conformist society. Aside from several international productions, its most notable American productions are a Las Vegas production and a North American tour beginning in 2013. https://www.youtube.com/watch?v=_Byd5qHuxWA3. Jerry Springer: the Opera.
This outrageous musical, which premiered in London in 2003, is chock full of blasphemy and extensive profanity, including a tap-dancing troupe of Ku Klux Klan members. Despite a successful UK tour, the proposed Broadway production for 2005 was ultimately cancelled. https://www.youtube.com/watch?v=Vpsd9XU05fU4. Honk!
Written by George Stiles and Anthony Drewe, this adaptation of Hans Christian Andersen’s “The Ugly Duckling” premiered in Newbury, Berkshire in 1993 before opening in London in 1999. Although Honk! is popular among children’s and regional theatres throughout Britain and the U.S., a transfer to Broadway has yet to happen. https://www.youtube.com/watch?v=Bdx0pGXoyio5. Marguerite.
Co-written by the masterminds behind Les Miserables (Boublil, Schönberg, and Kretzmer), this musical is about a 40 year-old singer whose young lover is caught in the middle of the French Resistance. Aside from its 2008 London premiere and its 2012 revival there, the musical has been produced in Tokyo and Ostrava. https://www.youtube.com/watch?v=_kHm31gVFkA6. Spend Spend Spend.
Written by Steve Brown and Justin Green, this rags-to-riches-to-rags-again story retells the true story of a woman who wins £152,000 in football pools, but eventually her life turns to chaos. Premiering on West End in 1998, the musical was later revived in Bagnor, Berkshire in 2009. https://www.youtube.com/watch?v=V4udqGJcmq07. Metropolis.
Based on the 1927 silent film of the same name, this musical by Joe Brooks and Dusty Hughes premiered on West End in 1989. It marked the London debut of Judy Kuhn, who provided the singing voice of Pocahontas in the Disney film of the same name. https://www.youtube.com/watch?v=HYyAWwwI2zY8. Bend It Like Beckham.
With its music and lyrics by Howard Goodall and Charles Hart respectively, this musical based on the 2002 eponymous film premiered on West End in 2015, closed last March. With the recent tour and Broadway run of Bring It On: the Musical, it’s not hard to believe that sports-related musicals like Beckham could do well in New York. https://www.youtube.com/watch?v=bQP-VQsKU5U9. Witches of Eastwick.
Based on the 1984 novel of the same name, this musical is about three witches whose attraction to the devil-like Darryl corrupts his every move. After premiering on West End in 2000, the musical has been produced in Moscow, Melbourne, and Sao Paolo. The musical premiered in the United States in 2007. https://www.youtube.com/watch?v=CAs2-VF_2bc10. Peggy Sue Got Married.
Based on the 1986 film of the same name, this short-lived West End musical was a star vehicle for Ruthie Henshall, who earned an Olivier Award nomination for Best Actress in a Musical. It closed shortly after 9/11, due to the fewer amount of patrons flying to London. https://www.youtube.com/watch?v=obIEaEGqnrIThink of a show that we’ve missed? Let us know in the comments below...
[post_title] => 10 Popular West End Musicals That Never Made It To Broadway [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-popular-west-end-musicals-that-never-made-it-to-broadway [to_ping] => [pinged] => [post_modified] => 2016-10-18 10:08:11 [post_modified_gmt] => 2016-10-18 14:08:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4843 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 13 [filter] => raw ) [9] => WP_Post Object ( [ID] => 5075 [post_author] => 12 [post_date] => 2016-10-17 10:26:40 [post_date_gmt] => 2016-10-17 14:26:40 [post_content] => Everyone knows actors can survive on waitressing and bartending- but how about some gigs that actually use those skills you acquired in acting school? Here are five gigs that pay actors for using their thespian backgrounds.1. Extra Work
Extra work (also known as background work) is a great way to gain experience on film sets while using some of those skills you obtained during your theatre training. You’ll be on set observing how the film crew works with the other actors and the director to create the big picture. Plus, you get access to craft services. And the best part… a paycheck.
Backstage has a ton of extras listings you can browse through
2. Reader/Assistant to a Casting Director
Some ‘reader’ jobs are volunteer based; however, if you get a job as an assistant to a casting director you not only get a legit paycheck, you also get key insights into how a casting office works, which will be very beneficial in the long run, plus, you get to practice those cold reading skills on a daily basis…in front of casting. It’s a major win-win.
3. Teaching
There are plenty of teaching opportunities for actors of all different levels. From community service to kid’s summer art camps, to setting up shop in your living room and teaching singing lessons. Whether your strong suit is improv, dancing, singing, or Shakespeare, there are educational opportunities everywhere, and if not, there’s no reason why you can’t create one.
4. Kid Parties
Most actors like to dress up, so why not dress up like a superhero or a princess and dabble in the time-honored tradition of working children’s birthday parties. The money can be good and the hours are pretty fantastic for most actor schedules.
5. Blogging/Writing
If you’re afflicted with not only the acting bug but the writer bug as well, why not combine your two loves and blog about your theatre passion? Blogs are great ways to express yourself and you may even bring in some dough while you’re at it. We are always looking for great writers here at TN - shoot us a sample of your writing and a couple of article ideas and see what happens. It never hurts to try new things, and sometimes it can lead to awesome new opportunities!
Apply to write for Theatre Nerds here
Have another to add to the list? Leave a reply below...
[post_title] => 5 Ways Actors Can Make Extra Cash…As Actors [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 5-ways-actors-can-make-extra-cash-as-actors [to_ping] => [pinged] => [post_modified] => 2016-10-17 10:26:40 [post_modified_gmt] => 2016-10-17 14:26:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=5075 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [10] => WP_Post Object ( [ID] => 5126 [post_author] => 639 [post_date] => 2016-10-16 08:21:38 [post_date_gmt] => 2016-10-16 12:21:38 [post_content] =>Most thespians have heard of Rent. We have all listened to the album on a loop, seen it on Broadway or at a local high school, most definitely have seen the movie, and maybe even lip synced to “Out Tonight” once or twice. This Pulitzer Prize winning show was written by the late Jonathan Larson. I have personally always been a huge Rent fan, and had recently come across a cast album for Larson’s lesser known work Tick, Tick...Boom! Tick, Tick...Boom! is Larson’s autobiographical story about the struggle to become a successful composer. Though he never got to see the impact his work had on the world, this early work gives us some great insight to the composer we have grown to appreciate. George Salazar is starring as (the central character) Michael in the current run of Tick, Tick...Boom!. Salazar’s first big break was getting cast in the national tour for Spring Awakening. From there, he has starred in multiple shows on Broadway and Off-Broadway. Past roles include the 2011 Godspell revival and the Joe Iconis composed Be More Chill in 2015. Salazar was nice enough to answer some questions for Theatre Nerds about how he got his start in theatre and what this show means to him. Theatre Nerds - When did you first start performing? Salazar - I was always making people laugh, but never knew I could actually do that for a living. I got roped into auditioning for Little Shop of Horrors in my junior year of high school. I very much wanted to just go home, eat some pizza rolls, and watch Jerry Springer, but I decided to give it a shot and eventually was cast as Seymour Krelborn. I haven't been able to stop since. Theatre Nerds - Who were some of your early influences? Salazar - I very quickly took a liking to The Last Five Years and that began my idolizing of (the actor) Norbert Leo Butz. Here was a guy who could be absolutely hilarious one second and then make an audience cry in the next. That was the kind of work I knew I wanted to do and Norbert quickly became my biggest idol. Theatre Nerds - When did you know that theatre was what you wanted to do? Was there a defining moment? Salazar - I had dreams of becoming a neurosurgeon, and those dreams quickly changed. The single defining moment was when my drama teacher met with my parents to talk about college. They of course encouraged me to study pre-Med. My parents -- on the drive home from that meeting -- told me that she only said one thing to them. ‘There a millions of doctors out there, but only one George.’ They were on board at that point and have been incredibly supportive ever since. [caption id="attachment_5136" align="alignnone" width="710"]Believe in yourself, take criticisms as water off a duck's back, trudge on and conquer the world.
Will Connolly and George Salazar in "Be More Chill" Photo Credit: Charles Erickson Photography[/caption]
Theatre Nerds - Let’s talk about Tick, Tick...Boom! Super exciting it’s coming back. Also insane that the venue had to change due to high ticket demands. This cast really only consists of you and two other characters. What was the audition process like?
Salazar - The audition process was as lovely as audition processes can possibly go. I got the audition and immediately texted Nick Blaemire. We did Godspell together and we're thick as thieves. I loved the idea of doing Tick, Tick...Boom! and especially loved the idea of doing it with Nick. I had also worked with Ciara Renee and fell in love with her immediately. Nick told me he was going to be at the audition, reading opposite the actors coming in for the role, and I couldn't wait to read opposite him. I knew our chemistry as friends was going to be very helpful. I went in for it and fell instantly in love with Jonathan Silverstein, our director, Joey Chancey, our MD, and Christine O'Grady, our choreographer, who I have known for years but hadn't gotten an opportunity to work with her.
The energy in the room totally fit my vibe and I loved every moment of my fifteen minutes in the room. I sang "Michael in the Bathroom" from Be More Chill, written by Joe Iconis, sang "Real Life" from Tick, Tick...Boom!, and read two scenes opposite Nick. I left the room feeling really good about it. A few hours later, I got the offer from my agent and I screamed and texted Nick. It's been the most incredible experience working on this show with Nick and Ciara and we can't wait to share it with audiences.
[caption id="attachment_5132" align="alignnone" width="970"] George Salazar, Ciara Renee & Nick Blaemire in Tick Tick...Boom![/caption]
Theatre Nerds - One of my favorite things about this show is it causes us to all ask ourselves, “Is my dream still worth pursuing?” We’ve all gotten to that hard spot in our careers. How do you think this show is relevant today?
Salazar - There are a lot of similarities in the themes of this show and Sunday in the Park with George. Two shows that revolve around the timeless process of creating art and how the creation of art reacts with various aspects of real life. That clash (or harmony, if you're lucky) remains the same as time passes. It's the most relevant thing specific to us as artists and lovers of theater.
The show is also relevant because it's an autobiographical piece about Jonathan Larson. He is very clearly one of the most innovative and earth-changing composers of any generation and influenced so much of what we see and hear today. This year marks the 20th anniversary of Rent and the untimely death of Jonathan Larson, and our production pays such a tribute to this genius and game changer. Jonathan changed the American musical theater, inspiring so many and paving the way for artists like Joe Iconis and Lin-Manuel Miranda. Also, Jon is approaching his 30th birthday and for those of us who are approaching 30 or have passed 30, the stress that number holds is relatable in the most visceral way.
This story showcases the artist's life, specifically this artist's life. People think of Jonathan Larson as the writer of Rent, but he also wrote a musical called Superbia that never grew legs and went anywhere. And Tick, Tick...Boom! was written as a sort of open letter to the industry. You get to know the starving artist: the complicated individual who tries so desperately to balance his art and his personal life, do his work for his art yet pay his bills, the very life that so many of us "theatre nerds" commit ourselves to. Jon never gave up and worked his ass off until the end to make his dreams come true. It's an affirmation of sorts. Believe in yourself, take criticisms as water off a duck's back, trudge on and conquer the world.
In the show, Larson says, “I want to write music. I want to sit down right now at my piano and write a song that people will listen to and remember.” Despite his doubts, he did just that. You can see George Salazar and the rest of the cast of Tick, Tick...Boom! from now until November 20th at the Acorn Theatre. Get Tix Here
Learn more about George at https://www.thegeorgesalazar.com/
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You Might Like: 6 Broadway-Inspired Halloween Costumes For The Ultimate Theatre Nerd
[post_title] => Quiz: Which Broadway Character Should You Be For Halloween? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => which-broadway-character-should-you-be-for-halloween [to_ping] => [pinged] => https://theatrenerds.com/broadway-inspired-halloween-costumes/ [post_modified] => 2018-10-11 10:06:55 [post_modified_gmt] => 2018-10-11 14:06:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4985 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 7 [filter] => raw ) [12] => WP_Post Object ( [ID] => 5051 [post_author] => 9 [post_date] => 2016-10-12 13:14:54 [post_date_gmt] => 2016-10-12 17:14:54 [post_content] =>1.
…Because we’re a hard working tech crew and this set won’t build itself.
2.
…Because they were from harsh theatre critics.
3.
…Said every actor who ever refused makeup.
4.
…He’s writing his own version of West Side Story, but instead of casting Puerto Ricans… he’s casting Mexicans.
5.
Every good script gets a revival performance.
6.
Because I work for a non-profit theater and we’re tax exempt.
7.
…Which is okay, because we’re working on a modernized adaptation of Oedipus Rex.
8.
…the half that leaves the theater before curtain call is over.
9.
He’s a method actor getting ready for really challenging role.
10.
It’s the first day off-book and Gary just needed a line call.
11.
…Because they’re working on hitting their cues faster.
12.
Sometimes… it’s just better to send in the understudies.
What are some other things politicians would be allowed to say if they were actually talking about theatre? Leave a reply below...
[post_title] => 12 Things Politicians Would Be Allowed To Say If They Were Actually Talking About Theatre [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => things-politicians-would-be-allowed-to-say-if-they-were-talking-about-theatre [to_ping] => [pinged] => [post_modified] => 2016-10-12 15:25:30 [post_modified_gmt] => 2016-10-12 19:25:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=5051 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [13] => WP_Post Object ( [ID] => 4268 [post_author] => 440 [post_date] => 2016-10-11 10:05:04 [post_date_gmt] => 2016-10-11 14:05:04 [post_content] => Working in student theatre has taught me a great many things including but not limited to, how to iron crayon out of a carpet, the cure for stage fright, and what to do when there is a lice outbreak during the second performance of a three show run thanks to a cast member’s younger sibling . True stories all of them. But I think I have learned the most about how to facilitate a show on a tight budget, especially in the area that often sucks up the most money: costumes. I have become somewhat of a wizard in this arena. Like the cool Harry Potter kind. Think Hermione shocking everyone by pulling everything they need out of that ridiculously tiny bag.Here are a few ways to costume your show on a very tight budget:
Thrift Shops
When I worked at a summer theater camp where we were costuming five shows a summer on an extremely tight budget, the staff at the local thrift shop knew me by name. It’s a great place to pick up specific pieces or even find items that can be used to make what you need. I once bought twenty oversized white t-shirts for $1 each and made them into togas for an entire youth cast of Hercules by cutting off the neck and left sleeve and adding braided rope for a belt. Three-quarters of the cast were costumed for under thirty dollars! Which segues nicely into my next suggestion…DIY
Get your inner Martha Stewart on! Pinterest is chalk full of ideas if you are finding it hard to imagine how to make a specific piece. Don’t feel like you have to reinvent the wheel; you are busy enough. Once, after several attempts to make a Paper Bag Princess costume out of a lawn bag only to have it tear each time, I turned to Pinterest and found trick involving velcro and a duct tape shell. It worked like a charm, and that singular paper bag dress made it through three dress rehearsals and four shows with no rips or tears.Donation List for the Cast & Crew
You would be surprised what people have lying around at home that they are willing to donate or loan you. I once had a girl bring in a pink dress that her grandmother was generous enough to donate that was almost identical to Liesel’s dress in The Sound of Music. Not only did we use it for a production of Sound of Music, but it also went on to be used in three other shows. I’ve found it helpful to give your cast and crew a list of costume or prop pieces needed and see what is brought in. You might be pleasantly surprised. Plus, they’re free! Win!Cheap Supplies
Dollar stores are your friend. They don’t have completed costumes, but they hold the elements to make them cheaply if you can get creative. I once made a Mike Wazowski costume using two green toilet seat covers, cardboard, elastic and fun foam, all for the low price of four dollars. Dig deep and use your imagination. If you find you do need something from the higher priced craft stores, scour the Internet for a coupon first. My favorite crafting chain often offers fifty percent off on any regular priced item. Some stores will donate if you explain what it’s for and offer to thank them in your program. While trying to build a bridge for one of our shows, I went to Home Depot to purchase plywood. When the sales associate helping me heard what I was buying the wood for, he showed me the pile of scrap wood they can’t sell and told me to help myself. It didn’t cost a cent.Renting or Borrowing From Local Theatre Companies
Some places will be very generous and loan them to you for free (sometimes with the incentive of a name drop in the program as thanks). Others will rent them to you for a discounted rate. If you are smart about it, this can be worth your while. A friend at a local theater company loaned us a lion costume one summer and to make the most of the opportunity, we staged Wicked, High School Musical and The Lion, the Witch, and the Wardrobe all in the same summer. That lion costume showed up in all three shows. Even if you rent or borrow just one piece, decide what you can get the most use out of and go for that.Get Creative
I think I’ve emphasized this a few times already, but the most important thing is to be creative with what you’ve got. Part of what I love about the stage version of The Lion King is the creative way it is costumed. Instead of people in animal suits like mascots, the costumes are made up of unique elements that support and tell the story with each performer’s movement and expression. Don’t be frightened away from staging the show you want because it has ambitious costumes or props. After weeks of wracking our brains for how to make our version of Defying Gravity have as much impact as the Broadway version, without a budget for rigging, we opted for a very tall ladder. Draping it in yards of black fabric and attaching more black fabric to Elphaba’s back, which crew members pinned to the side curtains to hold them up, it actually looked pretty impressive. No, it wasn’t the same way it is performed in the original show, but many members of the audience couldn’t tell it was a ladder and commented after that it was their favorite part of the show because of the way we had staged it.Have another idea we missed? Leave a reply below...
[post_title] => Try These Hacks For Costuming On A Tight Budget [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => hacks-for-costuming-on-a-tight-budget [to_ping] => [pinged] => [post_modified] => 2016-10-11 10:07:12 [post_modified_gmt] => 2016-10-11 14:07:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4268 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 7 [filter] => raw ) [14] => WP_Post Object ( [ID] => 4855 [post_author] => 714 [post_date] => 2016-10-10 10:47:22 [post_date_gmt] => 2016-10-10 14:47:22 [post_content] => The curtain has closed, the set has been struck, and you suddenly have a lot of free time in your life. For the thespian, "post-show grief" is a chronic condition and can take anywhere from a few weeks, to a few months to overcome. You're told the "sun will come out tomorrow," but you just want to wallow in your memories of good-times-gone-by with cast mates, bows, applause, flowers in your dressing, and that ever addictive rush of adrenaline as you step on the stage. But the show must end, and the grieving process must begin one way or another. To help you out, we have outlined that process below to help you track your progress!Stage 1: Denial
You wake up in a panic thinking you lost your script, or are late to rehearsal. You continue to have theatre nightmares where the stage collapses on you or something goes drastically wrong.
Stage 2: Sentimental and Sappy
You post pictures of your awesome cast and crew all over social media to show off the amazing new friendships you made. You plan reunions for your cast to spend more time together to sing karaoke to your favorite cast recordings.
Stage 3: Identity Crisis
You start an extensive search for auditions in the area to get back in the rehearsal room ASAP. Because if you’re not at rehearsal or on stage, who even are you?
Stage 4: Reliving Every Moment Of The Show
You reminisce with your friends about the show, and try to get them to join you in sing/dance-alongs.
Stage 5: Regret
You suddenly are overwhelmed with a wave of “what if”s. “What if I made a different choice here?” “Oh man, I wish I didn’t fall during that dance sequence.” “That would have been so awesome if I had done something different for that scene.”
Stage 6: Depression
Some people skip right to this step and fall into a dramatic, tear-filled depression like the dramatist they are... This step is rough. Go buy some ice cream, listen to the cast recording, and wallow. But keep it in check...give yourself a few days, a week at most, and then put on your big-kid character shoes and get back out there!
Stage 7: Acceptance
You realize that while you will cherish your memories of show’s past, you need to keep moving forward and make new theatre memories.
Stage 8: You Get Cast In Another Show And The Process Starts Again
That wonderful moment when you can look forward to months filled with theatre and all of the wonderful experiences that come with being a part of a production. It’s the Circle of Life.
As Sherie Rene Scott would say, “The scary thing about theatre—it doesn’t live on… It doesn’t last. Only in people’s memories and their hearts. That’s the beauty and sadness of it. But that’s life—beauty and sadness. And that’s why theatre is life.”
Did we miss a stage that you experience? Leave a reply below...
[post_title] => The 8 Stages of Post-Show Grief [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 8-stages-of-post-show-grief [to_ping] => [pinged] => [post_modified] => 2018-03-09 22:20:52 [post_modified_gmt] => 2018-03-10 03:20:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4855 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [15] => WP_Post Object ( [ID] => 4964 [post_author] => 1 [post_date] => 2016-10-08 10:47:48 [post_date_gmt] => 2016-10-08 14:47:48 [post_content] => Twitter is...well...Twitter. And #hamitrash is a thing. Wondering if your Hamilton obsession has reached #hamiltrash territory? Here's your measuring stick...1. hannah is overcome.
https://twitter.com/hannah_prutch/status/7837013522328248322. John gets put in his place...
https://twitter.com/iStarKid14/status/7844161670835322893. She gets a Hamil-homecoming proposal...
https://twitter.com/desplotz/status/7834677172904960004. Dalton's emotional train ride (must play video).
https://twitter.com/djcornell88/status/7831091029815705605. mj gets some "Non-Stop" help from his "friends".
https://twitter.com/nancylu/status/7828171519293644806. Amy made a Hamilton spoon vinyl decal, because why not.
https://twitter.com/alouise311/status/7827800664010219527. Turning grandma into hamiltrash...
https://twitter.com/sydneytilley/status/7845349730008719378. Dr. Who won't even keep you safe.
https://twitter.com/Bartholo_mew1/status/7836426519334379529. Forget the Tweet, my name is Linnamon Roll Hamfan.
https://twitter.com/LinnamonRollHam/status/78243053635031449610. Avery's wall of no-shame.
https://twitter.com/aves_peterson/status/782296664912437248 Note: We love and fully accept all you #hamiltrash, we're theatre nerds after all!Are you #hamiltrash? Send us your tweets and we may just include them in the next round!
[post_title] => The Top 10 #hamiltrash Tweets Of The Week Because Why Not [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => top-10-hamiltrash-tweets-of-the-week-because-why-not [to_ping] => [pinged] => [post_modified] => 2016-10-08 10:59:24 [post_modified_gmt] => 2016-10-08 14:59:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4964 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [16] => WP_Post Object ( [ID] => 3673 [post_author] => 12 [post_date] => 2016-10-07 09:26:32 [post_date_gmt] => 2016-10-07 13:26:32 [post_content] => After death and divorce, moving is rated the third most stressful thing a person could possibly do. As actors, we often feel the need to relocate to bigger cities with different opportunities that fit our strengths. Whether you dream of Broadway lights, getting a Hollywood Walk of Fame Star with your name written across it, or joining the ranks of top theatre actors in the Windy City, you’re going to need to know what to do once you get there.Here are some tips to get to wherever it is you’re going and how to get acclimated once you arrive.
1. Save Up
It’s obvious, yet true. Research the city of your dreams and determine how much the rent typically is, what the transportation costs are (metro card, gas money, etc.), bills, food, and so on, and calculate it out. At the very least, try to save three months worth of expenses to prepare yourself for unemployment while job searching and unexpected expenses- such as crashing your brand new car the moment you arrive in your dream city. (True story)
2. Reach Out to Alumni
If you just graduated from theatre school, chances are, wherever you’re going- past graduates are probably there already. Don’t be afraid to reach out to them and ask for advice. A quick well thought out email with straightforward questions is one way, messaging through social media is another, or an invitation to buy them a coffee for a quick 30-minute powwow.
3. Don’t Sign a Lease
Before you sign a lease and get stuck in the wrong neighborhood or with a bad roommate for an entire year- try temporary housing solutions. Couch surf if you have friends who will let you or sublet someone’s place for a few months until you figure out the city. The last thing you want is to realize too late that you live in the scariest neighborhood possible or the furthest from all the auditions or next door to a metal band that likes to practice at 2am.
4. Change Your Phone Number
Once you get there- just do it. Do it now! Before you start auditioning and spreading your résumé all over town.
5. Lock Down a Survival Job
Yes, there are tons of ways to make money and do theatre other than waiting tables- but starting up a photography business and an acting career at the same time may prove more challenging than necessary. You just need something to pay bills now while you’re figuring it all out. If you’re prepping to move in a year or so, get a job now at a corporate chain restaurant like Olive Garden- chances of being able to transfer to a store in the city of your dreams is high and you won’t have to pound the pavement looking for both acting and waiter work once you arrive.
6. Get Acquainted with Your New City
Once you arrive you may be chomping at the bit to audition- but first, learn the city. Get lost, ride the bus, metro or subway, look at a map, play with your GPS- take long walks. The quicker you figure out the city the quicker you’ll become acclimated. The last thing you want to do is get an audition and not know how to get there- wind up lost- and missing it altogether. Ask around and get a sense of what neighborhoods are safe and what neighborhoods are artist friendly.
7. Find a Community
Find your people! Whether it’s a sports bar where fans from your home state gather, joining a touch football team or a Karaoke competition league. Whatever it is you love to do- find like-minded people and connect. Being away from friends and family can make for some lonely days if you don’t find time to meet with your scrapbooking friends, your happy hour pals, or even you Pokémon GO community. Try sites like Meetup.com to find your new comrades.
8. Get a Sense of Audition Wardrobe
Do actors in this city commonly wear jeans and tee shirts or is it more of a slacks, skirts and button-up kind of town? Do some research so you know whether or not to leave your rehearsal skirt at home or if it’s time to invest in a more colorful wardrobe.
9. Lock Down a Good Vocal Coach
Figure out whom to go to before you even get there. You know you’re going to jump into auditions the first chance you get and you’re going to want to know who to go to for a run through of that new song you added to your repertoire.
10. Intern
If you want to get a glimpse into how the industry really works, intern for a casting director or agent or become a reader for auditions. This is a phenomenal way to gain key insights into the biz that could take you years to understand otherwise. You don’t have to do it forever- just get your toes wet- you’ll be amazed at what you learn and who you meet.
11. Get in Class
Just because you recently graduated with your B.F.A in acting doesn’t mean you’re done. Stay sharp and focused by taking a class- any class! It’s not only the best way to keep your craft alive, but what quicker way are you going to network and make friends than by an acting class. Just do it.
Moving to a new city can be nerve wrecking but it can also be the greatest adventure of your life. For every success, you’ll have a step back (like moving into a building that vibrates.) You will make mistakes- but you’re a performer, role with it like you would on stage when someone drops a line. Prepare yourself the best you can and then do as you would in improve and say, ‘Yes, and….’
Have you relocated to a new city to pursue an acting career? Share your tips and tricks below...
[post_title] => 11 Tips And Tricks For Actors Relocating To A New City [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => tips-and-tricks-for-actors-relocating-to-a-new-city [to_ping] => [pinged] => [post_modified] => 2016-10-07 09:26:32 [post_modified_gmt] => 2016-10-07 13:26:32 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3673 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [17] => WP_Post Object ( [ID] => 4845 [post_author] => 440 [post_date] => 2016-10-06 10:06:34 [post_date_gmt] => 2016-10-06 14:06:34 [post_content] => I’m not ashamed to admit that in my younger years, as soon as the calendar read October 1st, I was planning my Halloween costume. It was weeks of preparation choosing the right character... and then carefully crafting all of the pieces needed. It’s no secret that Theatre people love donning costumes and pretending to be someone else. Halloween was made for nerds like us! So what better time of year to showcase your Broadway love than All Hallows Eve? While many costumes are available to buy online, it can get expensive. Plus, half the fun is in putting the ensemble together yourself. Thrift stores are a great place to find items that you need or check out stores like Forever21, Asos or Zara if you have a little more money to spend. So whether you need a solo or group costume, here are some ideas for Broadway inspired Halloween costumes:Hamilton
How does an in school, dirt poor, son of a – nope, that’s all I’ve got. I’ll leave the rhymes to the genius Mr. Miranda. But if you are looking to embody one of his characters this Halloween, get out your military-style jacket (thrift stores are your asset here). Stone colored pants are a good start, with a white dress shirt and a vest. A scarf will help you to make an ascot for your collar and some tall boots will complete the look. A long jacket enhances the costume but isn’t completely necessary if you haven’t got one. Add some accessories like a large book, a feather (quill) and you’re ready to "rise up".
Bonus: Watch to get more Hamilton costume inspiration
https://www.youtube.com/watch?v=y84Oor3tXqcLegally Blonde
Elle Woods reporting for duty! Break out anything pink in your wardrobe and your blonde wig. Of course, a pink dress works perfectly. But if you are feeling crafty, get yourself a white t-shirt, some pink paint and lettering stencils to make your own Harvard t-shirt to wear under a pink blazer with some skinny jeans. Don’t forget your accessories! Try some sunglasses, a couple of textbooks, and a purse with a stuffed toy Chihuahua in it.
Wicked
First things first, you will need your green face paint. A long black dress is ideal, but if you only have a short one, throw on some black or green tights. Styling your hair in Elphaba’s classic braid will ensure that your witch’s hat will fit. Not into the green face paint? Try green eyeshadow or lipstick instead and add green accessories like earrings or circular glasses. Top it off with the infamous broom and you are ready to defy gravity. For a different Elphaba, try a navy blue dress and beanie with braided hair and glasses to master her school look. For some DIY accessories, use brown paper and art supplies to make textbook covers for classes at Shiz University, like Sorcery. Even better, grab your squad and make it a group costume! Add in a Galinda, Fiyero or even Chistery the flying monkey.
Bonus: check out this Elphaba makeup video tutorial
https://www.youtube.com/watch?v=22qmqps4ZYcPhantom of the Opera
There are so many costumes in this show, the options are endless. But if you are going for the classics, the Phantom and Christine are both easy to do. For the Phantom, if you’ve got a black suit, that’s perfect. If not, black pants and a white dress shirt will work fine as well. Accessories can include a black cape, gloves, sheet music and a red rose. For the iconic mask, buying one is always an option or try making your own using white paper and paper mache paste (check out easy recipes on Pinterest or Google). If you are more of a Christine, a white nightgown with smoky eye make up and teased curly hair are an easy way to achieve her look. Carry around a red rose and some sheet music to accentuate your character even more.
Bonus: check out this Phantom Mask makeup video tutorial
https://www.youtube.com/watch?v=iXV9Ok14vJYGrease
My love for this musical has been renewed since the NBC staged Grease Live! a few months back. This is another musical that is great for a group costume or a solo act. A Bad Sandy costume is easy to come by if you are up for a DIY version. If you are like me, you gave into the faux leather leggings trend a long time ago. If not, they are easy enough to find on sites like ASOS. You could also use a pair of regular black leggings or skinny jeans. Off the shoulder tops were also hugely popular this past summer so you may already have a black one. If not Zara, Forever21 and ASOS all have super affordable options. Or you can take a black tank top and pull the straps down past your shoulders. Now add a black belt around your waist, your highest heels (bonus if they are red) and some large hoop earrings. Black leather jackets are a nice cherry on top, but not totally necessary if you don’t have one. Sandy’s hair can be achieved using a curling iron or the old fashioned way of twisting and securing your wet hair to dry overnight, and then teasing the curls to create volume. Finish things off with some smoky eye makeup and bright red lipstick. Tell me about it, Stud. Or perhaps you are more of a Danny Zuko, we’ve got you covered there too. Black pants with tucked in white or black t-shirt and some black sneakers will help you look the part. Throw on a leather jacket if you’ve got one and slick that hair right back with some styling gel and Danny’s favorite comb. Feeling adventurous? Think about putting the T-bird logo on the back of your jacket.
Mary Poppins
This costume is so sweet it doesn’t need a spoonful of sugar. Grab a white button up blouse and use some red ribbon tied around your neck for the bowtie. Add a navy blue or black skirt and tights with black shoes or boots. Don't forget to accessorize by including a black brimmed hat with a red flower on it, an umbrella and a bottomless bag. Dance on the rooftops as Bert by donning a pair of black pants and a button up shirt and vest in white or grey. Don’t forget a red scarf around your neck, a newsboy cap, suspenders and a broom. Grey eyeshadow is perfect for smudging all over your face to look like soot. I will note that this costume also works if you would like to be a Newsie instead. Just trade out the broom for a newspaper and you’ve got a whole other musical.
Bonus: Check out this DIY Mary Poppins costume (for under $20)
https://www.youtube.com/watch?v=aMr_EHrKPW0Got an idea for an amazing Broadway Halloween costume? Let us know in the comments below…
[post_title] => 6 Broadway-Inspired Halloween Costumes For The Ultimate Theatre Nerd [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => broadway-inspired-halloween-costumes [to_ping] => [pinged] => [post_modified] => 2016-10-06 10:06:34 [post_modified_gmt] => 2016-10-06 14:06:34 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4845 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [18] => WP_Post Object ( [ID] => 4377 [post_author] => 395 [post_date] => 2016-10-04 06:07:43 [post_date_gmt] => 2016-10-04 10:07:43 [post_content] => Love on a Broadway stage is rather predictable. Boy meets girl, they sing a song, they fall in love, they live happily ever after — or do they? Drama’s the name of the game behind the velvet curtain, and your favorite musicals wouldn’t be nearly as juicy without a good old-fashioned love triangle to pull at your heartstrings and loyalties and drive you crazy. Though few Broadway love triangles have inspired the theatre nerd equivalent of “Team Edward” and “Team Jacob” T-shirts — though let’s be honest, we’d all buy them if they did — there are a few that stand out among the rest as particularly notable.1. Raoul, Christine and The Phantom
In “The Phantom of the Opera,” Christine Daae has a voice that stuns, awes and seemingly makes all the men around her fall madly and deeply in love with her. The Phantom adores her from afar as he teaches her how to sing, while her childhood sweetheart Raoul swoops in to sweep her off her feet after reappearing in her life. The two jockey for her affections throughout the musical (some in more violent ways than others), and the triangle reaches a head when The Phantom makes her choose between killing Raoul and spending the rest of her life with him. Talk about a high-stakes decision!
Best love song: “All I Ask of You” — and, of course, The Phantom’s reprise!
2. Anatoly, Florence and Freddie (and Svetlana)
In “Chess,” leading lady Florence is caught between two bitter rival chess players from opposite sides of the world. She begins the show on the arm of Freddie, a hot-mouthed American, but slowly falls for the Russian Anatoly as she works to find some peace between the two in the midst of a heated chess competition. Complicating things further is Anatoly’s wife, Svetlana, making this a love rhombus.
Best love song: “I Know Him So Well”
3. Phoebe, Monty and Sibella
In “A Gentleman’s Guide to Love and Murder” rising heir Monty Navarro is torn between the newly married vixen Sibella and his pious distant cousin Phoebe. The two couldn’t be more different if they tried, and they unknowingly vie for Monty’s affections as he systematically murders his other family members to inherit his family’s fortune. Unlike others on this list, Monty inexplicably lucks out in the end as each woman decides to be with him while being totally OK with the other one. Huh. Interesting twist.
Best love song: “I’ve Decided to Marry You”
4. Kim, Chris and Ellen
Get the tissues out. In “Miss Saigon,” soldier Chris must confront his past when he finds himself at a crossroads between his wife, Ellen, and Kim, the woman he fell in love with during his last few days stationed in Vietnam. This is one of the more tragic triangles, with Kim blinded by her faith that Chris will come looking for her and Chris’ belief that she has died. And then there’s Ellen, who you want to hate but really can’t as she, too, even wonders whether she should step aside to let Kim and Chris be together.
Best love song: “I Still Believe”
5. Elphaba, Fiyero and Glinda
In “Wicked,” everything seems to be going great for Shiz’s new “It” couple Glinda and Fiyero until, well, it isn’t. After setting free an imprisoned lion cub together, Elphaba and Fiyero share a moment where she sees him for who he is and they clasp hands. From then on, Fiyero struggles with his growing feelings for the soon-to-be Wicked Witch of the West, breaking the heart of his bride-to-be when he ultimately chooses her.
Best love song: “I’m Not That Girl”
6. Eponine, Marius and Cosette
You all knew this was coming. This list would be wholly incomplete without an appearance from the trio that puts the “miserable” in “Les Miserables.” Eponine is madly in love with her best friend, student Marius, but he falls in love nearly immediately with Cosette when she arrives in town. Eponine even goes along with helping Marius win Cosette’s heart by bringing him by her house and delivering a letter when he’s at the barricade. Eponine loves Marius until the very end, and in some versions of the show, it appears he may love her a little too.
Best love song: “On My Own” (duh)
7. Angelica, Hamilton and Eliza
[caption id="attachment_4387" align="alignnone" width="540"] Oof. Awkward.[/caption]
Angelicaaaa...Elizaaaaa...and Hamilton? This “Hamilton” love triangle might not be the most historically accurate part of the show, but from the moment the words “Me, I loved him” are sung, your heart is torn in two. Alexander never really has a choice between these two Schuyler sisters (Angelica made sure of that), but that didn’t stop her from loving him from afar as he married Eliza. Though Alexander is devoted to Eliza — well, as devoted as you can be when you’re repeatedly cheating on her with your mistress — but the flirtationship between the two is tough to ignore. We’ll forever be left wondering whether the comma after “Dearest” actually meant something.
Best love song: “Satisfied”
8. Aida, Radames and Amneris
In another horribly depressing love story, Radames is stuck in the middle of his betrothed, Princess Amneris, and Nubian slave (and secret princess) Aida. First off, if you’re loved by not one, but TWO princesses, you should call yourself pretty lucky. But I digress. To complicate things further, Aida becomes the handmaiden of Amneris, and the two develop a deep friendship. The love these three have for each other culminates as the two lovers are sentenced to death and Amneris allows them to die together in a final act of mercy.
Best love song: “A Step Too Far”
9. Effie, Curtis and Deena
In the easiest case of “He is SO not worth it,” aspiring singers Effie and Deena fall for the same man, their sleazy manager Curtis, in “Dreamgirls.” Effie falls hard for Curtis, but he sets his sights on Deena, delivering a double whammy when he makes her the star act of the Dreamettes and dumps a pregnant Effie. Luckily, the two wisen up in the end and kick Curtis to the curb as they reunite for one final concert. Bye, Felicia.
Best love song: “And I Am Telling You I’m Not Going”
10. Jerry, Lise and Henri
Miscommunications land two friends in the middle of this complicated love triangle, as painter Jerry falls in love with a mysterious woman who turns out to be be in a relationship with his friend Henri. Lise struggles with deciding between the two men, torn between her newfound love for Jerry and feeling beholden to Henri for the role he played in saving her during the occupation of France.
Best love song: “An American in Paris”
11. Josh, Elizabeth and Lucas (and Stephen)
It might not technically count if the love stories are playing out over two separate storylines, but If/Then’s Elizabeth is caught between two men who love her as her life diverges as result of a singular decision. Should she end up with her best friend, or the soldier she met on the street? Or, to even further complicate things, there’s the matter of the crush she has on her boss, Stephen. What role does fate play in all of this?
Best love song: “You Don’t Need to Love Me”
12. Freddy, Eliza and Henry
It’s a scenario seen in every teen movie ever made: As part of a bet, distinguished phonetician Henry Higgins wagers he can teach Cockney flower girl Eliza Doolittle to act like a distinguished woman. Over time, the two form a bond that is threatened when the newly distinguished Eliza
catches the eye of the aristocratic Freddy. It is then that Henry realizes he may have come to love her — but is it too late?
Best love song: “On the Street Where You Live”
13. Jim, Linda, Ted and Lila
In yet another love rectangle, things get complicated among performers right from the get-go in this Irving Berlin musical, “Holiday Inn.” Jim and Lila begin the musical planning to quit their performing trio and run a country hotel, but Lila abandons the plan — and Jim — at the last minute as she reveals she’s fallen in love with their third member, Ted. Things can’t get more complicated, right? Think again. A broken-hearted Jim later falls for Linda at his inn, but when a recently single Ted returns, he starts pursuing her as well. They say there’s plenty of fish in the sea, but it seems these two can’t help themselves when it comes to chasing the same ones.
Best love song: “White Christmas”
Who is your favorite Broadway couple? Do you think anyone on this list made the wrong decision? Let us know in the comments below...
[post_title] => 13 Of The Best Broadway Love Triangles: Which #team Are You On? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 13-of-the-best-broadway-love-triangles [to_ping] => [pinged] => [post_modified] => 2016-10-04 06:07:43 [post_modified_gmt] => 2016-10-04 10:07:43 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4377 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [19] => WP_Post Object ( [ID] => 3439 [post_author] => 11 [post_date] => 2016-10-02 11:29:27 [post_date_gmt] => 2016-10-02 15:29:27 [post_content] => In an age of Netflix, Hulu and Amazon Prime, it was only a matter of time before theatre made its way into the universe of streaming services. BroadwayHD premiered this year and made watching bootlegs of your favorite plays and musicals an actual legal thing. In June, they took things a step further and showcased Roundabout Theatre Company’s She Loves Me as the first online live stream of a Broadway musical. Streamed productions have come under some scrutiny, with opponents arguing that much of the “magic of theater” is tied up in the “in the moment” experience shared by audience and performers in the same physical space (after all, a TV screen will never do “Defying Gravity” justice). However, making the The Great White Way’s latest smash hits easily accessible with a click of a button might just have its perks. Here’s why:1. It might just help ‘mainstream’ theatre.
Alright, so we aren’t expecting everyone to start streaming Shakespeare. That doesn’t mean accessible theatre wouldn’t attract a new audience that would otherwise never be exposed! Instead of telling your friends about the shows you love, why not show them? (Did someone say live streaming party?!)
2. That theatre nerd in Ohio can tune in too!
We think everyone should have the equal opportunity to experience Laura Benanti singing “Vanilla Ice Cream” in PJs on the Studio 54 stage. Thanks to this trial run for Broadway online streaming, thespians from Alabama to Arizona were able to experience great live theatre.
3. It’s way more affordable.
For many, traveling to NYC is a huge investment and grabbing a pair of mezzanine tickets is even more pricey. If online streaming continues, theatergoer-wannabes can pay cheap fees to see both classic performances and the latest Tony-nominated hit.
4. You can watch, rewatch and then rewatch again.
In case you didn’t find Zachary Levi completely adorable the first time around when tuning into She Loves Me Live, you can stream the show again. Being able to watch musicals an unhealthy amount of times is every theatre-lover’s dream.
5. It’ll never replace the magic of truly seeing a Broadway show.
Your couch might be comfy, but nothing will ever beat sitting in a real theatre. For those performing arts diehards, or those curious tourists awaiting their first glimpse of Broadway magic, tickets to a show in New York will always be worth the price of admission.
Did you tune into She Loves Me Live? Tell us what you thought of Broadway’s first online live stream in the comments below!
[post_title] => 5 Reasons Why Broadway Livestreams Are A Good Thing [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 5-reasons-why-broadway-livestreams-are-a-good-thing [to_ping] => [pinged] => [post_modified] => 2016-10-02 11:53:32 [post_modified_gmt] => 2016-10-02 15:53:32 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3439 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 3 [filter] => raw ) [20] => WP_Post Object ( [ID] => 4514 [post_author] => 11 [post_date] => 2016-10-01 10:59:55 [post_date_gmt] => 2016-10-01 14:59:55 [post_content] => [viralQuiz id=16] [post_title] => Quiz: Just How "Hamilton" Obsessed Are You? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => how-hamilton-obsessed-are-you [to_ping] => [pinged] => [post_modified] => 2017-07-11 17:59:28 [post_modified_gmt] => 2017-07-11 21:59:28 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4514 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 11 [filter] => raw ) [21] => WP_Post Object ( [ID] => 3473 [post_author] => 395 [post_date] => 2016-09-26 10:28:40 [post_date_gmt] => 2016-09-26 14:28:40 [post_content] =>It's about pursuing it rather than waiting to see what comes along. That's partly because I found myself getting typecast, as everyone does unless they pursue roles that are very different from what they've done before. Christian BaleIf there’s one thing actors love more than the sound of thunderous applause and the warm glow of a radiating spotlight, it’s a challenge. One test of an actor’s ability lies in the range of parts they can comfortably play. Along with this challenge however, comes a fear of being typecast. There are certainly worse things than being typecast... (like not being cast at all) however, many actors want the chance to show their range and diversity.
If you’re nervous about getting stuck in a rut, here are some tips that will help you avoid getting typecast:
Know your limits
All actors want to believe that the world is their oyster when it comes to all the parts they can choose from, but unfortunately, that’s just not the case. It may sound counterintuitive, but before you can take steps to avoiding being typecast, it’s important to know your own limits both as a person and a performer. Factors you have little control over can heavily influence the parts you are able to play, whether it has to do with your physicality, vocal range or dance skills. It will do you no good to turn a blind eye to the things that make you who you are — and the things that don’t. Take the time to recognize your strengths and weaknesses, and then accept them (for now). This establishes a range of your abilities that coincides with the different types of roles you’ll be best suited to play. But that certainly doesn’t mean you can’t improve on certain skills to expand your range as an actor.Never stop learning
The best way to avoid being typecast is to constantly push your boundaries. Every show you perform in adds something new to your acting arsenal, so take the time to reflect on how you may have changed with each new influence you’re exposed to. If you’re between auditions, take the opportunity to hone your skills. If you’ve found you’ve been relegated to the ensemble because of your harmony-friendly alto voice, try to work on reaching those higher notes. Step-ball-change your way to success with a dance class. Sign up for vocal lessons to perfect that Eliza Doolittle lilt. You’re always going to be better at some things than others, but that doesn’t mean you shouldn’t keep doing them.Prepare thoroughly for your audition
I get it — it’s an audition. No matter how many you’ve been to and how many parts you’ve won, they’re still a nerve wracking, cold sweat-inducing and stressful experience. Because of this, you might be tempted to lean on your more familiar and comfortable acting chops for the sake of getting through without melting into a puddle of the Wicked Witch of the West — excuse me, Elphaba. The best way to overcome this impulse is to prepare, prepare, prepare. Versatility in your audition book is key. Even if you blow the roof off every time you sing Sondheim, or like to stick to dramatic monologues, you need to be willing to branch out if your old standbys don’t relate to the part you’re looking to get. This is the time to push yourself out of your comfort zone while remaining properly prepared. For instance, if you’re trying to avoid getting cast as the romantic lead again in favor of a more comedic part, choose a song that’s a little more Moonface Martin than Billy Crocker. When preparing for your audition, think about the characters you typically play and the role you’re trying to get. Recognizing the differences between the “types” you are often cast in and the character you want to play will help you find a fresh approach. How do they speak? How do they hold themselves? How would the two characters react to the same situation? Though you may have been typecasted in the past, this is your opportunity to use that experience to your advantage by highlighting where your past and future characters intersect and diverge.Take different headshots
You might think that your tried-and-true headshot has done perfectly well for you in the past, thankyouverymuch, but it can’t hurt to have a few different types of pictures for various types of roles. Of course, you want any headshot to still look naturally like you, but play around a bit with your expressions. Auditioning for a dramatic role? Try a pensive, sinister or determined look a la the Phantom of the Opera — without the mask, obviously. Auditioning for a comedy? Let out a laugh and let your goofy side shine.Get inspiration
According to actor Nick Moulton, one of the best ways to avoid being typecast is to look for inspiration outside of the theatre.. Whether it’s a trip to a museum, rock concert, classical performance, opera or a dance performance, Moulton says it’s important to find things that inspire and influence you and then allow them to pull you back into theatre...Being inspired and having a vision and being creative with your vision and making it unique to you is going to put you in a better spot ultimately. If you don’t want to be typecast, don’t be like other people. It’s not being different for the sake of being different, it’s being different for the sake of an interesting choice and being unique. Nick MoultonAs Broadway's Bryan Cranston (“All the Way”) says, “It’s up to the actor to make sure they don’t get typecast.” Even though the final casting decision doesn’t rest in your hands, the deliberate acting choices you make during your audition, the roles you choose to try out for and the materials you provide to those casting you are one of the very few things that are in your control.
Do you mind being typecast? Leave a reply below...
[post_title] => Tips On How To Avoid Being Typecast [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => tips-on-how-to-avoid-being-typecast [to_ping] => [pinged] => [post_modified] => 2016-09-26 13:27:48 [post_modified_gmt] => 2016-09-26 17:27:48 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3473 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [22] => WP_Post Object ( [ID] => 4357 [post_author] => 11 [post_date] => 2016-09-24 10:45:36 [post_date_gmt] => 2016-09-24 14:45:36 [post_content] =>Update: Now The Top 13
The wonderful world of Netflix never lets a theatre nerd down. With dozens of genres to scroll through and days of binge-able movies to stream, we’ve learned to rely on our favorite streaming service during those rainy nights on the couch. But netflix isn’t just for binge watching Friends, Stranger Things, and Gilmore Girls. Believe it or not there is a whole bevy of brilliant musicals stored in the caverns of Netflix too! Next time you need a touch of Broadway magic but can’t imagine getting out of your pjs - Check out these 12 musicals now streaming on Netflix:1. The Last Five Years
Broadway heartthrob Jeremy Jordan meets Hollywood A-lister Anna Kendrick in this film adaptation of Jason Robert Brown’s romantically raw musical. Scandal. Heartache. Goosebump-inducing harmonies. An ex-stripper roommate who owns a snake...it’s all here.
2. Hello, Dolly!
There’s no better way to spend your next night in than basking in the glory of Babs. Barbra Streisand flaunts some serious fashion choices and her award-winning vocal chops in this classic musical.
3. Rent
There are approximately 525,600 reasons to watch Rent. You only need one: It’s streamable on Netflix, so why not?
4. Grease
Make the best of these last summer nights by watching John Travolta and Olivia Newton-John in their prime. It’s truly one of a kind (like dip da-dip da-dip doo-wop da doo-bee doo...or whatever).
5. Grease Live
With broadcast-for-television musicals receiving plenty of mixed reviews, Grease Live seems to do it right. Instead of filming on a stage, this primetime special has a whole TV lot that they’ve transformed into the world of Rydell High. Plus, it stars a host of theatre vets.
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6. Across the Universe
Travel back to a time of peace, love and war in this unique story woven together with Beatles hits. It’s the perfect pick after a hard day’s night.
7. Daddy Long Legs
This 1950’s classic stars Fred Astaire. Can song and dance get any better?
8. Sweeney Todd
The Demon Barber of Fleet Street is already ultra creepy. Put Sondheim’s music with Director Tim Burton’s bizarre, melancholy style and you get a movie that’s worth the watch (if you like meat pies, of course).
9. Carousel
What’s the use of wonderin’ if you should or shouldn’t watch this timeless tale? It’s a Rodgers and Hammerstein musical full of tragedy, heart and beautiful ballads.
10. White Christmas
This seasonal classic gives you a warm, toasty feeling no matter the time of year.
11. Gentlemen Prefer Blondes
There’s plenty of song, dance and laughs to go around. Add this one to your list!
12. There’s No Business Like Show Business
Continue the Marilyn Monroe-athon by streaming this iconic movie. We promise you’ll stop humming “There’s No Business Like Show Business” eventually...
13. Shrek The Musical
This beloved ogre tale is now transformed into a full-fledged stage production starring Sutton Foster and Brian d'Arcy James. A rare win for those of us wanting more stage musicals on Netflix, here's your chance to see the Broadway adaptation from the comforts of your home.
Have one to add to the list? Leave a comment below...
[post_title] => Top 12 Musicals On Netflix Right Now (2016) [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => top-12-musicals-netflix-right-now-2016 [to_ping] => [pinged] => [post_modified] => 2016-09-24 14:20:43 [post_modified_gmt] => 2016-09-24 18:20:43 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4357 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 21 [filter] => raw ) [23] => WP_Post Object ( [ID] => 4202 [post_author] => 639 [post_date] => 2016-09-21 10:00:35 [post_date_gmt] => 2016-09-21 14:00:35 [post_content] => Whether it’s casually wanting to get your playbill signed after a show or wanting to meet the actor of your dreams, we have all stage doored at one point or another. Some stage door more than others, and depending on the show, you never quite know what to expect. There may be just a few people calmly waiting in line with you or hundreds of people pushing through to get to the barricade.Here are a few helpful tips on how to pass the time and be a good stage door neighbor:
Be Friendly
I once waited at a stage door for three hours and not a single actor came out. The people standing on the line with you are your friends. You are in it together for the long haul. Be friendly. Start a conversation. Some people are from out of town and have never been to the big apple before. This may also mean they have never stage doored before and might be a little nervous. Others may have the same taste in shows as you and can tell you if that new experimental show in Midtown is worth seeing. You won’t know unless you talk to them. And hey, we’re all there for the same reason, right? We love theatre.
Make Friends with Security
If you think standing at the stage door is stressful, think about security that stands there every night. There are some crazy fans out there. Think of all the tweens that have waited outside Finding Neverland. And you never know if you will get the nice security guard who jokes about dead people outside Les Mis, or the one who has seen you a few too many times outside the Richard Rogers. Just smile and act casual.
Share
On multiple occasions, I have made it to the end of the show with my phone at fifteen percent battery. Of course this would not be enough to last if I wanted a picture with the lead guy when he finally leaves the theater in forty-five minutes. Share a portable charger if you have it. People have been nice enough to me, and I have lent mine out, as well. Again, some people have traveled across the country to see a show, or a little kid might be meeting their icon for the first time. A phone battery should never be the cause of broken dreams. Furthermore, if you see someone who did not have the privilege to see the show (because tickets may have been too expensive, or it’s a limited engagement, etc), remember they do not have a playbill. If you have a notebook in your bag, offer them a piece of paper. You will probably make their night. This way, the actors have something to sign and that person has something to take home. All about working together.
Do Not Push
If you have ever stood at a crowded stage door, you know how this goes. As soon as that door opens, everyone and their mother behind you immediately moves forward. If you are not standing at the barricade, it’s ok. You will probably still get your stuff signed and get a picture. You know what is not ok? Shoving a bunch of people out of your way to get to the barricade because you were in the back. Also, kids stage door, too. Never a need to push people. If you’re nice to the people around you, chances are they will be nice to you, too. The same philosophy can go for pushing people.
Pass It On
If you are near the front of the crowd, you know what happens when an actor comes out. Everyone puts their playbill out in hopes of it getting signed. The people who are a few rows behind you, eagerly holding up their playbill, do them a favor: pass it forward. In fact, grab a few if you can. Wouldn’t you want someone to do the same?
You Get What You Get
Keep in mind, going out the stage door is not in any of the performer’s contracts. They just finished putting their all into a two or three hour performance, or two performances if it’s a matinee day. They are exhausted and probably just want to go home and sleep until tomorrow when they need to do it all again. If they come out to sign a bunch of playbills, then you’re lucky. If not, it does not make them a bad person. Be happy with any picture or signature you get because just remember, they are still people. Say thank you and a few nice words about their performance. Also, if you meet the actor of your dreams, just remember to breath.
[post_title] => Stage Door Etiquette: How To Wait Patiently
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[post_content] => Love life got you down? Get through it Theatre Nerd style with this Broadway soundtrack for the broken hearted thespian. A song for every type of romantic rejection.
1. The Misfortunate Romance
“We Do Not Belong Together” from Sunday in the Park with George https://www.youtube.com/watch?v=dCxrDzj1Gig This gut-wrenching musical masterpiece about a love that isn’t, but should have been, is enough to shed a tear from anyone with a pulse. George, seems incapable of loving anything but his art and Dot laments how he is complete on his own but she needs more, therefore, she must leave him to seek out true companionship.We do not belong together/ And we should have belonged together/ What made it so right together/ Is what made it all wrong
2. The Dramatic Downfall
“Without You” from RENT https://www.youtube.com/watch?v=VXaWc2K0rHE Apart, Roger and Mimi sing this duet as they reflect on what they’ve lost by losing one another. Fitting for any couple questioning their separation.Without you/ The tides change/ The boys run/ The oceans crash /The crowds roar/The days soar/ The babies cry/ Without you/ The moon glows/ The river flows/ But I die without you
3. Always a Bridesmaid, Never a Bride
“Tell me on a Sunday Please” from Song and Dance https://www.youtube.com/watch?v=pDUtECQe_nY During this ballad, Emma sings about the way she’d prefer to hear the news of her inevitable breakup. She humbly requests a beautiful day in the park instead of a phone call or letter. Anyone who’s ever neared the end of a doomed relationship can relate to this hauntingly beautiful melody.Don't leave in silence with no word at all/ Don't get drunk and slam the door/ That's no way to end this/ I know how I want you to say goodbye/ Find a circus ring with a flying trapeze/ Tell me on a Sunday please
4. The Epiphany at the End
“There’s a Fine Fine Line” from Avenue Q https://www.youtube.com/watch?v=wSOoIYsn6jo The lightening bolt moment of insight where you realize your relationship just wasn’t what you thought it was. In this number, Kate realizes that there’s an infinite space between something that’s real and something that isn’t.There's a fine, fine line/ between a fairy tale, and a lie/ And there's a fine, fine line/ between "you're wonderful" and "goodbye"/ I guess if someone doesn't love you back/ it isn't such a crime
5. The Satiric Split
“Send in the Clowns” from A Little Night Music https://www.youtube.com/watch?v=yvZex3Qf7QQ Send in the Clowns is the perfect tune for any fool for love. A reflection on love’s losses and ironies sung by Desiree after being rejected by the man she loves, whom she herself had once rejected long before.Just when I'd stopped opening doors/ Finally knowing the one that I wanted was yours/ Making my entrance again with my usual flair/ Sure of my lines/ No one is there
6. Hope for the Hopeless
“Maybe This Time” from Cabaret https://www.youtube.com/watch?v=fD1hWjffGeE Okay, not exactly a breakup song, but for those unlucky in love this song will give hope to the hopeless as Sally Bowles power ballads out about how perhaps, this time, her love affair will last and she’ll finally be a winner.Maybe this time/ I'll be lucky/ Maybe this time/ He'll stay/ Maybe this time/ For the first time/ Love won't hurry away
7. The Reconciliation
“I’d Give It All For You” from Songs For a New World https://www.youtube.com/watch?v=Iy2skMYODwc A rapprochement for the couple that split and then realized they were wrong. In this duet, the lovers sing of how they chased after their dreams and told themselves it was better without the other one, but now they’d give it all up to be together again.No, I'd give it all for you / I'd give it all for you by my side once more /Oh, I'd give it all for you/ I'd give it cause the mountains I climb / Get higher and higher / I'm running from time/ And walking through fire/ And dreams just don't come true/ But now there's you
8. Unrequited Love
“On My Own” from Les Misérables https://www.youtube.com/watch?v=YYtI8gsXS8c This Eponine tune tugs at the heartstrings for anyone who has ever loved unreciprocated.I love him, but every day I’m learning/ All my life, I’ve only been pretending/ Without me, his world will go on turning/ The World is full of happiness that I have never known/ I love him, I love him, I love him/ But only on my own
9. The Sexually Frustrated Single
“The B*tch of Living” from Spring Awakening https://www.youtube.com/watch?v=7JCoA92y24A The perfect song for the solitary. The young men in this number lament about the struggles of sexual frustrations, puberty, crushes, and confusion. This will have you rocking around your bedroom and singing into your imaginary microphone in no time. See, each night it's like fantastic/ Toss and turning without rest'Cause my days at the piano/ With my teacher and her breasts/ And the music's like the one thing/ I can even get at all/ And those breasts, I mean God/ Please just let those apples fall
10. The Defiant
“And I’m Telling You I’m Not Going” from Dream Girls https://www.youtube.com/watch?v=S0wU38NIzxo In this famed hit, Effie lets her man know she isn’t going anywhere without him. It is the anthem of the woman who stands by her man, even when he doesn’t want her there. Perfect for the person who refuses to let go.No, no, no, no way I'm livin' without you/ I'm not livin' without you/ You see, there's just no way/ There's no way.
11. The Post Mortem
“Still Hurting” from The Last Five Years https://www.youtube.com/watch?v=TzGPx0W04YI A great piece for anyone struggling for closure. Cathy reflects on the relationship lost as she sings of her ex-husband’s moving on while she is still encased in emotional turmoil.Jamie is over and Jamie is gone/ Jamie's decided it's time to move on/ Jamie has new dreams he's building upon/ And I’m still hurting
Have some Broadway breakup jams to add to the list? Leave a comment below...
[post_title] => The Ultimate Broadway Breakup Playlist [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => ultimate-broadway-breakup-playlist [to_ping] => [pinged] => [post_modified] => 2016-09-20 12:08:40 [post_modified_gmt] => 2016-09-20 16:08:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4350 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 8 [filter] => raw ) [25] => WP_Post Object ( [ID] => 4263 [post_author] => 440 [post_date] => 2016-09-19 06:23:23 [post_date_gmt] => 2016-09-19 10:23:23 [post_content] => Theatre is all about telling a story. Transporting the viewer to someplace else, far away for just a few hours. While your performance is what will ultimately sell the story, your appearance is part of that package. From the moment those lights hit your face. The first time I tried to apply my own makeup for a dance performance, I ended up looking like an extra from the Michael Jackson ‘Thriller’ video. Not good for an upbeat jazz number where we all wore neon poodle skirts. Since then I have learned a lot about the art and magic of stage makeup .Here are a few tips to help you avoid my embarrassing fate and apply your stage makeup like a pro:
1. Act like a Boy Scout
Don’t forget to prepare your skin before you start. Moisturize and apply a primer to help the makeup to last longer and keep both your skin and pores happy.2. Less is not more
The adage does not apply in this situation. Packing on the foundation will ensure that when the stage lights hit you, your face does not appear shiny or melt into the curtain. Key tip: don’t forget to apply foundation to your neck as well or you will look like you are wearing a mask. Not great, unless you are playing the Phantom or Lady Gaga. Concealer is also crucial for hiding the evidence of your late night rehearsals under your eyes. Just be sure to find the right shade for your skin tone in both concealer and foundation. Search out a consultant in the store or if all else fails, dab a little of the tester bottle on your hand and see if it blends nicely.3. It’s all in the eyes
Liquid liners are the way to go to avoid the smudging you will get from a pencil. When choosing eye shadows, browns, pinks and golds tend to work best and show up well onstage. You will want to avoid a smoky eye unless it is specific to your character. When it comes to your lashes, false ones can indeed be your friend as they show up well for the audience. While they seem like a pain, all it takes is a little bit of practice to put them on. It can be tempting to buy cheap ones at dollar stores that come with cheap glue, but I assure you, this is one situation where you usually get what you pay for. Your eyes will be itching the whole show. Good lashes will stand the test of time and be easy to wear.4. Pucker up
For starters, chap stick is your friend on a regular basis. Not only do some of them taste great, having smooth lips helps to avoid lipstick clumping. Before applying lipstick, run a wet toothbrush over your lips a few times to help exfoliate. Then choose a bright color, pink or red for ladies is pretty safe. Pick a long lasting lipstick to avoid having to reapply multiple times.5. Highlighting
I know contouring and highlighting are really hot right night, but it is very easy to overdo. Stick to highlighting your t-zone and under your eyes to be safe. However, blush your cheeks to your heart’s content! You may feel you look like the clown of your childhood nightmares with those overly rosy cheeks, but from the audience, it will appear perfectly normal. Don’t forget to fill in those brows! A friend of mine once forgot, and because she was blonde and had applied foundation over top of them, when she got onstage it looked like she had lost her eyebrows in a tragic barbecuing accident. Highly embarrassing. To avoid moments like these, don’t forget that brow pencil.6. Seal the Deal
Using a setting powder, loose or pressed, will help to ensure your face stays picture perfect throughout the show. My personal preference is the light reflecting powder, helping to combat shine once again from sweat or oily skin.7. Special Features
Some shows will call for special effects makeup. Youtube and Pinterest can be a gold mine for how-to tutorials if you are panicking. After all, practice makes perfect. But here are a few tricks I have gleaned over the years.8. Scales
Mermaid? Dragon? Lizard from The Magic School Bus? Get yourself a cheap pair of fishnet stockings and cut a piece as large as the area you are making scaly. Hold the stocking over the area and use a brush to apply shimmering eye shadows in your desired colors generously. When you lift the stocking off, you will have created the appearance of scales.9. Bruises
Creating bruises are all about smudging and blending. Shadow colors like black, purple, yellow, blue and even red are great colors to layer. Remember, fresh bruises would be red, black and purple, while a healing bruise would be yellowing.10. Aging
Give yourself a few wrinkles with the help of Liquid Latex. Haven’t got any? Non-toxic school glue also works well. Apply it to the area and let it dry. Accentuate the now wrinkled area by applying makeup to it. Make sure the makeup gets in the creases.11. Open Wounds
Once again, reach for that Liquid Latex or non-toxic school glue and apply to the spots that you want to be the outside of the wound. Once dry, cover with foundation and then apply red and black shadow or makeup paint to the inside to simulate blood. Don't forget to add red or purple makeup to the outside for swelling; it will make it appear more realistic.Have some great tips of your own? Let us know in the comments below…
[post_title] => 11 Tips For Applying Your Own Stage Makeup [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 11-tips-for-applying-your-own-stage-makeup [to_ping] => [pinged] => [post_modified] => 2016-09-19 06:24:17 [post_modified_gmt] => 2016-09-19 10:24:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4263 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 4 [filter] => raw ) [26] => WP_Post Object ( [ID] => 4103 [post_author] => 11 [post_date] => 2016-09-17 09:43:02 [post_date_gmt] => 2016-09-17 13:43:02 [post_content] => Not every musical gracing a New York City stage can become the next Hamilton, Rent, Lion King or Wicked. With smash hits often forcing other musicals to take a back seat, we think these epic shows have fallen through the cracks. If you’re digging for new show tunes to add to your iTunes docket, check out these 15 Broadway shows for musical theatre gold.1. Miss Saigon
Schönberg and Boublil are most well-known for a little musical tragedy called Les Mis. Their second show, however, chronicles a love story between an American soldier and a native from Vietnam, and is just as tragically beautiful.
2. The Wild Party
Andrew Lippa’s roarin’ twenties musical carries a powerful story and has graced the stage with a number of big-name Broadway talent. Though overshadowed by big productions opening on Broadway the same year such as Jesus Christ Superstar, The Music Man and Kiss Me, Kate (all revivals), it definitely deserved more attention than it received.
3. Sunday in the Park with George
Fans of Sondheim know that this Tony Award/Pulitzer Prize-winning masterpiece is one of the composer’s best. Unfortunately, popular Hollywood adaptations of Sondheim’s other works (i.e., Sweeney Todd or Into the Woods), Sunday in the Park seems to be overshadowed.
4. Ragtime
Nominated for Best Musical in 1998, Ragtime is believed--by many in the theatre community--to be snubbed. Weaving together a group of African Americans, European immigrants and American upper-class during the early twentieth century, this show combines spectacular music and a thought-provoking glimpse into history.
5. The Light in the Piazza
There’s no other musical quite like Piazza. It is based on the book by Elizabeth Spencer, and was written by Adam Guettel (the grandson of a little composer by the name of Richard Rodgers). This show is beloved by fans for Guettel’s unique songs. It blends classical-style music, opera and Italian as it tells a story about romantic love and the undying love of a mother.
6. Assassins
As another Sondheim ‘hidden gem,’ this musical recounts the assassination attempts of various U.S. presidents...as told by the culprit. With the structure of a revue show and music styles spanning across decades, this morbid piece is flawlessly executed (no pun intended).
7. The Drowsy Chaperone
What’s better than a musical that parodies a musical? This whimsical comedy gives audiences that ‘classic Broadway’ feel, and for that we love it. Plus, there are plenty of catchy tunes and snappy dances to go around.
8. She Loves Me
Fans of the iconic 90’s chick flick, You’ve Got Mail, are in for a treat. As the musical that inspired the Meg Ryan/Tom Hanks staple, She Loves Me is delicious in every way. Set in a time before e-mail (in this version, our protagonists are pen pals), we’re sure this show is sure to become a new favorite.
9. The Last Five Years
Breaking free from traditional Broadway style, The Last Five Years gives audiences a detailed look into modern relationships. Told from two very different perspectives, this musical is known for its innovative structure: From Cathy, the aspiring actress, we hear about the demise of the relationship; from Jamie, a successful writer, we hear about the romantic beginning.
10. The Secret Garden
This musical captures the heartfelt magic of the classic novel. It may not be a ‘mainstream’ hit, but hosts a collection of good music, good storytelling and gorgeous costumes. It also took home Best Book of a Musical back in 1991.
11. Bridges of Madison County
What do you get when you combine a Meryl Streep classic, the incomparable music of Jason Robert Brown, and modern-day Broadway stars, Kelli O’Hara and Steven Pasquale? Fabulousness. Reminiscent of both folk style and classic opera, Bridges may have been ahead of its time.
12. The Wedding Singer
This musical doesn’t exactly follow the Adam Sandler/Drew Barrymore movie, but it does keep that fun and outrageous spirit. With plenty of upbeat music and an easy-to-love storyline, this underrated musical is totally one you need in your music library.
13. On the Twentieth Century
If you like your dazzling Broadway spectacle whacky and wild, On the Twentieth Century is your cup of tea. Created to parody a classic operetta, this hilarious musical follows a train from Chicago to New York City. Obviously, chaos ensues.
14. Pajama Game
This Adler and Ross classic isn’t one you hear about often--but it’s full of fantastic dance numbers and songs you’ll be humming. This Broadway musical spawned popular numbers such as “Steam Heat” and “There Once Was A Man”.
15. Funny Girl
While this astounding musical received plenty of acclaim in its time, we still think it’s severely underrated. Barbra Streisand (QUEEN!) originates the role of Follies girl Fanny Brice, both on Broadway and in the 1968 film version. For millennials, it doesn’t ring a bell like Hello, Dolly!, but remains a staple musical for both Babs and Broadway in general.
Agree? Disagree? Have a favorite musical that’s not getting enough love? Leave a comment below...
[post_title] => The 15 Most Underrated Broadway Musicals Of All Time [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 15-most-underrated-broadway-musicals-of-all-time [to_ping] => [pinged] => [post_modified] => 2019-02-25 12:34:58 [post_modified_gmt] => 2019-02-25 17:34:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4103 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 35 [filter] => raw ) [27] => WP_Post Object ( [ID] => 4190 [post_author] => 1 [post_date] => 2016-09-15 09:55:43 [post_date_gmt] => 2016-09-15 13:55:43 [post_content] => You’ve probably heard the speech once or twice … a day … every day of tech … for every show you’ve taken part of: “Please,” (they usually say ‘please’, it makes it seem like a request instead of a command) “if the prop isn’t yours, don’t touch it” Well, from a seasoned Properties Designer, I will let you in on a little secret: you probably could touch it, and the world wouldn’t end ... But if you break it, well, may the theatre gods and the Stage Manager have mercy on your soul!
Props people are pretty well caricatured as over-anxious perfectionists desperately intent on protecting their wares. I’m not saying that we’re all like that, but like any good caricature, there is definitely some truth there. We can get a little edgy - but it isn’t our fault you know, it isn’t easy being a Properties Designer.
Do you even know exactly what a Props Designer’s job is? I’m only asking because I’ve worked as one for over 10 years, and it has never been made exactly clear to me. Every group, every person, seems to have a different idea of what constitutes a prop, and what all Props Designers should be in charge of.
If you believe the lists in the back of the Actor’s Edition of any script, Props are things carried on or off stage during the show. That’s the easy definition - the one most people understand - and the job would be a lot easier if this definition stuck. Another definition, a more comprehensive one, is anything that is not nailed down to the set - which, as you can imagine, really makes that list grow quite a bit.
You see, there are the hand props, but you also have costume props and set dressing. So you ask the Set Designer about who gets the furniture and dressing, and you check to see if the Costume Designer has specific wants for the hats and purses, and you coordinate with the Lighting Designer on the lantern that serves as the only light in a scene, and you work with the Sound Designer on the working 1920s microphone. So, you talk, and you negotiate, and you collaborate with the other designers and THEN you make your lists and hope beyond hope that you’ve thought of everything … But you haven’t, because all during rehearsals, you’ll be getting notes of new things that need to be gotten - and lots and lots of reminders of things that you already know.
So, now you have your ever-fluctuating list. Now what? Well, if you’re lucky, you are working on a show set in modern time, and you can just run out to the store and pick up what you need, or find it in props storage (again, if you’re lucky enough to have one). If you’re not-so-lucky, than you have to do research - a LOT of research. You’d be surprised how much obscure history you have to learn as a Props Designer. For instance, did you know that barcodes were not placed on products until 1974? And ballpoint pens were not commonplace in the home until the late 50s, early 60s? You need to know this kind of thing if you want to do Props for show.
But even this is subject to change, because it is not your job to be 100% historically accurate - unless you are directed to be so, which you never are, because like all Designers, we make a world that is at the intersection of: What Is Right, What The Director Wants, and What The Audience Will Believe … oh yeah, and What Is Possible (that last one is the most important - budget rules our artistic lives).
Getting/Making the props can either be where all the fun is, or the most stressful part. It is different for every one, for every show, every time. Me? I love it. Essentially we get paid (if you’re lucky) to shop and do crafts. Do you like flea markets, rummage sales, thrift shops, antique malls, Arts & Crafts and Hardware Stores? Let’s hope so, because you spend a large amount of your time at one place or another, searching for the things you need.
Sometimes that obtaining process is … a bit of a challenge. I can’t say that I know this for a fact, but I’m pretty sure that all good props designers are probably on some kind government watch list. Have you ever done Twelve Angry Men? Or West Side Story? How about Wait Until Dark? Or Sweeney Todd? Or Assassins? Do you think it’s easy to get weapons without arousing suspicions? Switchblades and Brass Knuckles are illegal - but props designers everywhere have to find them, or at least find realistic look-alikes. Weapons are hard, but there are more embarrassing things in a props designer’s life: Soap-on-a-Rope, nazi arm-bands and flags, severed limbs, several Red G-strings, ingredients for meth, vibrators, joints, handcuffs, pills, chains, pipes … the list goes on and on, and those are just the things I’ve had to buy - you don’t even want to know some of the things I had had to make!
But the worst? The worst is Food Props. Yes, Actors, that’s right. We have something in common. I’m fairly certain that we can all get together on this: Food Props just suck. For everyone. Trust me, Actors, I empathize with you, and trust me, it is no fun for us either: it is a drain on our budget; we have to work within everybody’s dietary restrictions; they’re a pain to keep replacing and making every day; and if they actually are good, they have a tendency to disappear.
But there is one thing to be said about Props Designers and Food Props: Jesus isn’t the only one who can turn water into wine. We can too - and we’ll even do you one better and turn it into whiskey, scotch, tequila, rum, you name it, we do it. All for you actors, all for you!
You see? We don’t hate actors. It’s true, you sometimes drive us crazy, but we don’t hate you. We need you as much as you need us. We also appreciate you. There is nothing so satisfying as an actor who takes a special interest in our props. Someone who really owns it, and uses it to their character’s advantage. It sounds silly, but other Props Designers will understand - it’s the little things in life.
Like most Designers, for us Props people, we don’t look for recognition from the average theatre audience member. I mean, what do you think someone would say if you went up to them after the performance and asked what they thought of the props? There are some exceptions, but most of the time, if the audience didn’t take notice of it, it means we didn’t do anything wrong - and we celebrate!
Still, the next time you work on a show, take note of the Props and Dressing around you. Sometimes a Designer will find a way to leave their mark somewhere - either hidden on set, or taped to the furniture, or written in the notebook. Take notice of their work, and respect it …
And please, Please, PLEASE Don’t Touch It! (Unless it’s yours!)
Guest post by Teresa McGriffHave props designer tribulations of your own? We'd love to hear them, leave a reply below...
[post_title] => "Don't Touch That!" The Trials & Tribulations Of A Props Designer [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => trials-and-tribulations-of-being-a-props-designer [to_ping] => [pinged] => [post_modified] => 2016-09-15 09:57:16 [post_modified_gmt] => 2016-09-15 13:57:16 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4190 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 8 [filter] => raw ) [28] => WP_Post Object ( [ID] => 4126 [post_author] => 190 [post_date] => 2016-09-13 09:16:59 [post_date_gmt] => 2016-09-13 13:16:59 [post_content] => [show-logos orderby='none' category='hamilton-hoodies' activeurl='new' style='boxhighlight' interface='hcarousel' tooltip='false' description='true' limit='0' filter='false' carousel='false,4000,false,false,500,10,true,false,true,1,0,1' img='240,261']1. He wrote In the Heights while he was working as a 7th grade English teacher. Aka coolest teacher ever.
2. Les Miserables was the first musical he ever saw.
3. He wrote jingles for politicians, specifically NY governor Eliot Spitzer’s 2004 campaign.
4. Benjamin Franklin was going to be a character in Hamilton, and was going to have a country-rock Decemberist-y type song. But, alas, it was cut.
5. He founded a hip-hop comedy group at Wesleyan called Freestyle Love Supreme.
[caption id="attachment_4129" align="alignnone" width="1000"] That’s our boy on the left[/caption]
6. He met his wife (Vanessa Nadal) in high school.
7. Speaking of his wife, she is a total badass.
She graduated from Fordham University School of Law, she’s a lawyer...oh! and also a scientist.
8. He was on How I Met Your Mother. And he definitely rapped on the show, delighting theatre nerds across the nation.
9. He’d be down for a Hamilton movie...when he’s 60 “Someday. Probably not for, like, 20 years”.
10. Speaking of musical to movie adaptations, Chicago is one of his favorites.
11. OH. He surprised Vanessa at their wedding by organizing a wedding party performance of (what else) “To Life” from Fiddler on the Roof.
You’re welcome: https://www.youtube.com/watch?v=KgZ4ZTTfKO812. This video of him dancing to Footloose as a little kid exists!
You're welcome, again. https://www.youtube.com/watch?v=kEdiwkQ13dk13. He has a dog named "Tobillo" from the Dominican Republic.
14. Lin was a co-composer & Lyricist for Bring It On The Musical.
15. He was the voice of "Shag Kava" in Star Wars: The Force Awakens.
Oh, and also a special featured composer.
16. The name "Lin-Manuel" was inspired by a poem about the Vietnam War, Nana Roja Para Mi Hijo Lin Manuel.
Cover Photo: Matthew Murphy
[post_title] => 16 Things You Probably Didn't Know About Lin-Manuel Miranda [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => things-you-probably-didnt-know-about-lin-manuel-miranda [to_ping] => [pinged] => [post_modified] => 2017-01-02 01:01:38 [post_modified_gmt] => 2017-01-02 05:01:38 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4126 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 4 [filter] => raw ) [29] => WP_Post Object ( [ID] => 3980 [post_author] => 440 [post_date] => 2016-09-12 09:26:20 [post_date_gmt] => 2016-09-12 13:26:20 [post_content] => Are there any words more anxiety inducing to a performer than “You know how to _______________, right?” Because it doesn't matter what the question is, the answer is always “Of course!” and then you spend the next week giving yourself an ulcer while trying to figure out how to do whatever it is. And maybe I am wrong, but it seems like more often than not it’s some particular style of dance that “trips” people up (both literally and figuratively). In my case, when a choreographer once asked if I could tap dance, I smiled widely and lied through my teeth. Being part of that show pushed my limits as a dancer, but I was determined to succeed. That night I went and bought a pair of second-hand tap shoes and stayed up for hours watching instructional videos on Youtube (how people learned to do anything before the internet, I’ll never know).Here is a set of tricks that help me to pick up and master choreography on a tight schedule.
1. Listen to the Song as Often as Possible
The faster you learn the song, the easier it will be. And I don’t just mean the words. When Tchaikovsky wrote his first ballet, it was a dismal failure because he didn’t consult with the choreographer to ensure the music matched the steps. Any choreographer worth their salt knows that the movement must work together with the music, so learning the song is just as important as learning the steps. Train yourself to listen beyond the words to what the instruments are doing, the backbeats you hear, the nuances and the timing. It will help you to link the steps and be in time with the music, rather than just learning the sequence of moves for the routine independently.2. Set Up a Dance Space
It is true that you can practice anywhere with open space, but some routines may involve props that are difficult to cart around. When I took on that tap number, I salvaged a piece of plywood from a friend and set it up in my garage. Not an ideal space, especially given that it was wintertime, and I needed to put on a hat and mittens to practice, but it worked. Having a designated space is also helpful for privacy and the freedom to experiment without feeling self-conscious about trying a particular move fifteen times over.3. Record the Choreographer
With their permission, of course. Always ask first, it’s just polite. Most choreographers are very open to this because it shows initiative and a desire to improve. Plus it’s simple to do because of cell phones. Once you have the video, watch it back while you practice, one move at a time. Pay attention not only to the step, but to what each part of the body is doing during that step and try to emulate it.4. Record Yourself
Do this as often as you can. It is easy to figure out what you need to work on when you can see it. Much like watching the choreographer, look at each move individually and pay attention to what each part of your body is doing. Are you leaning too far forwards? As one of my dance teachers used to ask, does your arm look like a dead chicken wing? Compare what you are doing to what the choreographer is doing. I even find it helpful to keep notes in a notebook.5. Internet How-To’s
Not every instructor is going to teach to your style of learning. So if there is a particular step or turn you don’t understand, try searching it online to see how others do it. Youtube is chalk full of instructional dance videos, and it might take hearing it explained another way for it to click.6. The 10 Minute Rule
Reviewing the choreography for ten minutes, three times a day will help secure it in your brain and your body memory. Finding a full hour or two when you have other commitments like a job, homework, family, etc., can seem like a daunting task. But you can always find ten minutes. And you don’t even have to practice it full out. It’s the repetition that is important. Much like riding a bike, the more you practice it, the easier it will be. So chunk your time and review for ten minutes in your kitchen while you brew your coffee, or while you wait for the bus.7. Say It-Do It
This might feel ridiculous the first few times you try it. As you practice each movement, say out loud what you are doing, to the rhythm that you are doing it. It doesn’t even have to be the correct terminology, feel free to say it any way that will help you to remember it. But saying it out loud will help to commit it to your memory in a secondary way. To the point that when I am no longer saying the words out loud, my mind will automatically think them and my body will follow.Have any tips that we missed? Leave a reply below…
[post_title] => How To Master Your Choreography ASAP [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => how-to-master-your-choreography-asap [to_ping] => [pinged] => [post_modified] => 2016-09-12 09:28:04 [post_modified_gmt] => 2016-09-12 13:28:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3980 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [30] => WP_Post Object ( [ID] => 4101 [post_author] => 12 [post_date] => 2016-09-10 09:49:56 [post_date_gmt] => 2016-09-10 13:49:56 [post_content] => Whether you’re dragging your feet at memorizing your lines, completing that script, or learning your choreography, the procrastination bug has bitten us all at one time or another. Let’s face it; you’re probably procrastinating right this very moment. To further justify your stalling, here’s a list of other theatre procrastinators.1. The Obsessive Compulsive
You’ve never cared about cleanliness before, but now that you’ve got that Lady Anne monologue to memorize, you’re suddenly all too concerned with that grime behind the oven knobs.
2. The Fixator (someone who fixates)
…You would be writing that sketch if it weren’t for all that noise! How many car alarms can go off in one hour? What’s with all the motorcycles is there a convention in town? I better write a letter to the city commissioner about this.
3. The Culinary Genius
Normally a bowl of cereal would suffice but instead, you decide to try that Rachel Ray Broccolini Frittata to put off writing down the choreography to that Cats number.
4. The Animal Wrangler
You don’t have a dog, yet somehow you’ve found yourself walking someone else’s little fur-baby. Or, you just spent the last hour watching cat videos instead of working on your scales.
5. The Fantasizer
Instead of working on your stage combat moves you zone out and imagine the glittering nights ahead as you practice accepting the award for Best Lead Actor in a Play at the Tony Awards. …But most of all, I want to thank my stylist.
6. The Pinterest Pioneer
…I could finish painting these set pieces, or I could try making these DIY bath bombs from Pinterest and start an Etsy page while I’m at it!
7. The Social (Media) Butterfly
Sure you could write the score to that new musical number you’ve been working on, or you could scour the internet for your favorite Broadway hits, post some selfies of you not working, and update your status about how you should be productive but this is way more satisfying at the moment.
8. The Errand Runner
Instead of lying down that voice over audition, why not run all over town to see who carries the best dog treats, then stop at Bed Bath and Beyond because you’re so close already- and you know if you walk around for an hour you’ll find something you’ll decide you can’t live without. Ohh! And then there’s the $1 aisle at Target….so much to do!
9. The Binge-a-thoner
Okay, that’s not a word. The person who binge watches an entire series on Netflix before writing that essay for Script Analysis class.
10. The Organizer
Before I can write this one-act play, I must clean my desk…office…house…life!
11. The Online Shopaholic
You’re supposed to read Glass Menagerie- but Kate Spade is having a 75% off online sale today only! Priorities people.
12. The Nap Enthusiast
I’ll work on that sonnet right after this little bitty catnap.
What's your favorite way to procrastinate as a thespian? Leave a reply below...
[post_title] => 12 Types Of Thespian Procrastinators: Which One Are You? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 12-types-of-thespian-procrastinators-which-one-are-you [to_ping] => [pinged] => [post_modified] => 2016-09-10 09:49:56 [post_modified_gmt] => 2016-09-10 13:49:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4101 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [31] => WP_Post Object ( [ID] => 4210 [post_author] => 1 [post_date] => 2016-09-09 14:10:44 [post_date_gmt] => 2016-09-09 18:10:44 [post_content] => We polled the Theatre Nerds Facebook group to see what their favorite Broadway Cast Recordings of ALL-TIME were. Receiving over 600 responses, we decided to count the votes and publish the the top 20. Note: We included West End productions, Original Off-Broadway recordings, & anniversary concerts.1. The Phantom Of The Opera - Canadian Cast Recording
Release Date: November 26, 2002 Votes: 92 Theatre Nerds Listen on Spotify
2. Hamilton - Original Broadway Cast
Release Date: September 25, 2015
Votes: 86 Theatre Nerds
Listen on Spotify
3. Wicked - Original Broadway Cast
Release Date: December 16, 2003
Votes: 74 Theatre Nerds
Listen on Spotify
4. The Phantom of the Opera at the Royal Albert Hall: In Celebration of 25 Years
Release Date: February 7, 2012
Votes: 68 Theatre Nerds
Listen on Spotify
5. Les Miserables - Original London Cast
Release Date: 1985
Votes: 61 Theatre Nerds
Listen on Spotify
6. The Secret Garden - Original Broadway Cast
Release Date: December 10, 1991
Votes: 57 Theatre Nerds
Listen on Spotify
7. Into The Woods - Original Broadway Cast
Release Date: January 19, 1988
Votes: 53 Theatre Nerds
Listen on Spotify
8. Matilda - Original London Cast
Release Date: October 22, 2013
Votes: 49 Theatre Nerds
Listen on Spotify
9. Rent - Original Broadway Cast
Release Date: August 27, 1996
Votes: 47 Theatre Nerds
Listen on Spotify
10. Next To Normal - Original Broadway Cast
Release Date: May 12, 2009
Votes: 42 Theatre Nerds
Listen on Spotify
11. Avenue Q - Original Broadway Cast
Release Date: October 7, 2003
Votes: 38 Theatre Nerds
Listen on Spotify
12. Spring Awakening - Original Broadway Cast
Release Date: December 12, 2006
Votes: 37 Theatre Nerds
Listen on Spotify
13. Fiddler on the Roof - Original Broadway Cast
Release Date: 1964
Votes: 33
Listen on Spotify
14. Legally Blonde - Original Broadway Cast
Release Date: July 17, 2007
Votes: 28
Listen on Spotify
15. Follies - Original Broadway Cast
Release Date: 1971
Votes: 26
Listen on Spotify
16. Les Miserables - 10th Anniversary Concert
Release Date: May 11, 2004
Votes: 23
Listen on Spotify
17. Little Shop of Horrors - Original Off-Broadway Cast
Release Date: 1982
Votes: 20
Listen on Spotify
18. Hairspray - Original Broadway Cast
Release Date: August 13, 2002
Votes: 19
Listen on Spotify
19. Newsies - Original Broadway Cast
Release Date: May 15, 2012
Votes: 17
Listen on Spotify
20. Waitress - Original Broadway Cast
Release date: July 8, 2016
Votes: 16
Listen on Spotify
Have one you think we missed from the list? Leave a reply below...
[post_title] => Theatre Nerds Top 20 Broadway Cast Recordings Of All Time [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => top-20-broadway-cast-recordings-of-all-time [to_ping] => [pinged] => [post_modified] => 2016-09-09 14:23:40 [post_modified_gmt] => 2016-09-09 18:23:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4210 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 13 [filter] => raw ) [32] => WP_Post Object ( [ID] => 4171 [post_author] => 391 [post_date] => 2016-09-08 08:33:22 [post_date_gmt] => 2016-09-08 12:33:22 [post_content] => Long before tenors dominated the contemporary musical theatre scene, rich bass voices such Jerry Orbach and Robert Goulet were widely acclaimed. Nowadays, if on some enchanted evening you need an audition song, we’ve got you covered, basses! Here are 10 overlooked audition songs for basses to consider.1. “Marry Well” from Grey Gardens.
Based on the 1975 documentary on The Beales, Grey Gardens premiered Off-Broadway in 2006 before transferring to Broadway the same year. In this number, Major Beale tells his granddaughter Edie of how much wants to preserve their family’s legacy. Range: A#2-E4. https://www.youtube.com/watch?v=Eo9e9fpUn-E2. “Masculinity” from La Cage aux Folles
Based on a 1973 French play, this musical opened on Broadway in 1983, and has been revived twice (2004 and 2010). In this scene, Georges, who owns La Cage aux Folles, teaches the drag queen Albin to become less flamboyant. Range: Bb2-Eb4. https://www.youtube.com/watch?v=SF2Pj8Q_Iig3. “A Fellow Needs a Girl” from Allegro
This musical, Roger and Hammerstein’s third stage collaboration, opened on Broadway in 1947 and was revived Off-Broadway (albeit significantly edited) in 2014. In this song, Dr. Taylor, a small town physician, hopes that his college-aged son Joe will eventually marry his girlfriend Jenny. Range: Bb2-Db4. https://www.youtube.com/watch?v=ejMaqsIEjLo4. “If I Sing” from Closer Than Ever
This 1989 musical revue premiered Off-Broadway in 1989, and was revived there in 2012. In this number, a musician recalls loving music through his father’s piano abilities. Range: A2-Eb4. https://www.youtube.com/watch?v=01byK3XQE785. “Pilate’s Dream” from Jesus Christ Superstar
One of Andrew Lloyd Webber’s best-known shows, this musical opened on Broadway in 1971, and has been revived there three times since. The character Pontius Pilate retells a dream in which he will be entirely blamed for Jesus Christ’s crucifixion. This song is best for auditioning for similar rock musicals such as Spring Awakening. Range: A2-Bb3. https://www.youtube.com/watch?v=ry7M28EtADY6. “A Wonderful Day Like Today” from The Roar of the Greasepaint, The Smell of the Crowd
After a UK tour in 1964, this musical opened on Broadway in 1965. This song is sung in the beginning of the show, when the two main characters, Sir and Cocky, bask in the joys in living in the “driver’s seat” of life. Range: Bb2-Eb4. https://www.youtube.com/watch?v=eBo-5A4eFts7. “Paris By Night” from Victor/Victoria
Adapted from the 1982 musical of the same name, this show, featuring Julie Andrews as the title character, opened on Broadway in 1995. “Paris By Night” is sung at the start of the show, in which Toddy, a nightclub performer, boasts about Parisian nightlife. Range: Bb2-Eb4. https://www.youtube.com/watch?v=qqQV4tmCgPg8. “Coffee Shop Nights” from Curtains
This late Kander and Ebb show premiered in Los Angeles in 2006 before transferring to Broadway the next year. The musical whodunit is about an actress who is murdered during her opening night curtain call. In this song, Lieutenant Frank Cioffi confides in Niki, an ingénue, about him being married to his job. Range: G#2-D4. https://www.youtube.com/watch?v=vLvMfEX0wqI9. “I Don’t Remember You” from The Happy Time
This Kander and Ebb musical premiered in Los Angeles in 1967 before transferring to Broadway the next year. In this scene, the photographer Jacques is having issues committing to his former lover Laurie. Range: Ab2-Eb4. https://www.youtube.com/watch?v=Bj3qpBUePLs10. “Real Life” from tick, tick…BOOM!
This Jonathan Larson musical premiered Off-Off-Broadway in 1990, was reworked after his death, and opened Off-Broadway in 2001. In this scene, the research executive Michael tries to convince his composer friend Jon that starting a family with Jon’s wife, Susan, might not be a bad idea. This song is another great choice in try-outs for rock musicals. Range: Bb2-G4. https://www.youtube.com/watch?v=NPqJFxCg_f4Have a song you think is missing from the list? Let us know in the comments below…
[post_title] => 10 Overlooked Audition Songs For Basses [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-overlooked-audition-songs-for-basses [to_ping] => [pinged] => [post_modified] => 2016-09-08 08:34:41 [post_modified_gmt] => 2016-09-08 12:34:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4171 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [33] => WP_Post Object ( [ID] => 3992 [post_author] => 395 [post_date] => 2016-09-06 09:00:53 [post_date_gmt] => 2016-09-06 13:00:53 [post_content] => You tried to get tickets to “Hamilton.” You really did. No one in the history of the universe has ever tried harder. But after repeatedly refreshing your email waiting for that digital lottery golden ticket to pop up, you’ve come up disappointingly short. Though you could spend all day memorizing the marquee of Richard Rodgers Theatre and hoping Lin-Manuel Miranda is going to stroll by to say a quick “hello” to the current cast, you’re in the greatest city in the world, and it would be a waste not to take advantage of it. After all, history had its eyes on Hamilton long before the musical came around. If you’re a “Hamilton” fan with a few hours to kill in New York City, the following are the top five historical landmarks featured in the show that will teach you more about the storied American legend and make up for the fact that today is sadly not the day you see “Hamilton.”1. Hamilton Hall at Columbia University
I’m ‘a get a scholarship to King’s College / I prob’ly shouldn’t brag, but dag, I amaze and astonish…”
Though King’s College is now known as Columbia University, this institution is where Hamilton got his education after arriving in America. While you’re strolling around the grounds, turn up “My Shot” and “Farmer Refuted” and imagine what it was like to study here in the midst of a revolution. Outside Hamilton Hall, snap a shot or two of the statue of the ten-dollar Founding Father. Afterward, head down the street to the worshipped Hamilton Deli (otherwise known as Hamdel) for a sandwich that will guarantee that “you’ll be back.”
2. Thomas Jefferson Residence
“Two Virginians and an immigrant walk into a room, diametrically opposed foes...”
If you want to be in the room where it happens, head to the Thomas Jefferson Residence at 57 Maiden Lane. Jefferson rented out this space while he was serving as secretary of state, and it is the spot of the infamous dinner between Hamilton, Jefferson and Madison that settled the Compromise of 1790 (and none for Aaron Burr, bye!) Though the home is no longer standing, there is a plaque you can read and take pictures of that commemorates the site’s history.
3. Hamilton Grange
“Eliza, do you like it uptown? It’s quiet uptown…”
Hamilton’s love for the city of New York is a prevalent theme throughout the musical, and though he only lived in this Harlem estate for two years before his death, it’s a can’t-miss stop for any Hamilton fan. Press pause on your 100th listen to “It’s Quiet Uptown” and take a break to check out the interactive exhibit in this Federalist-style home. The National Park Service website for the Hamilton Grange does advise you to arrive 30 minutes before the time you’d like to take a tour — believe it or not, its popularity has been kicked up a notch over the past year!
4. Weehawken Dueling Grounds
“Weehawken. Dawn. Guns. Drawn.”
“You’re on.”
A tour of the best Hamilton landmarks would be incomplete without a trip across the Hudson into Jersey — everything is legal in New Jersey. Weehawken is the site of not one, but two deadly duels in the show as both Phillip and Alexander Hamilton faced off with their enemies there. Though the original site has been covered up by train tracks, you can still check out a monument while you’re there and imagine what it was like for Hamilton and Aaron Burr to let their political rivalry reach such a violent point. And, of course, you won’t be able to help humming “The Ten Duel Commandments” under your breath.
5. Trinity Church Cemetery
“She is buried in Trinity Church near you…”
Hamilton spent his entire life working tirelessly to secure his legacy in history, and Trinity Church Cemetery is the perfect place to go pay your respects. Eliza Hamilton, Angelica Schuyler and Phillip Hamilton are buried here as well. The epitaph on Hamilton’s tombstone honors him with these words:
The Patriot of incorruptible integrity. The soldier of approved valour. The statesman of consummate wisdom. Whose talents and virtues will be admired Long after this marble shall have mouldered into dust.Though nothing can replace the experience of watching “Hamilton” live, checking these landmarks off your bucket list will leave you even better prepared to fully appreciate the show the next time you’re in New York and the odds of the digital lottery tilt magically in your favor. [post_title] => Lost The Digital Lottery? Check Out These 5 ‘Hamilton’ Landmarks Instead [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => lost-the-digital-lottery-check-out-these-5-hamilton-landmarks-instead [to_ping] => [pinged] => [post_modified] => 2016-09-06 09:18:07 [post_modified_gmt] => 2016-09-06 13:18:07 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3992 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [34] => WP_Post Object ( [ID] => 3969 [post_author] => 11 [post_date] => 2016-09-05 08:33:08 [post_date_gmt] => 2016-09-05 12:33:08 [post_content] => These television shows aren’t short on song, dance or drama and that’s exactly why we love them! Whether it’s the plight of an aspiring actress or the hardships of writing a play, these five titles bring theatre to the small screen. (Beware! Binge-watching may ensue.)
1. Smash
While Smash may have not been a smash hit among the masses, it’s a delicious watch for anyone interested in what it takes to bring a Broadway workshop all the way to Opening Night. Starring Debra Messing, Katharine McPhee and a host of Broadway favorites (Megan Hilty, Christian Borle, Will Chase and Brian d'Arcy James to name a few), the series chronicles the creation of Bombshell, a musical based on the life of Marilyn Monroe. Smash includes a stellar soundtrack, epic choreography and the perfect amount of scandal and drama.
How To Watch? AMAZON
2. Slings & Arrows
To watch or not to watch Slings & Arrows? This is no question! Slings and Arrows traces the lives of the cast and crew of the “New Burbage Shakespeare Festival” (loosely based on the Stratford Festival). This canadian series, which ran in the late ‘90s a hidden gem for any thespian. Each of the shows three seasons focuses on one season the festival and one production in particular - “Hamlet,” “MacBeth,” and “King Lear” respectively. Following the ups and downs of a mentally unstable artist director, recently returned from a stint in an institution, and a whole host of actors, crew-members and festival managers, this show gives you characters that you have met in your own life as a theatre nerd, but are at the same time unique and original. Oh! And there’s a theatre ghost too!
(This one is Theatre Nerd’s Editor in Chief Ben Bailey’s absolutely favorite btw)
How to watch? AMAZON
3. Glee
Say what you will about Ryan Murphy’s overdramatized, far-fetched comedy---Glee brought plenty of famous theatre tunes to light during its six-season reign. Once you’ve accepted that outrageous plotlines and petty high school bickering are the norm, it’s easy to appreciate the unique renditions of “Don’t Rain On My Parade” or “Defying Gravity.” This is the perfect show to binge-watch over a bowl of ice cream or a big old glass of wine.
How to watch? AMAZON
4. Broadway or Bust
Technically, this one’s a documentary...but it’s the perfect choice for theatre nerds who love reality TV! Think of Broadway or Bust as the So You Think You Can Dance of theatre. The show takes 60 of the best performers from high schools across the nation and puts them to the test (what would reality TV be without a competition?). Aspiring actors undergo a rigorous song and dance boot-camp and give showstopping performances.
How to watch? PBS
5. Submissions Only
Actress Penny Reilly dreams of making it big in NYC, but it’s not all glitz and glam. This hilarious web series dives into the dog-eat-dog audition process and spotlights a star-studded cast. It features cameos from Chita Rivera, Audra McDonald, Lin-Manuel Miranda, Adam Pascal, Kristin Chenoweth, Kelli O’Hara, Danny Burstein and more. What theatre nerd wouldn’t want to watch this?
How to watch? submissionsonly.com
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[post_title] => 5 Binge-Worthy TV Shows About Theatre [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 5-binge-worthy-tv-shows-about-theatre [to_ping] => [pinged] => [post_modified] => 2016-09-05 16:14:05 [post_modified_gmt] => 2016-09-05 20:14:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3969 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [35] => WP_Post Object ( [ID] => 4077 [post_author] => 11 [post_date] => 2016-09-03 09:12:36 [post_date_gmt] => 2016-09-03 13:12:36 [post_content] => [viralQuiz id=14] [post_title] => Quiz: Match The Shakespearean Quote To Its Play [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => match-the-shakespearean-quote-to-its-play [to_ping] => [pinged] => [post_modified] => 2016-09-03 09:18:19 [post_modified_gmt] => 2016-09-03 13:18:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4077 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 36 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 5278 [post_author] => 12 [post_date] => 2016-10-27 10:01:15 [post_date_gmt] => 2016-10-27 14:01:15 [post_content] => There’s a ton of ways to stand out at an audition: acting like a diva, wearing a crazy costume, or being just plain crazy. Stand out you will, but for all the wrong reasons. Here are some positive ways to be more memorable at your next audition.1. Be Prepared
Being prepared in every possible way is sure to make you stand out as a true professional. i.e.: Be warmed up, physically and vocally, have your headshot and résumé (plus extra copies), carry your sides, know the character, understand the project and the tone of the script, and be aware of who’s in the room. As the saying goes, “Success happens when preparedness meets opportunity.”2. Be On time
Being on time is super important. Perhaps you won’t stand out for being on time, but you’ll definitely stand out for being late- and not in a good way. Being on time shows that you are a professional and you value both your time and the casting director’s time.3. Slate Professionally
Having proper audition technique is a must. Slate accordingly and don’t do any ‘green’ actor ticks that make you look like a newbie or a hack. No last minute tongue twisters in front of casting or strange turns into character. Say your name, take a beat, and begin.4. Dress Appropriately
No matter what the character, dress in a way that shows a hint of them. If you’re auditioning for a Queen don’t wear a ballgown, but simply something that shows you have class and poise. Most importantly, always dress with respect for yourself.5. Be confident
Go in and do the best you can do and be happy with that. Don’t seek validation, it’s needy and casts doubt over your entire performance.6. Be Kind
Be kind to the other actors in the waiting room, to the monitor, to the receptionist, to the security guard- to everyone. First of all, you never know who’s watching, and secondly, you should be kind regardless because it generates positive energy, which is good for everyone.7. Take Direction
Be pliable. Even if you disagree with the direction given just go with the flow.8. Connect
When you go in front of casting, try to connect with them on a human level instead of putting them on a pedestal. Ask them how they are doing and try to strike up a quick convo on something you can both connect on. Be aware of time and your surroundings; don’t be overly chatty if you sense they are rushed.9. Discover Something Different
This is one of the most important things you can do. A hundred other actors just read the same copy as you did with basically the same instincts. Find a moment in the script where you can add something surprising and unexpected, while remaining true to the scene. This is your chance to let your creativity shine.10. Reinvigorate Your Material
If you’ve been doing the same tired monologue over and over again- mix it up. Try something that scares you. Taking a risk is always noticeable.11. Show You Care
If you connected with the script or the character let the casting director know. It never hurts to mention that you really loved the story, or that you found the character eerily similar to you.12. Be Uniquely You
Find a way to allow what makes you unique, shine through the copy.13. Do Something Unexpected
If an opportunity to mix up the material arises- take it. If they aren’t specific that your monologue/scene comes from a play, take one from a lesser known movie or television series. As long as it fits the needs of what they may be looking for and it’s okay to do so- it’s a great chance to do something they’ve probably never seen before instead of the same tired Heidi Chronicle monologue.14. Gender-bender
Try doing a scene or a monologue written for the opposite sex. It adds a fun twist and when done correctly it can really turn heads.15. Do your Research
It’s impressive when an actor knows how to properly pronounce the strange word in the script, or understands the odd historic reference. It also makes you look super smart- which never hurts.16. Ask Genuine Questions
If you have a genuine question about the script or character, ask it. But don’t waste time by asking arbitrary questions just to stand in front of casting for a few moments longer.17. Find the Button
Whether it’s commercial copy or a comedic scene look for a button. Find it, then end strong with it. When actors don’t hit the button it’s equivalent to never receiving the sweet satisfaction of hearing the other shoe drop.18. Make a Strong Choice
The most important thing above all else is to make a choice, a strong choice, and then stick with it. Don’t change your mind in the middle of the scene- for better or for worse, ride that choice to the end.Have another tip for standing out at auditions? Leave a reply below...
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