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[post_title] => 2016 Tony Awards Trivia: Test Your Knowledge!
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[post_content] => For many thespians tech week is easily the most stressful time of the rehearsal process.
From the last minute show tweaks to the long rehearsals, the grind of tech week can really cause you to feel emotionally and physically drained. But in the end when the curtain rises and the lights come up, all the hard work, blood, sweat, and tears suddenly seem worth it.
If this process sounds all too familiar, you're not alone thespian! We gathered 22 gifs that accurately explain the enigma we call Hell Tech Week
1. Going into tech week like...
2. Trying on your costume for the first time...
3. Running through the same number a hundred times...
4. When the director starts yelling at someone for messing up the scene, but you’re the one who forgot the blocking...
5. When the choreographer compliments you on nailing the choreography...
6. When you run the same scene 27 times...
7. Then your scene partner forgets their lines...
8. Finally getting a five minute break...
9. Realizing the show is not ready...
10. When the director calls it a night...
11. But then says "meet in five for notes"...
12. The inevitable and (often) regrettable fast food stops on the way home...
13. Remembering that you’ll be up all night doing homework...
14. Almost falling asleep, only to remember opening night is suddenly tomorrow...
15. Preparing for the show to open...
16. Arriving at call time like...
17. Warming up backstage with the cast...
18. The feeling after flawlessly executing the first number...
19. Nailing your "eleven o'clock number"...
20. Getting the bows perfect after learning them thirty minutes before curtain...
21. Receiving a standing ovation after a successful opening night...
22. Realizing it was all worth it, and how much you love being a thespian...
23. Then you head to the opening night party...
Have something to add to the list, we'd love to hear it! Leave a reply below...
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Are you a parent of a theatre kid? Well, they’re probably showing you this article because they want to be a theatre major and you’re the only thing standing in the way of them pursuing their dreams! Too harsh? No, it’s not! This is the rest of their life we’re talking about, so you can suck it up and invest five minutes to read an article that may result in a lifetime of happiness for your child.
Now… parents, I don’t want you thinking that I’m not acknowledging your concerns, because I know all your arguments and I’m here to say… you’re wrong. Here is
the list of parental concerns and then of course… my rebuttal:
My child won’t make any money in theatre.
Wrong. Theatre is a continuously growing industry with new jobs every day. Take a second and research the amount of theatre-related jobs that exist… here’s a secret… it’ll take you a while. There are more jobs out there than just acting or directing. Guess what! Your child will learn all about those jobs in college… when they’re a theatre major.
I just want what’s best for my child.

Isn’t a happy life what’s best? Tell me Mom and Dad, are you happy with your career? If you said yes, then it’s because you had people supporting you along the way telling you, “You can do it!” If you said no, then don’t you dream about a job that would make you happy? You could always apply to be a theatre major with your kid. Just because you gave up on your life and on your dreams… doesn’t mean Junior has to. Life is too short. Plus, I’ve never heard anyone say, “I’m really passionate about accounting.” You might remember the famous quote by Marc Anthony, “If you do what you love, you’ll never work a day in your life.”
You can’t do theatre forever. Then what?
First of all… two words, Betty White. Second of all, like any other job, you can stay in this industry as long or as little as you want. Just like any other occupation, making connections and “climbing the ladder” is just as important to the health and longevity of your career. So let’s say your child pursues their dream of theatre and then decides they want to do something else… guess what, they have a degree. Yeah it’s a degree in theatre, but you and I both know that simply having a degree is more important than the type of degree. How many people do you know that have a job completely unrelated to their undergraduate major? Last I checked, you don’t need a degree in Geography to be an Insurance Broker… but I assure you they exist.

A theatre major is more versatile than any other major. Think about the skills you need for theatre, collaboration, problem solving, marketing, design, analysis, presenting and performing, time management, and the list goes on! Are you telling me these are skills that any employer wouldn’t love to see in an applicant? Plus, have you met your child? They’re hilarious and fun to be around. With those skills and that personality… what job can’t they get?
Parents, I just want to help you help yourselves. You love your kids, I know that and they know that (even if they do sometimes tell you otherwise). One way you can show your love is by supporting their decisions. If theatre isn’t for them… they’re going to find out in college. The life of a theatre major is tougher than most and it’s not for everyone. But if you tell your child they can’t do something… if you even hint at it, that’ll make them want to do it even more. If your child is going to succeed in theatre, wouldn’t you rather they do it because of you and not in spite of you?
So what can you do now Mom and Dad?
Ask your child why they want to be a theatre major and see what they say. See how they talk. When was the last time you heard someone talk so passionately about their future? Still skeptical? Go visit a university’s theatre program. Tour the school, ask them tough questions, and meet the people who are doing what your child wants to do. Chances are good… you might start to see that theatre is truly the only option for your kid. Before you say no to a lifetime of happiness, do your homework.
Take it from me, I’m a teacher, an actor, a director, a playwright, and most importantly… I’m happy. All because my parents believed in me and believed in my dream.
Do you or your parents still have concerns? Write them below. I’ll work through them with you!
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There are a select few that have the passion and patience to be called a stage manager. Recently, the great Queen Elizabeth II turned 90, and who better to describe all the feelings of a stage manager than the longest reigning monarch of all time?!
The calm before the storm.
Rehearsals are just beginning, you meet your tech crew for the first time and pray to God that everything will run smoothly.
Establishing dominance…

You quickly assess any trouble makers and let them know you don't want to be the "bad guy/gal", so they just need to listen up and be professional. Nothing wrong with firing a few "warning shots" to let them know you mean business.
Trying to keep your cool when actors forget lines/notes...
Listen to the director, remember your cues, and for goodness sake learn your lines or so help me God I will say the name of the Scottish play!
When people play with and/or break props That Do Not Belong To Them...
Do we really need an explanation for this? Just. Don’t. Do. It.
When people start blaming the techies for mistakes that aren’t theirs…
Even though they tend to get on your last nerve when they forget a cue or forget to mop the stage, the techies are your children. Nobody is going to mess with them, and if they do, they’ll have you to answer to!
When the director hands you the reigns for tech week…

You're all mine!!!
Muahahahahahahahahahahaha…
First couple days of tech week...

You wonder how is this going to work & why did you even do this in the first place.
Halfway through tech week…
Come at me! I dare you to bring slider thirteen up when I clearly said slider fifteen! Please, God, if I hear one more bad pun in the headset...
3/4 through tech week...

Yeah go ahead and keep messing with that prop, I'll tell you where to put it...
Tech week has ended…
You’re tired, hungry, and you just want to go home...but everyone won’t stop horsing around! Come on y’all, we have been here for sixteen hours. Wrap. It. Up. Now. Please.
Opening night…
You’ve done it! All your blood, sweat, tears and sanity have not gone to waste! You have reigned supreme and ran a wonderfully smooth show, heaven help you tomorrow though, you’ve got to do it all again. Correction, you get to do all of it again. Being a stage manager is one of the most stressful, time consuming jobs in the business, but hey, it’s a beautiful ride!
And remember, we are always watching you...
Thank you to all stage managers for making this whole thing work, we love and appreciate you! You are truly queens (& Kings) of the stage!
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[post_title] => Quiz: Which Rodgers & Hammerstein Musical Are You?
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[post_content] => Ahhh, there is nothing like walking into the first rehearsal of a brand new show. The awkward moment when a whole bunch of thespians have to try and act normal as a collective group. As the process continues forward the normalcy fades away, true colors are shown, and amazing bonds are formed. Just like one big family...we fight, we laugh, we cry, and we accomplish incredible things by the time opening night rolls around.
Most of us in the theatre world are no stranger to the #struggles of rehearsal life, so enjoy this timeline of the process (emphatically told with gifs).
The First Day
The first day of rehearsals is always filled with (in my experience) odd ice breakers, funny new vocal warm ups, and trying not to laugh too hard when you can’t get your hip isolations down just right. In general, everyone is in a new environment and has no clue what they are doing… but, it ends up being one of the best days of the process. This is because the whole group is at the beginning of their ride together, and what can go wrong with a fresh group of friendly faces?
Dance Rehearsals
We all think that we know what is going on, that we are going to be amazing and look exactly like the choreographers had planned. But in reality, it may look a little...
Blocking
All of our favorite parts, the meat of the play, the storyline...You start to go for it, because why not? The director is super hyped up and you are wondering how they can have so much energy while you are flopping through your lines and dropping props left and right.
In other words, you become super stressed and have to remind yourself that what you're going through is your passion for a reason. Then, your co-star gets super emotional because they kept forgetting what their cue was, or a dance step, or their significant other just broke up with them and you just try to comfort them like...
Showmances...
You know, THAT couple. They get cast as significant others so much they just become significant others.
Music rehearsals
What key are we in? You want me to do what? Five part harmony for two pages whilst doing the hardest tap combo I have ever experienced in my life? WHY NOT?!? You become so exhausted of singing, so you complain about it all the time...in song.
You inevitably bring rehearsal home...
And... your roommate(s), family, significant other, neighbors or pets become increasingly ready for this show to be over with. Openly eager for the day in which they don't see another box step, or hear you wailing "There's No Business Like show business" ever again (or so they hope).
Late night meals.
Rehearsals have killed your "clean and healthy eating" habits. Why are the few places open at three o'clock on Tuesday morning only interested in serving pizza? (not that you are complaining...too much).
But....
You would not exchange a single hour of rehearsal time for anything else on earth. The loving bond you form by creating art with others is one that will never break. Theatre is a wonderful, magic, festival of greatness, and no matter how stressful rehearsals can be…You know nothing beats that diva-type feeling you get during the curtain call on opening night! #lovethestruggle
Have a rehearsal story? We'd love to hear it, just leave a reply below...
[post_title] => Before The Bow: A Hilariously Accurate Look At The Rehearsal Process
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[post_content] => Acting is a competitive field with many ups and downs. To a certain extent this industry is about presentation, appearance, and stacking the odds in your favor anyway you possibly can. The saying "fake it til you make it" comes to mind. Being a professional actor is unique, the brand is not a product or service per se; the brand is you. There are tools and systems you can set in place to increase exposure and have an edge over your competition. Part of being a successful actor is being a successful self-promoter and developing a business mindset.
Having these 5 things will put you ahead of 90% of your competition:
1. Website

As a producer, its alarming to me how many actors (even well-known) don’t have a website at all. Many who do have a site, haven’t updated it in a long time and the aesthetics echo the sentiment. A website is an actors home base, a portfolio of all the great work they have achieved. It should be a living resume that fans and potential employers can go to see how you shine. Think of it as your brands “audition” for people who have never personally watched you perform. A website can also display a level of importance and how serious you take your work.
Actors are busy trying to book auditions and get work, so a website may seem like a daunting task to take on. The important thing is to just get something up. Something is better than nothing. Odds are you know someone dabbling in web design, and if not, there are many platforms you can use to build a website without using code at all.
It can be overwhelming to know where to start, so I have highlighted some things below to help you get up and running. I also always recommend building your own site so you can update it without waiting for a developer. Also, developers are expensive and can hold your site somewhat hostage. It's worth it to struggle a bit and teach yourself how to build it.
If you are building your own site, I recommend:
For website hosting, we recommend Bluehost
For Domains, we recommend Godaddy
For Web Platform we recommend WordPress which is available as a package with Bluehost
Wix is also recommended. It's a user-friendly drag and drop builder that requires no coding or development experience. WordPress doesn't require coding, but has more of a learning curve than the others. WordPress powers a large percentage of the sites online and is definitely a standard you should shoot for eventually.
2. Professional Resume

Auditioning and getting professional acting work is hard, so give casting directors every single reason possible to hire you. Present them with a clean, organized, and professionally put together resume of work. Don’t use crazy fonts or write short novels about each credit you list. Make it visually easy for directors to look at. Similar to a website, this is a birds eye view of how and why you may be qualified to get the part. Remember, it should only be 1 page that highlights your best work.
Resume format depends on certain factors, for a SAG example, GO HERE
Tip: Take the time to update your resume frequently. After you finish a job, add it on to avoid gaps between work.
Bonus: How To Write An Eye-Catching Acting Resume
3. Professional Headshots

Needless to say, looks and appearance are a big deal in the acting industry. A professional headshot is one of the best things you can have to give you an advantage at casting. Sorry folks, a great Instagram with a “sweet” filter does not cut it. A headshot should be viewed as an investment in your career; it’s a business expense. They are expensive and they are necessary, no way around it.
Casting directors will see dozens of people; don’t count on them to remember everything you did at auditions. When they review your resume and headshot for consideration, this is your chance to immediately tell them you are a professional and invest in your craft.
Bonus: 9 Hacks For Cheaper Headshots
4. Social Media Presence

Social media is an amazing way to get your brand and work out to people immediately. The more fans and followers we have, the more appealing we will be when it comes to being cast in a show. Why? Because producers are taking a risk and putting money into a show, so the pressure is on to sell tickets. With acting, our jobs only last as long as the run of the show, so we need to take steps to build our own unique audience. If we do, we can alert our loyal followers of the next project and immediately fill the seats, thus increasing exposure for the show. Take a look at
Jeremy Jordan’s twitter account; he has 107,000 followers. (AKA free advertising platform)
Besides selling tickets and getting work, fans love to see what you are up to. Acting is an exciting life full of intrigue for those in other fields. They are hungry to hear about your experiences as a professional.
Tip: Don’t feel pressure to be on every social media platform, try picking one to focus on and be consistent with. I’d recommend Twitter or Instagram. Post often, even when it seems there is not much to post about. People are interested in your routines and love to hear about the little details.
Bonus: 5 Broadway Stars Who Are Crushing Twitter
5. Business Cards

I know what you’re thinking, why carry around these old dinosaurs in our pockets in 2017? The answer is you never know whom you will meet and where you will meet them. Connections and relationships are 9/10 of the theatre industry law, so be prepared at any given moment. If you meet a big time casting director or producer at a mixer or at the local Starbucks, giving them a business card can be your foot in the door, a way to leave a lasting mark with them on their busy day. It’s not a great feeling when someone asks you for a card and you don’t have one, I’ve been there before. You may not need them often, but you will thank the lucky stars when the time comes.
Tip: VistaPrint makes it easy to design your own business cards
Think of something else or have questions? I'd love to hear from you, just leave a reply below...
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1. We Can Decorate & Build Anything With Little To No Budget

Tell us you need a show designed with a fully furnished kitchen and living room, a starry night prom set, a high school classroom and a city street with a $300 budget? Don’t worry, we’ve got this.
2. We Gracefully Deal With Rejection (most of the time)

For thespians, handling rejection (well) is a great skill to learn. So what, we didn’t get the part...we think on how to better ourselves, keep calm, & be more prepared for the next audition. Remember that we’re all in this together, and rejection is part of the business. If we need to go cry into our cup of coffee, we do, but only for a moment because there is always (hopefully) another audition/opportunity around the corner!
3. We Can Tie Knots Better Than Any Boy Scout

Thief’s Knot? Got it. Clothesline Hitch? You betcha! Bowline? Now, do you want that right handed, left handed, upside down or right side up?
4. We Come In Clutch With Costumes

Costuming is probably one of the best parts of theatre (in my opinion), when an opportunity such as Halloween or Comic Con comes around… you’d better believe we are right there with our best efforts at hand!
5. We Understand The Human Condition And Have Great Amounts Of Empathy.

Thespians are some of the most understanding and caring people on the planet. Being an artist is a vulnerable rollercoaster ride of ups and downs. Whether an actor, who has to step into the minds of people in all situations, or a techie, who has to deal with the actors and their multiple personalities; you learn to understand everyone and every situation. At times, everyone in the industry needs a shoulder to cry on, or is ready and willing to offer their shoulder to someone else.
6. We Basically Keep Caffeinated Beverage Companies In Business

Who else needs to be highly caffeinated to do eight shows a week...once every day of the week and twice on Sunday? We do! Who needs to be at work call at 4:00am before the actors get in? We do! Who needs four shots of espresso five times a day? We do! (Not really, I think you might die if you had that much caffeine, but you get the point).
7. We Work Spectacularly Well Under Pressure

Thespians have a great ability to work well and even thrive in high-pressure situations. Actors have to go out on stage every night and perform their part, knowing many things could go wrong. Directors feel the heat for getting the show ready, musician's need to know the music flawlessly, stage managers need to memorize the cues, and the list goes on. We even like the pressure, its exciting, and gives us fuel when the time for execution has arrived.
8. We Can Adapt To Any Situation & Solve Problems (quickly)

The lead actress’ dress just ripped and her cue to go back on is on 45 seconds, stitch that rip! A Fellow actor flops on a line or is not there for his/her cue on time? Improv is life! Term paper due in the next hour? Turn on Wicked and defy the gravity of that situation because you are a Thespian who can handle anything with grace and poise. Now, go out there and be the beautifully talented, crazy resourceful person you are!
What skills did we leave out? Leave A Reply Below...
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In the last two years, American television, radio, and podcasts have produced cult hits revolving around true crime stories of murder. WBEZ Chicago Public Radio’s “Serial” podcast, HBO’s “The Jinx,” and Netflix’s “Making of a Murderer” have all become common topics for friends and strangers to discuss in public. Our attraction and obsession with murder pre-dates the written word.
Musicals are no stranger to true crime stories. Here are seven musicals that have tipped their creative hats to true crime narratives.
7: Thrill Me: The Leopold & Loeb Story
Book, Music, and Lyrics: Stephen Dolginoff
The musical opens with Nathan “Babe” Leopold at his parole hearing in 1958 for his participation (along with Richard Loeb) in the 1924 murder of Robert Franks.
Clip Below: October 2013 Production Highlight Reel
https://youtu.be/AnxuTCvP2A8
6. Charles Manson: Summer of Hate -- The Musical
Written By: Stefan Pucher
Co-Written Credits: Christopher Uhe and Susanne Meister(dramaturg)
The production is “a musical trip between LA and Death Valley” with the notorious cult leader Charles Manson.
Clip Below: Thalia Theatre of Hamburg Germany
https://www.youtube.com/watch?v=HiziGPaRtxI
5: The Capeman
Written By: Paul Simon and Derek Walcott
(Yes, THAT Paul Simon)
A musical unfolding of convicted murderer Salvador Agron, a Puerto Rican gang member accused of murdering two teenagers in Hell’s Kitchen.
Clip Below: Behind the scenes documentary about Agron and “The Capeman”
https://www.youtube.com/watch?v=HDpPql7B5ss&t=12s
4: Bonnie & Clyde
Lyrics: Don Black Music: Frank Wildhorn Book: Ivan Menchell
A musical set during the great depression that centers around the ill-fated outlaws and lovers Bonnie Parker and Clyde Barrow.
Clip Below: OBC Recording “Dying Ain’t So Bad”
https://www.youtube.com/watch?v=7VX0KeCudPw
3: Parade
Lyrics: Jason Robert Brown Music: Jason Robert Brown Book: Alfred Uhry
Opening on Confederate Memorial Day, 1913, Mary Phagan is found murdered in the basement of a pencil factory in Atlanta, GA. Leo Frank, the manager of the pencil factory is accused of the crime.
Personal Note: Parade is the first musical I ever worked as a dramaturg on. If you are a “Serial” fan, I highly recommend unpacking this musical. - Rebecca
Clip Below: 1999 Tony Nominee Performance
https://www.youtube.com/watch?v=tBmw2ZY7bDI
2: Assassins
Lyrics: Stephen Sondheim Music: Stephen Sondheim Book: John Weidman
A murderous carnival game unravels to tell the backstories of the men and women who attempted (be it successfully or not) to assassinate Presidents of the United States.
Clip Below: 2004 Tony (Revival) Nominee Performance
https://www.youtube.com/watch?v=CoLG_fz7FeU
1: Chicago
Lyrics: Fred Ebb Music: John Kander Book: Fred Ebb and Bob Fosse
A musical retelling of journalist Maurine Dallas Watkins’ reports on criminals and crimes in Prohibition-era Chicago.
Clip Below: 2014 Broadway Cast Performance
https://www.youtube.com/watch?v=MnQKqtWT6nM
Have another to add to the list? Leave a reply below...
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[post_content] => The journey to picking the perfect audition song can be long and exhausting. Finding something that fits the show’s style and makes you sound unique among other auditionees can take much research and preparation. Should you sing a ballad? An up-tempo number? Contemporary ditty? Classical? Too Sondheim or not too Sondheim?
Don’t panic! Here are some tips to picking the perfect song choice to nail an audition
1. Choose The Right Key
First and foremost, you must make sure the song you choose is in a key that makes you sound phenomenal. You certainly don’t want to be screaming and you don’t want to end up doing an awkward flip into head voice when trying to belt high notes like Sutton Foster. Simply transpose the song into a key that fits your vocal range. It’s so easy nowadays to transpose music through the internet with the countless sheet music websites that are available, so take the time and pick the perfect key for you.
A great resource for finding Broadway songs and transposing them into your key is: https://www.musicnotes.com/broadway/
2. Find An Emotional Connection
Develop a connection with the song you choose. Take emotional moments from your personal life and use them in your audition. Study the lyrics beforehand and know exactly how your character feels during each word of the song. It may also help to perform the lyrics as a monologue prior to singing through them. Casting directors can tell whether or not you are invested while singing, so make sure you can connect to your chosen piece.
3. Tell A Story
The most important thing to do whenever you are performing is to tell a story. Yes, we all get nervous and yes, voice cracks happen, but you must stop worrying about everything that could go wrong and focus on telling the piece’s story. Once your emotional connection is found, this step is a piece of cake. Don’t believe me? Randy Graff, original Broadway Fantine in
Les Miserables, cracked on every high note in her audition for the show and still booked the part. Stop worrying about the inevitable and focus on the few things that you can control in an audition. What you lack vocally, you can make up for by strong and convincing story telling.
4. Don’t Sing from the Show
Singing from the show your auditioning for can limit the roles casting directors see you in, and ultimately narrows your chances at being cast. Doing this can also make you seem very unoriginal; directors are looking for a refreshing song that separates you out from the crowd. However, there are times when singing from the show is acceptable. If you’re going to an EPA (Equity Principal Audition) and only fit one role in the show and can perfectly sing that character’s number, it is most likely okay to sing that song. Mo Brady, who played Lucas in Broadway’s
The Addams Family, sang from the show and booked the role. It’s a ballsy move, but if you have the talent and guts to pull it off, go for it. Most of the time, however, especially for open chorus calls, it’s wise to stray from singing a song from the show you are auditioning for.
5. Take Risks
Casting directors see hundreds of hopefuls every single day. Chances are that a few other people will be singing the same song as you. Take risks, find ways to stand out, and make bold acting choices. Consider adding riffs if deemed appropriate to your song selection. Haven Burton, seen on Broadway many times including in
Shrek and
Violet, took a chance in her audition for
Diaster! Off-Broadway by riffing up a storm in “Part of Your World” and adding strong bits of comedy to the song. Guess what? She booked the role! Taking risks will make you more memorable to the casting directors and will certainly help you book the job.
6. Be You
At the end of the day, the most important thing to remember when auditioning is to be you. You are not Idina Menzel or Patti Lupone or Sutton Foster (and that's okay!). Be original and be yourself. Don’t try to sound or act like these great stars because you simply can’t be them. Casting directors want to cast YOU, so show them who you truly are through your song.
Have some of your own tips to nailing an audition song? Leave a comment below and let us know...
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This quiz is being revamped. In the meantime, check out all of our amazing quizzes here
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Rebecca enters, SR, with a large binder &
copious volumes of books.
Rebecca
Hi, my name is Rebecca, and I’m a dramaturg.
(beat)
A dramaturg….
(beat)
I’m this theatre’s Hufflepuff.


Dramaturgs are the intellectual catch-all of the theatre world. A dramaturg often works on a project-by-project basis with playwrights, theatre and opera companies, festivals, and new work development.
3 Ways Dramaturgs Work With Theatres and Operas:
1. Dramaturg As Researcher
Have you ever watched a production and thought to yourself, I wonder how the playwright/director/actor knew so much about turtles on the Galapagos Islands?
There’s a significant chance the production and creative team worked with a dramaturg. A dramaturg often researches various topics in a production, taking copious notes and collecting various source materials. This collection of information is then shared, starting with the production team, which then applies it to various parts of a production.
If the paint crew has questions about the coloring of a Galapagos turtle’s eyes, the dramaturg would find proper photo and art documentation to assist. When a director wants their actors to walk like a turtle in a scene, the dramaturg would find video clips and turtle stats to share with the director before rehearsals.
The dramaturg, as researcher, is a finder.

2. Dramaturgs As Editors
When working with playwrights on new play development, dramaturgs work as continuity editors. Where a dramaturg may do research for a playwright and assist with the flow of a play, they are NOT a co-playwright. In new play development, a dramaturg’s job is to work as an editor for the new work.
For example, in the first draft of a play, the playwright writes that the main character always wears a white shirt when on stage. After multiple drafts, rewrites, and trial and error, the play now contains a scene where the main character’s favorite shirt is bleached by accident in the wash by a visiting relative. The dramaturg would make a note to the writer that the color of the shirt shouldn’t be white since bleach wouldn’t harm it. While this does assist with the progression of the play and a critical visual moment in the production, the dramaturg does not change the shirt color in the text. The playwright must make the conscious choice to take this note and choose to apply it or not.

3. Dramaturgs as Mechanics
Maintaining a similar vision can be very tricky in a production, especially large scaled productions. One person’s idea of a particular setting can be dramatically different than another person’s. A strong dramaturg can help eradicate the chaos that occurs when many people work on a project together.
In this example, let’s think of a dramaturg as a mechanic. If we view a play or opera as a really impressive locomotive, the dramaturg is person who walks through each wagon unnoticed and fully aware. The dramaturg helps create a line of communication and continuity between the conductor which carries all the way back to the baggage handler working in the caboose and back again, connecting with the ticket puncher, coal shovelers, and passengers along the way. The dramaturg never tells any of these individuals how to handle their job or what to do but instead keeps communication and new developments shared while everyone is busy focusing on their direct task. This communication allows each department of a production to work near full capacity without stopping to continuously check-in.

A Dramaturg’s Insight:
Modern-day dramaturgy origins are credited to German philosopher, playwright, and critic Gotthold Ephraim Lessing. More on him at a later date.
Questions about Dramaturgy? We'd love to hear from you! Leave a reply below...

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[post_content] => Okay, it's not unreasonable for drama students to assume they may not enjoy reading classic plays. Many times, they seem old, drab, and uninteresting. Why bother with the dusty drama section in the school library when there are new authors to the caliber of Shaffer, Albee, and Patrick Shanely?
In the words of Shakespeare, "They stumble that run fast." Unfortunately, many English teachers the worlds over have committed literary crimes by making the works of Shakespeare, Sophocles, and Miller terribly boring. Instead of caring about Electra's family, they are forced to try to remember if Orestes is her brother or her father. Instead of loving the classic story of Nora and her attitude adjustment, they are writing essay upon essay about why she slammed the door. While Sophocles and Ibsen may not have thought that their plays would be read for the rest of time, they didn't intend for students to be bored to tears while reading them.
So we charge thee, that before coming to quick judgment on the relevance and importance of these worn works, that you should read at least one before making any conclusion. These are classics for a reason, and only in 2016
The Crucible was revived on Broadway to rave reviews.
Wondering where to start? Here are 5 classic plays to put on your “must read” list:
5. A Doll's House
As mentioned above, Henrik Ibsen's groundbreaking play about Nora and her slow realization about how much she hates her life has been a story brutally murdered by AP Literature classes the world over. But once the grades are taken off a student's back, they realize that they all know a Nora. They know a couple whose marriage would end this way. Though not his intention, Ibsen added to modern feminism by starting a conversation.
Download free on amazon Kindle
4. The Crucible
Witch hunts, questioning religion, promiscuity, adultery, and crowd mentality are all questioned in this Miller classic. John Proctor is a memorable character whose legacy lives on through life and through essays. While the language may seem dated, once a student adjusts to it they find a story worth remembering.
Kindle Paperback
3. Antigone
Now, I know what you're thinking (by the looks of the cover). This play isn't just classic, it's ancient. It's also greek...and you don''t know how to pronounce the name of the main character. I get it. I was in the same boat. But after you google a few definitions, decide on how to best read it, and figure out the character's relationships with each other, the play starts to tell a beautiful and tragic story. Antigone tells the tale of a powerful sister rivalry and explores the nature of tragedy. Many of the plays themes are still alive and relevant in the present day. Kindle Paperback
2. A Raisin in the Sun
A story about racism that is relatable to all walks of life is hard to find, but Hansberry manages it. This play and its characters are for anyone who has ever felt left out, excluded, and hated for reasons beyond their control. With an ambiguous ending it's a must for many English classes to theorize and pick to death. But for those who care about story, it's a tale of humble roots, a message that remains the same throughout time.
Kindle Paperback
1. Hamlet
Yes, I had to put a Shakespeare play on this list. Hamlet ponders some of life's deeper questions: the impossibility of certainty, depression, and the inevitability of dying. But what many people don't understand is that Shakespeare wasn't meant to be read. It was meant to be heard, it was meant to be seen, it was meant to be lived. Shakespeare himself would not have enjoyed watching an English class popcorn read their way through Laertes' monologues, he would have been infuriated! So grab your friends, drama class, or family, and give it a try! Kindle Paperback w/free audiobook
For thespians, its important to study the classic works and material that helped propel the craft further throughout time.These plays use conventions, themes, and rules that most modern pieces recycle and re-create into new story lines. There are timeless ingredients that go into a great story, and formulas that make a wonderful play. So dust off one of these great plays, and see how much it speaks to your current time and situation ~
Add your favorite classic to the list, leave a reply below...
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[post_content] => We associate the works of William Shakespeare with the height of western literary achievement. Through his characters, Shakespeare explored the width and breadth of human experience…including the occasional (and by occasional I mean very very frequent) sex joke. Yes, believe it or not the Bard himself was a big fan of the kind of “potty humor” that to this day titillates the average middle schooler. Fart jokes, poop jokes and yes…penis jokes.
Shakespeare was skilled at writing to entertain an incredibly wide audience, from the nobility in their box seats to the “groundlings” or peasant class who could only afford tickets on the ground level looking up at the stage. The Elizabethan theater was structured to accommodate multiple social classes, and Shakespeare’s text was as well. His rich and poetic use of language, metaphor and allusions appealed to the high born educated theater goer, and his penis jokes were written for the rest of us, and our inner twelve-year-old.
Shakespeare was the master of the double entendre, folding two jokes into one and giving double meanings to his punch lines. His plays are riddled with hidden penile puns there to entertain the déclassé audience member.
We Theatre Nerds have compiled a list of 9 of our favorite penis references from the often bawdy Bard
1. Romeo & Julet, 2.4
Mercutio to the Nurse:
for the bawdy hand of the dial, Is now upon the prick of noon.
2. Henry V, 2.3
Pistol to Nym:
I do retort the solus in thy bowels, For I can take, and Pistol’s cock is up, And flashing fire will follow.

3. The Two Gentlemen Of Verona, 5.2
THURIO: Sir Proteus, what says Silvia to my suit?
PROTEUS: O, sir, I find her milder than she was; And yet she takes exceptions at your person.
THURIO: What, that my leg is too long?
PROTEUS: No; that it is too little.
4. Measure for Measure, 1.3
Believe not that the dribbling dart of love Can Pierce a Complete bosom
-Duke Vincentio

5. Love's Labour's Lost, 5.2
Dumain was at my service, and his sword
-Maria
6. The Taming of the Shrew 4.1
CURTIS: Away, you three-inch fool! I am no beast.
GRUMIO: Am I but three inches? why, thy horn is a foot; and so long am I at the least

7. Love's Labour's Lost, 4.1
MARIA: A mark marvellous well shot; for they both did hit it.
BOYET: A mark! O, mark but that mark! A mark, says my lady!
Let the mark have a prick in’t, to mete at, if it may be.
8. Merry Wives of Windsor, 3.5
MISTRESS QUICKLY: Alas the day! good heart, that was not her fault: she does so take on with her men; they mistook their erection.
FALSTAFF: So did I mine, to build upon a foolish woman's promise.

9. Two Gentlemen of Verona, 2.5
SPEED: Why, then, how stands the matter with them?
LAUNCE: Marry, thus: when it stands well with him, it stands well with her.
Have one that we missed? Leave a comment below...
[post_title] => The Bawdy Bard: 9 Times Shakespeare Told Pen*s Jokes
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Are you a Broadway showtune superstar?
Test your knowledge by matching the lyric given with the correct song title.
[viralQuiz id=2]
[post_title] => Trivia: Name That Broadway Tune
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[post_content] => The Theatre Nerds group is the best group around, and I know this for a fact. The proof is the incredible response received when I asked for your favorite quotes from musicals you love. This group exists because I wanted a place for all of us to come together and celebrate our love for live theatre, and the community that's forming warms my heart.
Because of the massive response, I thought it would be fun to put together a list of the top quotes, based on how many “likes” they received on the FB page.
So without further ado, here are your top 25 quotes from musicals out of over 400 submissions we received.
P.S. If you aren't with us on
Facebook, you're missing out!
1. Take me for what I am, who I was meant to be!

2. There's a hole in the world like a big black pit who are filled with people who are filled with shit

3. The Greatest Thing You'll Ever Learn Is Just To Love And Be Loved In Return

4. It's time to trust my instincts close my eyes and leap!

5. Negro day's the best! I wish every day was Negro day!

6. Wow, you mean the Bible is actually a trilogy, and the Book of Mormon is Return of the Jedi?! I'm interested!

7. Now life has killed the dream I dreamed

8. I don't need a life that's normal, that's way too far away But something next to normal would be okay

9. Never fear Brooklyn is here

10. WOAAAHHHHH THERE PLASTIC HORSE

11. Take my hand, and lead me to salvation. Take my love, for love is everlasting. And remember the truth that once was spoken: to love another person is to see the face of God.

12. Bottom: So wait, an actor is saying his lines and out of nowhere he just starts singing?
Nostradamus: Yes.

13. So much of me Is made of what I learned from you. You'll be with me Like a handprint on my heart.

14. Should we tell her about musicians?
She doesn't need to know anything about them! All she needs to know is they keep them in a pit, and it's for a good reason

15. If I hadn't believed in you, I wouldn't have loved you at all

16. Death does not discriminate between the sinners or the saints

17. Oh if life were made of moments, even now and then a bad one, but if life were only moments, then you wouldn't know you had one

18. Masquerade! Paper faces on parade . . .Masquerade! Hide your face, so the world will never find you!

19. At the end of the day you're another day older

20. Well, we can't all come and go by bubble!

21. Winifred, never confuse efficiency with a liver complaint

22. What would I do with two? The same as you do with one!

23. I want to die Knowing I Had a long, full life in your arms That I can do Forever, with you

24. Touch me just like that. And that, oh, yeah, now that's heaven

25. Even the darkest night will end and the sun will rise

As you can see
Les Miserables takes the cake with 4 total quotes.
Wicked is a close 2nd with 3 quotes.
Have one you think should be on the list? Leave it in a comment below...
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Showtunes are a blessing to all of us on earth (They Are!) and there are thousands of amazing songs that we know and love deeply. Here are a few that I just can't help but sing at the top of my lungs when they come on.
1. Gee, Officer Krupke - West Side Story (1957)
https://www.youtube.com/watch?v=j7TT4jnnWys
2. It Sucks To Be Me - Avenue Q (2003)
https://www.youtube.com/watch?v=-6ALzUGZsOQ
3. My New Philosophy - You're a Good Man Charlie Brown (1967)
https://youtu.be/JcVa_qe1itE
4. Time Warp - Rocky Horror Show (1973)
https://www.youtube.com/watch?v=-w0WPkB3XJ4
5. Summer in Ohio- The Last Five Years (2002)
https://www.youtube.com/watch?v=ZPmsWTfn3sM
6. La Vie Boheme - RENT (1993)
https://www.youtube.com/watch?v=8BoS7BGKtBg
7. Blow, Gabriel, Blow - Anything Goes (1934)
https://www.youtube.com/watch?v=L-Ql-fduIdM
8. Put On a Happy Face - Bye Bye Birdie (1960)
https://www.youtube.com/watch?v=I_CE7GqqrvY
9. Go Into Your Dance - 42nd Street (1980)
https://www.youtube.com/watch?v=8kQf4WaCu1M
10. I Enjoy Being a Girl - Flower Drum Song (1958)
https://www.youtube.com/watch?v=QjWn-ueeeLw
Do you have a song(s) that you think should be on the list? If so, leave them in the comments below. Let's spread the word about great tunes!
[post_title] => 10 Showtunes You Can't Help But Sing Along To
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[post_content] => Broadway is buzzing with hit new musicals, and some say the great white way is in the midst of a renaissance. Besides talent, show diversity is something anything thespian should be excited about. The fact that
Fun Home was able to win a Tony Award last year is a testament to the progressive taste of theatre goers. And this years new Broadway smash,
Hamilton, broke many traditional musical theatre barriers and become an over-night hit.
With all of these fantastic shows popping up, there are plenty of amazing soundtracks to delight your senses.
Here are 7 must-have Broadway cast albums to add to your spring playlist
1. Fun Home
This surprise Tony Award winning (Best Musical & Best Score) show is filled with colorful songs on the struggles of a family to find their true identities. Not to mention the beautiful voices, particular that of Michael Cerveris and the adorable Broadway debut of Sydney Lucas.
Get on amazon Listen on Spotify
2. School Of Rock
I may have done a double take when I saw that this was a new Andrew Lloyd Webber project, a far cry from his longest running Broadway show in history (you know, that Phantom show).Based on the film with Jack Black, this new Broadway show stars Alex Brightman & Sierra Boggess. Nonetheless, this cast album really does "rock" and has enough hits to get you pumped up.
Get on amazon Listen on Spotify
3. Hamilton
Unless you have been hiding under a rock (and even if you have been), you probably know Lin-Manuel Miranda's
Hamilton is kind of a big deal right now. The tale of Alexander Hamilton is told through hip-hop, and the cast album received a Grammy Award for best Musical Theater Album. History is given a fresh makeover with this great score.
Get on amazon Listen on Spotify
4. Daddy Long Legs
Okay I'm cheating a little bit as this is technically an Off-Broadway show, but I couldn't leave it off the list. This quaint two-person musical tells the story of a young & promising orphan getting her chance in life. The music by Paul Gordon is a beautiful, sweet, and fresh take on a timeless story. Even with a cast of two, you will not tire from hearing the voices of Megan McGinnis and Paul Alexander Nolan.
Get on amazon Listen on Spotify
5. Bright Star - Coming April 29th
Bluegrass meets Broadway in this brand new show by Steve Martin and Edie Brickell. The music is a great tribute to Americana roots making you feel like driving through the Blue Ridge Mountains. Its nice to have another unique and non-traditional score on the Broadway stage.
Pre-order Album
6. Something Rotten
Our list wouldn't be complete without a goofy satire show about theatre itself. With a 2015 Tony nomination for best original score,
Something Rotten has plenty of tunes with a reminiscent flare of Monty Python's
Spamalot. To give you an idea of this musicals personality, two of the tunes are titled:
God, I hate Shakespeare, and
The Black Death. Merde!
Get on amazon Listen on Spotify
7. The King And I
The only revival on the list, you cannot ignore the eternal scores of Rodgers & Hammerstein. A classic tale told in vocal perfection by Broadway stars Kelli O'Hara &
Ken Watanabe. The 2015 rebirth won the Tony Award for Best Revival of a Musical. This score goes nicely with a light, warm, and sunny spring day. Shall we dance?
Get on amazon Listen on Spotify

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[post_content] => Ahhhh, being a thespian...there's nothing quite like it!
1. When You Hear Someone Bad-Mouthing Your Show.
2. When The Director Shows Up To Rehearsal In A Bad Mood...Everyone Pays.
3. When You're Being Upstaged...
4. When The Glow Tape Didn't Help.
5. When Someone Approaches You In Public And You're Still In Your Stage Makeup.
6. When You Get Mentally Prepared Before Auditions...
7. And Then How You Feel When Its Your Turn...
8. When Your Mom Is The Only One In The Audience Clapping...
9. When You Go Back To The Green Room And The Food Is Gone...
10. When You Dread Two Words: Tech Week.
11. When Closing Night Comes And You Say Goodbye To The Show You Love & Family You Have Formed.
12. And Then Realize Auditions For The Next Show Are Only 2 Weeks Away...
Like, agree, have one we missed? Leave a reply below...
[post_title] => 12 Problems Only Theatre Kids Understand
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[post_content] => I got to be a theatre investor/producer, thanks to a simple blog comment, which lead to an email correspondence, that eventually lead to a meeting with a Tony Award winning producer. While there were a few more steps along the way to the place that I am in now -- that of a young producer -- my early experiences in this industry were a powerful lesson in the power of one email to change the entire direction of your life.
These days I am on the receiving end of many similar emails. I am sure that many of them are from talented, passionate and hard working individuals. But often, it is difficult to see that because they first impression they make is less than desirable.
I realize there really isn’t a class on this, but its something every young and aspiring actor/theatre professional should know. Heck, it is something every young professional needs to figure out. How you represent yourself in first encounters, even through email, has a HUGE impact on how you are received, and the kinds of opportunities you will find open to you. I cannot underestimate the value of taking the time to make sure that you show yourself in the best possible light right from the start. So, I’ve mined my own experiences, working in the theater world and the business world more generally, and came up with a few key tips to help those of you who might be just starting out. If you do these things below, you will separate yourself out from the crowd, and more importantly, could get a life-changing email in response.
1. Keep It Brief
Professionals are busy…well…being professionals. The last thing they want to do is sift through their inbox everyday reading short stories from people they have never met. Cold emailing is tough, and the key is to only hit the points most necessary to make your case. Go ahead and skip the part about how you have been doing theatre all your life, how this would be an amazing opportunity, etc. Make precise points about why you are emailing, and what you are expecting from this dialogue. The first email should be no longer than 2 or at most 3 paragraphs long. Even though this is an email, you should edit and proof read, much like a school paper or cover letter. This will ensure you say as much as you can, in as few words as possible.
2. Keep It Professional
For the sake of being “cute” do not forgo proper English. Write a clear-concise email that displays professionalism and a respect for the time of the producers, directors, or professional to whom you are writing. Skip the emojis for now, a “winky” face maybe acceptable, only after a correspondence has been established. Remember this is your first “audition”, and they have never met you to see how you are charming, cute, and professional all at the same time. Its difficult to make cute and comedic translate via email, especially to a stranger who doesn’t know you. Because of this, let the first thing they see be your ability to communicate in a business-like manner.
3. Don’t Start With What You Want
We know you want something, (unless you are an adoring fan or a harsh critic just telling us your opinion) but don’t come out of the gate asking for something in the first sentence.
I can’t tell you how many emails I get that
start with…”How do I become a professional actor”, or “How can I work on Broadway”, or “Can you get me a job.” And these are seriously the opening lines, not even an introduction, sometimes not even their name until the end. Hey we are humans, and we want to feel like more than a stepping-stone for your career.
If you want an email back, try politely introducing yourself, then talking about why you chose to email us specifically. Mentioning a specific work, project, or piece they worked on will automatically give you points.
4. Keep It Confident
Confidence is an amazing asset to have in life, and is a skill that can be developed. Avoid apologizing for the email in any way. Don’t give them an out by saying if they are too busy you understand. If they really are too busy, you don’t need to mention it, they will simply not respond. Go into it like you respectfully deserve to be in the conversation. And if you do go into it, go prepared. Be thoughtful with every sentence you write. Confidence shows us you can handle high-stakes situations and have an ability to come through in the end.
5. Show You Mean Business
There’s a fine line between selling yourself and coming across as…frankly… a tool. Master the art of showing how serious you are and how much work you are willing to put in, without spamming your points. In other words, back up what you are telling me you can do. There is nothing wrong with letting us know you work hard and can grind things out until they succeed. Hard work is rare, especially when that means taking a risk, so do your best to tell us why you will be different than the 5 emails we got from others that day. If I see this in someone, it tells me they could provide value in my career as well. An email back is an investment, and the more confidence you give us the more we are willing to make that investment.
BONUS: I Got An Email Back, Now What?%@!
Great, you must have made a good impression and peaked their curiosity. Read their response carefully and respond accordingly. The 5 rules above still apply, with the exception of developing a specific voice for the correspondence.
If they answer your question and it is an abrupt no, then politely tell them thank you for their time, avoid getting angry and saying something that could burn the bridge later. You never know if/when your paths will cross again, and they could have your email filed for future opportunity.
If their answer gives permission for further dialogue, then proceed, still treading lightly for the first few backs and fourths. It’s important not to overburden their time and resources. The relationship is most important, so respect all areas of it. If you can add value in any way, offer your ideas, help, or resources. Overall just show them you are an investment that will bring return in some form.
Likewise, support their ventures in anyway possible; share their content on Facebook, take a course or seminar they offer, and put your “skin in the game.” Show them you really want to learn and are willing to put in the resources and effort.
Lastly, if you have taken a risk by sending an email to a professional you admire, congratulations. The crazy thing is that you are in the minority. Many people freeze, and chicken out. Just remember most of the time you have nothing to lose, so take the chance, you just may end up taking a meeting in a Tony Award winning producers office.
Have a question, comment, or story? I’d love to hear from you, just leave a reply below or email [email protected]
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[post_content] => Are you more likely to go Into The Woods or give someone a very close shave?
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[post_title] => Which Sondheim Musical Best Describes Your Life?
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[post_content] => Preparing a trendy audition song seems a logical choice to many. The piece may have universal appeal, and a sense of it being "safe" material. Many actors fail to see that though this may be "popular" to perform in front of their peers, directors might have a slightly different take. Directors are looking for unique & creative individuals, and having "fresh" audition songs can separate you out from all the others. As an actor, you also show the ability to stretch yourself and take a risk on something that no-one else is doing.
I polled a group of directors, and here are the top 10 most "overdone" audition songs.
10. Adelaide’s Lament (Guys & Dolls)
A fun, silly, & very annoying song if not done in context. Just imagine a director hearing this one as their 97th audition of the day ;)
9. Giants In The Sky (Into the Woods)
Okay guys, great song, but there are too many giants in the sky at auditions.
8. Mama Who Bore Me (Spring Awakening)

We love Spring Awakening, but mama may "Bore" the directors.
7. Defying Gravity (wicked)

Let's face it, gravity has been defied way too many times.
6. On My Own (Les Mis)

You are not ON YOUR OWN if you sing this at auditions, especially after the release of the motion picture in 2012.
5. Don't Rain On My Parade (Funny Girl)

Sorry to rain on your parade, but Lea Michele nailed this song on Glee, & Barbra Streisand before her. You really want to go there?
4. Gimme Gimme (Thoroughly Modern Millie)

Directors Say "Don't" Gimme Gimme....Instead, Gimme something else.
3. On The Street Where You Live (My Fair Lady)
Another one for guys to hold off on. Auditions have often walked down this street before...
2. I Can't Say No (Oklahoma)
You can't, but directors wish you would!
1. Popular (Wicked)
Directors think Popular is no longer....popular. It was good while it lasted, but after 13 years its time to move on.
Agree or Disagree? Leave a comment below...
Big thanks to directors: Deborah Johansen Jenni Hennigh Bertels Rachel Duncan Katie Lindbeck Heather Dunkin Toller Jeff Witt Geri Sanders Seth Renne Blair Cromwell Tom Mayhall Rastrelli
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