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[post_content] => We polled the Theatre Nerds Facebook group to see what their favorite Broadway Cast Recordings of ALL-TIME were. Receiving over 600 responses, we decided to count the votes and publish the the top 20. Note: We included West End productions, Original Off-Broadway recordings, & anniversary concerts.
Release Date: September 25, 2015
Votes: 86 Theatre Nerds
Listen on Spotify
Release Date: December 16, 2003
Votes: 74 Theatre Nerds
Listen on Spotify
Release Date: February 7, 2012
Votes: 68 Theatre Nerds
Listen on Spotify
Release Date: 1985
Votes: 61 Theatre Nerds
Listen on Spotify
Release Date: December 10, 1991
Votes: 57 Theatre Nerds
Listen on Spotify
Release Date: January 19, 1988
Votes: 53 Theatre Nerds
Listen on Spotify
Release Date: October 22, 2013
Votes: 49 Theatre Nerds
Listen on Spotify
Release Date: August 27, 1996
Votes: 47 Theatre Nerds
Listen on Spotify
Release Date: May 12, 2009
Votes: 42 Theatre Nerds
Listen on Spotify
Release Date: October 7, 2003
Votes: 38 Theatre Nerds
Listen on Spotify
Release Date: December 12, 2006
Votes: 37 Theatre Nerds
Listen on Spotify
Release Date: 1964
Votes: 33
Listen on Spotify
Release Date: July 17, 2007
Votes: 28
Listen on Spotify
Release Date: 1971
Votes: 26
Listen on Spotify
Release Date: May 11, 2004
Votes: 23
Listen on Spotify
Release Date: 1982
Votes: 20
Listen on Spotify
Release Date: August 13, 2002
Votes: 19
Listen on Spotify
Release Date: May 15, 2012
Votes: 17
Listen on Spotify
Release date: July 8, 2016
Votes: 16
Listen on Spotify
I’m ‘a get a scholarship to King’s College / I prob’ly shouldn’t brag, but dag, I amaze and astonish…”
Though King’s College is now known as Columbia University, this institution is where Hamilton got his education after arriving in America. While you’re strolling around the grounds, turn up “My Shot” and “Farmer Refuted” and imagine what it was like to study here in the midst of a revolution. Outside Hamilton Hall, snap a shot or two of the statue of the ten-dollar Founding Father. Afterward, head down the street to the worshipped Hamilton Deli (otherwise known as Hamdel) for a sandwich that will guarantee that “you’ll be back.”
“Two Virginians and an immigrant walk into a room, diametrically opposed foes...”
If you want to be in the room where it happens, head to the Thomas Jefferson Residence at 57 Maiden Lane. Jefferson rented out this space while he was serving as secretary of state, and it is the spot of the infamous dinner between Hamilton, Jefferson and Madison that settled the Compromise of 1790 (and none for Aaron Burr, bye!) Though the home is no longer standing, there is a plaque you can read and take pictures of that commemorates the site’s history.
“Eliza, do you like it uptown? It’s quiet uptown…”
Hamilton’s love for the city of New York is a prevalent theme throughout the musical, and though he only lived in this Harlem estate for two years before his death, it’s a can’t-miss stop for any Hamilton fan. Press pause on your 100th listen to “It’s Quiet Uptown” and take a break to check out the interactive exhibit in this Federalist-style home. The National Park Service website for the Hamilton Grange does advise you to arrive 30 minutes before the time you’d like to take a tour — believe it or not, its popularity has been kicked up a notch over the past year!
“Weehawken. Dawn. Guns. Drawn.”
“You’re on.”
A tour of the best Hamilton landmarks would be incomplete without a trip across the Hudson into Jersey — everything is legal in New Jersey. Weehawken is the site of not one, but two deadly duels in the show as both Phillip and Alexander Hamilton faced off with their enemies there. Though the original site has been covered up by train tracks, you can still check out a monument while you’re there and imagine what it was like for Hamilton and Aaron Burr to let their political rivalry reach such a violent point. And, of course, you won’t be able to help humming “The Ten Duel Commandments” under your breath.
“She is buried in Trinity Church near you…”
Hamilton spent his entire life working tirelessly to secure his legacy in history, and Trinity Church Cemetery is the perfect place to go pay your respects. Eliza Hamilton, Angelica Schuyler and Phillip Hamilton are buried here as well. The epitaph on Hamilton’s tombstone honors him with these words:
While Smash may have not been a smash hit among the masses, it’s a delicious watch for anyone interested in what it takes to bring a Broadway workshop all the way to Opening Night. Starring Debra Messing, Katharine McPhee and a host of Broadway favorites (Megan Hilty, Christian Borle, Will Chase and Brian d'Arcy James to name a few), the series chronicles the creation of Bombshell, a musical based on the life of Marilyn Monroe. Smash includes a stellar soundtrack, epic choreography and the perfect amount of scandal and drama.
How To Watch? AMAZON
To watch or not to watch Slings & Arrows? This is no question! Slings and Arrows traces the lives of the cast and crew of the “New Burbage Shakespeare Festival” (loosely based on the Stratford Festival). This canadian series, which ran in the late ‘90s a hidden gem for any thespian. Each of the shows three seasons focuses on one season the festival and one production in particular - “Hamlet,” “MacBeth,” and “King Lear” respectively. Following the ups and downs of a mentally unstable artist director, recently returned from a stint in an institution, and a whole host of actors, crew-members and festival managers, this show gives you characters that you have met in your own life as a theatre nerd, but are at the same time unique and original. Oh! And there’s a theatre ghost too!
(This one is Theatre Nerd’s Editor in Chief Ben Bailey’s absolutely favorite btw)
How to watch? AMAZON
Say what you will about Ryan Murphy’s overdramatized, far-fetched comedy---Glee brought plenty of famous theatre tunes to light during its six-season reign. Once you’ve accepted that outrageous plotlines and petty high school bickering are the norm, it’s easy to appreciate the unique renditions of “Don’t Rain On My Parade” or “Defying Gravity.” This is the perfect show to binge-watch over a bowl of ice cream or a big old glass of wine.
How to watch? AMAZON
Technically, this one’s a documentary...but it’s the perfect choice for theatre nerds who love reality TV! Think of Broadway or Bust as the So You Think You Can Dance of theatre. The show takes 60 of the best performers from high schools across the nation and puts them to the test (what would reality TV be without a competition?). Aspiring actors undergo a rigorous song and dance boot-camp and give showstopping performances.
How to watch? PBS
Actress Penny Reilly dreams of making it big in NYC, but it’s not all glitz and glam. This hilarious web series dives into the dog-eat-dog audition process and spotlights a star-studded cast. It features cameos from Chita Rivera, Audra McDonald, Lin-Manuel Miranda, Adam Pascal, Kristin Chenoweth, Kelli O’Hara, Danny Burstein and more. What theatre nerd wouldn’t want to watch this?
How to watch? submissionsonly.com
While several Broadway performers have a range going to high heaven, lower female belters such as Angela Lansbury, Elaine Stritch, and Patti Lupone are also well-respected. However, with the current trends in musical theatre favoring high belters, altos might be short on finding audition repertoire that’s not overused. But fear not! Maybe this time, here we can hit you with a hot note!
Unfazed by all the other silent audience members or the spotlights and microphones that indicate all action is to take place onstage, The Talker can’t help but comment on every scene and offer their own sassy remark to every single joke. The Talker is often surrounded by friends who are either Talkers themselves, or spend the entire show mortified that their friend has spoken so many lines they’ve practically landed a principal role.
Nothing, I repeat, NOTHING is important enough to stop The Texter from click clickity clacking their fingers to send out a few more messages to their friends. Never mind that their lit-up cell screen is a beacon bright enough to distract the cast of “Spamalot” from their quest for the Holy Grail. The Texter is also a nightmare for actors, who have to pour their heart and soul out onstage while one eye is glued to the glowing screen waving about in the orchestra.
I know, I know, without The Filmer, we wouldn’t be able to enjoy hours upon hours of hours of bootlegged show footage on YouTube. But the practice is technically illegal, and pretty annoying for anyone sitting next to The Filmer, who is quite obviously angling their iPhone toward the stage and propping it up to get a better angle.
Undeterred by less-than-comfortable chairs and a prohibitive armrest, The Cuddlers are on a Tony-and-Maria mission, snuggled up so close not even a Jets and Sharks war could tear them apart. But what The Cuddlers don’t realize is that together, they’re creating a Les Miserables-level barricade that’s preventing anyone behind them from comfortably seeing the stage. WE GET IT, YOU’RE IN LOVE. But maybe keep the canoodling to intermission, like the rest of us.
You know when there’s an announcement before the show where everyone is asked to unwrap their candy BEFORE the show and not during it and you wonder, “Who on earth would bring wrapped candy to this production?” Well, The Muncher did, along with a whole other slew of snacks guaranteed to satisfy their hunger and annoy everyone else. Nothing ruins a dramatic, powerful silence onstage like the crunching sound of chomped-up Pringles behind you — true story.
Personal space, shmersonal shmace. The Snuggler may have bought a ticket for one, but that’s not going to stop them from taking over both armrests and leaning in super, suuuuuuper close you to get a better view of the action. Hey, Snuggler, make like Glinda and get back to traveling in your own personal bubble.
Presumably inspired by “Bend It Like Beckham: The Musical,” The World Cup Player has decided that the back of your chair is their own personal foot rest — and boy, oh boy, are they fidgety. The World Cup Player spends the show tapping your chair gleefully along to the beat, and even if their rhythm is impeccable, no, we do not get a kick out of you.
The Panicky Parker may be physically in the theater, but mentally, they are down the street, in their car, imagining how horrible traffic is going to be after the show. The moment the stage goes black and the first audience member puts their hands together, The Panicky Parker has risen, grabbed their belongings and bolted across the row into the aisle, blocking everyone else’s view as the bows begin.
We’ve all been there. We really have. And we feel for you. But when The Phlegm Monster can’t help but let out a string of coughs longer than the showstopping belt by the leading lady, there’s a problem. Many Phlegm Monsters try to be considerate and wait until there’s applause to hack away, but others can’t help but interrupt the most dramatic moment of the show with a cough that echoes throughout the wings and makes everyone cringe.
“Excuse me...excuse me...pardon me, can I just—excuse me.” This mantra sounds all-too-familiar coming from The Roamer, who just can’t seem to get to the theater on time, or stay in their seat. The Roamer shows up at least 15 minutes after the overture and refuses to wait until a scene break to shuffle down a row of already seated, irritated patrons. The Roamer also inevitably has to use the bathroom mid-show and takes the longest route possible to weave their way around the legs of eye-rolling theatergoers.
The snoozer's dead give away is a constant head bobbing up and down as they drift away into lala land. And if that wasn't enough, the violent jerk and squeal as they wake is sure to let everyone know what's going on. Perhaps even worse is the successful sleeper that starts to accent the performance with a soft snore.
Almost worst than the muncher, the "unwrapper" slowly twists the packaging of the hard candy as if to say "I'm trying to be quiet and respectful". In reality it's creating a kind of chalkboard-screeching torture to everyone in the immediate area. The collective audience's inner-monologue is saying "just unwrap that freaking thing already".
*TheatreNerds is not a doctor. This is theatre nerd advice, not to be confused with medical advice. If you’re having serious vocal health concerns, consult with your physician. ☺
[post_title] => 8 Things That Go Through Your Head Before The Show Starts (Audience POV)
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Rehearsal time during any show is crucial and often limited. Cast members, dancers, and crew work for hours on end to ensure a show is in top form before performance time. Like an episode “Grizzly Man,” the process can be grueling, and you have to be prepared for anything. While your script is the most crucial item to show up to every rehearsal with, a well-stocked rehearsal bag can be a major asset. Look to the wisdom of the boy scouts and always be prepared - lest you find yourself with a bad case of the “hangries” with four more hours of tap-dancing ahead of you.
Here are my top ten essentials to keep in your rehearsal bag...
It’s also important to consider In-State vs Out-of-State tuition costs. Out-of-State schools could be significantly more expensive. The exception being private universities, which charge the same (often pricey) tuition for all students. Talk with your parents and decide what works best for your family. And don’t forget about financial aid!! There are tons of scholarship resources out there in addition to FAFSA and your scholarships from your particular school. Plenty of organizations offer scholarships too!
https://college.usatoday.com/2012/01/30/the-10-best-sites-to-look-for-scholarships/
[post_title] => 5 Amazing Songs From Lesser Known Musicals
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It’s that time again! Summer is preparing to take its final bows and make way for Autumn to take the stage. Which means it’s time to prepare for your role reprisal as you return to the halls and classrooms of your high school/college. And what better place to look for style inspirations than the stages of Broadway and the West End?
Let everyone know you are not throwing away your shot by giving your look some revolutionary flare with a military inspired jacket. Or decorate your room or new dorm Founding Fathers style with some patriotic accessories.
Macy’s In Awe of You by Awesomeness TV Juniors' Military-Style Blaze
Urban Outfitters Large American Flag Tapestry
Her Shot Tote Bag (from right here at our Theatre Nerds Swag Shop)
Potter fever has returned with the release of the new stage show on the West End. While we all wish Hogwarts were a real school (I don’t remember them ever having to take Calculus) we can bring a little of Hogwarts to the muggle world. So break out your house colors and keep your pumpkin juice fresh.
Barnes & Noble Harry Potter Marauder’s Map Insulated Tumbler 24 oz
Hot Topic Harry Potter Varsity Hoodie
Paris is always a good idea, both for musicals and style. Try a Parisian chic look or some ballet inspired apparel as you head back into the halls of academia.
H&M Long-sleeved T-shirt
Urban Outfitters Kimchi Blue Elastic Cross-Strap Flat
Rifle Paper Co. I Love Paris Everyday Iphone 6 Clear Case
Get ready to fight the man and pledge your loyalty to the band. Show that you’ve done your music homework as you prepare for your school’s Battle of the Bands with these rock inspired pieces.
Hot Topic Pink Floyd The Dark Side of the Moon Tour T-Shirt
ModCloth Be With You in a Spinet Bag
I just couldn’t leave out The Bard, especially with Kenneth Branagh’s version of the beloved Shakespearean classic wrapping up it’s run in the West End. Float through the halls of your school like a dreamy Juliet or join the King’s Players as you brush up on your Elizabethan vocabulary.
Kathleen White Floral Maxi Dress
ModCloth A Man for All Elizabethans Men’s Tee
Prepare your monologues and brush up for your fall production auditions as you head back to school, daydreaming about the theatre and the city that never sleeps.
You've been dying to get back in the theatre after a "severe" 3 week break from the last show. New auditions are announced, which means it's game time.
[post_title] => 10 Stages Of Trying To Memorize The Hamilton Album
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[post_content] => Most people know what slapstick is. When we think of physical comedy, we may think of TV classics such as the pratfalls of Charlie Chaplin or Chevy Chase, the slap-fights of The Three Stooges, or the exaggerated facial reactions of Lucille Ball and Carol Burnett. Using physicality to sell the joke, however, goes all the way back to Commedia dell’Arte in about 1550, when Italian troupes literally cataloged and numbered the funny “bits” (tropes) that could be used over and over, without fail, to produce a laugh. The site Laugh Button identifies some of humanity’s favorite slapstick as shticks like “the fall, the slip, the trip, the collide and the double take.” Commedia dell’Arte is shortened from a name which means “the comedy of the craft of comedic improvisation.” Our famous performers today are still practicing this art!
Modern movies, Broadway shows, TV and youtube shorts frequently use the same reliable comedic routines as those Renaissance Italians, and we’re still laughing--hard. Think of current comedy masters like James Cordon, Melissa McCarthy, Jimmy Fallon, Tina Fey, Amy Poehler, Zach Galifianakis, Jim Carey, Conan O’Brien—they are all masters of what boils down to the Commedia dell’Arte playbook. The comedic actors of Commedia were usually trickster servants called Zanni, from which we get the English word “zany.” The Zanni over time were broken down and divided into various subtypes, like the famous Harlequin that goes back as far as the 14th Century. These masterful performers would have a hundred stock physical joke scenarios memorized so that they could plug them into a scene improvisationally.
The stock jokes, or gags, were called lazzi (pronounced ˈlɑ-tsi) which is the plural of “lazzo,” meaning “joke or witticism.” Mel Gordon’s book, Lazzi: The Comic Routines of the Commedia dell’Arte, categorizes 250 routines from 1550-1750, many of which survive today, some in modified forms. For example, the “Running around the Balcony Lazzo” is just as you’d imagine, and you can see this timeless joke in the Disney ride Pirates of the Caribbean where the pirates are chasing women around the town, but in the next balcony, a large threatening woman has turned the tables and is chasing a pirate around her house with a broom. Some other predictable lazzi are “The Chair” being pulled out from under someone or breaking under them; The Laughter and Tears Lazzo where hilarious laughing turns into crying mid-scene; and the Lazzo of the Foreign Language, where a character is forced to pretend to know another language and makes up gibberish in the style of that language they don’t know, while another character translates the language. This last one is the central comedic situation driving the plot of the famous play The Foreigner, by Larry Shue.
In addition, The Routledge Companion to Commedia dell'Arte, 2014, is a full-sized university text covering a thorough grounding in the subject by Judith Chaffee and Olly Crick. “From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr. Punch.”
[post_title] => Make ‘Em Laugh: Tracing Modern Physical Comedy Back To Commedia dell’arte
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[post_title] => Which Iconic Broadway Star Are You?
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[post_content] => From Eponine to Elphaba, contemporary musical theatre offers a wide range of thrilling mezzo/belt roles in to choose from. Songs such as “On My Own” and “Defying Gravity” continue to thrill audiences around the world. However, while these songs (and similar ones) are popular showcase pieces, casting directors are getting tired of hearing them at audition rounds. In fact, it is not uncommon for actors to be dismissed from auditions simply for choosing an overused song. Plus, and I hate to rain on your parade here...but it can be hard to stand out from the rest of the mezzo crowd if you are singing the same song as everyone else, no matter how powerful your belt is.
Raskopf’s love for costume design began at an early age. In elementary school, she loved drawing sketches of clothes and had a strong interest in fashion. And though she also developed a love for theatre, she didn’t combine her two interests together until middle school when she finally discovered the world of costume design. Raskopf took an independent study course in fashion design in high school before receiving her bachelor’s degree in theatre with a dual concentration in performance and design from Suny New Paltz and her MSA from Southern Methodist University in stage design with a concentration in costume design.
But what exactly is an assistant costume designer’s job? Well, as Raskopf explains, their task is much more complex and difficult than one may think. “There are a lot of different jobs that go into costume design depending if it’s [a] contemporary [show], if it’s a period piece, etc.,” she tells Theatre Nerds. “If things are being built (meaning that a costume is created specifically for the production, sewn from scratch rather than assembled from existing pieces). A lot of the time assistants will do this thing called swatching where you go around to all the different fabric stores and look for fabric options that match the color scheme and texture that the costume designer wants. I have often been put in charge of bras and underwear because if you don’t have the right garments underneath the clothes, the clothes are never going to look right. Sometimes the assistants go to fittings or, once the show is running, put-ins. You also have to keep up with continuity during the run of a show. If a new cast member comes in, you will need to go out and get the fabric to make the costume that fits their body.”
“There are a lot of different options that go into something as simple as a shirt,” Raskopf explains, “and the assistants are responsible for bringing the right options into the room so that the designer can look at it all together and decide on what they want.”
Raskopf left us with her advice for those aspiring to work in costume design.
“It’s always about if you have that drive. You can like theatre and you can like fashion and you can like a lot of the elements of what we do, but if you’re not willing to sweat and twist your ankle and be carrying forty pounds of shopping bags in the rain, then you’re not going to really make it. It’s about having a desire and a passion for what you do. If there is anything else you can see yourself doing, then you should do that. It’s a really physically grueling job and it’s not like you’re getting a ton of recognition. You aren’t doing it for fame or glory, you’re doing it because it’s the one thing you want to do.”
Follow Jennifer on twitter @IAmJenRa
[post_title] => Dressing A Revolution: Interview With Hamilton's Assistant Costume Designer Jennifer Raskopf
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[post_content] => A recent study that I made up shows that theatre kids might be susceptible to the following side-effects. If you experience any of the following symptoms, please contact your doctor immediately because you might be a theatre kid.
Late rehearsals… enough said.
No one has heard your audition piece more than that wall.
With late nights and early mornings… you’re like a ghost in your own house.
One day you love them, the next day you hate them.
Embrace yourself even when others don’t.
Having free time is so foreign.
If only you could go to school… and just do rehearsal.
Someone else always wears the same show shirt as you to school.
They might get all the glory, but we know where to find the real talent!
“Theater” refers to a building and “Theatre” refers to an art-form.
The only people you are able to hang out with are the people listed in the program with you.
School + Rehearsal + Homework + Responsibilities + Everyone Else’s Problems = No Sleep
You don’t have time for a job and all the fees add up.
No matter how much it hurts sometimes… the reward is always worth it!
The procrastinator shows up unprepared, hasn’t learned their lines or blocking, but nonetheless creates pure magic on stage. You love to hate them but are secretly envious of their effortless approach.
The Superstitious actor wears the same underwear three nights in a row, they’d never dream of uttering anything other than a “Merde” or “Break a leg” backstage, and they have a pre-show routine that they’re sticking to no matter how monotonous.
You’re warmed up and ready to go, yet somehow the Overly Warmed Up actor is still going strong, ‘toy boat, toy boat, toy boat, toy boat, toy boat...’
The inspirational quote actor’s dressing room mirror is plastered with positivity. “I’m great, you’re great, we’re all great!”
My character’s birthstone is Amethyst, she was born at 3:45am on a Wednesday, her first word was Pop-Tart, she doesn’t like socks and she loves trees....
The silent type is stoic and reserved. You’ll most likely catch them chugging Throat Coat and sucking on lozenges. Must. Preserve. Vocal. Integrity.
The researcher knows everything about the show from the type of undies worn during the time period to what was happening in the news that week. You can catch the researcher scrolling through Wikipedia while waiting in the wings.
There’s a crash dieter in every cast. Whether it’s their nerves or body consciousness, they’re bound to give the costume department grief. I
“I don’t even care if I’m cast or not but I WISH THEY WOULD JUST TELL ME ALREADY!” That seemingly eternal wait to find out if you’ve been cast is the worst kind of tedious purgatory an actor could imagine. A day feels like a week, two days-- a month, three days-- you don’t even know because you’ve gone crazy with anticipation.
It doesn’t matter if you’ve been cast as the titular role or you’ve been cast as Background Tree #3-- The director saw something they liked and chose you! You’re in a show, and this calls for celebration! Say goodbye to the residual post-show-depression from the last show you were in because you have a new show to get excited about! Some joyful dancing around the room is definitely in order!
Time to alert the presses! You post that shameless self-promotional “I’m so excited to be cast as *insert role* in *insert show*!” status and you invite everyone you know to the Facebook event.
You’re ready to dive head-first into this show! You know “I can’t, I have rehearsal” will become your motto for a while, and you’re totally okay with that.
If you have the script already, you’ve probably already read it at least twice before the show begins. If the show is a musical, you’re definitely playing the Broadway Original Cast Album and any revival album on repeat. There’s a movie? Netflix here you come! And of course you’re all over YouTube looking for inspiration. You have important research to do!
Don’t lie, you know we all do it. If you don’t know your fellow cast members already, you are definitely spending more time than you should scrolling through their Facebooks and Instagrams (with nimble fingers so you don’t accidentally like something they posted a year ago).
You have such high hopes for this show that you start to wonder if you’re setting your expectations too high. You start to think...“What if the director regrets casting me?”, “What if I don’t get along with the cast?”, “What if this role is my downfall as an actor, everyone hates me and nobody ever wants to cast me again?” You know you’re overreacting, but you can’t help but wonder...
The next month or so of your life will be filled with new people, new experiences, and giving everything you’ve got to creating some amazing live theatre-- How much better does it get?! You’re counting down the days until your rehearsals begin because you just know that you are in for a great time and a great show! Isn’t theatre the best?
Post by TN Contributor Rachel Brudner
[post_title] => To Nude Or Not To Nude: Questions To Ask Yourself Before You Bare All On Stage
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[post_content] => Match the photo to the Babs musical and see how well you know this superstar!
[viralQuiz id=9]
[post_title] => Can You Name That Barbra Streisand Musical?
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[post_content] => No matter how many cast albums fill your Spotify playlists, how many times you’ve basked in the glowing lights of Broadway or how many stage doors you’ve stood in front of waving a copy of Playbill, you’ll never forget your first Broadway musical.
The first musical I ever saw on Broadway was “Wicked,” which my mom bought tickets for me to see after months and months of me belting out “Defy Gravity” in the car, shower, living room, front yard, kitchen, grocery store...well, you get the gist.
“Wicked” was my gateway musical, the one that took me from someone who liked catching a community theater production of “Guys and Dolls” with my grandma to a full-blown theater aficionado determined to memorize every line, lyric, and piece of trivia I could.
New York City is a wonder to behold for any theater-obsessed Broadway newbie. There’s something so thrilling about wandering around the gritty, noisy streets of Time Square and gazing up at the dazzling marquees boasting the names of the shows and actors you’ve only been able to enjoy through your headphones and computer screen. Of course, all this exploring will fill you with an insatiable desire to dish out cash to see every single one of them, but knowing there’s a ticket tucked in your pocket that will let you experience at least one is enough — for now.
Whether you’re in the front row of the orchestra or tucked all the way in the nosebleed seats, those seemingly miserable minutes spent mentally begging the lights to dim are actually some of the most memorable. These minutes are best spent thumbing through your Playbill program to see the names you recognize, running your finger down the list of songs, and devouring all the credits and notes from the director. The waiting is tough but absolutely worth it.
From the moment the first note of your first Broadway musical is played, it’s very clear that this is not your high school pit orchestra. Even if you know every note by heart, it somehow feels like you’re really hearing it for the first time. The slight nuances and subtle changes from the album you know and love — an unexpected riff, an ambitious option-up, a reprise not featured on the album — is enough to take you aback and make you fall in love all over again.
Beyond the overwhelming music, sets, and lights, there’s something amazing about putting all those little puzzle pieces of a show together and finally seeing it as a cohesive production. Small asides finally make sense, musical shifts are accompanied by complementary lights, and a piece of information is revealed that changes the entire way you see the show. I didn’t know I could still be shocked until I saw “Wicked Witch of the East” performed for the first time and my entire perception shifted.
It wouldn’t be a Broadway show without a triple-threat onstage completely knocking your socks off. No matter if you’re watching a superstar you’ve followed for years or someone just getting their big break, Broadway shows have some of the most talented people strutting their stuff — and your first one sets the stage for all others to follow.
It’s nearly impossible to leave your first Broadway show without making one (or two) pit stops at the souvenir stands in the lobby. After all, when’s the next time you can drop all your savings on musical-themed sweatshirts, jewelry, sheet music, mugs or posters? This first show is the start of your bedroom inevitably turning into a show tune shrine.
Even though most shows run less than three hours, they leave memories that last. I might not exactly remember every note or line, but I certainly remember the feeling in my chest when the orchestra first launched into “No One Mourns the Wicked” or the fact that I spent all of intermission embarrassingly sobbing to myself after “Defy Gravity.” In the end, that’s what theater is all about — how it makes you feel, how it becomes a part of you.
For any Broadway nerd, your first show can be mind-boggling, emotional and worth every penny. And, if you’re lucky, that first one will set the stage for a lifelong love of theater and encourage you to attend your second, your third — and so on and so forth.
Release Date: September 25, 2015
Votes: 86 Theatre Nerds
Listen on Spotify
Release Date: December 16, 2003
Votes: 74 Theatre Nerds
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Release Date: February 7, 2012
Votes: 68 Theatre Nerds
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Release Date: 1985
Votes: 61 Theatre Nerds
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Release Date: December 10, 1991
Votes: 57 Theatre Nerds
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Release Date: January 19, 1988
Votes: 53 Theatre Nerds
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Release Date: October 22, 2013
Votes: 49 Theatre Nerds
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Release Date: August 27, 1996
Votes: 47 Theatre Nerds
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Release Date: May 12, 2009
Votes: 42 Theatre Nerds
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Release Date: October 7, 2003
Votes: 38 Theatre Nerds
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Release Date: December 12, 2006
Votes: 37 Theatre Nerds
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Release Date: 1964
Votes: 33
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Release Date: July 17, 2007
Votes: 28
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Release Date: 1971
Votes: 26
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Release Date: May 11, 2004
Votes: 23
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Release Date: 1982
Votes: 20
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Release Date: August 13, 2002
Votes: 19
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Release Date: May 15, 2012
Votes: 17
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Release date: July 8, 2016
Votes: 16
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1. The Phantom Of The Opera - Canadian Cast Recording
Release Date: November 26, 2002 Votes: 92 Theatre Nerds Listen on Spotify
2. Hamilton - Original Broadway Cast
Release Date: September 25, 2015
Votes: 86 Theatre Nerds
Listen on Spotify
3. Wicked - Original Broadway Cast
Release Date: December 16, 2003
Votes: 74 Theatre Nerds
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4. The Phantom of the Opera at the Royal Albert Hall: In Celebration of 25 Years
Release Date: February 7, 2012
Votes: 68 Theatre Nerds
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5. Les Miserables - Original London Cast
Release Date: 1985
Votes: 61 Theatre Nerds
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6. The Secret Garden - Original Broadway Cast
Release Date: December 10, 1991
Votes: 57 Theatre Nerds
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7. Into The Woods - Original Broadway Cast
Release Date: January 19, 1988
Votes: 53 Theatre Nerds
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8. Matilda - Original London Cast
Release Date: October 22, 2013
Votes: 49 Theatre Nerds
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9. Rent - Original Broadway Cast
Release Date: August 27, 1996
Votes: 47 Theatre Nerds
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10. Next To Normal - Original Broadway Cast
Release Date: May 12, 2009
Votes: 42 Theatre Nerds
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11. Avenue Q - Original Broadway Cast
Release Date: October 7, 2003
Votes: 38 Theatre Nerds
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12. Spring Awakening - Original Broadway Cast
Release Date: December 12, 2006
Votes: 37 Theatre Nerds
Listen on Spotify
13. Fiddler on the Roof - Original Broadway Cast
Release Date: 1964
Votes: 33
Listen on Spotify
14. Legally Blonde - Original Broadway Cast
Release Date: July 17, 2007
Votes: 28
Listen on Spotify
15. Follies - Original Broadway Cast
Release Date: 1971
Votes: 26
Listen on Spotify
16. Les Miserables - 10th Anniversary Concert
Release Date: May 11, 2004
Votes: 23
Listen on Spotify
17. Little Shop of Horrors - Original Off-Broadway Cast
Release Date: 1982
Votes: 20
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18. Hairspray - Original Broadway Cast
Release Date: August 13, 2002
Votes: 19
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19. Newsies - Original Broadway Cast
Release Date: May 15, 2012
Votes: 17
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20. Waitress - Original Broadway Cast
Release date: July 8, 2016
Votes: 16
Listen on Spotify
Have one you think we missed from the list? Leave a reply below...
[post_title] => Theatre Nerds Top 20 Broadway Cast Recordings Of All Time [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => top-20-broadway-cast-recordings-of-all-time [to_ping] => [pinged] => [post_modified] => 2016-09-09 14:23:40 [post_modified_gmt] => 2016-09-09 18:23:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4210 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 13 [filter] => raw ) [1] => WP_Post Object ( [ID] => 4171 [post_author] => 391 [post_date] => 2016-09-08 08:33:22 [post_date_gmt] => 2016-09-08 12:33:22 [post_content] => Long before tenors dominated the contemporary musical theatre scene, rich bass voices such Jerry Orbach and Robert Goulet were widely acclaimed. Nowadays, if on some enchanted evening you need an audition song, we’ve got you covered, basses! Here are 10 overlooked audition songs for basses to consider.1. “Marry Well” from Grey Gardens.
Based on the 1975 documentary on The Beales, Grey Gardens premiered Off-Broadway in 2006 before transferring to Broadway the same year. In this number, Major Beale tells his granddaughter Edie of how much wants to preserve their family’s legacy. Range: A#2-E4. https://www.youtube.com/watch?v=Eo9e9fpUn-E2. “Masculinity” from La Cage aux Folles
Based on a 1973 French play, this musical opened on Broadway in 1983, and has been revived twice (2004 and 2010). In this scene, Georges, who owns La Cage aux Folles, teaches the drag queen Albin to become less flamboyant. Range: Bb2-Eb4. https://www.youtube.com/watch?v=SF2Pj8Q_Iig3. “A Fellow Needs a Girl” from Allegro
This musical, Roger and Hammerstein’s third stage collaboration, opened on Broadway in 1947 and was revived Off-Broadway (albeit significantly edited) in 2014. In this song, Dr. Taylor, a small town physician, hopes that his college-aged son Joe will eventually marry his girlfriend Jenny. Range: Bb2-Db4. https://www.youtube.com/watch?v=ejMaqsIEjLo4. “If I Sing” from Closer Than Ever
This 1989 musical revue premiered Off-Broadway in 1989, and was revived there in 2012. In this number, a musician recalls loving music through his father’s piano abilities. Range: A2-Eb4. https://www.youtube.com/watch?v=01byK3XQE785. “Pilate’s Dream” from Jesus Christ Superstar
One of Andrew Lloyd Webber’s best-known shows, this musical opened on Broadway in 1971, and has been revived there three times since. The character Pontius Pilate retells a dream in which he will be entirely blamed for Jesus Christ’s crucifixion. This song is best for auditioning for similar rock musicals such as Spring Awakening. Range: A2-Bb3. https://www.youtube.com/watch?v=ry7M28EtADY6. “A Wonderful Day Like Today” from The Roar of the Greasepaint, The Smell of the Crowd
After a UK tour in 1964, this musical opened on Broadway in 1965. This song is sung in the beginning of the show, when the two main characters, Sir and Cocky, bask in the joys in living in the “driver’s seat” of life. Range: Bb2-Eb4. https://www.youtube.com/watch?v=eBo-5A4eFts7. “Paris By Night” from Victor/Victoria
Adapted from the 1982 musical of the same name, this show, featuring Julie Andrews as the title character, opened on Broadway in 1995. “Paris By Night” is sung at the start of the show, in which Toddy, a nightclub performer, boasts about Parisian nightlife. Range: Bb2-Eb4. https://www.youtube.com/watch?v=qqQV4tmCgPg8. “Coffee Shop Nights” from Curtains
This late Kander and Ebb show premiered in Los Angeles in 2006 before transferring to Broadway the next year. The musical whodunit is about an actress who is murdered during her opening night curtain call. In this song, Lieutenant Frank Cioffi confides in Niki, an ingénue, about him being married to his job. Range: G#2-D4. https://www.youtube.com/watch?v=vLvMfEX0wqI9. “I Don’t Remember You” from The Happy Time
This Kander and Ebb musical premiered in Los Angeles in 1967 before transferring to Broadway the next year. In this scene, the photographer Jacques is having issues committing to his former lover Laurie. Range: Ab2-Eb4. https://www.youtube.com/watch?v=Bj3qpBUePLs10. “Real Life” from tick, tick…BOOM!
This Jonathan Larson musical premiered Off-Off-Broadway in 1990, was reworked after his death, and opened Off-Broadway in 2001. In this scene, the research executive Michael tries to convince his composer friend Jon that starting a family with Jon’s wife, Susan, might not be a bad idea. This song is another great choice in try-outs for rock musicals. Range: Bb2-G4. https://www.youtube.com/watch?v=NPqJFxCg_f4Have a song you think is missing from the list? Let us know in the comments below…
[post_title] => 10 Overlooked Audition Songs For Basses [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-overlooked-audition-songs-for-basses [to_ping] => [pinged] => [post_modified] => 2016-09-08 08:34:41 [post_modified_gmt] => 2016-09-08 12:34:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4171 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 3992 [post_author] => 395 [post_date] => 2016-09-06 09:00:53 [post_date_gmt] => 2016-09-06 13:00:53 [post_content] => You tried to get tickets to “Hamilton.” You really did. No one in the history of the universe has ever tried harder. But after repeatedly refreshing your email waiting for that digital lottery golden ticket to pop up, you’ve come up disappointingly short. Though you could spend all day memorizing the marquee of Richard Rodgers Theatre and hoping Lin-Manuel Miranda is going to stroll by to say a quick “hello” to the current cast, you’re in the greatest city in the world, and it would be a waste not to take advantage of it. After all, history had its eyes on Hamilton long before the musical came around. If you’re a “Hamilton” fan with a few hours to kill in New York City, the following are the top five historical landmarks featured in the show that will teach you more about the storied American legend and make up for the fact that today is sadly not the day you see “Hamilton.”1. Hamilton Hall at Columbia University
I’m ‘a get a scholarship to King’s College / I prob’ly shouldn’t brag, but dag, I amaze and astonish…”
Though King’s College is now known as Columbia University, this institution is where Hamilton got his education after arriving in America. While you’re strolling around the grounds, turn up “My Shot” and “Farmer Refuted” and imagine what it was like to study here in the midst of a revolution. Outside Hamilton Hall, snap a shot or two of the statue of the ten-dollar Founding Father. Afterward, head down the street to the worshipped Hamilton Deli (otherwise known as Hamdel) for a sandwich that will guarantee that “you’ll be back.”
2. Thomas Jefferson Residence
“Two Virginians and an immigrant walk into a room, diametrically opposed foes...”
If you want to be in the room where it happens, head to the Thomas Jefferson Residence at 57 Maiden Lane. Jefferson rented out this space while he was serving as secretary of state, and it is the spot of the infamous dinner between Hamilton, Jefferson and Madison that settled the Compromise of 1790 (and none for Aaron Burr, bye!) Though the home is no longer standing, there is a plaque you can read and take pictures of that commemorates the site’s history.
3. Hamilton Grange
“Eliza, do you like it uptown? It’s quiet uptown…”
Hamilton’s love for the city of New York is a prevalent theme throughout the musical, and though he only lived in this Harlem estate for two years before his death, it’s a can’t-miss stop for any Hamilton fan. Press pause on your 100th listen to “It’s Quiet Uptown” and take a break to check out the interactive exhibit in this Federalist-style home. The National Park Service website for the Hamilton Grange does advise you to arrive 30 minutes before the time you’d like to take a tour — believe it or not, its popularity has been kicked up a notch over the past year!
4. Weehawken Dueling Grounds
“Weehawken. Dawn. Guns. Drawn.”
“You’re on.”
A tour of the best Hamilton landmarks would be incomplete without a trip across the Hudson into Jersey — everything is legal in New Jersey. Weehawken is the site of not one, but two deadly duels in the show as both Phillip and Alexander Hamilton faced off with their enemies there. Though the original site has been covered up by train tracks, you can still check out a monument while you’re there and imagine what it was like for Hamilton and Aaron Burr to let their political rivalry reach such a violent point. And, of course, you won’t be able to help humming “The Ten Duel Commandments” under your breath.
5. Trinity Church Cemetery
“She is buried in Trinity Church near you…”
Hamilton spent his entire life working tirelessly to secure his legacy in history, and Trinity Church Cemetery is the perfect place to go pay your respects. Eliza Hamilton, Angelica Schuyler and Phillip Hamilton are buried here as well. The epitaph on Hamilton’s tombstone honors him with these words:
The Patriot of incorruptible integrity. The soldier of approved valour. The statesman of consummate wisdom. Whose talents and virtues will be admired Long after this marble shall have mouldered into dust.Though nothing can replace the experience of watching “Hamilton” live, checking these landmarks off your bucket list will leave you even better prepared to fully appreciate the show the next time you’re in New York and the odds of the digital lottery tilt magically in your favor. [post_title] => Lost The Digital Lottery? Check Out These 5 ‘Hamilton’ Landmarks Instead [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => lost-the-digital-lottery-check-out-these-5-hamilton-landmarks-instead [to_ping] => [pinged] => [post_modified] => 2016-09-06 09:18:07 [post_modified_gmt] => 2016-09-06 13:18:07 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3992 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [3] => WP_Post Object ( [ID] => 3969 [post_author] => 11 [post_date] => 2016-09-05 08:33:08 [post_date_gmt] => 2016-09-05 12:33:08 [post_content] => These television shows aren’t short on song, dance or drama and that’s exactly why we love them! Whether it’s the plight of an aspiring actress or the hardships of writing a play, these five titles bring theatre to the small screen. (Beware! Binge-watching may ensue.)
1. Smash
While Smash may have not been a smash hit among the masses, it’s a delicious watch for anyone interested in what it takes to bring a Broadway workshop all the way to Opening Night. Starring Debra Messing, Katharine McPhee and a host of Broadway favorites (Megan Hilty, Christian Borle, Will Chase and Brian d'Arcy James to name a few), the series chronicles the creation of Bombshell, a musical based on the life of Marilyn Monroe. Smash includes a stellar soundtrack, epic choreography and the perfect amount of scandal and drama.
How To Watch? AMAZON
2. Slings & Arrows
To watch or not to watch Slings & Arrows? This is no question! Slings and Arrows traces the lives of the cast and crew of the “New Burbage Shakespeare Festival” (loosely based on the Stratford Festival). This canadian series, which ran in the late ‘90s a hidden gem for any thespian. Each of the shows three seasons focuses on one season the festival and one production in particular - “Hamlet,” “MacBeth,” and “King Lear” respectively. Following the ups and downs of a mentally unstable artist director, recently returned from a stint in an institution, and a whole host of actors, crew-members and festival managers, this show gives you characters that you have met in your own life as a theatre nerd, but are at the same time unique and original. Oh! And there’s a theatre ghost too!
(This one is Theatre Nerd’s Editor in Chief Ben Bailey’s absolutely favorite btw)
How to watch? AMAZON
3. Glee
Say what you will about Ryan Murphy’s overdramatized, far-fetched comedy---Glee brought plenty of famous theatre tunes to light during its six-season reign. Once you’ve accepted that outrageous plotlines and petty high school bickering are the norm, it’s easy to appreciate the unique renditions of “Don’t Rain On My Parade” or “Defying Gravity.” This is the perfect show to binge-watch over a bowl of ice cream or a big old glass of wine.
How to watch? AMAZON
4. Broadway or Bust
Technically, this one’s a documentary...but it’s the perfect choice for theatre nerds who love reality TV! Think of Broadway or Bust as the So You Think You Can Dance of theatre. The show takes 60 of the best performers from high schools across the nation and puts them to the test (what would reality TV be without a competition?). Aspiring actors undergo a rigorous song and dance boot-camp and give showstopping performances.
How to watch? PBS
5. Submissions Only
Actress Penny Reilly dreams of making it big in NYC, but it’s not all glitz and glam. This hilarious web series dives into the dog-eat-dog audition process and spotlights a star-studded cast. It features cameos from Chita Rivera, Audra McDonald, Lin-Manuel Miranda, Adam Pascal, Kristin Chenoweth, Kelli O’Hara, Danny Burstein and more. What theatre nerd wouldn’t want to watch this?
How to watch? submissionsonly.com
Did we miss your favorite? Leave a comment below...
[post_title] => 5 Binge-Worthy TV Shows About Theatre [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 5-binge-worthy-tv-shows-about-theatre [to_ping] => [pinged] => [post_modified] => 2016-09-05 16:14:05 [post_modified_gmt] => 2016-09-05 20:14:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3969 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [4] => WP_Post Object ( [ID] => 4077 [post_author] => 11 [post_date] => 2016-09-03 09:12:36 [post_date_gmt] => 2016-09-03 13:12:36 [post_content] => [viralQuiz id=14] [post_title] => Quiz: Match The Shakespearean Quote To Its Play [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => match-the-shakespearean-quote-to-its-play [to_ping] => [pinged] => [post_modified] => 2016-09-03 09:18:19 [post_modified_gmt] => 2016-09-03 13:18:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4077 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [5] => WP_Post Object ( [ID] => 4066 [post_author] => 391 [post_date] => 2016-09-01 09:58:03 [post_date_gmt] => 2016-09-01 13:58:03 [post_content] =>While several Broadway performers have a range going to high heaven, lower female belters such as Angela Lansbury, Elaine Stritch, and Patti Lupone are also well-respected. However, with the current trends in musical theatre favoring high belters, altos might be short on finding audition repertoire that’s not overused. But fear not! Maybe this time, here we can hit you with a hot note!
Here are 10 overlooked audition songs for altos to consider:
1. “Teaching Third Grade” from Ruthless!
This show premiered Off-Broadway in 1992, and was revived there in 2015. In the musical, 8 year-old Tina Denmark is so determined to be a star that she would kill for it…literally. In this song, the schoolteacher Miss Thorn is comforting Tina’s mother, Judy, over Tina’s disappointment in being the understudy in the school play. Range: Eb3-B4. https://www.youtube.com/watch?v=quKYinnpjco2. “Special” from Avenue Q
This musical opened Off-Broadway in 2003 before transferring to Broadway the same year. It was one of the longest running Broadway shows of the 2000s, and won three Tony Awards, including Best Musical. This seductive number introduces the character Lucy the Slut, a provocative chanteuse. This song is great for auditioning for jazzy female-centered shows such as Chicago or Cabaret. Range: F3-Db5. GET SHEET MUSIC https://www.youtube.com/watch?v=LzgW_4_3q3M3. “Kiss of the Spider Woman” from Kiss of the Spider Woman
One of the later Kander and Ebb shows, this musical premiered at SUNY Purchase in 1990 before transferring to West End in 1992 and Broadway in 1993. This song is sung by Aurora, a diva whose role as the Spider Woman intimidates Molina, the man infatuated with her. This song is ideal for lower altos whose range is closer to Chita Rivera, who won a Tony for playing Aurora. Range: C#3-A4. https://www.youtube.com/watch?v=ykihfXylB6o4. “Flaming Agnes” from I Do! I Do!
This two-character musical starring Mary Martin and Robert Preston premiered on Broadway in 1966, and was revived Off-Broadway in 1996. The story, which takes place over 50 years, looks at the marriage of Agnes and Michael Snow. In one scene, after Michael criticizes Agnes’ expensive shopping habits, the wife contemplates being a saucy divorcee. Range: D3-Db5. https://www.youtube.com/watch?v=_KyXfc9LYKc5. “I’m Going Back” from Bells Are Ringing
87 This musical premiered on Broadway in 1956, and was revived there in 2001. The song “I’m Going Back,” was originally performed by Judy Holliday. It is sung at the end of the show, when Ella quits her job as a phone operator to start a new life with her lover Jeff. Range: Bb3-D5. https://www.youtube.com/watch?v=_xC8rOrc7Ps6. “The Cake I Had” from Grey Gardens
Based on the 1975 documentary on The Beatles, Grey Gardens premiered Off-Broadway in 2006 before transferring to Broadway the same year. Little Edie and her mother Edith live alone in the ruined estate of Grey Gardens. In this song, Edie regrets failing to succeed in New York City, whereas Edith regrets nothing and takes no blame for Edie’s shortcomings. Range: F#3-C#5. GET SHEET MUSIC https://www.youtube.com/watch?v=8O4h682hwjs7. “It’s an Art” from Working.
This musical with several co-authors premiered in Chicago in 1977 before transferring to Broadway the next year. The story is based on Stud Terkel’s book Working, which interviews people from various jobs and backgrounds. This song, written by Stephen Schwartz, is sung by the proud waitress Dolores Dante. Range: A3-D5. https://www.youtube.com/watch?v=uWIGBiDY8VE8. “Lucky” from A Little Princess
Andrew Lippa’s adaptation of Frances Hodgson Burnett’s classic novel premiered in Los Angeles in 2004 before transferring Off-Broadway the next year. The song “Lucky,” sung by the headmistress Miss Minchin, refers to her jealousy over Sara Crew’s privileged upbringing. This song is useful in auditioning for similar antagonists. Range: G3-C5. https://www.youtube.com/watch?v=ed5Zv1m1kIo9. “It’s a Business” from Curtains
This late Kander and Ebb show premiered in Los Angeles in 2006 before transferring to Broadway the next year. The musical whodunit is about an actress who is murdered during her opening night curtain call. The song “It’s a Business” is sung by Carmen, a producer who reminds her estranged daughter Bambi (real name Elaine) that her main goal is to draw a profit from shows. Range: Eb3-Bb4. https://www.youtube.com/watch?v=dDrNaP-dZ0M10. “Kiss Her Now” from Dear World
This Jerry Herman show starring Angela Lansbury premiered on Broadway in 1969, and has never been revived there. In this song, the Countess Aurelia hopes for Julian, a young business executive, to make a move on Nina, a waitress. Range: F#3-A4. https://www.youtube.com/watch?v=xhCD08AKkrIHave a song you think is missing from the list? Let us know in the comments below...
[post_title] => 10 Overlooked Audition Songs For Altos [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-overlooked-audition-songs-for-altos [to_ping] => [pinged] => [post_modified] => 2018-08-26 11:27:24 [post_modified_gmt] => 2018-08-26 15:27:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=4066 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 12 [filter] => raw ) [6] => WP_Post Object ( [ID] => 3661 [post_author] => 395 [post_date] => 2016-08-30 09:07:39 [post_date_gmt] => 2016-08-30 13:07:39 [post_content] => Last year was infamous for bad audience behavior on Broadway, with stories going viral about people trying to plug their phones in onstage, Shia LaBeouf’s meltdown at “Cabaret” and Patti Lupone — praise her — stopping a show to snatch a cell phone from an audience member. However, bad audience behavior goes far beyond irritating cell phone use. The following are 12 of the worst types of audience members that annoy both actors and the devoted theater lovers in the audience:1. The Talker
Unfazed by all the other silent audience members or the spotlights and microphones that indicate all action is to take place onstage, The Talker can’t help but comment on every scene and offer their own sassy remark to every single joke. The Talker is often surrounded by friends who are either Talkers themselves, or spend the entire show mortified that their friend has spoken so many lines they’ve practically landed a principal role.
2. The Texter
Nothing, I repeat, NOTHING is important enough to stop The Texter from click clickity clacking their fingers to send out a few more messages to their friends. Never mind that their lit-up cell screen is a beacon bright enough to distract the cast of “Spamalot” from their quest for the Holy Grail. The Texter is also a nightmare for actors, who have to pour their heart and soul out onstage while one eye is glued to the glowing screen waving about in the orchestra.
3. The Filmer
I know, I know, without The Filmer, we wouldn’t be able to enjoy hours upon hours of hours of bootlegged show footage on YouTube. But the practice is technically illegal, and pretty annoying for anyone sitting next to The Filmer, who is quite obviously angling their iPhone toward the stage and propping it up to get a better angle.
4. The Cuddlers
Undeterred by less-than-comfortable chairs and a prohibitive armrest, The Cuddlers are on a Tony-and-Maria mission, snuggled up so close not even a Jets and Sharks war could tear them apart. But what The Cuddlers don’t realize is that together, they’re creating a Les Miserables-level barricade that’s preventing anyone behind them from comfortably seeing the stage. WE GET IT, YOU’RE IN LOVE. But maybe keep the canoodling to intermission, like the rest of us.
5. The Muncher
You know when there’s an announcement before the show where everyone is asked to unwrap their candy BEFORE the show and not during it and you wonder, “Who on earth would bring wrapped candy to this production?” Well, The Muncher did, along with a whole other slew of snacks guaranteed to satisfy their hunger and annoy everyone else. Nothing ruins a dramatic, powerful silence onstage like the crunching sound of chomped-up Pringles behind you — true story.
6. The Snuggler
Personal space, shmersonal shmace. The Snuggler may have bought a ticket for one, but that’s not going to stop them from taking over both armrests and leaning in super, suuuuuuper close you to get a better view of the action. Hey, Snuggler, make like Glinda and get back to traveling in your own personal bubble.
7. The World Cup Player
Presumably inspired by “Bend It Like Beckham: The Musical,” The World Cup Player has decided that the back of your chair is their own personal foot rest — and boy, oh boy, are they fidgety. The World Cup Player spends the show tapping your chair gleefully along to the beat, and even if their rhythm is impeccable, no, we do not get a kick out of you.
8. The Panicky Parker
The Panicky Parker may be physically in the theater, but mentally, they are down the street, in their car, imagining how horrible traffic is going to be after the show. The moment the stage goes black and the first audience member puts their hands together, The Panicky Parker has risen, grabbed their belongings and bolted across the row into the aisle, blocking everyone else’s view as the bows begin.
9. The Phlegm Monster
We’ve all been there. We really have. And we feel for you. But when The Phlegm Monster can’t help but let out a string of coughs longer than the showstopping belt by the leading lady, there’s a problem. Many Phlegm Monsters try to be considerate and wait until there’s applause to hack away, but others can’t help but interrupt the most dramatic moment of the show with a cough that echoes throughout the wings and makes everyone cringe.
10. The Roamer
“Excuse me...excuse me...pardon me, can I just—excuse me.” This mantra sounds all-too-familiar coming from The Roamer, who just can’t seem to get to the theater on time, or stay in their seat. The Roamer shows up at least 15 minutes after the overture and refuses to wait until a scene break to shuffle down a row of already seated, irritated patrons. The Roamer also inevitably has to use the bathroom mid-show and takes the longest route possible to weave their way around the legs of eye-rolling theatergoers.
11. The Snoozer
The snoozer's dead give away is a constant head bobbing up and down as they drift away into lala land. And if that wasn't enough, the violent jerk and squeal as they wake is sure to let everyone know what's going on. Perhaps even worse is the successful sleeper that starts to accent the performance with a soft snore.
12. The Unwrapper
Almost worst than the muncher, the "unwrapper" slowly twists the packaging of the hard candy as if to say "I'm trying to be quiet and respectful". In reality it's creating a kind of chalkboard-screeching torture to everyone in the immediate area. The collective audience's inner-monologue is saying "just unwrap that freaking thing already".
What was the most annoying situation you’ve ever found yourself in? Let us know in the comments!
[post_title] => 12 Worst Types Of Audience Members [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 12-worst-types-of-audience-members [to_ping] => [pinged] => [post_modified] => 2017-04-23 00:36:55 [post_modified_gmt] => 2017-04-23 04:36:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3661 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 18 [filter] => raw ) [7] => WP_Post Object ( [ID] => 3454 [post_author] => 12 [post_date] => 2016-08-29 11:11:12 [post_date_gmt] => 2016-08-29 15:11:12 [post_content] => Whether you’re an opera singer, voice-over artist, musical theatre diva, or trying to project that Hamlet monologue to the little old lady in the back row- you’re going to need to know how to keep your voice healthy.Here are some tips and tricks to maintaining your vocal well-being.
1. The Mucus Buster
Can’t sing in that adorable ‘Little Red’ voice because of a nasty cold? The Mucus Buster from LA’s REAL, RAW, LIVE juice bar has saved the day many a time, for many an actor. Don’t live in LA? No problem, make your own homemade elixir with filtered water, the juice from a couple of lemons, a pinch of ginger, a few dashes of cayenne pepper, and a splash of agave or honey. This bad boy will break up mucus and get you back to hitting those high notes again in no time.
2. Vocal Rest
Stop talking. Seriously. Sometimes it’s all you need to get back in the swing of things. This is your career and your livelihood so don’t be afraid of looking like a diva in front of your friends. “I can’t, I’m on vocal rest,” should be your new mantra. Plus, it’s a great excuse to stay in and watch old Frasier episodes.
3. Don’t Over-Caffeinate.
Have your fix and stay hydrated too. Try to drink two glasses of water for every cup of coffee. That’s an exact science. …Okay, well, not exactly, but you get the idea.
4. Beware of Dairy.
If you have a big audition and you want to play it safe- stay away from dairy. It produces phlegm and can muddy up your chords making those crisp clean notes sound muddled.
5. Don’t get Sick.
It may seem inevitable, but when you’re paycheck is on the line do all you can to avoid illness. Stock up on Echinacea, wash your hands more often, and listen to the advice your mother used to give and don’t touch your nose, eyes, or mouth- that’s how the germs get in! But of course, beware of taking things too far.
6. Hydrate.
Obvious, yet often over-looked. Too much speaking/singing plus not enough water equals rough vocals.
7. Throat Coat.
This magical tea that has gotten many a voice-over artist through a four-hour long session of video-game attack cries. If you haven’t experienced the wonders of this little tea pouch then scoot on over to your local market and buy up the whole supply- you’ll be happy you did.
8. Steam Saunas
Tea may soothe the throat, but steam will revitalize your vocal chords. Find a wet steam sauna near you and relish the steam-beauty treatment; a makeover for your skin and your vocal chords all in one.
9. More Steam
If you don’t live near a gym or spa with a steam sauna then try these tricks: -A steamy hot shower. -Holding your face over a boiling pot with a towel over your head. (Use Caution) -Buy an at-home facial steamer like THIS ONE:
10. Hire a voice instructor
It may have been a while since you’ve brushed up on your scales with an actual voice teacher. Having a pair of outside eyes on you to make sure you’re breathing correctly and using proper posture is always beneficial.
11. Warm Up
It’s obvious to warm up before a big singing audition but sometimes we brush it off when it comes to that commercial copy- the next thing you know you’re being directed to scream like a possessed demon and you’re kicking yourself for not running through some scales first. Always warm up because you never know when your agent’s going to say, “Hey, this screaming baby copy just came in, want to give it a whirl?”
12. Breathe
Have you been holding your breath in your chest? Are you clenching in your throat? Without proper breath support, you could be straining your voice. Check that you haven’t fallen into any bad habits. Lay back and meditate and work on that breath lowering in your belly.
13. Bust Out That Alexander Technique
Get out a pile of books to prop up your head and re-visit some of your old favorite Alexander postures. This can help to realign and prevent you from holding tension in the body causing vocal strain. F.M. Alexander, a Shakespearian actor who continually lost his voice, created the technique in the 1890s. Read about F.M. Alexander’s work here: https://www.alexandertechnique.com
14. Wedge Pillow
If you suffer from Acid Reflux you might be hurting your vocal chords while you’re asleep and not even realize it. The acid comes up while you’re lying down and burns your chords. Try THIS wedge pillow to keep propped up at night- it’s cheap and pretty comfy too.
*TheatreNerds is not a doctor. This is theatre nerd advice, not to be confused with medical advice. If you’re having serious vocal health concerns, consult with your physician. ☺
Have another trick to help preserve your voice? Leave a reply below...
[post_title] => Vocal Health 101: 14 Tips & Tricks To Save Your Voice [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => vocal-health-101-14-tips-tricks-to-save-your-voice [to_ping] => [pinged] => [post_modified] => 2016-08-29 11:11:12 [post_modified_gmt] => 2016-08-29 15:11:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3454 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 4 [filter] => raw ) [8] => WP_Post Object ( [ID] => 4053 [post_author] => 639 [post_date] => 2016-08-28 11:41:02 [post_date_gmt] => 2016-08-28 15:41:02 [post_content] => Though you are sitting in the audience and not about to perform, all will not be ok until the curtain goes up and the overture begins. Whether it’s a show you’ve been waiting to see for years or a spur of the moment activity, there are anxieties that come with prepping to see a show.Here are ten things that go through your mind before the show begins:
1. Will I get there on time?
You are running late. You can’t miss a minute of the show. You need to choose: cab it or walk. You know the cab driver has no idea where the St. James Theater, but if you walk, you know you will be approached by tons of tourists and multiple terrifying Elmo’s.
2. Where is my seat?
You’ve made it to the theater with time to spare. You saved money by getting an obstructed view orchestra seat. This is the moment when you find out just how obstructed the view is.
3. Bathroom or Merch?
You only have enough time for one. Will you use the extra fifteen minutes before the show to run to the bathroom, where there is already a substantial line, or go buy some show merchandise. You know the bathroom line will be crazy during intermission, but just look at those Hamilton postcards!
4. Alcohol or no alcohol?
You’re out on the town and want to live it up a little. You walk over to the bar for a glass of wine and realize it is twenty dollars. Just as you have given up hope for humanity and begin to walk away, you see signs for a Hamiltini. You only live once, right?
5. Will this man move?
Just as you get back to your seat, you see that a lovely couple has sit down in the two seats in front of you. Too bad the guy is insanely tall and will require you to peek around him throughout the entire show.
6. Am I going to cry?
Your friend who has already seen the show told you that there is this one scene where they sobbed. Will you cry? If not, does that mean you did not get the story? You hope the strangers around you don’t judge you. Either way, you hope your mascara holds up.
7. Can I fight the urge to sing along?
Let’s be honest, you may have bought the cast album the second it came out. You don’t know every song perfectly, but you know enough harmonies and have definitely become use to snapping along during your commute. Just keep it together and remember you’re not in your car.
8. Will the show be good?
Whether it be a revival or an original, the show can be a hit or miss. What if it’s a disappointment? What if the cast album and everything you imagined in your head will be better? What if the star just can’t hit the note? But as all of these things go through your head, it is a few minutes after show time and the lights begin to dim. The pit starts to play and you excitedly sit in your seat because all of those things don’t really matter. The show is starting.
[post_title] => 8 Things That Go Through Your Head Before The Show Starts (Audience POV)
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[post_content] => Rehearsal time during any show is crucial and often limited. Cast members, dancers, and crew work for hours on end to ensure a show is in top form before performance time. Like an episode “Grizzly Man,” the process can be grueling, and you have to be prepared for anything. While your script is the most crucial item to show up to every rehearsal with, a well-stocked rehearsal bag can be a major asset. Look to the wisdom of the boy scouts and always be prepared - lest you find yourself with a bad case of the “hangries” with four more hours of tap-dancing ahead of you.
Here are my top ten essentials to keep in your rehearsal bag...
1. Extra Shoes
Much like going to the gym, your shoes for the stage should be a pair separate from your street shoes to help keep the stage clean. Having an extra pair of dance shoes or trainers are perfect for situations involving blisters or broken shoes.2. Water Bottle
You’ve got to hydrate to dominate, or so I’ve been told. Not only is water essential to stop you from passing out, but it helps to keep your vocal chords in top shape by maintaining lubrication. Also, drinking water helps keep your stress levels down and improves your mental clarity for those moments when the director is barking new blocking instructions at you.3. A Variety of Snacks
Rehearsals can run long, and your focus levels can waver if you’re hungry. Keep a series of easy to eat snacks in your bag, like fruit, granola bars, almonds, that you can grab when your stomach starts to rumble.4. First Aid Supplies
Fellow cast members in shows always joke that I carry a pharmacy in my bag (what can I say, it’s the teacher in me, always prepared for anything). Having basics like Band-Aids for cuts and blisters or Advil, for head or muscle aches, are always a good start. I even carry a tensor bandage, and you would not believe the number of times that has come in handy. Having simple remedy items can help to avoid rehearsal disruption.5. Notebook and Pencil Case
Those scripts aren’t going to mark themselves. Writing down direction or choreography notes in your script is an essential part of the rehearsal process that will help you when you are practicing by yourself. A notebook and a couple of pencils and highlighters are your friends.6. Deodorant and Body Spray
Be kind to your fellow cast and crew mates. Especially during a dance rehearsal, things can get a bit sweaty. Keep yourself smelling fresh and your fellow thespians happy.7. Mini Sewing Kit
Rips and tears in clothing and shoes can happen easily during a rehearsal. Needle, thread, and extra buttons are useful for avoiding embarrassing wardrobe malfunctions, or at least help to repair them if they do happen.8. Headphones
Downtime while you are waiting for your turn on stage is the perfect opportunity to review any songs or choreography. Find a hallway or a quiet corner where you put on your headphones and mark the choreography or sing quietly to yourself. Practice makes perfect!9. Extra Layers
Cold muscles can result in injuries. Stay warm with layers for both on and off stage. Sweaters, socks, sweat pants and leg warmers are good go-to options. Having an extra change of clothes in case you get sweaty can be helpful as well.10. Wipes
Sweat and makeup are brutal for your skin. Keep your pores unclogged and your skin feeling fresh with makeup removing wipes or even baby wipes. Travel packs are the perfect size for rehearsal bags.Have something to add to the list? Leave a comment below…
[post_title] => Top 10 Essentials For Your Rehearsal Bag [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => top-10-essentials-for-your-rehearsal-bag [to_ping] => [pinged] => [post_modified] => 2018-10-14 10:03:20 [post_modified_gmt] => 2018-10-14 14:03:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3985 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 6 [filter] => raw ) [10] => WP_Post Object ( [ID] => 3961 [post_author] => 12 [post_date] => 2016-08-23 10:57:47 [post_date_gmt] => 2016-08-23 14:57:47 [post_content] =>Have any of these happened to you…?
1. Not Ready for Your Close-up
You nail that on-camera audition, get in your car and realize you had peanut butter in your teeth the whole time.
2. Caffeine Overdose
You over-caffeinated during prep and now the sides won’t stop violently shaking in your hands.
3. Stretching Your Special Skills
You sort of stretched the truth on your special skills - they wanted a juggling expert...
…Huh? Huh? Well I'm a little bit rusty...
4. Drowsy by Nature
You meant to take Dayquil but you accidentally took Nyquil and you’re a teensy bit drowsy during those 16 bars. Good news is you were finally relaxed enough to hit that high note.
5. Schmooze Snooze
You try to crack jokes with the casting director but only get a blank stare in a return.
6. Wardrobe Malfunction
You’re juggling auditions so you wind up doing that Hamlet monologue in sequined pants and a neon unitard.
7. Hola?
You arrive at your commercial audition and the sides are in Spanish. You don’t speak Spanish.
8. Creeper
You show up to the audition- a little too in character and creep everyone out.
9. Lost and Confused
You show up at the wrong theatre.
10. Eyes Glued to Your Paper
You thought you’d have time to work on your lines- but you didn’t and now you can’t unglue your eyes from the script long enough to even glance at your scene partner.
11. Costume Crazed
The breakdown said ‘Jockey.’ Everyone else is wearing capri pants with boots. You show up riding a dwarf pony in full-blown jockey gear.
12. The Absent Minded Actor
You forgot your resume and headshot.
…I can see it, it’s right there on the counter. I can describe it to you if you’d like.
What audition fails have you had? Leave a reply below...
[post_title] => 12 Audition Fails That Make You Want To Hide In The Props Closet [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 12-audition-fails-that-make-you-want-to-hide-in-the-props-closet [to_ping] => [pinged] => [post_modified] => 2016-08-23 11:00:38 [post_modified_gmt] => 2016-08-23 15:00:38 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3961 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 4 [filter] => raw ) [11] => WP_Post Object ( [ID] => 3434 [post_author] => 190 [post_date] => 2016-08-22 09:32:58 [post_date_gmt] => 2016-08-22 13:32:58 [post_content] => So you’ve made the leap! After years of bedroom, community, and high school theatre, you’ve decided that you want to take your bonified love of the stage and put the proverbial “ring” on it. Aka. You want to go to college for theatre!Mazel tov!
But the big question. Where? Ah, my little chickadees, this is where the fun comes in!Check out these considerations before you start your college hunt.
Size of Program
Do you want to be 1 of 12 people in your class? Or 1 of 400? Smaller programs provide a huge amount of individual attention. You might be taking all your classes with the same 12 people...for 4 years.The deep relationships that you develop with your classmates and professors are incomparable. But this also means little or no flexibility when it comes to choice in classes. Larger programs may make it hard to stand out within your class, but also allows a huge amount of opportunities for collaborative projects and the ability to take a variety of different classes.Conservatory or University?
Do you want to live and breath theatre every day of the week and not have to take a single “traditional” academic class? A conservatory might be the way to go. This will usually be intensive theatre training all day, every day (think Julliard). If you have other interests that you’d like to explore, a college program within a larger university might suit your fancy. You’d be able to take theatre classes for, say, 3 days a week and then take liberal arts classes (sciences, creative writing...heck, even math!) the remaining 2 days. NYU and Northwestern are good examples. This would also be the way to go if you’re considering minoring in a field other than theatre. In short, conservatories pride themselves is producing top of the line performers, whereas university programs focus more on graduating students who are more well-rounded.Location
It’s beyond helpful to go to school in an area that you could see yourself living/working in after you graduate. Life brought me out to California pretty soon after I graduated from NYU, and you better believe that I was feeling (with a capital F) that lack of community and the loss of the relationships (professional and otherwise) that I had spent 4 years cultivating in New York. Having a strong network is not only a HUGE advantage professionally, but having a support group of friends and old professors to seriously lean on during that first year or two out of college will be THE BEST. That said, choose a program that resonates with you, even if it’s not in one of the top theatre cities.
It’s also important to consider In-State vs Out-of-State tuition costs. Out-of-State schools could be significantly more expensive. The exception being private universities, which charge the same (often pricey) tuition for all students. Talk with your parents and decide what works best for your family. And don’t forget about financial aid!! There are tons of scholarship resources out there in addition to FAFSA and your scholarships from your particular school. Plenty of organizations offer scholarships too!
https://college.usatoday.com/2012/01/30/the-10-best-sites-to-look-for-scholarships/
BFA or BA
Okay, so let’s say you’ve settled on a wanting to attend a university. You then have one more thing to consider: whether or not you want to pursue a Bachelor of Arts (BA) or a Bachelor of Fine Arts (BFA). A BA Degree requires fewer concentration (acting) classes and allows for more exploration with liberal arts classes. A common comparison is getting a BA in Theatre vs a BFA in Acting. A BA would allow you the flexibility to take classes in directing, producing, stage management, dramaturgy, etc. A BFA might have an overview of these subjects, but ultimately your primary focus would be acting. Another thing to note is that BA programs might not require an audition as part of the application process, but nearly all BFA programs will. Hopefully, these 4 factors will help you begin to narrow down your search. As with everything, this decision should be made with your head, your heart and your gut (sup Chekov). And don’t worry, because no matter where you end up, there’s one thing for certain: You’ll be surrounded by Theatre Nerds! And what could be better than that?Have a question about choosing a theatre program? Leave a reply below...
[post_title] => How To Choose The Right College Theatre Program For You [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => how-to-choose-the-right-college-theatre-program-for-you [to_ping] => [pinged] => [post_modified] => 2016-08-22 09:33:02 [post_modified_gmt] => 2016-08-22 13:33:02 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3434 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 7 [filter] => raw ) [12] => WP_Post Object ( [ID] => 3584 [post_author] => 11 [post_date] => 2016-08-20 10:37:13 [post_date_gmt] => 2016-08-20 14:37:13 [post_content] => Don't wait One Day More to find out if you are the ultimate Les Mis fan! Take the quiz and see who's Master of the House! [viralQuiz id=12] [post_title] => Quiz: Are You The Ultimate Les Misérables Fan? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => quiz-are-you-the-ultimate-les-miserables-fan [to_ping] => [pinged] => [post_modified] => 2017-07-11 18:20:50 [post_modified_gmt] => 2017-07-11 22:20:50 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3584 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [13] => WP_Post Object ( [ID] => 3689 [post_author] => 1 [post_date] => 2016-08-19 12:27:06 [post_date_gmt] => 2016-08-19 16:27:06 [post_content] => Had you told twerpy middle-school me that today I would be able to confidently handle a table saw and wield a staple gun with ease, I’d think you were lying. I’ve always been the one on stage, but as the years have gone by, I’ve crossed over to the dark side (backstage) more than I ever thought I would, and guess what? It’s been pretty great. My first crew experience was as a light board operator at a local theater. Lighting was not something I was really interested in at the time, but when the theater advertised their light board certification class, I figured I should give it a shot because, why not? I was wowed learning about gobos, filters, and more, and I eventually even learned what all those intimidating spaceship-esque buttons on the light board did. After completing the class, I was asked to be the light board op for the theater’s upcoming show, Shakespeare’s The Taming of the Shrew. That’s where it all began. My favorite part of being a light board operator was that I got to see the show from a new, unique perspective. I don’t just mean the view-from-above-the-audience type of perspective (even though that part’s pretty cool too!) Sitting through tech week and watching the performance about a billion times, I really got to know the show. I realized I was picking up on more and more of the jokes every night, and hearing them so many times gave me a better understanding of Shakespeare’s language. The same went for more contemporary shows I light board-op’ed. I absolutely loved seeing theatre in a new light! (No pun intended…). It was also so interesting to me to see what lighting can do for a show. Now when I’m sitting in an audience, I try to really notice the effects that different types of lighting can give to a scene. Lighting design is a true art! After my first backstage experience, I was hooked! Any time the theater was doing a show that I wasn’t auditioning for, I looked for a way to get involved backstage. I got this same type of joy from working as an assistant stage manager at this theater. Stage-management takes crazy amounts of concentration, organization skills, and confidence, because once the show is in production, the stage manager is the one calling the shots. But it’s definitely all worth it, and it was especially exciting for me as an actor for a few reasons. Taking line-notes was one of my responsibilities as an assistant stage manager, and while doing this every night may seem like a mundane task, it soon became my favorite part of the job, much for the same reason I loved being a light board operator so much-- After hearing the same lines so many times, I noticed more and more nuances within the words of the script. And it was also amazing to watch some really talented actors and directors at work; to watch a show develop and grow into something truly special. Watching other actors is a great way to improve your own craft, and working backstage is the perfect way to do that. Then, when I started college and was given a work-study as part of my financial aid, I decided to step way out of my comfort zone and get a job in the theatre department’s set shop. This little wimp-- a carpenter? What? When I started I had absolutely no clue what I was doing. I really was a mess. But as weeks and months went on, I learned so much about all that goes into creating the scenery of a show. It’s a great way to challenge yourself. In set construction, I was taught how to do things I never imagined I’d be able to do, and by the end of freshman year, I was teaching newcomers to the shop how to do certain tasks and even leading teams of carpenters! I learned how to operate those scary tools, but problem-solving skills and leadership have definitely been the most important lessons I’ve gained in set construction. It’s also amazing to watch a set, slowly but surely, be transformed from mere pieces of wood into something enormous and spectacular! And it’s definitely a cool thing to go see a show and point out to your friends, “I painted that wall!” or “I built that platform!”. Working backstage is also a great way to meet people and make connections. At my college and many other college theatre programs, all Theatre majors are required to complete some backstage hours, so through working in set construction, I got to know almost every person in the theatre department! In all areas of theatre production, I’ve made so many great friends that I never would have met if our paths didn’t cross in an outlet of theatre that isn’t performing. Through working backstage in many different positions, I gained a huge amount of respect for the other side of theatre. Getting your hands dirty and working hard backstage can be a way to prove that you’re a responsible and dedicated member of the theatre community. Much like performing, the jobs backstage are certainly not easy at times, but also a ton of fun and so incredibly rewarding! My experiences as a crew member have given me a much greater appreciation for the art form that I love so much. A show is so much more than just its actors. Every individual moving part of a show is so incredibly valuable! My times backstage have been some of the most educational and rewarding parts of theatre for me, so in my opinion, it is so incredibly important for every performer to dip a toe in the backstage world.Post by TN community member Rachel Brudner
[post_title] => What I've Learned As An Actor Who Also Does Crew [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => what-ive-learned-as-an-actor-who-also-does-crew [to_ping] => [pinged] => [post_modified] => 2016-08-19 12:27:09 [post_modified_gmt] => 2016-08-19 16:27:09 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3689 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [14] => WP_Post Object ( [ID] => 3856 [post_author] => 391 [post_date] => 2016-08-18 09:22:52 [post_date_gmt] => 2016-08-18 13:22:52 [post_content] => For decades, Broadway’s sopranos such as Barbara Cook, Kristin Chenoweth, and Audra McDonald have mesmerized audiences with high notes and unforgettable characters. Many of today’s sopranos, however, might have trouble searching for contemporary or underused material for auditions. Some soprano songs could have one dancing all night, while other songs are so popular that you have to climb every mountain to find one that isn’t overdone. To help solve this problem, I’ve compiled a list of 10 overlooked songs that sopranos should consider for auditions.1. “Only Love” from The Scarlet Pimpernel.
This musical by Frank Wildhorn (Jekyll and Hyde) and Nan Knighton premiered on Broadway in 1997, but went through several revisions. The song “Only Love” is performed in the second act by Marguerite Blakeney, a London aristocrat. This ballad, originally recorded by Christine Andreas, is reminiscent of the great torch songs of Andrew Lloyd Webber. Range: Bb3-F5. https://www.youtube.com/watch?v=uv87CgHwMtQ2. “Old Maid” from 110 in the Shade.
This 1963 Broadway musical was revived in 2007 with Audra McDonald as the lead. This song closes the first act. After upsetting the man she loves, the character Lizzie tries to come to terms with the possibility of living alone as an “old maid.” Range: B3-F5. https://www.youtube.com/watch?v=C0jOISNJ7ro3. “China Doll” from Marguerite.
This musical, based on the French novel La Dame aux Camelias, premiered on West End in 2008. Set in World War II-era Paris, the musical is about a 40 year-old singer, Marguerite, who falls in love with a young man caught in the middle of the French Resistance. The song “China Doll” is Marguerite’s most popular song, which she sings at her 40th birthday party. Range: B3-D5. GET SHEET MUSIC https://www.youtube.com/watch?v=A_PelRZ0Ec04. “Painting Her Portrait” from Jane Eyre.
Based on the classic Charlotte Bronte novel, the musical version of Jane Eyre had a workshop production in 1995 before premiering on Broadway in 2000. In this song, Jane creates a likeness of herself and despairs to be enough for Mr. Rochester. Range: Ab3-D5. https://www.youtube.com/watch?v=HoKHN1QFCgo5. “Will You?” from Grey Gardens.
Based on the 1975 documentary on The Beales, Grey Gardens premiered Off-Broadway in 2006 before transferring to Broadway the same year. At the end of the first act, Edith and her daughter “Little” Edie have gotten into a fight, during which “Little” Edie resolves to leave Grey Gardens for New York City. Edith sings this song for her party guests to mask her inner turmoil. Range: C4-E5. https://www.youtube.com/watch?v=-Sxt37rdRMk6. “The Beauty Is” from The Light in the Piazza.
Based on the novella by Elizabeth Spencer, this musical premiered in Seattle in 2003 before transferring to Broadway in 2005. This song is sung by Clara, who is in awe of the spectacles in Florence’s Uffizi Gallery. Range: B3-G5. GET SHEET MUSIC https://www.youtube.com/watch?v=Iy34AFVkxWs7. “This Is All Very New to Me” from Plain and Fancy.
This musical, which premiered on Broadway in 1955, was one of the earliest pop culture depictions of Amish life. This song, which was first performed by Barbara Cook, is ideal in auditions for Golden Age shows as well as more traditional shows such as The Music Man. Range: Bb3-Ab5. https://www.youtube.com/watch?v=05Be_5zsx288. “Love Makes Such Fools of Us All” from Barnum.
This Cy Coleman musical about the life of P.T. Barnum opened on Broadway in 1980. The character Jenny Lind, a Swedish opera singer, performs this song first in her native language, and then in English. Range: A3-G5. GET SHEET MUSIC https://www.youtube.com/watch?v=ioFzEDWZAOI9. “No Other Love” from Me and Juliet.
This long-forgotten Rodgers and Hammerstein II musical opened on Broadway in 1953, closed after 358 performances, and has never been revived on Broadway. Although originally a duet, this number can easily be performed as a solo. Range: D4-Ab5. https://www.youtube.com/watch?v=yR5G08xLUm410. “What Makes Me Love Him?” from The Apple Tree.
This series of three short musicals premiered on Broadway in 1966, and was revived in 2006. The first act contains characters from The Old Testaments, particularly Adam and Eve. In this song, Eve reflects on her love for Adam before she passes away. Although the range for this song is rather low for a soprano, editors have commented that it is better meant for a soprano than a belter. Range: G#3-C#5. https://www.youtube.com/watch?v=lC3-zSRXjK8Think of a song that is missing from this list? Let us know in the comments below...
[post_title] => 10 Overlooked Audition Songs For Sopranos [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => overlooked-audition-songs-for-sopranos [to_ping] => [pinged] => [post_modified] => 2018-08-26 12:03:08 [post_modified_gmt] => 2018-08-26 16:03:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3856 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 12 [filter] => raw ) [15] => WP_Post Object ( [ID] => 3750 [post_author] => 639 [post_date] => 2016-08-15 12:18:20 [post_date_gmt] => 2016-08-15 16:18:20 [post_content] => Before and between musicals such as Wicked and Hamilton, there were many musicals that had very short runs and have since been forgotten about. Though some of these musicals were critically successful, they did have the commercial success they needed to become breakout hits.Here is a list of five great songs from some shows that have been overlooked:
“Michael in the Bathroom” - Be More Chill
https://www.youtube.com/watch?v=eFQ2YeM2ERI This contemporary musical, based on the novel by Ned Vizzini, is the classic tale of a guy in high school who is tired of being a loser. Throw in some robotic pill that has the ability to make you cool, and you have a story. With a score by Joe Iconis, this musical has tons of amazing songs. With only a short run Off Broadway, this musical did not get much commercial success. MIchael in the Bathroom is one of the best tracks from the show because it embodies every teen’s anxiety of just wanting to fit in. The whole album is definitely worth a listen.“Love is a Question Mark” - Taboo
https://www.youtube.com/watch?v=QNrUlL1PAZw This musical is a little out there. Set during the New Romantics scene, it’s the story of artists trying to make it in that world, while it also heavily focuses on the life of Boy George. George wrote the music for this show that only had 100 performances, despite its four Tony nods in 2004. Love is a Question Mark is a stand out in this show. Just listen to the harmonies.“Sirens” - Jane Eyre: The Musical
https://www.youtube.com/watch?v=CT5HBa6pae8 Ok, before you envision Charlotte Bronte rolling over in her grave, just hear me out. No, I do not think this is the best idea for a musical. At least it wasn’t Wuthering Heights, right? Anyway, this musical was only open for six months. It was nominated for five Tony awards and has now barely been spoken about since. Best song by far in the musical is “Sirens”, which is great portrayal of Jane and Rochester’s love story. This show’s musical style is very reminiscent of other musicals, such as Les Mis. Very dramatic and very satisfying.“One Knight” - Wonderland: A New Alice
https://www.youtube.com/watch?v=kWUnmEyp_wk This is probably one of the most random songs on the list. With only 33 official performances in 2011, this musical came and went very quickly. The musical tells the story about Alice after Wonderland and how she has to go back. No, this is not a musical version of Through the Looking-Glass. Anywho, this track is a huge hidden gem. Think Backstreet Boys in Wonderland. That is what this song is. Enjoy.“Louder Than Words” - Tick, Tick...Boom!
https://www.youtube.com/watch?v=dHBMxhxMYIg I left this song for last because the composer of this musical is extremely well know, has multiple Tony Awards under his belt, and has won the Pulitzer Prize for Drama. All of these awards were won for Rent. Yes, this musical was composed and written by Jonathan Larson. Before Rent came Tick, Tick...Booom!, Larson’s semi-autobiographical musical about his struggle to become a successful composer. This show has yet to have an official run on Broadway. One of the last songs in the musical, “Louder Than Words” is both triumphant and a bit sad. If you love Rent, you’ll definitely love this track.
[post_title] => 5 Amazing Songs From Lesser Known Musicals
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It’s that time again! Summer is preparing to take its final bows and make way for Autumn to take the stage. Which means it’s time to prepare for your role reprisal as you return to the halls and classrooms of your high school/college. And what better place to look for style inspirations than the stages of Broadway and the West End?
Here are a few back to school pieces inspired by the stage:
Hamilton
Let everyone know you are not throwing away your shot by giving your look some revolutionary flare with a military inspired jacket. Or decorate your room or new dorm Founding Fathers style with some patriotic accessories.
Macy’s In Awe of You by Awesomeness TV Juniors' Military-Style Blaze
Urban Outfitters Large American Flag Tapestry
Her Shot Tote Bag (from right here at our Theatre Nerds Swag Shop)
Harry Potter and the Cursed Child
Potter fever has returned with the release of the new stage show on the West End. While we all wish Hogwarts were a real school (I don’t remember them ever having to take Calculus) we can bring a little of Hogwarts to the muggle world. So break out your house colors and keep your pumpkin juice fresh.
Barnes & Noble Harry Potter Marauder’s Map Insulated Tumbler 24 oz
Hot Topic Harry Potter Varsity Hoodie
An American in Paris
Paris is always a good idea, both for musicals and style. Try a Parisian chic look or some ballet inspired apparel as you head back into the halls of academia.
H&M Long-sleeved T-shirt
Urban Outfitters Kimchi Blue Elastic Cross-Strap Flat
Rifle Paper Co. I Love Paris Everyday Iphone 6 Clear Case
School of Rock
Get ready to fight the man and pledge your loyalty to the band. Show that you’ve done your music homework as you prepare for your school’s Battle of the Bands with these rock inspired pieces.
Hot Topic Pink Floyd The Dark Side of the Moon Tour T-Shirt
ModCloth Be With You in a Spinet Bag
Romeo and Juliet
I just couldn’t leave out The Bard, especially with Kenneth Branagh’s version of the beloved Shakespearean classic wrapping up it’s run in the West End. Float through the halls of your school like a dreamy Juliet or join the King’s Players as you brush up on your Elizabethan vocabulary.
Kathleen White Floral Maxi Dress
ModCloth A Man for All Elizabethans Men’s Tee
Prepare your monologues and brush up for your fall production auditions as you head back to school, daydreaming about the theatre and the city that never sleeps.
Have an item to add to the list? Leave a reply below…
[post_title] => Back To School Gear Inspired By Broadway [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => back-to-school-gear-inspired-by-broadway [to_ping] => [pinged] => [post_modified] => 2016-08-19 11:15:27 [post_modified_gmt] => 2016-08-19 15:15:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3753 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [17] => WP_Post Object ( [ID] => 3729 [post_author] => 11 [post_date] => 2016-08-13 09:43:46 [post_date_gmt] => 2016-08-13 13:43:46 [post_content] => [viralQuiz id=13] [post_title] => Quiz: Are You The Ultimate "Phantom" Phan? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => are-you-the-ultimate-phantom-phan [to_ping] => [pinged] => [post_modified] => 2017-07-11 18:21:35 [post_modified_gmt] => 2017-07-11 22:21:35 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3729 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [18] => WP_Post Object ( [ID] => 3541 [post_author] => 391 [post_date] => 2016-08-09 09:48:11 [post_date_gmt] => 2016-08-09 13:48:11 [post_content] => Throughout the years, Broadway has had an incredible legacy of baritones, including Jerry Orbach, Terrence Mann, and Hugh Jackman, just to name a few. However, rock tenors and high belters dominate the contemporary musical theatre scene. Does the Impossible Dream of finding fresh baritone rep leave you Lost In the Stars? Here are 10 overlooked baritone audition songs to consider.1. “The Kid Inside” from Is There Life After High School?
This musical, whose characters recall high school experiences, premiered on Broadway in 1982. The opening song “The Kid Inside” was recorded by Barry Manilow for his album Showstoppers. This song is best suited for more lyrical baritones, especially those in their 20s and early 30s. Range: B2-G4 (in falsetto). GET SHEET MUSIC https://www.youtube.com/watch?v=bBZ14M-TzH82. “It Took Me A While” from John & Jen.
This two-person musical by Andrew Lippa ran Off-Broadway in 1995, and was revived in New York last year. This song plays as John comes of age and decides to join the Navy. This show’s style is reminiscent of other Off-Broadway shows such as The Last Five Years by Jason Robert Brown. Range: B2-F#4. https://www.youtube.com/watch?v=mmbn9HEWCOw3. “No Other Way” from Tarzan.
This adaptation of Disney’s Tarzan (1999) premiered on Broadway in 2006. A new song written for the musical, “No Other Way” is sung by Kerchak after he exiles Tarzan from the gorilla clan. This number is great for robust baritone voices seeking to eventually play roles such as Javert or the Phantom. Range: C3-Gb4. https://www.youtube.com/watch?v=HaR7FtAxzJI4. “Love Sneaks In” from Dirty Rotten Scoundrels.
This musical, based on the 1988 film of the same name, premiered in San Diego in 2004 before transferring to Broadway in 2005. The character Lawrence sings “Love Sneaks In” after he takes the soap queen Christine to the train station, and realizes he has feelings for her. This crooner-type of ballad is appropriate in auditions for baritone-heavy shows such as The Music Man and Guys and Dolls. Range: G2-D4. GET SHEET MUSIC https://www.youtube.com/watch?v=BkWvy05HjUc5. “Why Does She Love Me?” from Love Never Dies.
Andrew Lloyd Webber’s sequel to his long-running musical The Phantom of the Opera on West End in 2010. This song, sung at the start of Act II, is about Raoul contemplating his troubled marriage with Christine. This song is a safe choice for auditioning for pop-opera shows such as Les Miserables. Range: Bb2-F4. https://www.youtube.com/watch?v=SPjQjdz_sVM6. “In Every Age” from Titanic.
This musical by Maury Yeston opened on Broadway in 1997. The opening number “In Every Age” is sung by the Titanic’s designer Thomas Andrews, who marvels at Titanic being humanity’s next great accomplishment. Range: A2-G4. https://www.youtube.com/watch?v=lyX52AF5QMU7. “I Rise Again” from On the Twentieth Century.
This musical premiered on Broadway in 1978 and was revived last year in New York. The song “I Rise Again” is sung by Oscar, a selfish impresario who tries to convince his colleagues that he will regain success even after four flops. This song is great for more classical shows and operetta such as Gilbert and Sullivan. Range: B2-E4. GET SHEET MUSIC https://www.youtube.com/watch?v=v72A_diorlw8. “Funny” from City of Angels.
This musical, inspired by film noir motion pictures, premiered on Broadway in 1989. In the number “Funny,” the character Stine experiences the collapse of his real and fictional worlds. The conversational nature and slight dissonance both make this song fitting for a Sondheim or Jason Robert Brown audition. Range: Bb2-F4. GET SHEET MUSIC https://www.youtube.com/watch?v=jdo1PkzpKCQ9. “At Night She Comes Home to Me” from Baby.
The musical Baby, which opened on Broadway in 1983, is about three couples each expecting a child. In the song “At Night She Comes To Me,” the sports instructor Nick sings about his free-spirited and athletic wife, Pam. Range: Db3-Eb4. https://www.youtube.com/watch?v=Ipjo9bWYnB010. “Guido’s Song” from Nine.
This musical premiered on Broadway in 1982, was revived in 2003, and became a feature film in 2009. In this song, Guido Contini, a film director suffering from a midlife crisis, struggles to distinguish his ambitious interior world from reality. This song is not only great for auditions, but it makes a showy cabaret number, as well. Range: G#2-G4. https://www.youtube.com/watch?v=mRFfRS06eIkIs there a song that you think should be on this list? Let us know in the comments below...
[post_title] => 10 Overlooked Audition Songs For Baritones [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-overlooked-audition-songs-for-baritones [to_ping] => [pinged] => [post_modified] => 2018-08-26 11:50:05 [post_modified_gmt] => 2018-08-26 15:50:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3541 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 6 [filter] => raw ) [19] => WP_Post Object ( [ID] => 2535 [post_author] => 9 [post_date] => 2016-08-08 09:42:08 [post_date_gmt] => 2016-08-08 13:42:08 [post_content] => When we think of plays and musicals, most of us immediately think of the big cities doing the big productions. What’s the new hit musical? What popular play will every high school and college want to do next year? Popular plays are great and they definitely attract large crowds, but why is this? People are drawn to the plays they know. This doesn’t leave much room to “broaden horizons” and “consider new perspectives.” We can’t just blame audiences either… (most) theatres are choosing pieces that they know will attract audiences. After all, people are going to buy tickets for Into the Woods or Noises Off before they see an unknown show, so theatres would be silly to pass up this guaranteed revenue. Here’s my question for you… what if things were different? What if our society and culture decided over night that new plays are more exciting than seeing Wicked for the eleventh time? Regardless of what brings you to theatre, acting, design, directing, producing, or attending as an audience member, I want to convince you how new plays will benefit your theatrical experience.Actors & Designers
This is one of the few times actors and designers are clumped together, but their experience with new plays tends to be similar. Whenever you find out your next show, you immediately research the show. You check for past productions, see how other actors played your part and see how sets and other technical elements were executed. This is a great practice in knowing what’s successful, but in a way you’re cheating yourself. You are taking away the creative power from yourself and relying on past productions. Well known performers like Kristin Chenoweth and Idina Menzel set the standard for the lead roles in Wicked. I can bet you’d be disappointed if you got tickets for Hamilton and Lin-Manuel Miranda happened to be sick that night. We crave the originals. With new plays, you are the standard. Actors create the role and designers create the world. There is no greater challenge than a new play, but that just means there is no greater accomplishment.Directors & Producers
You are the big dogs making the big decisions. Directors are always trying to find new concepts and new ways of presenting old plays and old ideas. What if I told you that you could present these same new concepts, but with new plays and new ideas? You might also be involved with the development of the play. Make a lasting mark on the theatre community by proving that your interpretation of a play is how every theatre will want to portray that same play. Producers, you are so misunderstood in the theatre world. People think it’s all about money for you, but all the best producers are artists themselves. You are the biggest encouragers in theatre world. You listen to the people and you decide what they want, but are you always deciding what they need? I’m not saying you can’t still do Fiddler on the Roof next season. If you say your town will love it… I believe you. What I am saying is that you should consider adding some new plays to that season. There are thousands of plays and playwrights that would be a perfect addition to your season and they just need someone to believe in them and give them a chance. Without new plays, the future of theatre is doomed to reruns. Invest in the future of theatre and invest in new plays.Playwrights & Dramaturgs
I didn’t mention you guys earlier because this article is dedicated to you! You are the gateway to our future and we need to have faith in you! Sometimes you’ll get one thousand rejections before that single “yes,” but that one yes makes up for everything else. People want to hear what you have to say and they need to hear what you have to say. Never stop creating and never stop advocating.Audience
Alright theatre audience, I saved the most important one for last (don’t tell the others). First of all, thank you for making theatre happen. Without the audience, theatre doesn’t exist. Everything we do is for our audience, so you have more power than you think. Here’s what you can do, go see new plays. It sounds simple enough, but audience members find new plays to be a gamble. Which they are! New plays should be a gamble. If we kept doing the stuff we know will work, it’s not really new anymore is it? Then we’re becoming Hollywood. Poor Hollywood, they’re so afraid of change and progress that they’ve limited themselves to sequels, prequels, and remakes. Is there no imagination left in Hollywood? Maybe not, but that’s why new plays are thriving more than ever. People want the challenge and people want the newest ideas. Help keep the theatre alive and thriving. Seek out new plays and tell your theatres to seek out new plays! Now don’t get me wrong. I love the classics. I myself have seen Les Miserables seven times, Phantom of the Opera four times, and almost every Shakespeare play. The classics should not be forgotten. But… and you knew there was going to be a but… each of these plays and musicals had their own start. Each of these plays and musicals started out small and worked their way up. You never know what gem you might stumble across. You never know which new classic is right in your backyard. Each new play has the potential to enhance careers, provide a new perspective, and most importantly… make a change. Support our future by supporting new plays.Have your own take? Leave a reply below...
[post_title] => The Importance Of New Plays [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => the-importance-of-new-plays [to_ping] => [pinged] => [post_modified] => 2016-08-08 09:47:50 [post_modified_gmt] => 2016-08-08 13:47:50 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2535 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [20] => WP_Post Object ( [ID] => 3520 [post_author] => 11 [post_date] => 2016-08-06 10:48:15 [post_date_gmt] => 2016-08-06 14:48:15 [post_content] =>[viralQuiz id=11]
[post_title] => Quiz: How Much Of A Theatre Nerd Are You? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => how-much-of-a-theatre-nerd-are-you [to_ping] => [pinged] => [post_modified] => 2017-07-11 18:22:14 [post_modified_gmt] => 2017-07-11 22:22:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3520 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [21] => WP_Post Object ( [ID] => 3495 [post_author] => 1 [post_date] => 2016-08-02 11:16:08 [post_date_gmt] => 2016-08-02 15:16:08 [post_content] =>1. You Get Excited When Auditions Are Announced...
You've been dying to get back in the theatre after a "severe" 3 week break from the last show. New auditions are announced, which means it's game time.
2. And Then Freak Out When You Realize How Much Work You Have To Do...
3. You Spend Days Trying To Find The Perfect Audition Song/Monologue...
4. And Then That Feeling When You FINALLY Find It...
5. The First Few Run-Throughs Are Amazing...
6. Then You Practice So Much You Start To Second Guess Yourself...
7. But It's Too Late To Change, Audition Day Is Here
8. You Arrive At The Theatre Feeling Ready To Do This...
9. And Excited...
10. And Nervous.
11. You Walk In And Stare Down The Competition...
12. No Doubt Finding "That Girl/Guy" Who Always Goes For YOUR Part Is There
13. Waiting Your Turn...For What Feels Like Days
14. When Your Name Is Finally Called...
15. First Up: The Song
16. Then The Monologue.
17. And Finally The Dance.
18. Hard Work Pays Off As You Deliver A Solid Audition....
19. Well, for the most part...
20. Your Audition Is Over, Time To Wait (again) For The Cast List...
21. And Wait For It...
22. Did We Mention Waiting Can Take You To Some Dark Places?
22. And Then When It's Finally Posted...
23. You Get The Part You Wanted...
24. Or, A Part That You "Kinda" Wanted
25. Or, You'll Be Eating Ice Cream Every Night For A Couple Weeks...
Whatever The Case, We Can All Agree That The Audition Process Is Pretty Much Torture.
But We Keep Coming Back For More...
Have another reason? Leave a comment below...
[post_title] => 25 Reasons Why The Audition Process Is Pretty Much Torture [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => reasons-why-the-audition-process-is-pretty-much-torture [to_ping] => [pinged] => [post_modified] => 2016-08-02 11:18:12 [post_modified_gmt] => 2016-08-02 15:18:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3495 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [22] => WP_Post Object ( [ID] => 3258 [post_author] => 12 [post_date] => 2016-08-01 11:19:30 [post_date_gmt] => 2016-08-01 15:19:30 [post_content] => UPDATED: Now The 15 Best Apps For Actors As actors, we often juggle many titles and responsibilities to stay afloat. We regularly act as our own PR department, assistant, researcher, secretary, personal trainer, and self-help guru. Because we need to be all of these things and more we could use a little help now and then. I asked around and here are some favorite tech tools amongst the acting community.1. Coach.me
Being an actor is all about determination and since we don’t have a boss to tell us what to do and when to do it- we have to be self-starters. One way to stay on top of your career and stay productive is to download Coach.me. It’s like having a Life Coach in your pocket. You can set goals for yourself in any category such as lose weight, quit a bad habit, be productive, personally grow, eat healthy, etc. Once you pick a category there are a ton of suggestions for reaching that goal. Coach.me will even check in with you to make sure you’re not slacking. Visit coach.me2. Actor Genie
This cool app keeps track of what’s casting and who’s casting it (NY and LA only) for Film, TV, and Commercials. Plus it keeps track of details like the storyline, casting info, and who the CDs (casting directors) and assistants are for each project. There’s also a contact bank for CDs, Agents and Managers. Visit Actor Genie3. TwistedWave
Out of town and need to record a voice over audition on the fly? This audio editor and recorder app is a go-to for pros. If you upgrade to premium you can even edit out those breaths! *Bonus tip: Record in your car for maximum sound quality if there’s no VO booth available. Visit TwistedWave4. Grammarly
Whether you’re gearing up to send a ton of email submissions, or you just don’t want to embarrass yourself when you’re corresponding back and forth with your agent, you need Grammarly. Download it into your browser and this handy dandy app grammar proofs everything you write on the web- whether you’re updating your website, posting your latest on-set moments to Facebook, or composing an email, Grammarly will check your grammar and spelling. It’s positively the best way to maintain that polished professional edge. Visit Grammarly5. Waze
Debating taking the 101 vs. side streets to get to that audition? Waze will let you know the moment-to-moment most effective way to get there. Not to mention you’ll end up seeing parts of the city you never knew existed- the shortcuts are entertaining at best and the ETA is scarily accurate. Visit Waze6. MileBug
Driving to auditions, classes, workshops and rehearsals can really rack up your mileage. Luckily, you can deduct some of it at tax time. Keep track of those miles with MileBug. This app makes record keeping simple and central for all your vehicles and travel expenses. Next year tax time will be a piece of cake. Visit MileBug7. Duolingo
Because you never know when you walk into a job if they’re gonna ask, “Do you speak French?” (True story) Duolingo is a great way to learn some basics of any language or go all out and hunker down on that one language you’ve been dying to be fluent in. Visit Duolingo8. Pause
Try Pause to Zen-out backstage or to stave off audition room jitters. This handy Tai Chi app brings mindfulness right to your fingertips. Calming music plays as you slowly glide your fingertip across the screen creating mesmerizing images that help you center and focus. Visit Pause9. IDEA (International Dialects of English Archive)
This website has been around forever but just in case you’ve been living under a rock- you’ll be glad you know about it now. This site holds recordings of people all over the world so you can study their dialect. Bust out that phonetic alphabet, listen, and you’ll be ready to knock out that Turkish accent in no time. Visit IDEA10. Evernote
Keep forgetting to follow up with that casting director? Use Evernote to remind yourself of important things like rehearsals with your scene partner and picking up that fat suit for Saturday night’s sketch show. Evernote not only lets you write notes, it sets reminders, and allows you to save articles you come across on the web to read later. (Like this one!) Visit Evernote11. Shakespeare
Brush up on your Shakespeare with this app. You’ll have all of Shakespeare’s plays, sonnets, and poems in the palm of your hand. Add a daily dose of Shakespearean wisdom to your life with the Shakespeare quote of the day. Visit Shakespeare12. Soliloquy
Need a monologue fast? Nevermind flipping through stacks of plays searching for lengthy paragraphs that can be carefully crafted into a one-minute performance piece- Now you can use the Soliloquy app. Easily browse over a thousand monologues and quickly take note of factors such as length, comedy vs. drama, male vs. female, young adult or mature. That spot on the floor by the ‘Theatre Section’ at the library is finally free for someone to walk by now. Visit Soliloquy13. LineLearner
Learning our lines is not an option, and sometimes we need a little help (motivation). Cue LineLearner. This app allows you to record scenes so you can listen and learn your part. Perhaps the best feature is a prompt button that reminds you of your line if you forget. LineLearner also allows other users to record lines and send them back, essentially making it possible to rehearse with your scene buddy while you are miles apart. Visit LineLearner14. The Amazing Improv Generator
This innovative app allows you to store all your creative ideas for future dramatics. Moreover you can put your spontaneous ideas immediately to the test. This app provides you with a random character, setting, and event all at the push of a button. Not happy with your scene, push the button again. Now that's my kind of app! Visit The Amazing Improv Generator15. AuditionCal
After learning about AuditionCal, we HAD to add it to the list. This app helps you organize the crazy amount of auditions, callbacks, and networking events aspiring actors have. You can add events to a calendar and set custom notifications. AuditionCal also integrates with Apple Maps so you don't have to switch back and forth between apps to plug in directions. Another noteworthy feature is easy social sharing to let your friends and fans know what you're up to. Visit AuditionCalHave an app to add to the list? Leave a reply below...
[post_title] => The 12 Best Apps For Actors [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 12-best-apps-for-actors [to_ping] => [pinged] => [post_modified] => 2016-08-24 10:56:33 [post_modified_gmt] => 2016-08-24 14:56:33 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3258 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 10 [filter] => raw ) [23] => WP_Post Object ( [ID] => 3446 [post_author] => 395 [post_date] => 2016-07-26 10:15:24 [post_date_gmt] => 2016-07-26 14:15:24 [post_content] => When you first open up the track list to “Hamilton,” it’s clear this is no typical musical meant to be hummed a few times under your breath and then fully committed to memory — yes, life was beautiful then. However, Alexander Hamilton was never one to shy away from a challenge, and neither are diehard fans of this groundbreaking musical.From spitting out a bunch of garbled words to — gasp! — actually grasping a whole tune from beginning to end, here are the 10 stages of trying to memorize the “Hamilton” album:
1. When you feel like it’s completely impossible and you have your work cut out for you.
2. When you start catching onto a phrase or two and consider attending an open call. You’re ready to be the next Aaron Burr, right?
3. When you take countless Snapchats of yourself spitting out 10-second phrases as fast as you can.
4. When your friends tell you to “Sing less, smile more” — and you obviously don’t.
5. When you start knowing enough songs that maybe, juuuuuuust maybe, memorizing the whole album might be within your grasp.
6.When you wish you could be nine people at once so you could do “Non-Stop” justice.
7. When you’re hit with all the feels and you’re crying too hard to sing “Burn.”
8. When you stop caring that you’re openly mouthing lyrics in public.
9. Guns. And. Ships. Speaks for itself. Quickly.
10. When you realize you may never actually memorize every single word, but that’s all part of the fun!
Have you memorized the Hamilton album yet? If not, you better get to WERK!
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[post_content] => Most people know what slapstick is. When we think of physical comedy, we may think of TV classics such as the pratfalls of Charlie Chaplin or Chevy Chase, the slap-fights of The Three Stooges, or the exaggerated facial reactions of Lucille Ball and Carol Burnett. Using physicality to sell the joke, however, goes all the way back to Commedia dell’Arte in about 1550, when Italian troupes literally cataloged and numbered the funny “bits” (tropes) that could be used over and over, without fail, to produce a laugh. The site Laugh Button identifies some of humanity’s favorite slapstick as shticks like “the fall, the slip, the trip, the collide and the double take.” Commedia dell’Arte is shortened from a name which means “the comedy of the craft of comedic improvisation.” Our famous performers today are still practicing this art!
Modern movies, Broadway shows, TV and youtube shorts frequently use the same reliable comedic routines as those Renaissance Italians, and we’re still laughing--hard. Think of current comedy masters like James Cordon, Melissa McCarthy, Jimmy Fallon, Tina Fey, Amy Poehler, Zach Galifianakis, Jim Carey, Conan O’Brien—they are all masters of what boils down to the Commedia dell’Arte playbook. The comedic actors of Commedia were usually trickster servants called Zanni, from which we get the English word “zany.” The Zanni over time were broken down and divided into various subtypes, like the famous Harlequin that goes back as far as the 14th Century. These masterful performers would have a hundred stock physical joke scenarios memorized so that they could plug them into a scene improvisationally.
The stock jokes, or gags, were called lazzi (pronounced ˈlɑ-tsi) which is the plural of “lazzo,” meaning “joke or witticism.” Mel Gordon’s book, Lazzi: The Comic Routines of the Commedia dell’Arte, categorizes 250 routines from 1550-1750, many of which survive today, some in modified forms. For example, the “Running around the Balcony Lazzo” is just as you’d imagine, and you can see this timeless joke in the Disney ride Pirates of the Caribbean where the pirates are chasing women around the town, but in the next balcony, a large threatening woman has turned the tables and is chasing a pirate around her house with a broom. Some other predictable lazzi are “The Chair” being pulled out from under someone or breaking under them; The Laughter and Tears Lazzo where hilarious laughing turns into crying mid-scene; and the Lazzo of the Foreign Language, where a character is forced to pretend to know another language and makes up gibberish in the style of that language they don’t know, while another character translates the language. This last one is the central comedic situation driving the plot of the famous play The Foreigner, by Larry Shue.
Now let’s look at some fun clips and examples of physical comedy from the modern era that are straight out of the Commedia Lazzi...Classics of TV Comedy:
The very famous I Love Lucy chocolate factory scene relies on physical comedy, where Lucy and her best friend Ethel can’t keep up with the speed of the conveyor belt producing the chocolates they are tasked with wrapping, and come up with “creative” ways to try and fix their conundrum. [embed]https://www.youtube.com/watch?v=8NPzLBSBzPI[/embed] If you want more of Lucille Ball, check out “Vitameatavegamin,” where Lucy accidentally gets drunk filming a TV commercial, or “Lucy's Italian Movie,” where she wrestles a local Italian woman in a grape vat! The Three Stooges embody the “lowly” trickster/servant with their slapstick routines as they pinch, slap, poke, swing, fall, and break things on a minute-to-minute basis. A famous scene is where they attempt to fix a doorbell, but end up pulling Moe through a wall attached to the electrical wires. Laurel & Hardy did very similar gimmicks.
“Acrobatics” & Pratfalls:
Saturday Night Live, and in movies and TV shows, Steve Martin, Martin Short, and Chevy Chase are known for their career-spanning pratfalls. They fall and trip and slip and fail to get up to great comedic effects. Pratfalls fall under the lazzo category “Acrobatics,” and there is a specific ladder lazzo that involves falling” from a ladder or wall after being shaken off, shot, or gravitationally abandoned” which can include “desperate attempts not to fall,” and “pratfalls over furniture.” See Steve Martin doing pratfalls in his Pink Panther movies, The Jerk, and Dirty Rotten Scoundrels. Chevy Chase’s early SNL sketch with a ladder is a classic, and his Clark Griswold is a serial pratfall specialist. Martin Short All three doing classic Commedia physical humor together in The Three Amigos, like in this trailer: [embed]https://www.youtube.com/watch?v=DZHbUVmtRTE[/embed] Think about this: even the most recent Captain America: Civil War movie used the entrance of teenage Spider Man in a brand new suit to produce physical comedy, making him awkward in his newfound skills against his more polished team members. As he swings and shoots webs, yelling and colliding and trying to “keep up with the big kids,” he’s embodying the Commedia “Acrobatics” style of physical humor. Listening to the crowd in the theatre, it worked!The Dirty Stuff:
Much of Commedia and modern humor is, well, based on dirty humor. Jim Carrey is known for his hilarious (and sometimes disgusting) physical humor. Remember his Ace Ventura Rhino “birth scene,” where he is trapped in and then slowly emerges from the nether region of an African Rhino? There’s also a scene in Ace Ventura: When Nature Calls where he helps an African woman give birth by simply pushing on her belly as in CPR, “popping” the baby out and across the room into its father’s arms, umbilical cord still attached. Finally, remember that in Me, Myself & Irene, Carrey pulled off a breastfeeding joke where a nursing mother looks up and suddenly he is also attached to her!? Well, in classic Commedia, believe it or not, there is actually a whole category for sexual and “scatological” humor—that literally means poop and bathroom jokes! And it seems that for good or bad, Jim Carrey is a master of both. If you were doubting it, women do this style of humor too. Bridesmaids actors Melissa McCarthy, Kristen Wiig, Maya Rudolph, Rebel Wilson, and Wendy McLendon-Covey went there with humorous scenes involving diarrhea in the street, mile-high “steam heat” propositions with an Air Marshall, and submarine -sandwich foodie sex in the outtakes.Modern Physical Comedy “It” figures:
James Cordon One Man, Two Guvnors creates an internal fight with himself that becomes physical. His Tony performance of this scene is amazing and explains his wide appeal and current fame. The show launched him to everyday household fame, and now he’s got the Late Show and that wonderful series of in-the-car lip syncs with other celebrities, including Adele, Justin Bieber, Lin Manuel Miranda and other B-way celebs. [embed]https://www.youtube.com/watch?v=pcJM1Z3Trfo[/embed] Zach Galifianakis is known for his oddball characters in movies and his own web show “Between Two Ferns” and the TV series Baskets. “On Physical Comedy” is a strange but hilarious casual scene he appears to have recorded on his own, where he is talking seriously about the art and craft of comedy being text-based, yet his chair keeps breaking under him in the oldest Commedia joke in the book. When he gives up and continues from the ground, comics Patton Oswalt & Brian Posehn make an appearance to ridicule him--but they’re wearing only towels and their junk is censored out with the infamous black bar! Plus, the physical comedy of their height different keeps the silliness going. ( A bit of language in this one) [embed]https://www.youtube.com/watch?v=YLdO9lMT7yA[/embed] Melissa McCarthy is a genius of physical comedy and improvisation in such films as Spy, Tammy, The Heat, Identity Thief and Bridesmaids, as well as her recently wrapped TV series Mike & Molly. Other actors and directors attest to her playfulness on camera and the fact that she’s willing to try a scene over and over with different tactics for a laugh. This goes to the heart of the Commedia practice, where the zanni actor knows an entire playbook of moves, shticks, gags, and tropes that can be applied to any situation, and they can (seemingly) effortlessly change it up for the best laughs. Many of her films have outtakes where we get to see these moments, and her pratfalls are some of the best around.
Resources for Students of Theatre
If you’re a theatre student, a relatively famous resource to learn more is The Physical Comedy Handbook by Davis Robinson, (1999) which breaks down physical comedy into different forms and techniques, and guides readers through “how to” exercises to help anyone develop their sense of comedy and play.
In addition, The Routledge Companion to Commedia dell'Arte, 2014, is a full-sized university text covering a thorough grounding in the subject by Judith Chaffee and Olly Crick. “From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr. Punch.”
[post_title] => Make ‘Em Laugh: Tracing Modern Physical Comedy Back To Commedia dell’arte
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[post_title] => Which Iconic Broadway Star Are You?
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[post_content] => From Eponine to Elphaba, contemporary musical theatre offers a wide range of thrilling mezzo/belt roles in to choose from. Songs such as “On My Own” and “Defying Gravity” continue to thrill audiences around the world. However, while these songs (and similar ones) are popular showcase pieces, casting directors are getting tired of hearing them at audition rounds. In fact, it is not uncommon for actors to be dismissed from auditions simply for choosing an overused song. Plus, and I hate to rain on your parade here...but it can be hard to stand out from the rest of the mezzo crowd if you are singing the same song as everyone else, no matter how powerful your belt is.
To alleviate this issue, I’ve compiled a list of 10 overlooked audition songs for the mezzo/belter voice.
1. “Woman” from The Pirate Queen.
Although Boublil and Schönberg’s last Broadway musical together flopped, the score contains some underrated vocal gems. The solo “Woman” was originally recorded by Stephanie J. Block. It is sung by Grania (known in the show as “Grace”) to her lover Tiernan over her frustration that her father Dubhdara forbids her to sail on his ship. This song best suits an audition for a pop-opera type of show in the style of “Les Miserables” or “The Phantom of the Opera.” Range: E3-E5. GET SHEET MUSIC https://www.youtube.com/watch?v=yzdS_qXp9Dc2.“How Did We Come to This?” from Andrew Lippa’s The Wild Party.
This musical, based on the 1928 Moncure March narrative poem about a woman who throws an outrageous get-together, opened Off-Broadway in 2000. This song is performed by the main character Queenie, who by the end of the show loses both of the men who pursue her, and contemplates how things came to end so badly. Julia Murney, who created the role of Queenie, clearly displays the character’s defeat and heartbreak in her Streisand-like belting. This song is great when auditioning for most contemporary shows, especially those that have heavy big-band/jazz influence in the music. Range: G#3-C#5. https://www.youtube.com/watch?v=HDfGnqmowm03. “Bring It On” from Bring It On: The Musical.
Based on the 2000 comedy of the same name, Bring It On: the Musical opened on Broadway in 2012 after a successful U.S. tour the previous year. Co-written by Lin-Manuel Miranda, Tom Kitt, and Amanda Green, the show’s music mixes pop-rock with Miranda’s signature hip-hop influence. For this song in the show, high school junior Cambpell decides to form a cheerleading squad of her own to get back at her rival Eva. This song is ideal for auditioning for a more pop-sounding show. Also, as one of Miranda’s lesser known works, songs from Bring It On would be refreshing to an audition pool where In the Heights and Hamilton are so common. Range: A3-E5. https://www.youtube.com/watch?v=15qZZ7q0VGM4. “Bring On the Men” from Jekyll and Hyde.
This number has had an interesting history with its parent musical. Although the song was featured in the show’s concept album in 1994 and was featured in the 1995 national tour, it was replaced with “Good ‘N’ Evil” for the 1997 Broadway production. (“Bring” was later reinstated for future productions and tours). In the show, the character Lucy, a prostitute, performs this number for a bachelor party. Dr. Jekyll is drawn to Lucy’s performance and pursues her afterward. The song’s seductive nature is perfect if you’re trying out for a femme fatale role in shows by Kander & Ebb. Range: G#3-E5. https://www.youtube.com/watch?v=TeWItubZao45. “It’s a Woman’s World” from The Full Monty.
This musical by David Yazbek (of Dirty Rotten Scoundrels fame) is based on the 1997 British film of the same name. Premiering on Broadway in 2000, it was nominated for 10 Tony Awards, but ultimately winning none. The song “It’s a Woman’s World” is performed by Georgie and her friends, taking pride in their new independence as being the breadwinners of their families. This high-key, empowering song is appropriate for any contemporary female-centric musical such as Legally Blonde or Heathers. Range: G3-E5 https://www.youtube.com/watch?v=h4lpqjyifEo6. “The Story Goes On” from Baby.
The musical Baby, which opened on Broadway in 1983, is about three couples each expecting a child. “The Story Goes On” is sung by Lizzie, a university junior whose boyfriend is on a summer tour with his band, and is forced to face her pregnancy by herself. Originally recorded by Liz Callaway, this song is great for mezzos who have a solid mixed voice in the upper register. Range: G3-F5. https://www.youtube.com/watch?v=rhi4xNxL-Pk
7. “Just Not Now” from I Love You Because.
A modern retelling of Jane Austen’s Pride and Prejudice, I Love You Because opened Off-Broadway in 2006. The musical follows the romance of several couples in New York City. The song “Just Not Now” is sung by Marcy, who tells her lover Austin that she is in fact not ready yet for true love. Like the aforementioned number from Baby, this song also calls for a strong mixed upper register. Range: G3-Eb5. https://www.youtube.com/watch?v=QNAsNUFnW7w8.“All Grown Up” from Bare: A Pop Opera.
This musical premiered in Los Angeles in 2000 before opening Off-Broadway in 2004. The story focuses on a gay teen couple struggling their way through a private Catholic school. “All Grown Up” is sung by Ivy, who confesses to her classmate Nadia that Jason, who is gay, is the father of Ivy’s baby. This song works in auditions for darker rock musicals such as Spring Awakening and American Psycho. Range: G#3-F5. https://www.youtube.com/watch?v=7kF_byOK9DE9. “It’s a Privilege to Pee” from Urinetown.
Opening Off-Broadway in 2001, Urinetown is a dark comedy which satirizes corporations and capitalism. The authoritarian character Penelope Pennywise, who runs the worst public urinal in town, sings this cynical number in the show. “Privilege” is one of the more challenging villain songs in contemporary theater, and is best sung by mezzos with clear, resonant belting to high heaven. Range: C4-G5. GET SHEET MUSIC https://www.youtube.com/watch?v=hmHekGAO08010. “Remember This” from The Unauthorized Autobiography of Samantha Brown.
Written by the dynamic duo Kerrigan and Lowdermilk, Samantha Brown premiered in Costa Mesa in 2009 before transferring to Goodspeed Opera House in 2011. “Remember This,” the last number of the show, is the culmination of Samantha’s high school experience as she plans the next step for her future. Like the aforementioned song from Bare, “Remember This” is another awesome choice for auditioning for a rock musical. Range: Bb3-E5. https://www.youtube.com/watch?v=LGdDR2TbpwYYou Might Like: 51 Fantastic Audition Songs For Mezzo-Sopranos
Have a song that's missing from this list? Leave a reply below...
[post_title] => 10 Overlooked Audition Songs For Mezzo Belters [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-audition-songs-for-mezzo-belters [to_ping] => [pinged] => [post_modified] => 2018-10-03 21:32:46 [post_modified_gmt] => 2018-10-04 01:32:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3388 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 11 [filter] => raw ) [27] => WP_Post Object ( [ID] => 3291 [post_author] => 7 [post_date] => 2016-07-18 10:28:19 [post_date_gmt] => 2016-07-18 14:28:19 [post_content] => Aside from its passionate score and book by Lin Manuel Miranda, there is an abundance of elements that make the musical Hamilton such a success. While many were honored for their brilliant work on the show at this year’s Tony Awards, we here at Theatre Nerds took some time to shine a light and recognize those whose behind the scene work has contributed to the game-changer musical. Alongside now Tony Award-winning costume designer Paul Tazewell is assistant costume designer Jennifer Raskopf who was kind enough to speak with us about her journey with the musical.
Raskopf’s love for costume design began at an early age. In elementary school, she loved drawing sketches of clothes and had a strong interest in fashion. And though she also developed a love for theatre, she didn’t combine her two interests together until middle school when she finally discovered the world of costume design. Raskopf took an independent study course in fashion design in high school before receiving her bachelor’s degree in theatre with a dual concentration in performance and design from Suny New Paltz and her MSA from Southern Methodist University in stage design with a concentration in costume design.
But what exactly is an assistant costume designer’s job? Well, as Raskopf explains, their task is much more complex and difficult than one may think. “There are a lot of different jobs that go into costume design depending if it’s [a] contemporary [show], if it’s a period piece, etc.,” she tells Theatre Nerds. “If things are being built (meaning that a costume is created specifically for the production, sewn from scratch rather than assembled from existing pieces). A lot of the time assistants will do this thing called swatching where you go around to all the different fabric stores and look for fabric options that match the color scheme and texture that the costume designer wants. I have often been put in charge of bras and underwear because if you don’t have the right garments underneath the clothes, the clothes are never going to look right. Sometimes the assistants go to fittings or, once the show is running, put-ins. You also have to keep up with continuity during the run of a show. If a new cast member comes in, you will need to go out and get the fabric to make the costume that fits their body.”
“There are a lot of different options that go into something as simple as a shirt,” Raskopf explains, “and the assistants are responsible for bringing the right options into the room so that the designer can look at it all together and decide on what they want.”
photo credit Broadway World
An assistant costume designer’s work is done predominantly before a production is up and running. After that, they are brought in on a call-in basis to assist with certain tasks. “During previews, we are generally there every day and almost every night. Once the show is up and running, we aren’t there every day. It’s a matter of if something rips and needs to be replaced or if an actor is leaving and we need new costumes. A lot of it is handled by the wardrobe department, but a lot if also done by the design team. It’s a really nice collaboration because we have an excellent wardrobe team who handle the maintenance of the show and keep it in a beautiful condition.” In fact, during tech and previews, the design team if often working very long days. Raskopf told us some of the hardships that come with her job. “Depending on the show, it’s a very physically demanding job. In tech, you can work upwards of sixteen hours a day. When I was working on the Shrek tour, I took a pedometer with me and there were times when I was walking ten to sixteen miles shopping, taking things to fittings, and picking things up. It’s a lot of running around and it’s a lot of hustle and it’s a lot of hours. But it’s also the sort of situation where I could never see myself in a job where I’m at a desk all day long. And even at the higher up levels where you’re doing a lot of managing and budget work, you are still doing the leg work and you still have to have that hustle.” Raskopf is incredibly honored to have a part on the marvelous Hamilton team. She describes the experience as a dream, something she wouldn’t trade for the world. “It's fantastic!” she exclaims. “It has been a wonderful experience from start to finish. We have the loveliest team from the producing company to the management. They have all been so wonderful and responsive and supportive of everything that [costume designer Paul Tazewell] wanted to do. I think everyone knows that they are working on something special and no one is taking that for granted which is nice. It’s something that’s brilliant and innovated and it’s an honor to get to work on something like that because they don’t come around that often.”
Raskopf left us with her advice for those aspiring to work in costume design.
“It’s always about if you have that drive. You can like theatre and you can like fashion and you can like a lot of the elements of what we do, but if you’re not willing to sweat and twist your ankle and be carrying forty pounds of shopping bags in the rain, then you’re not going to really make it. It’s about having a desire and a passion for what you do. If there is anything else you can see yourself doing, then you should do that. It’s a really physically grueling job and it’s not like you’re getting a ton of recognition. You aren’t doing it for fame or glory, you’re doing it because it’s the one thing you want to do.”
Follow Jennifer on twitter @IAmJenRa
[post_title] => Dressing A Revolution: Interview With Hamilton's Assistant Costume Designer Jennifer Raskopf
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[post_content] => A recent study that I made up shows that theatre kids might be susceptible to the following side-effects. If you experience any of the following symptoms, please contact your doctor immediately because you might be a theatre kid.
1. You’ve forgotten what the sun looks like
Late rehearsals… enough said.
2. You talk to walls
No one has heard your audition piece more than that wall.
3. You only see your family when they come to your shows
With late nights and early mornings… you’re like a ghost in your own house.
4. Show tunes either excite you or infuriate you
One day you love them, the next day you hate them.
5. Your characters come out in front of other people
Embrace yourself even when others don’t.
6. When you don’t have rehearsal you’re not sure where to go
Having free time is so foreign.
7. School gets in the way of rehearsal
If only you could go to school… and just do rehearsal.
8. Your wardrobe is comprised of only show shirts
Someone else always wears the same show shirt as you to school.
9. You have a natural resentment towards athletes
They might get all the glory, but we know where to find the real talent!
10. You know the proper way to spell “Theatre”
“Theater” refers to a building and “Theatre” refers to an art-form.
11. Limited social life
The only people you are able to hang out with are the people listed in the program with you.
12. You don’t sleep
School + Rehearsal + Homework + Responsibilities + Everyone Else’s Problems = No Sleep
13. You’re broke
You don’t have time for a job and all the fees add up.
14. You keep coming back for more
No matter how much it hurts sometimes… the reward is always worth it!
What are some of the side effects you’ve experienced from being a theatre kid? Leave a reply below...
[post_title] => 14 Side Effects Of Being A Theatre Kid [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 14-side-effects-of-being-a-theatre-kid [to_ping] => [pinged] => [post_modified] => 2017-05-29 11:53:41 [post_modified_gmt] => 2017-05-29 15:53:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3142 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 7 [filter] => raw ) [29] => WP_Post Object ( [ID] => 3263 [post_author] => 391 [post_date] => 2016-07-14 09:59:02 [post_date_gmt] => 2016-07-14 13:59:02 [post_content] => One of the most important steps when mounting a musical is the audition round. To the dismay of some casting directors, it is quite common to hear the same song numerous times over the course of the auditions. Sometimes, out of aggravation for the lack of variety in audition pieces, the director may dismiss an otherwise talented actor. Whole blogs and websites are inundated with “overdone” and “do-not-sing” lists.To help inspire more creative selections for tenors, here are ten overlooked audition songs for the tenor vocal range:
1. “A Bit of Earth” from The Secret Garden.
This ballad’s best-known rendition is by Mandy Patinkin, who performed it while playing “Archibald” in the 1991 Broadway run of The Secret Garden. This beautiful song is perfect for lighter, gentler voices, and is a great substitute for any overdone ballad such as “The Music of the Night” or “Close Every Door.” Range: Db3-Gb4, optional A4 in falsetto. https://www.youtube.com/watch?v=Nj8K-uYdp0g2. “30/90” from tick, tick…BOOM!
The opening number from Jonathan Larson’s pre-Rent show is a thrilling up-tempo rock number that is ideal for any future Adam Pascals or Aaron Tveits of the world. The song tells of a fictional version of Larson and his conflicting feelings about turning 30 years old. Range:E3-A4 https://www.youtube.com/watch?v=gas2yE7AaGU3. “Oh, Is There Not One Maiden Breast” from The Pirates of Penzance.
Although not an actual musical, this Gilbert and Sullivan classic has made its way around the Broadway circles thanks to Joseph Papp’s 1981 Broadway production of it. In this scene “Frederic” an ex-pirate who has just returned to the normal world, begs for a group of maidens to take pity on him. This number is best for more classical sounding tenors. Range: G3-Gb4, optional Bb5. https://www.youtube.com/watch?v=xBWJs9UsWHc4. “Fortune Favors the Brave” from Aida.
Originally based on Verdi’s opera Aida, the musical version by Elton John and Tim Rice is eclectic, borrowing elements from pop, rock, Motown, reggae, and gospel. In this opening tenor solo, “Radames” and his soldiers return to Egypt after a mission through Egypt’s rival Nubia. Range: F3-A4. https://www.youtube.com/watch?v=utjN5X_zc1I5. “Why, God, Why?” from Miss Saigon.
Taken from Boublil and Schönberg’s most famous musical after Les Miserables, this number follows the pop-opera style popular throughout the 1980s and early to mid-90s. For this solo, the character “Chris” is anxious about God’s plan, since Chris is scheduled to leave Vietnam soon, but has just met a young girl named Kim. Range:E3-G4. https://www.youtube.com/watch?v=AGc8hxMVqSg6. “Love Can’t Happen” from Grand Hotel.
With songs written by Robert Wright, Maury Yeston, and George Forrest, Grand Hotel ran on Broadway from 1989 to 1992. This number is performed in the show by the optimistic, yet broke, “Baron Felix von Gaigern.” Like the aforementioned Gilbert and Sullivan number in this list, this solo suits well with a more classical tenor. Range: D#3-A4. https://www.youtube.com/watch?v=jPRuj6TtRKo7. “All Good Gifts” from Godspell.
Stephen Schwartz’s first big hit Godspell premiered Off-Broadway in 1971 before transferring to Broadway in 1976. The soft-rock/Christian ballad “All Good Gifts” is sung by “Lamar,” who explains the meaning behind the Parable of the Sower. This solo is best for younger, more lyrical voices. Range: D3-A4. https://www.youtube.com/watch?v=Nlagfh5eFP48. “I’ll Be There” from The Pirate Queen.
Based on the novel Grania, She-King of the Irish Seas, Boublil and Schönberg’s last Broadway musical The Pirate Queen was a critical failure, but the actors’ performances were praised. In this number, the character “Tiernan” is devastated after his longtime love “Grace” has married another man. Tiernan senses, however, that this is not the end for him and Grace, and vows to remain close to her. The tenor Hadley Fraser created the role of Tiernan in 2006, and is known for his robust, heroic voice. Range: C3-A4. https://www.youtube.com/watch?v=Kj1Vzj9tYXc9. “Alive” from Jekyll and Hyde.
After a Houston world premiere in 1990 and a U.S. tour in 1995, Jekyll and Hyde premiered on Broadway in 1997. This song is a pivotal moment in the show, which sees “Henry Jekyll’s” alter ego “Edward Hyde” manifest. Like certain numbers in Phantom of the Opera, the singer is encouraged to exclaim certain musical phrases rather than sing them to help dramatize much of the song. Range: D3-E4. https://www.youtube.com/watch?v=VzVbFBRnk_s10. “Standing On the Corner” from The Most Happy Fella.
This 1956 Frank Loesser musical has been revived three times on Broadway. While this musical is sometimes called an opera, some Broadway experts have disagreed. This number fits well for tenor versions of crooners in the style of Dean Martin or Bobby Darin. Range: F#3-A4. https://www.youtube.com/watch?v=ap1mwitwPLMYou May Like: 53 Refreshing Audition Songs For Tenors
Have an overlooked tenor song to add to the list, leave a reply below...
[post_title] => 10 Overlooked Audition Songs For Tenors [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-audition-songs-for-tenors [to_ping] => [pinged] => [post_modified] => 2018-10-03 21:44:29 [post_modified_gmt] => 2018-10-04 01:44:29 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3263 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [30] => WP_Post Object ( [ID] => 2955 [post_author] => 12 [post_date] => 2016-07-12 12:14:35 [post_date_gmt] => 2016-07-12 16:14:35 [post_content] =>Tech week is over and it’s game time. Every actor in the cast handles the pressures of opening night differently. Which of these types of actors are you?
1. The Procrastinator
The procrastinator shows up unprepared, hasn’t learned their lines or blocking, but nonetheless creates pure magic on stage. You love to hate them but are secretly envious of their effortless approach.
2. The Superstitious One
The Superstitious actor wears the same underwear three nights in a row, they’d never dream of uttering anything other than a “Merde” or “Break a leg” backstage, and they have a pre-show routine that they’re sticking to no matter how monotonous.
3. The Overly Warmed Up
You’re warmed up and ready to go, yet somehow the Overly Warmed Up actor is still going strong, ‘toy boat, toy boat, toy boat, toy boat, toy boat...’
4. The Inspirational Quote Actor
The inspirational quote actor’s dressing room mirror is plastered with positivity. “I’m great, you’re great, we’re all great!”
5. The Character Geography Obsessed Actor
My character’s birthstone is Amethyst, she was born at 3:45am on a Wednesday, her first word was Pop-Tart, she doesn’t like socks and she loves trees....
6. The Silent Type
The silent type is stoic and reserved. You’ll most likely catch them chugging Throat Coat and sucking on lozenges. Must. Preserve. Vocal. Integrity.
7. The Researcher
The researcher knows everything about the show from the type of undies worn during the time period to what was happening in the news that week. You can catch the researcher scrolling through Wikipedia while waiting in the wings.
8. The Crash Dieter
There’s a crash dieter in every cast. Whether it’s their nerves or body consciousness, they’re bound to give the costume department grief. I
don’t know what happened, I just ate nothing but celery and salsa every day for a week and now my costume is too big!
The Green Room snack table is empty and the stress eater is to blame. He’s the one covered in artificial cheese powder from all those Cheetos.
The music freak has crafted a highly complex playlist that brings out the elaborate emotions of their character’s journey. Don’t try to talk to him, his earbuds aren’t coming out until his first cue.
The Social Media Monster’s way of getting into character is by Tweeting their character’s inner monologue, posting costume selfies and shamelessly self-promoting. Hey, somebody’s got to get butts in the seats.
The partier’s idea of preparation is a birdbath-size of tequila to take the edge off.
Tai chi, meditation, yoga, you name it. The Buddha is serious about getting seriously Zen before that curtain goes up.
The Jumper jumps around backstage, mindlessly hoping up and down before each entrance. This appears to be all the prep work needed for them.
There’s no wrong way to prepare as long as it works for you. (Okay, maybe don’t drink the birdbath-sized cocktail until after the show.)
[post_title] => 16 Pre-Show Preparation Personalities: Which One Are You?
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[post_content] => 9. The Stress Eater
The Green Room snack table is empty and the stress eater is to blame. He’s the one covered in artificial cheese powder from all those Cheetos.
10.The Music Freak
The music freak has crafted a highly complex playlist that brings out the elaborate emotions of their character’s journey. Don’t try to talk to him, his earbuds aren’t coming out until his first cue.
11.The Social Media Monster
The Social Media Monster’s way of getting into character is by Tweeting their character’s inner monologue, posting costume selfies and shamelessly self-promoting. Hey, somebody’s got to get butts in the seats.
12.The Partier
The partier’s idea of preparation is a birdbath-size of tequila to take the edge off.
13.The Buddha
Tai chi, meditation, yoga, you name it. The Buddha is serious about getting seriously Zen before that curtain goes up.
14.The Jumper
The Jumper jumps around backstage, mindlessly hoping up and down before each entrance. This appears to be all the prep work needed for them.
15.The Pacer
Much like the jumper only with pacing.
16.The Overly Caffeinated
The overly caffeinated actor warms up with a pot of Joe. He may be twitchy but he’s ready to let loose once he hits the spotlight!
There’s no wrong way to prepare as long as it works for you. (Okay, maybe don’t drink the birdbath-sized cocktail until after the show.)
Did we miss one? List your prep persona below!
Hey Actors! Here’s what you should be doing this summer to stay on top of your game!
1. Practice Meditation.
Tons of actors use regular meditation as a way to up their presence and groundedness on stage. Get in the game by checking out YouTube for some guided videos. Daily practice will help keep you balanced (on and off the stage) when school starts again in the fall. Tip: HeadSpace is a great meditation app for your smart phone2. Read at least a play a week!
By the end of the summer you’ll have tons of new plays under your belt and a STRONG monologue game. It’s also the time that you can fill in any...um…”gaps” in your repertoire.*cough* anyone else who has never read Death of a Salesman *cough* Tip: Need more ideas? Here's 5 Classic Plays All Thespians Should Read3. See more theatre.
Shakespeare in the Park, Summer Stock...find some “pay what you can” nights and have a ball!! Mastering a craft is a combination of practice and observation. The summer is the perfect time to hone in on the “observational” part. See theatre, watch movies, get inspired! And don’t forget-it’s just as valuable to see theatre you hate as it is to see theatre you love. Really try to be a good student and get in touch with why you didn’t like a performance.4. Don't forget what you've learned (Aka PRACTICE!).
You know those voice exercises that your teacher said you should be doing every day? But then homework and tests and sleep happens…? The summer is prime time to really give attention to those stretches, throat openers, posture exercises, and all that fun stuff. Come back to school even better! Not rusty!5. Have diverse experiences.
Remember: interesting, well-rounded, experienced people make interesting, well-rounded, experienced actors! Go have some fun! Try new things, go on a road trip, take a totally random class on something not theatre-y. I remember the last day of freshman year, my acting professor said “This summer, go kiss some boys or something!” The summer is the time to have fun! Gather an arsenal of kick-ass experiences for you to draw upon when scene study class comes back around.6. Do theatre.
This may seem like a no-brainer, but the best way to stay sharp is to keep performing. It doesn't matter where. It could be a community theatre, children's theatre, camp, or a one man (or woman) show in your parents living room; just perform. The more you perform the more confident and comfortable you will feel on stage.Have something to add to the list? Leave a reply below...
[post_title] => How Theatre Kids Can Stay Sharp During Summer Vacation [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => how-theatre-kids-can-stay-sharp-during-summer [to_ping] => [pinged] => [post_modified] => 2017-06-28 08:26:11 [post_modified_gmt] => 2017-06-28 12:26:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3189 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [32] => WP_Post Object ( [ID] => 3173 [post_author] => 1 [post_date] => 2016-07-07 10:44:57 [post_date_gmt] => 2016-07-07 14:44:57 [post_content] => “Congratulations! You’ve been cast!”... And so it begins. The moment you read those magical words in an email, hear them in a phone call, or see your name in metaphorical lights on that long-awaited cast list. You know that you are about to start your next thrilling theatre adventure!Before that adventure begins however, every theatre nerd ‘round the world most definitely experiences these 8 things:
Before: The anticipation…
“I don’t even care if I’m cast or not but I WISH THEY WOULD JUST TELL ME ALREADY!” That seemingly eternal wait to find out if you’ve been cast is the worst kind of tedious purgatory an actor could imagine. A day feels like a week, two days-- a month, three days-- you don’t even know because you’ve gone crazy with anticipation.
2. You get super excited.
It doesn’t matter if you’ve been cast as the titular role or you’ve been cast as Background Tree #3-- The director saw something they liked and chose you! You’re in a show, and this calls for celebration! Say goodbye to the residual post-show-depression from the last show you were in because you have a new show to get excited about! Some joyful dancing around the room is definitely in order!
3. You tell everyone.
Time to alert the presses! You post that shameless self-promotional “I’m so excited to be cast as *insert role* in *insert show*!” status and you invite everyone you know to the Facebook event.
4. You clear your schedule.
You’re ready to dive head-first into this show! You know “I can’t, I have rehearsal” will become your motto for a while, and you’re totally okay with that.
5. You get a little obsessed with the show.
If you have the script already, you’ve probably already read it at least twice before the show begins. If the show is a musical, you’re definitely playing the Broadway Original Cast Album and any revival album on repeat. There’s a movie? Netflix here you come! And of course you’re all over YouTube looking for inspiration. You have important research to do!
6. You scope out the cast on social media.
Don’t lie, you know we all do it. If you don’t know your fellow cast members already, you are definitely spending more time than you should scrolling through their Facebooks and Instagrams (with nimble fingers so you don’t accidentally like something they posted a year ago).
7. You get a little nervous.
You have such high hopes for this show that you start to wonder if you’re setting your expectations too high. You start to think...“What if the director regrets casting me?”, “What if I don’t get along with the cast?”, “What if this role is my downfall as an actor, everyone hates me and nobody ever wants to cast me again?” You know you’re overreacting, but you can’t help but wonder...
8. But you can't wait to get working.
The next month or so of your life will be filled with new people, new experiences, and giving everything you’ve got to creating some amazing live theatre-- How much better does it get?! You’re counting down the days until your rehearsals begin because you just know that you are in for a great time and a great show! Isn’t theatre the best?
Post by TN Contributor Rachel Brudner
What are your reactions after being cast in a show? Leave a reply below...
[post_title] => 8 Things You Definitely Do When You Get Cast In A Show [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 8-things-you-definitely-do-when-cast-in-show [to_ping] => [pinged] => [post_modified] => 2016-08-06 20:59:15 [post_modified_gmt] => 2016-08-07 00:59:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3173 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [33] => WP_Post Object ( [ID] => 3049 [post_author] => 12 [post_date] => 2016-07-05 13:46:38 [post_date_gmt] => 2016-07-05 17:46:38 [post_content] =>
The discussion of on-stage Nudity never disappoints to flare emotions. There are those who think it enhances realism in a production; conversely, there are those that believe it pulls the spectator out of the world of the play and brings them crashing back down to reality. Even our beloved teachers and performers can’t seem to agree on the subject...
Uta Hagen: "Nudity isn't useful, or realistic. When I see a nude scene, I don't think about the character or the play. I think, 'Aren't her nipples big?' not the character's, the actress's."
Alexandre Pavloff: “We used to hide our bodies but they are a part of us and we cannot exclude them from art. ... As we reveal our bodies, we reveal our souls.”
Shelley Winters: “I think on-stage nudity is disgusting, shameful and damaging to all things American. But if I were 22 with a great body, it would be artistic, tasteful, patriotic, and a progressive religious experience.”
While some actors may never consider disrobing on stage, others may be all too hasty to undress. Before taking it all off, here's 6 things to "bare" in mind...
1. Am I comfortable enough to be nude in front of an audience of strangers?
Perhaps nudity in front of your fellow thespians doesn’t unhinge you, but how will you feel opening night when your neighbor or your first-grade teacher is in the front row? How about hundreds of strangers? If you are comfortable enough to bear all in front of the general public then maybe you’re ready to disrobe during that Hairspray number.2. Does the script actually call for it?
It’s unfortunate but it happens, sometimes directors want to spice up a production by adding nudity that doesn’t belong. Promoting a show that has nudity might get more butts in the seats, heck; it might even bump up the ticket price. So ask yourself if you’re okay with nudity for the sake of ticket sales.3. Is it pertinent to the story line?
Often nudity is written into the storyline and to remove it would be a disservice to the production. Without nudity, would the poignancy of Mrs. Kendall baring her breasts to John Merrick be lost? Or would the imagery be sacrificed if Alan Strang didn’t ride his horse bareback and buck-naked? This is really the director’s call; so make sure you know their point of view before signing up.4. Does the director make you feel safe?
Ask yourself if you feel comfortable with the cast and crew and their professionalism. Did you get any funny feelings during the audition process? Were things run in a professional manner? Did the director do everything they could to make you feel safe and respected? If anything struck you as odd or rubbed you the wrong way at the very start you may be on your way down a very bumpy road.
5. Is this a professional production that will be running things by Equity standards?
There are contracts put into place for this very reason to protect your safety. If it’s not Equity ask how things will be regulated. Will there be someone there to make sure the wings are empty of actors/crew not necessary to that scene? What about photography? Ask questions!6. Are you comfortable having a nude role on your résumé?
Unlike film and television, theatre is a live experience that unless recorded, will probably not live on forever. Because of this, it may not follow you around. That said, if you find yourself being asked to do more nudity in plays that don’t need it simply because you’ve done it before, be sure to put your foot down and set those boundaries so that you’re not taken advantage of. There are many types of actors in this world and nudity may be for some and not for others; it doesn’t dictate success or failure. Turning down a role because it requires your birthday suit most likely won’t alter the course of your career. Actors turn down roles during their careers for various reasons- but when you are young and eager it may feel like the hardest thing to do- especially when all you want is to work. The work will come. Don’t compromise yourself for a role that your heart isn’t in. Remember that there is a lot of power in the word ‘no.’ Nevertheless, if you decide to go for it and play a nude role do it in a way that works for you- talk with the director about your comfort level, know your boundaries and define them early on. Choosing to do a role with nudity can be exceptionally liberating. It may even drastically alter your performance, and bring a rawness to your acting you’ve not yet felt before. Perhaps you’ll decide to embrace the nude role because it creates discomfort and that’s a challenge you’re ready to welcome. In summation, it’s up to you the individual. It’s not your agent’s, your parent’s or your partner’s decision. Look inside yourself to see if it’s something that feels right for you~However, like so many others, the experience of actually seeing a Broadway show for the first time is one I’ll never forget — here’s why:
The City
New York City is a wonder to behold for any theater-obsessed Broadway newbie. There’s something so thrilling about wandering around the gritty, noisy streets of Time Square and gazing up at the dazzling marquees boasting the names of the shows and actors you’ve only been able to enjoy through your headphones and computer screen. Of course, all this exploring will fill you with an insatiable desire to dish out cash to see every single one of them, but knowing there’s a ticket tucked in your pocket that will let you experience at least one is enough — for now.
The Anticipation
Whether you’re in the front row of the orchestra or tucked all the way in the nosebleed seats, those seemingly miserable minutes spent mentally begging the lights to dim are actually some of the most memorable. These minutes are best spent thumbing through your Playbill program to see the names you recognize, running your finger down the list of songs, and devouring all the credits and notes from the director. The waiting is tough but absolutely worth it.
The Music
From the moment the first note of your first Broadway musical is played, it’s very clear that this is not your high school pit orchestra. Even if you know every note by heart, it somehow feels like you’re really hearing it for the first time. The slight nuances and subtle changes from the album you know and love — an unexpected riff, an ambitious option-up, a reprise not featured on the album — is enough to take you aback and make you fall in love all over again.
The Show
Beyond the overwhelming music, sets, and lights, there’s something amazing about putting all those little puzzle pieces of a show together and finally seeing it as a cohesive production. Small asides finally make sense, musical shifts are accompanied by complementary lights, and a piece of information is revealed that changes the entire way you see the show. I didn’t know I could still be shocked until I saw “Wicked Witch of the East” performed for the first time and my entire perception shifted.
The Stars
It wouldn’t be a Broadway show without a triple-threat onstage completely knocking your socks off. No matter if you’re watching a superstar you’ve followed for years or someone just getting their big break, Broadway shows have some of the most talented people strutting their stuff — and your first one sets the stage for all others to follow.
The Swag
It’s nearly impossible to leave your first Broadway show without making one (or two) pit stops at the souvenir stands in the lobby. After all, when’s the next time you can drop all your savings on musical-themed sweatshirts, jewelry, sheet music, mugs or posters? This first show is the start of your bedroom inevitably turning into a show tune shrine.
The Memories
Even though most shows run less than three hours, they leave memories that last. I might not exactly remember every note or line, but I certainly remember the feeling in my chest when the orchestra first launched into “No One Mourns the Wicked” or the fact that I spent all of intermission embarrassingly sobbing to myself after “Defy Gravity.” In the end, that’s what theater is all about — how it makes you feel, how it becomes a part of you.
For any Broadway nerd, your first show can be mind-boggling, emotional and worth every penny. And, if you’re lucky, that first one will set the stage for a lifelong love of theater and encourage you to attend your second, your third — and so on and so forth.
What are your favorite memories of your first Broadway Show? Leave a reply below...
[post_title] => Why You'll Never Forget Your First Broadway Musical [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => youll-never-forget-first-broadway-musical [to_ping] => [pinged] => [post_modified] => 2016-07-01 12:47:05 [post_modified_gmt] => 2016-07-01 16:47:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3091 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 13 [filter] => raw ) ) [post_count] => 36 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 4210 [post_author] => 1 [post_date] => 2016-09-09 14:10:44 [post_date_gmt] => 2016-09-09 18:10:44 [post_content] => We polled the Theatre Nerds Facebook group to see what their favorite Broadway Cast Recordings of ALL-TIME were. Receiving over 600 responses, we decided to count the votes and publish the the top 20. Note: We included West End productions, Original Off-Broadway recordings, & anniversary concerts.1. The Phantom Of The Opera - Canadian Cast Recording
Release Date: November 26, 2002 Votes: 92 Theatre Nerds Listen on Spotify2. Hamilton - Original Broadway Cast
Release Date: September 25, 2015
Votes: 86 Theatre Nerds
Listen on Spotify
3. Wicked - Original Broadway Cast
Release Date: December 16, 2003
Votes: 74 Theatre Nerds
Listen on Spotify
4. The Phantom of the Opera at the Royal Albert Hall: In Celebration of 25 Years
Release Date: February 7, 2012
Votes: 68 Theatre Nerds
Listen on Spotify
5. Les Miserables - Original London Cast
Release Date: 1985
Votes: 61 Theatre Nerds
Listen on Spotify
6. The Secret Garden - Original Broadway Cast
Release Date: December 10, 1991
Votes: 57 Theatre Nerds
Listen on Spotify
7. Into The Woods - Original Broadway Cast
Release Date: January 19, 1988
Votes: 53 Theatre Nerds
Listen on Spotify
8. Matilda - Original London Cast
Release Date: October 22, 2013
Votes: 49 Theatre Nerds
Listen on Spotify
9. Rent - Original Broadway Cast
Release Date: August 27, 1996
Votes: 47 Theatre Nerds
Listen on Spotify
10. Next To Normal - Original Broadway Cast
Release Date: May 12, 2009
Votes: 42 Theatre Nerds
Listen on Spotify
11. Avenue Q - Original Broadway Cast
Release Date: October 7, 2003
Votes: 38 Theatre Nerds
Listen on Spotify
12. Spring Awakening - Original Broadway Cast
Release Date: December 12, 2006
Votes: 37 Theatre Nerds
Listen on Spotify
13. Fiddler on the Roof - Original Broadway Cast
Release Date: 1964
Votes: 33
Listen on Spotify
14. Legally Blonde - Original Broadway Cast
Release Date: July 17, 2007
Votes: 28
Listen on Spotify
15. Follies - Original Broadway Cast
Release Date: 1971
Votes: 26
Listen on Spotify
16. Les Miserables - 10th Anniversary Concert
Release Date: May 11, 2004
Votes: 23
Listen on Spotify
17. Little Shop of Horrors - Original Off-Broadway Cast
Release Date: 1982
Votes: 20
Listen on Spotify
18. Hairspray - Original Broadway Cast
Release Date: August 13, 2002
Votes: 19
Listen on Spotify
19. Newsies - Original Broadway Cast
Release Date: May 15, 2012
Votes: 17
Listen on Spotify
20. Waitress - Original Broadway Cast
Release date: July 8, 2016
Votes: 16
Listen on Spotify
Have one you think we missed from the list? Leave a reply below...
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