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You've been dying to get back in the theatre after a "severe" 3 week break from the last show. New auditions are announced, which means it's game time.
Korin credits – in addition to “Hamilton” include “Misery,” “Annie,” and “Motown.” His design for Hamilton provides a perfect example of the set growing along with the story. When the curtain rises on act two of the show, the incomplete brick wall that served as the backdrop to the production has grown. New bricks have been laid on the old in a communication of progress though it is subtle. Over the course of the musical, spare chairs give way to more richly detailed Federal-style ones, suggesting the passage of time and the growth of fortunes. These subtle changes make a real, subconscious impression on you as an audience member even if they are not consciously observed.
Set design takes months of intensive labor. Set designers work in collaboration with a lighting designer, tech director, prop master and set shop, all of whose contributions are essential to bring the show to life. But they also have to logistically gather materials and work out how to build, store and transport these pieces. Most of the time the set is built in a shop at a separate location, crafted until every piece is right and then taken apart and brought into the performance space where it is reassembled. The set is then used and abused and largely ignored by the audience until the run ends and the hard work is broken down.
In true Carrie form, I couldn’t help but wonder why, in spite of that fact that this art form, in particular, is so time-consuming and yet so ephemeral, is it worth it to the designer to pour their heart and soul and time into it?
I have tried to put into words my thoughts but Ms. Sherie Rene Scott said it best,
"That's the scary thing about theater—it doesn't live on. But that's actually the most beautiful thing about it, too. That's why it's more beautiful than film and certainly more beautiful than television because it's like life. Real life. Any picture that you take or any video that you make of yourself is not really you, it's only an image that represents the experience you had. In theater, the process of it is the experience. Everyone goes through the process, and everyone has the experience together. It doesn't last—only in people's memories and in their hearts. That's the beauty and sadness of it. But that's life—beauty and the sadness. And that is why theater is life."
[post_title] => 10 Stages Of Trying To Memorize The Hamilton Album
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[post_content] => Most people know what slapstick is. When we think of physical comedy, we may think of TV classics such as the pratfalls of Charlie Chaplin or Chevy Chase, the slap-fights of The Three Stooges, or the exaggerated facial reactions of Lucille Ball and Carol Burnett. Using physicality to sell the joke, however, goes all the way back to Commedia dell’Arte in about 1550, when Italian troupes literally cataloged and numbered the funny “bits” (tropes) that could be used over and over, without fail, to produce a laugh. The site Laugh Button identifies some of humanity’s favorite slapstick as shticks like “the fall, the slip, the trip, the collide and the double take.” Commedia dell’Arte is shortened from a name which means “the comedy of the craft of comedic improvisation.” Our famous performers today are still practicing this art!
Modern movies, Broadway shows, TV and youtube shorts frequently use the same reliable comedic routines as those Renaissance Italians, and we’re still laughing--hard. Think of current comedy masters like James Cordon, Melissa McCarthy, Jimmy Fallon, Tina Fey, Amy Poehler, Zach Galifianakis, Jim Carey, Conan O’Brien—they are all masters of what boils down to the Commedia dell’Arte playbook. The comedic actors of Commedia were usually trickster servants called Zanni, from which we get the English word “zany.” The Zanni over time were broken down and divided into various subtypes, like the famous Harlequin that goes back as far as the 14th Century. These masterful performers would have a hundred stock physical joke scenarios memorized so that they could plug them into a scene improvisationally.
The stock jokes, or gags, were called lazzi (pronounced ˈlɑ-tsi) which is the plural of “lazzo,” meaning “joke or witticism.” Mel Gordon’s book, Lazzi: The Comic Routines of the Commedia dell’Arte, categorizes 250 routines from 1550-1750, many of which survive today, some in modified forms. For example, the “Running around the Balcony Lazzo” is just as you’d imagine, and you can see this timeless joke in the Disney ride Pirates of the Caribbean where the pirates are chasing women around the town, but in the next balcony, a large threatening woman has turned the tables and is chasing a pirate around her house with a broom. Some other predictable lazzi are “The Chair” being pulled out from under someone or breaking under them; The Laughter and Tears Lazzo where hilarious laughing turns into crying mid-scene; and the Lazzo of the Foreign Language, where a character is forced to pretend to know another language and makes up gibberish in the style of that language they don’t know, while another character translates the language. This last one is the central comedic situation driving the plot of the famous play The Foreigner, by Larry Shue.
In addition, The Routledge Companion to Commedia dell'Arte, 2014, is a full-sized university text covering a thorough grounding in the subject by Judith Chaffee and Olly Crick. “From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr. Punch.”
[post_title] => Make ‘Em Laugh: Tracing Modern Physical Comedy Back To Commedia dell’arte
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[post_title] => Which Iconic Broadway Star Are You?
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[post_content] => From Eponine to Elphaba, contemporary musical theatre offers a wide range of thrilling mezzo/belt roles in to choose from. Songs such as “On My Own” and “Defying Gravity” continue to thrill audiences around the world. However, while these songs (and similar ones) are popular showcase pieces, casting directors are getting tired of hearing them at audition rounds. In fact, it is not uncommon for actors to be dismissed from auditions simply for choosing an overused song. Plus, and I hate to rain on your parade here...but it can be hard to stand out from the rest of the mezzo crowd if you are singing the same song as everyone else, no matter how powerful your belt is.
Late rehearsals… enough said.
No one has heard your audition piece more than that wall.
With late nights and early mornings… you’re like a ghost in your own house.
One day you love them, the next day you hate them.
Embrace yourself even when others don’t.
Having free time is so foreign.
If only you could go to school… and just do rehearsal.
Someone else always wears the same show shirt as you to school.
They might get all the glory, but we know where to find the real talent!
“Theater” refers to a building and “Theatre” refers to an art-form.
The only people you are able to hang out with are the people listed in the program with you.
School + Rehearsal + Homework + Responsibilities + Everyone Else’s Problems = No Sleep
You don’t have time for a job and all the fees add up.
No matter how much it hurts sometimes… the reward is always worth it!
The procrastinator shows up unprepared, hasn’t learned their lines or blocking, but nonetheless creates pure magic on stage. You love to hate them but are secretly envious of their effortless approach.
The Superstitious actor wears the same underwear three nights in a row, they’d never dream of uttering anything other than a “Merde” or “Break a leg” backstage, and they have a pre-show routine that they’re sticking to no matter how monotonous.
You’re warmed up and ready to go, yet somehow the Overly Warmed Up actor is still going strong, ‘toy boat, toy boat, toy boat, toy boat, toy boat...’
The inspirational quote actor’s dressing room mirror is plastered with positivity. “I’m great, you’re great, we’re all great!”
My character’s birthstone is Amethyst, she was born at 3:45am on a Wednesday, her first word was Pop-Tart, she doesn’t like socks and she loves trees....
The silent type is stoic and reserved. You’ll most likely catch them chugging Throat Coat and sucking on lozenges. Must. Preserve. Vocal. Integrity.
The researcher knows everything about the show from the type of undies worn during the time period to what was happening in the news that week. You can catch the researcher scrolling through Wikipedia while waiting in the wings.
There’s a crash dieter in every cast. Whether it’s their nerves or body consciousness, they’re bound to give the costume department grief. I
“I don’t even care if I’m cast or not but I WISH THEY WOULD JUST TELL ME ALREADY!” That seemingly eternal wait to find out if you’ve been cast is the worst kind of tedious purgatory an actor could imagine. A day feels like a week, two days-- a month, three days-- you don’t even know because you’ve gone crazy with anticipation.
It doesn’t matter if you’ve been cast as the titular role or you’ve been cast as Background Tree #3-- The director saw something they liked and chose you! You’re in a show, and this calls for celebration! Say goodbye to the residual post-show-depression from the last show you were in because you have a new show to get excited about! Some joyful dancing around the room is definitely in order!
Time to alert the presses! You post that shameless self-promotional “I’m so excited to be cast as *insert role* in *insert show*!” status and you invite everyone you know to the Facebook event.
You’re ready to dive head-first into this show! You know “I can’t, I have rehearsal” will become your motto for a while, and you’re totally okay with that.
If you have the script already, you’ve probably already read it at least twice before the show begins. If the show is a musical, you’re definitely playing the Broadway Original Cast Album and any revival album on repeat. There’s a movie? Netflix here you come! And of course you’re all over YouTube looking for inspiration. You have important research to do!
Don’t lie, you know we all do it. If you don’t know your fellow cast members already, you are definitely spending more time than you should scrolling through their Facebooks and Instagrams (with nimble fingers so you don’t accidentally like something they posted a year ago).
You have such high hopes for this show that you start to wonder if you’re setting your expectations too high. You start to think...“What if the director regrets casting me?”, “What if I don’t get along with the cast?”, “What if this role is my downfall as an actor, everyone hates me and nobody ever wants to cast me again?” You know you’re overreacting, but you can’t help but wonder...
The next month or so of your life will be filled with new people, new experiences, and giving everything you’ve got to creating some amazing live theatre-- How much better does it get?! You’re counting down the days until your rehearsals begin because you just know that you are in for a great time and a great show! Isn’t theatre the best?
Post by TN Contributor Rachel Brudner
New York City is a wonder to behold for any theater-obsessed Broadway newbie. There’s something so thrilling about wandering around the gritty, noisy streets of Time Square and gazing up at the dazzling marquees boasting the names of the shows and actors you’ve only been able to enjoy through your headphones and computer screen. Of course, all this exploring will fill you with an insatiable desire to dish out cash to see every single one of them, but knowing there’s a ticket tucked in your pocket that will let you experience at least one is enough — for now.
Whether you’re in the front row of the orchestra or tucked all the way in the nosebleed seats, those seemingly miserable minutes spent mentally begging the lights to dim are actually some of the most memorable. These minutes are best spent thumbing through your Playbill program to see the names you recognize, running your finger down the list of songs, and devouring all the credits and notes from the director. The waiting is tough but absolutely worth it.
From the moment the first note of your first Broadway musical is played, it’s very clear that this is not your high school pit orchestra. Even if you know every note by heart, it somehow feels like you’re really hearing it for the first time. The slight nuances and subtle changes from the album you know and love — an unexpected riff, an ambitious option-up, a reprise not featured on the album — is enough to take you aback and make you fall in love all over again.
Beyond the overwhelming music, sets, and lights, there’s something amazing about putting all those little puzzle pieces of a show together and finally seeing it as a cohesive production. Small asides finally make sense, musical shifts are accompanied by complementary lights, and a piece of information is revealed that changes the entire way you see the show. I didn’t know I could still be shocked until I saw “Wicked Witch of the East” performed for the first time and my entire perception shifted.
It wouldn’t be a Broadway show without a triple-threat onstage completely knocking your socks off. No matter if you’re watching a superstar you’ve followed for years or someone just getting their big break, Broadway shows have some of the most talented people strutting their stuff — and your first one sets the stage for all others to follow.
It’s nearly impossible to leave your first Broadway show without making one (or two) pit stops at the souvenir stands in the lobby. After all, when’s the next time you can drop all your savings on musical-themed sweatshirts, jewelry, sheet music, mugs or posters? This first show is the start of your bedroom inevitably turning into a show tune shrine.
Even though most shows run less than three hours, they leave memories that last. I might not exactly remember every note or line, but I certainly remember the feeling in my chest when the orchestra first launched into “No One Mourns the Wicked” or the fact that I spent all of intermission embarrassingly sobbing to myself after “Defy Gravity.” In the end, that’s what theater is all about — how it makes you feel, how it becomes a part of you.
For any Broadway nerd, your first show can be mind-boggling, emotional and worth every penny. And, if you’re lucky, that first one will set the stage for a lifelong love of theater and encourage you to attend your second, your third — and so on and so forth.
It can be a gamble when composers flock to the stage from other genres. In the case of “Waitress”, the Sara Bareilles-coined musical, it was match made (or should we say “mixed”) in heaven! Nominated for four Tony Awards this season, “Waitress” is a cast recording that’s perfect for both sob sessions and car jamming. Bareilles’ “pop soul” style lends itself to the stage in a deliciously artful way. You need to add this one to your playlist, like, now.
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While we’re totally advocates for listening to “Hamilton” 4,000 times a day, we’re going to supply you with another great rap musical: “In the Heights” (Yes, it’s also by our king, Lin-Manuel Miranda). Though it shares notes of rap in common, the show is radically different than Miranda’s latest hit. This musical also combines hip hop and Latin-inspired song. It’s perfect for when you need a good beat.
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Triple-threat (composer/lyricist/playwright) Jason Robert Brown is no stranger to shattering traditional Broadway stereotypes. His critically-acclaimed show, “The Last 5 Years”, dives into the relationship between an average husband and wife. The twist? One is telling their story from beginning-to-end while the other tells their story from end-to-beginning. The music is jam-packed with witty, modern, all-too-relatable duets that are so good you won’t know how to stop listening.
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Fans of punk rock will have a field day with this one. Set to the music of Green Day, “American Idiot” includes familiar tunes such as “Wake Me Up When September Ends”, “Holiday” and “Boulevard of Broken Dreams”. Whether you’re a feeling a little angsty or simply in the mood to ditch Rodgers and Hammerstein for something a little more... hardcore, “American Idiot” is always a great choice.
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This season’s Tony-nominated “Bright Star” brings bluegrass to Broadway. Is there anything better? Created by Steve Martin (yes, that Steve Martin!) and Edie Brickell, this show covers themes of love, loss, regret and hope. These Country-inspired, banjo-clad tunes are your next obsession if you’re into bands like “Mumford and Sons”.
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Everyone needs a good cry. At least do it to some Jason Robert Brown music. Brown’s adaptation of the film our moms love to watch is strikingly beautiful. It’s full of slow, soulful ballads that are unlike any other show to take the stage. Add the vocals of Kelli O'Hara and Steven Pasquale and what more could you need? You’ll certainly dig this one if you’re in a melancholy mood.
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This show combines rock and roll with power ballads that you’ll be singing to for days. Looking for music to dance around you house to while you belt at the top of your lungs? Let Neil Patrick Harris help you channel your inner Hedwig!
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With a simple love story at its core, “Once” proves that less is often more. Its small-scale orchestra mirrors live music that you might find in a cozy Irish pub. It’s folk-y style, encompassing the perfect amount of guitar and violin, makes this the perfect soundtrack to studying, strolling or spending time with someone you love.
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What to do: They may ask you to put your hands on their “womb space” while they focus on some grounding breaths. Do not. I repeat DO NOT engage. Also, three words for you: Noise. Cancelling. Headphones. Pop those suckers in your ears, enjoy a meditative space and focus on your own (hopefully less intrusive) warm ups.
What to do: Trust that you’ve done your homework. Your choices and unique energy will differentiate you from the crowd. If anything, take it as a reminder that you need to bring your own essence into the character. Yes my friends, as cliche as it sounds, always be yourself.
What to do: Similar to Doppelganger. Trust that your take will be enough to differentiate yourself. Also, it might be worth an emergency revisiting of your tool kit. Experiment with “Playing Opposites” (aka, making choices for your character that are opposite of expected...like playing with having the character laugh after your being told that their mom died,r whispering when the script says “scream”). Chances are, Mr. Doppelganger is making obvious, boring choices. Do not be like Mr. Doppelganger, be the opposite
What to do: Don’t indulge them. Also don’t let yourself catch their crummy energy. Get as far away as you can (while still being able to hear if they call you. Obvs.) Maybe do some meditating or listen to a song that gets you in the zone.
What to do: They may have a fancier resume but y’all are still here at the same audition. The playing field is level. Just get in there, do the work, and peace out, girl scout
What to do: Say something along the lines of “You know, I think I’m up soon. So I don’t think we’d have time.” Do not let someone’s lack of preparation distract you from your own warm up time. You’re not being mean, you’re being smart. You’re here because you are ready to work your butt off and book the role. This person, however, is not. Running lines with someone who is prepared and ready can be stimulating and full of discoveries. Running lines with someone just to help them get the lines right is doing nothing but costing you time and energy. Sidenote: this actually happened to me at college auditions. Dude...you knew this day was coming for like months.
Whether it’s Shakespeare, Simon, Sophocles, or Sorkin. Whether you just graduated grade school or Yale University. If you don’t have your lines memorized, your fellow actors will have (to quote the aforementioned Billy Shakes) “no more faith in thee than in a stewed prune.”
Having a friend or fellow cast member with you can keep you accountable, I mean who doesn't want to look good in front of their peers. Even better, invite your scene partner to go through lines with you. Not only will this help you get off book, but odds are you will get comfortable with each other during the process. This will reap further rewards when it's time to perform together on stage.
*Just make sure the friend is someone you know will help keep you accountable, not the one who just wants to talk about last nights GoT.
I have nothing against D.M. Larson or Kellie Powell, but I have all their monologues memorized now. Time to read some more plays, people!
You just came up with that monologue on the spot? I had no idea…
Please don’t look me in the eyes while you perform a monologue about “me” attacking you.
Your monologue was hilarious, but I don’t think Hamlet is supposed to be funny…
You would think people would censor themselves with teachers in the room… alas… they do not.
I’m starting to think this monologue is about short-term memory loss. If it is… brilliant.
This one is only unfortunate because the seniors are going to whine that they were beat out by a freshman.
The senioritis is strong with this one… so I’m giving your part to a freshman.
You can act and sing too?! Great, now who’s going to build the set?
You’re so sick that you weren’t at school today, but theatre is life, so… wipe your nose and try not to cough on the directors.
At any moment these students think a shark will appear and eat them whole. (I have yet to see this shark).
Thank you for signing up last too… I was hoping to wait around for no one.
I really want to cast you… unfortunately the only character you can play doesn’t really fit in this show.
Must every original monologue be a dark and depressing window into your inner-thoughts?
Remember, you’re allowed to act and sing simultaneously!
Don’t worry, we’ll put you in the back.
I can’t cast you when you’re failing everything except Theatre and Choir.
The Annoying Talent is very talented… there’s no doubt, but you kind of hate them for it. Everything comes naturally to them and it seems like they don’t have to work as hard as everybody else. They can do no wrong.
The Tech Guru can do anything… seriously. We’re not certain when they had time to learn all the stuff they know. If you turn your back for one second, they have the set built. Let’s be honest, the theater belongs to them.
The Hidden Talent is the quiet person at the back of room who never says anything until they perform… and when they perform… everyone’s jaw drops. Where did that come from? Then they’re back to their shy ways.
The Athlete thought it would always be fun to try acting. They’re not bad either! By the end of the show they’ll say, “I wish I would have done theatre sooner.” It’s always fun having half the football team in the audience because you cast the wide receiver.
The Drama is the reason we call it the “Drama Department.” When they’re not spreading rumors on Twitter and Facebook… you might hear common phrases like “She said,” “He said,” and “Let them say it to my face.”
The Overachiever does everything in theatre. If ever you can’t find them… check the theatre. You often hear them joking that they should just sleep at the school… because they’re always there. The department wouldn’t function without them!
The Absent is the person who you know is in the show, but you don’t usually see them until show night. They give a whole new meaning to “Empty chairs at empty tables.” They always seem to have other commitments… allegedly.
The Critic cannot be pleased. No one is ever good enough for their taste. They always have an opinion (welcomed or unwelcomed).
The Awkward is exactly what you think. Every theatre department has that one awkward kid who is too awkward to be in a show… until you finally see them in a perfect role and then you must see them in every show! There is something mesmerizing about all that awkward!
The Misunderstood is very misunderstood. They prove how misunderstood they are by wearing elaborate makeup and clothing that you’re pretty certain they stole from the costume closet.
The Guitar Player has a guitar. The guitar player has hair that dramatically falls into their eyes. The Guitar Player has a small following of underclassmen who have never heard such genuine and honest music.
The Jokester is hilarious. They always make you laugh… even when you probably shouldn’t be laughing. They’re a child at heart and probably will be for the rest of their life.
To command a stage, and deliver your lines or actions takes guts. The more we practice those skills, the more confident we become in trying new things, taking risks, and gaining personal confidence on the other stages in our lives. This kind of confidence definitely carries over into work, home, school, & anywhere we need to step out of our comfort zone or “perform.”
Being able to approach a problem from a different angle, or with unique abilities is truly a life skill. Thinking on your feet. Asking questions. Taking notes, adapting movement, adjusting inflection, and trying everything again in a fresh way makes us more creative when we’re tackling other areas in life. It makes us limber mentally and emotionally, and gives us options onstage and off.
Much of theatre revolves around the script, choices on stage, character motivations, and human interactions. We delve into the human condition and strive to understand others through their own lenses. Human behavior and psychology are central to crafting our characters and portraying their social interactions onstage. We also read many scripts, and experience different historical eras, dance styles, and musical styles. We learn to sympathize, empathize and understand humanity everyday, and this helps us when we interact in the real world.
Deadlines, professionalism and quality control are integral parts to every production, both on and off stage. The perseverance required by the theatre makes us stronger people in our personal lives. Opening Night never goes away, and every audience is new, so our practice and performance has to remain solid for the run. The world needs and expects resilient people who step up and make it happen. In other words, “The show must go on!”
The very nature of theatre is people working towards a common goal, which is telling a story in a certain way. You can’t escape the team nature of theatre (and sometimes there’s drama that should have been left on the stage), but teamwork is also one of the things we love best about performance! The social fun, interaction, and energy of the cast and crew make those inevitable difficult times more than worth it, and this teaches us to push through problems and conflicts by seeing the big picture, which is the team goal.
Live audiences! Technical snafus! Lack of sleep! And yet, we learn to thrive under pressure, when needed, by performing. We learn that challenges often bring out the best in us, and we learn that nervous “butterflies” are a sign of life and energy that we can harness. We start to appreciate the adrenaline, the anticipation, and the rush of the stage. We become stronger people by surviving the obstacles and moving forward every day in the theatre.
Passion for the scripts and collaboration with a team that you care about is deeply fun for those who choose theatre. We learn to bring texts to life. We learn to live in the moment. We learn to improvise when necessary. We inhabit our characters each night on stage. We dance and sing, and call cues, and create something. We face setbacks, but if it wasn’t sheer enjoyment to create and make and perform, we wouldn’t keep choosing this highly demanding work. We find our passion in the theatre. And at the end of every exhausting day, we push forward, for the love of our craft.
[post_title] => The Top 19 Roles Theatre Nerds Want To Play On Stage
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[post_content] => If you’re like me… you probably laughed at the title of this article and then cried on the inside while considering the harsh realities. When I was an acting major at the University of Northern Colorado I used to joke that the final class in our program should be a bartending class. We can just call it THEA 450. I mean… so many people end up going into the service industry, why not? Let’s be honest, we’re just in these jobs to pay the bills. So here comes the big question…
I know this article is about alternate options, but there’s a reason why so many actors are drawn to these jobs! Work hours are flexible, multiple people can usually cover your shift, and there are restaurants and bars everywhere! Plus, walking away from each shift with cash tips… not so bad!
This one seems like a no-brainer, but you’d be surprised! Actors sometimes forget that there are other jobs in the theatre world than just acting. Working in a theatre keeps you in the industry and keeps you connected to other people. We’ve all heard the saying, “It’s not what you know, but who you know.” Make sure you know the right people. Any job in a theatre is going to help you get closer and closer to making the right connections and landing your dream role! There’s no doubt about it, you’re a performer first. Performing just doesn’t always pay the bills, so until it does, consider these options while you pursue your dreams.
Did I mention costumes were a nightmare? I thought so.
What’s my character motivation?
Just a little too much lipstick…
Tongue Twister (the freshmen love this one) I am a mother pheasant plucker. I pluck mother pheasants. I am the best mother pheasant plucker to ever pluck a mother pheasant. Say that five times fast… and then go to the dean’s office.
I mean I’ve always wanted to play a serial killer.
Because your microphone is still on
When it’s all said in done… no other teacher knows you like your theatre teacher. The theatre department is like your second family.
So you might have some bizarre quotes from your theatre teacher, but you wouldn’t want it any other way!
You've been dying to get back in the theatre after a "severe" 3 week break from the last show. New auditions are announced, which means it's game time.
1. You Get Excited When Auditions Are Announced...
You've been dying to get back in the theatre after a "severe" 3 week break from the last show. New auditions are announced, which means it's game time.
2. And Then Freak Out When You Realize How Much Work You Have To Do...
3. You Spend Days Trying To Find The Perfect Audition Song/Monologue...
4. And Then That Feeling When You FINALLY Find It...
5. The First Few Run-Throughs Are Amazing...
6. Then You Practice So Much You Start To Second Guess Yourself...
7. But It's Too Late To Change, Audition Day Is Here
8. You Arrive At The Theatre Feeling Ready To Do This...
9. And Excited...
10. And Nervous.
11. You Walk In And Stare Down The Competition...
12. No Doubt Finding "That Girl/Guy" Who Always Goes For YOUR Part Is There
13. Waiting Your Turn...For What Feels Like Days
14. When Your Name Is Finally Called...
15. First Up: The Song
16. Then The Monologue.
17. And Finally The Dance.
18. Hard Work Pays Off As You Deliver A Solid Audition....
19. Well, for the most part...
20. Your Audition Is Over, Time To Wait (again) For The Cast List...
21. And Wait For It...
22. Did We Mention Waiting Can Take You To Some Dark Places?
22. And Then When It's Finally Posted...
23. You Get The Part You Wanted...
24. Or, A Part That You "Kinda" Wanted
25. Or, You'll Be Eating Ice Cream Every Night For A Couple Weeks...
Whatever The Case, We Can All Agree That The Audition Process Is Pretty Much Torture.
But We Keep Coming Back For More...
Have another reason? Leave a comment below...
[post_title] => 25 Reasons Why The Audition Process Is Pretty Much Torture [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => reasons-why-the-audition-process-is-pretty-much-torture [to_ping] => [pinged] => [post_modified] => 2016-08-02 11:18:12 [post_modified_gmt] => 2016-08-02 15:18:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3495 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [1] => WP_Post Object ( [ID] => 3258 [post_author] => 12 [post_date] => 2016-08-01 11:19:30 [post_date_gmt] => 2016-08-01 15:19:30 [post_content] => UPDATED: Now The 15 Best Apps For Actors As actors, we often juggle many titles and responsibilities to stay afloat. We regularly act as our own PR department, assistant, researcher, secretary, personal trainer, and self-help guru. Because we need to be all of these things and more we could use a little help now and then. I asked around and here are some favorite tech tools amongst the acting community.1. Coach.me
Being an actor is all about determination and since we don’t have a boss to tell us what to do and when to do it- we have to be self-starters. One way to stay on top of your career and stay productive is to download Coach.me. It’s like having a Life Coach in your pocket. You can set goals for yourself in any category such as lose weight, quit a bad habit, be productive, personally grow, eat healthy, etc. Once you pick a category there are a ton of suggestions for reaching that goal. Coach.me will even check in with you to make sure you’re not slacking. Visit coach.me2. Actor Genie
This cool app keeps track of what’s casting and who’s casting it (NY and LA only) for Film, TV, and Commercials. Plus it keeps track of details like the storyline, casting info, and who the CDs (casting directors) and assistants are for each project. There’s also a contact bank for CDs, Agents and Managers. Visit Actor Genie3. TwistedWave
Out of town and need to record a voice over audition on the fly? This audio editor and recorder app is a go-to for pros. If you upgrade to premium you can even edit out those breaths! *Bonus tip: Record in your car for maximum sound quality if there’s no VO booth available. Visit TwistedWave4. Grammarly
Whether you’re gearing up to send a ton of email submissions, or you just don’t want to embarrass yourself when you’re corresponding back and forth with your agent, you need Grammarly. Download it into your browser and this handy dandy app grammar proofs everything you write on the web- whether you’re updating your website, posting your latest on-set moments to Facebook, or composing an email, Grammarly will check your grammar and spelling. It’s positively the best way to maintain that polished professional edge. Visit Grammarly5. Waze
Debating taking the 101 vs. side streets to get to that audition? Waze will let you know the moment-to-moment most effective way to get there. Not to mention you’ll end up seeing parts of the city you never knew existed- the shortcuts are entertaining at best and the ETA is scarily accurate. Visit Waze6. MileBug
Driving to auditions, classes, workshops and rehearsals can really rack up your mileage. Luckily, you can deduct some of it at tax time. Keep track of those miles with MileBug. This app makes record keeping simple and central for all your vehicles and travel expenses. Next year tax time will be a piece of cake. Visit MileBug7. Duolingo
Because you never know when you walk into a job if they’re gonna ask, “Do you speak French?” (True story) Duolingo is a great way to learn some basics of any language or go all out and hunker down on that one language you’ve been dying to be fluent in. Visit Duolingo8. Pause
Try Pause to Zen-out backstage or to stave off audition room jitters. This handy Tai Chi app brings mindfulness right to your fingertips. Calming music plays as you slowly glide your fingertip across the screen creating mesmerizing images that help you center and focus. Visit Pause9. IDEA (International Dialects of English Archive)
This website has been around forever but just in case you’ve been living under a rock- you’ll be glad you know about it now. This site holds recordings of people all over the world so you can study their dialect. Bust out that phonetic alphabet, listen, and you’ll be ready to knock out that Turkish accent in no time. Visit IDEA10. Evernote
Keep forgetting to follow up with that casting director? Use Evernote to remind yourself of important things like rehearsals with your scene partner and picking up that fat suit for Saturday night’s sketch show. Evernote not only lets you write notes, it sets reminders, and allows you to save articles you come across on the web to read later. (Like this one!) Visit Evernote11. Shakespeare
Brush up on your Shakespeare with this app. You’ll have all of Shakespeare’s plays, sonnets, and poems in the palm of your hand. Add a daily dose of Shakespearean wisdom to your life with the Shakespeare quote of the day. Visit Shakespeare12. Soliloquy
Need a monologue fast? Nevermind flipping through stacks of plays searching for lengthy paragraphs that can be carefully crafted into a one-minute performance piece- Now you can use the Soliloquy app. Easily browse over a thousand monologues and quickly take note of factors such as length, comedy vs. drama, male vs. female, young adult or mature. That spot on the floor by the ‘Theatre Section’ at the library is finally free for someone to walk by now. Visit Soliloquy13. LineLearner
Learning our lines is not an option, and sometimes we need a little help (motivation). Cue LineLearner. This app allows you to record scenes so you can listen and learn your part. Perhaps the best feature is a prompt button that reminds you of your line if you forget. LineLearner also allows other users to record lines and send them back, essentially making it possible to rehearse with your scene buddy while you are miles apart. Visit LineLearner14. The Amazing Improv Generator
This innovative app allows you to store all your creative ideas for future dramatics. Moreover you can put your spontaneous ideas immediately to the test. This app provides you with a random character, setting, and event all at the push of a button. Not happy with your scene, push the button again. Now that's my kind of app! Visit The Amazing Improv Generator15. AuditionCal
After learning about AuditionCal, we HAD to add it to the list. This app helps you organize the crazy amount of auditions, callbacks, and networking events aspiring actors have. You can add events to a calendar and set custom notifications. AuditionCal also integrates with Apple Maps so you don't have to switch back and forth between apps to plug in directions. Another noteworthy feature is easy social sharing to let your friends and fans know what you're up to. Visit AuditionCalHave an app to add to the list? Leave a reply below...
[post_title] => The 12 Best Apps For Actors [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 12-best-apps-for-actors [to_ping] => [pinged] => [post_modified] => 2016-08-24 10:56:33 [post_modified_gmt] => 2016-08-24 14:56:33 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3258 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 10 [filter] => raw ) [2] => WP_Post Object ( [ID] => 3042 [post_author] => 51 [post_date] => 2016-07-28 11:37:42 [post_date_gmt] => 2016-07-28 15:37:42 [post_content] =>Often overlooked, the set designer creates a character which should live and breath and grow amongst the living characters that surround them.I was watching Sex and the City was the first time I considered the idea that a set could be integral to storytelling in the same way an actor is. Carrie told us in her many voice-overs that New York is just as much of a character on the show as she and her friends. Fans of the show can picture Carrie’s brownstone stoop and her closet as clearly as we can picture Miranda’s face. That is when it started to fall into place for me… Who is Eva without her balcony at the Casa Rosada? The Fiddler without a roof? The set designer has the charge of transporting the audience into the world of a show, whether it be to Anatevka in pre-revolutionary Russia or outside of the Casa Rosada. Often overlooked, the set designer creates a character which should live and breath and grow amongst the living characters that surround them. On Tony night I was personally cheering loudly for David Korins, who designed for the hit musical Hamilton.
Korin credits – in addition to “Hamilton” include “Misery,” “Annie,” and “Motown.” His design for Hamilton provides a perfect example of the set growing along with the story. When the curtain rises on act two of the show, the incomplete brick wall that served as the backdrop to the production has grown. New bricks have been laid on the old in a communication of progress though it is subtle. Over the course of the musical, spare chairs give way to more richly detailed Federal-style ones, suggesting the passage of time and the growth of fortunes. These subtle changes make a real, subconscious impression on you as an audience member even if they are not consciously observed.
Set design takes months of intensive labor. Set designers work in collaboration with a lighting designer, tech director, prop master and set shop, all of whose contributions are essential to bring the show to life. But they also have to logistically gather materials and work out how to build, store and transport these pieces. Most of the time the set is built in a shop at a separate location, crafted until every piece is right and then taken apart and brought into the performance space where it is reassembled. The set is then used and abused and largely ignored by the audience until the run ends and the hard work is broken down.
In true Carrie form, I couldn’t help but wonder why, in spite of that fact that this art form, in particular, is so time-consuming and yet so ephemeral, is it worth it to the designer to pour their heart and soul and time into it?
I have tried to put into words my thoughts but Ms. Sherie Rene Scott said it best,
"That's the scary thing about theater—it doesn't live on. But that's actually the most beautiful thing about it, too. That's why it's more beautiful than film and certainly more beautiful than television because it's like life. Real life. Any picture that you take or any video that you make of yourself is not really you, it's only an image that represents the experience you had. In theater, the process of it is the experience. Everyone goes through the process, and everyone has the experience together. It doesn't last—only in people's memories and in their hearts. That's the beauty and sadness of it. But that's life—beauty and the sadness. And that is why theater is life."
Have something to add? Leave a comment below...
Guest post by Caitlin Du Bois [post_title] => Creating The World Around Us: The Job Of A Set Designer [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => the-job-of-a-set-designer [to_ping] => [pinged] => [post_modified] => 2016-07-28 11:48:45 [post_modified_gmt] => 2016-07-28 15:48:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3042 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [3] => WP_Post Object ( [ID] => 3446 [post_author] => 395 [post_date] => 2016-07-26 10:15:24 [post_date_gmt] => 2016-07-26 14:15:24 [post_content] => When you first open up the track list to “Hamilton,” it’s clear this is no typical musical meant to be hummed a few times under your breath and then fully committed to memory — yes, life was beautiful then. However, Alexander Hamilton was never one to shy away from a challenge, and neither are diehard fans of this groundbreaking musical.From spitting out a bunch of garbled words to — gasp! — actually grasping a whole tune from beginning to end, here are the 10 stages of trying to memorize the “Hamilton” album:
1. When you feel like it’s completely impossible and you have your work cut out for you.
2. When you start catching onto a phrase or two and consider attending an open call. You’re ready to be the next Aaron Burr, right?
3. When you take countless Snapchats of yourself spitting out 10-second phrases as fast as you can.
4. When your friends tell you to “Sing less, smile more” — and you obviously don’t.
5. When you start knowing enough songs that maybe, juuuuuuust maybe, memorizing the whole album might be within your grasp.
6.When you wish you could be nine people at once so you could do “Non-Stop” justice.
7. When you’re hit with all the feels and you’re crying too hard to sing “Burn.”
8. When you stop caring that you’re openly mouthing lyrics in public.
9. Guns. And. Ships. Speaks for itself. Quickly.
10. When you realize you may never actually memorize every single word, but that’s all part of the fun!
Have you memorized the Hamilton album yet? If not, you better get to WERK!
[post_title] => 10 Stages Of Trying To Memorize The Hamilton Album
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[post_content] => Most people know what slapstick is. When we think of physical comedy, we may think of TV classics such as the pratfalls of Charlie Chaplin or Chevy Chase, the slap-fights of The Three Stooges, or the exaggerated facial reactions of Lucille Ball and Carol Burnett. Using physicality to sell the joke, however, goes all the way back to Commedia dell’Arte in about 1550, when Italian troupes literally cataloged and numbered the funny “bits” (tropes) that could be used over and over, without fail, to produce a laugh. The site Laugh Button identifies some of humanity’s favorite slapstick as shticks like “the fall, the slip, the trip, the collide and the double take.” Commedia dell’Arte is shortened from a name which means “the comedy of the craft of comedic improvisation.” Our famous performers today are still practicing this art!
Modern movies, Broadway shows, TV and youtube shorts frequently use the same reliable comedic routines as those Renaissance Italians, and we’re still laughing--hard. Think of current comedy masters like James Cordon, Melissa McCarthy, Jimmy Fallon, Tina Fey, Amy Poehler, Zach Galifianakis, Jim Carey, Conan O’Brien—they are all masters of what boils down to the Commedia dell’Arte playbook. The comedic actors of Commedia were usually trickster servants called Zanni, from which we get the English word “zany.” The Zanni over time were broken down and divided into various subtypes, like the famous Harlequin that goes back as far as the 14th Century. These masterful performers would have a hundred stock physical joke scenarios memorized so that they could plug them into a scene improvisationally.
The stock jokes, or gags, were called lazzi (pronounced ˈlɑ-tsi) which is the plural of “lazzo,” meaning “joke or witticism.” Mel Gordon’s book, Lazzi: The Comic Routines of the Commedia dell’Arte, categorizes 250 routines from 1550-1750, many of which survive today, some in modified forms. For example, the “Running around the Balcony Lazzo” is just as you’d imagine, and you can see this timeless joke in the Disney ride Pirates of the Caribbean where the pirates are chasing women around the town, but in the next balcony, a large threatening woman has turned the tables and is chasing a pirate around her house with a broom. Some other predictable lazzi are “The Chair” being pulled out from under someone or breaking under them; The Laughter and Tears Lazzo where hilarious laughing turns into crying mid-scene; and the Lazzo of the Foreign Language, where a character is forced to pretend to know another language and makes up gibberish in the style of that language they don’t know, while another character translates the language. This last one is the central comedic situation driving the plot of the famous play The Foreigner, by Larry Shue.
Now let’s look at some fun clips and examples of physical comedy from the modern era that are straight out of the Commedia Lazzi...Classics of TV Comedy:
The very famous I Love Lucy chocolate factory scene relies on physical comedy, where Lucy and her best friend Ethel can’t keep up with the speed of the conveyor belt producing the chocolates they are tasked with wrapping, and come up with “creative” ways to try and fix their conundrum. [embed]https://www.youtube.com/watch?v=8NPzLBSBzPI[/embed] If you want more of Lucille Ball, check out “Vitameatavegamin,” where Lucy accidentally gets drunk filming a TV commercial, or “Lucy's Italian Movie,” where she wrestles a local Italian woman in a grape vat! The Three Stooges embody the “lowly” trickster/servant with their slapstick routines as they pinch, slap, poke, swing, fall, and break things on a minute-to-minute basis. A famous scene is where they attempt to fix a doorbell, but end up pulling Moe through a wall attached to the electrical wires. Laurel & Hardy did very similar gimmicks.
“Acrobatics” & Pratfalls:
Saturday Night Live, and in movies and TV shows, Steve Martin, Martin Short, and Chevy Chase are known for their career-spanning pratfalls. They fall and trip and slip and fail to get up to great comedic effects. Pratfalls fall under the lazzo category “Acrobatics,” and there is a specific ladder lazzo that involves falling” from a ladder or wall after being shaken off, shot, or gravitationally abandoned” which can include “desperate attempts not to fall,” and “pratfalls over furniture.” See Steve Martin doing pratfalls in his Pink Panther movies, The Jerk, and Dirty Rotten Scoundrels. Chevy Chase’s early SNL sketch with a ladder is a classic, and his Clark Griswold is a serial pratfall specialist. Martin Short All three doing classic Commedia physical humor together in The Three Amigos, like in this trailer: [embed]https://www.youtube.com/watch?v=DZHbUVmtRTE[/embed] Think about this: even the most recent Captain America: Civil War movie used the entrance of teenage Spider Man in a brand new suit to produce physical comedy, making him awkward in his newfound skills against his more polished team members. As he swings and shoots webs, yelling and colliding and trying to “keep up with the big kids,” he’s embodying the Commedia “Acrobatics” style of physical humor. Listening to the crowd in the theatre, it worked!The Dirty Stuff:
Much of Commedia and modern humor is, well, based on dirty humor. Jim Carrey is known for his hilarious (and sometimes disgusting) physical humor. Remember his Ace Ventura Rhino “birth scene,” where he is trapped in and then slowly emerges from the nether region of an African Rhino? There’s also a scene in Ace Ventura: When Nature Calls where he helps an African woman give birth by simply pushing on her belly as in CPR, “popping” the baby out and across the room into its father’s arms, umbilical cord still attached. Finally, remember that in Me, Myself & Irene, Carrey pulled off a breastfeeding joke where a nursing mother looks up and suddenly he is also attached to her!? Well, in classic Commedia, believe it or not, there is actually a whole category for sexual and “scatological” humor—that literally means poop and bathroom jokes! And it seems that for good or bad, Jim Carrey is a master of both. If you were doubting it, women do this style of humor too. Bridesmaids actors Melissa McCarthy, Kristen Wiig, Maya Rudolph, Rebel Wilson, and Wendy McLendon-Covey went there with humorous scenes involving diarrhea in the street, mile-high “steam heat” propositions with an Air Marshall, and submarine -sandwich foodie sex in the outtakes.Modern Physical Comedy “It” figures:
James Cordon One Man, Two Guvnors creates an internal fight with himself that becomes physical. His Tony performance of this scene is amazing and explains his wide appeal and current fame. The show launched him to everyday household fame, and now he’s got the Late Show and that wonderful series of in-the-car lip syncs with other celebrities, including Adele, Justin Bieber, Lin Manuel Miranda and other B-way celebs. [embed]https://www.youtube.com/watch?v=pcJM1Z3Trfo[/embed] Zach Galifianakis is known for his oddball characters in movies and his own web show “Between Two Ferns” and the TV series Baskets. “On Physical Comedy” is a strange but hilarious casual scene he appears to have recorded on his own, where he is talking seriously about the art and craft of comedy being text-based, yet his chair keeps breaking under him in the oldest Commedia joke in the book. When he gives up and continues from the ground, comics Patton Oswalt & Brian Posehn make an appearance to ridicule him--but they’re wearing only towels and their junk is censored out with the infamous black bar! Plus, the physical comedy of their height different keeps the silliness going. ( A bit of language in this one) [embed]https://www.youtube.com/watch?v=YLdO9lMT7yA[/embed] Melissa McCarthy is a genius of physical comedy and improvisation in such films as Spy, Tammy, The Heat, Identity Thief and Bridesmaids, as well as her recently wrapped TV series Mike & Molly. Other actors and directors attest to her playfulness on camera and the fact that she’s willing to try a scene over and over with different tactics for a laugh. This goes to the heart of the Commedia practice, where the zanni actor knows an entire playbook of moves, shticks, gags, and tropes that can be applied to any situation, and they can (seemingly) effortlessly change it up for the best laughs. Many of her films have outtakes where we get to see these moments, and her pratfalls are some of the best around.
Resources for Students of Theatre
If you’re a theatre student, a relatively famous resource to learn more is The Physical Comedy Handbook by Davis Robinson, (1999) which breaks down physical comedy into different forms and techniques, and guides readers through “how to” exercises to help anyone develop their sense of comedy and play.
In addition, The Routledge Companion to Commedia dell'Arte, 2014, is a full-sized university text covering a thorough grounding in the subject by Judith Chaffee and Olly Crick. “From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr. Punch.”
[post_title] => Make ‘Em Laugh: Tracing Modern Physical Comedy Back To Commedia dell’arte
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[post_title] => Which Iconic Broadway Star Are You?
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[post_content] => From Eponine to Elphaba, contemporary musical theatre offers a wide range of thrilling mezzo/belt roles in to choose from. Songs such as “On My Own” and “Defying Gravity” continue to thrill audiences around the world. However, while these songs (and similar ones) are popular showcase pieces, casting directors are getting tired of hearing them at audition rounds. In fact, it is not uncommon for actors to be dismissed from auditions simply for choosing an overused song. Plus, and I hate to rain on your parade here...but it can be hard to stand out from the rest of the mezzo crowd if you are singing the same song as everyone else, no matter how powerful your belt is.
To alleviate this issue, I’ve compiled a list of 10 overlooked audition songs for the mezzo/belter voice.
1. “Woman” from The Pirate Queen.
Although Boublil and Schönberg’s last Broadway musical together flopped, the score contains some underrated vocal gems. The solo “Woman” was originally recorded by Stephanie J. Block. It is sung by Grania (known in the show as “Grace”) to her lover Tiernan over her frustration that her father Dubhdara forbids her to sail on his ship. This song best suits an audition for a pop-opera type of show in the style of “Les Miserables” or “The Phantom of the Opera.” Range: E3-E5. GET SHEET MUSIC https://www.youtube.com/watch?v=yzdS_qXp9Dc2.“How Did We Come to This?” from Andrew Lippa’s The Wild Party.
This musical, based on the 1928 Moncure March narrative poem about a woman who throws an outrageous get-together, opened Off-Broadway in 2000. This song is performed by the main character Queenie, who by the end of the show loses both of the men who pursue her, and contemplates how things came to end so badly. Julia Murney, who created the role of Queenie, clearly displays the character’s defeat and heartbreak in her Streisand-like belting. This song is great when auditioning for most contemporary shows, especially those that have heavy big-band/jazz influence in the music. Range: G#3-C#5. https://www.youtube.com/watch?v=HDfGnqmowm03. “Bring It On” from Bring It On: The Musical.
Based on the 2000 comedy of the same name, Bring It On: the Musical opened on Broadway in 2012 after a successful U.S. tour the previous year. Co-written by Lin-Manuel Miranda, Tom Kitt, and Amanda Green, the show’s music mixes pop-rock with Miranda’s signature hip-hop influence. For this song in the show, high school junior Cambpell decides to form a cheerleading squad of her own to get back at her rival Eva. This song is ideal for auditioning for a more pop-sounding show. Also, as one of Miranda’s lesser known works, songs from Bring It On would be refreshing to an audition pool where In the Heights and Hamilton are so common. Range: A3-E5. https://www.youtube.com/watch?v=15qZZ7q0VGM4. “Bring On the Men” from Jekyll and Hyde.
This number has had an interesting history with its parent musical. Although the song was featured in the show’s concept album in 1994 and was featured in the 1995 national tour, it was replaced with “Good ‘N’ Evil” for the 1997 Broadway production. (“Bring” was later reinstated for future productions and tours). In the show, the character Lucy, a prostitute, performs this number for a bachelor party. Dr. Jekyll is drawn to Lucy’s performance and pursues her afterward. The song’s seductive nature is perfect if you’re trying out for a femme fatale role in shows by Kander & Ebb. Range: G#3-E5. https://www.youtube.com/watch?v=TeWItubZao45. “It’s a Woman’s World” from The Full Monty.
This musical by David Yazbek (of Dirty Rotten Scoundrels fame) is based on the 1997 British film of the same name. Premiering on Broadway in 2000, it was nominated for 10 Tony Awards, but ultimately winning none. The song “It’s a Woman’s World” is performed by Georgie and her friends, taking pride in their new independence as being the breadwinners of their families. This high-key, empowering song is appropriate for any contemporary female-centric musical such as Legally Blonde or Heathers. Range: G3-E5 https://www.youtube.com/watch?v=h4lpqjyifEo6. “The Story Goes On” from Baby.
The musical Baby, which opened on Broadway in 1983, is about three couples each expecting a child. “The Story Goes On” is sung by Lizzie, a university junior whose boyfriend is on a summer tour with his band, and is forced to face her pregnancy by herself. Originally recorded by Liz Callaway, this song is great for mezzos who have a solid mixed voice in the upper register. Range: G3-F5. https://www.youtube.com/watch?v=rhi4xNxL-Pk
7. “Just Not Now” from I Love You Because.
A modern retelling of Jane Austen’s Pride and Prejudice, I Love You Because opened Off-Broadway in 2006. The musical follows the romance of several couples in New York City. The song “Just Not Now” is sung by Marcy, who tells her lover Austin that she is in fact not ready yet for true love. Like the aforementioned number from Baby, this song also calls for a strong mixed upper register. Range: G3-Eb5. https://www.youtube.com/watch?v=QNAsNUFnW7w8.“All Grown Up” from Bare: A Pop Opera.
This musical premiered in Los Angeles in 2000 before opening Off-Broadway in 2004. The story focuses on a gay teen couple struggling their way through a private Catholic school. “All Grown Up” is sung by Ivy, who confesses to her classmate Nadia that Jason, who is gay, is the father of Ivy’s baby. This song works in auditions for darker rock musicals such as Spring Awakening and American Psycho. Range: G#3-F5. https://www.youtube.com/watch?v=7kF_byOK9DE9. “It’s a Privilege to Pee” from Urinetown.
Opening Off-Broadway in 2001, Urinetown is a dark comedy which satirizes corporations and capitalism. The authoritarian character Penelope Pennywise, who runs the worst public urinal in town, sings this cynical number in the show. “Privilege” is one of the more challenging villain songs in contemporary theater, and is best sung by mezzos with clear, resonant belting to high heaven. Range: C4-G5. GET SHEET MUSIC https://www.youtube.com/watch?v=hmHekGAO08010. “Remember This” from The Unauthorized Autobiography of Samantha Brown.
Written by the dynamic duo Kerrigan and Lowdermilk, Samantha Brown premiered in Costa Mesa in 2009 before transferring to Goodspeed Opera House in 2011. “Remember This,” the last number of the show, is the culmination of Samantha’s high school experience as she plans the next step for her future. Like the aforementioned song from Bare, “Remember This” is another awesome choice for auditioning for a rock musical. Range: Bb3-E5. https://www.youtube.com/watch?v=LGdDR2TbpwYYou Might Like: 51 Fantastic Audition Songs For Mezzo-Sopranos
Have a song that's missing from this list? Leave a reply below...
[post_title] => 10 Overlooked Audition Songs For Mezzo Belters [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-audition-songs-for-mezzo-belters [to_ping] => [pinged] => [post_modified] => 2018-10-03 21:32:46 [post_modified_gmt] => 2018-10-04 01:32:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3388 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 11 [filter] => raw ) [7] => WP_Post Object ( [ID] => 3142 [post_author] => 9 [post_date] => 2016-07-16 10:44:58 [post_date_gmt] => 2016-07-16 14:44:58 [post_content] => A recent study that I made up shows that theatre kids might be susceptible to the following side-effects. If you experience any of the following symptoms, please contact your doctor immediately because you might be a theatre kid.1. You’ve forgotten what the sun looks like
Late rehearsals… enough said.
2. You talk to walls
No one has heard your audition piece more than that wall.
3. You only see your family when they come to your shows
With late nights and early mornings… you’re like a ghost in your own house.
4. Show tunes either excite you or infuriate you
One day you love them, the next day you hate them.
5. Your characters come out in front of other people
Embrace yourself even when others don’t.
6. When you don’t have rehearsal you’re not sure where to go
Having free time is so foreign.
7. School gets in the way of rehearsal
If only you could go to school… and just do rehearsal.
8. Your wardrobe is comprised of only show shirts
Someone else always wears the same show shirt as you to school.
9. You have a natural resentment towards athletes
They might get all the glory, but we know where to find the real talent!
10. You know the proper way to spell “Theatre”
“Theater” refers to a building and “Theatre” refers to an art-form.
11. Limited social life
The only people you are able to hang out with are the people listed in the program with you.
12. You don’t sleep
School + Rehearsal + Homework + Responsibilities + Everyone Else’s Problems = No Sleep
13. You’re broke
You don’t have time for a job and all the fees add up.
14. You keep coming back for more
No matter how much it hurts sometimes… the reward is always worth it!
What are some of the side effects you’ve experienced from being a theatre kid? Leave a reply below...
[post_title] => 14 Side Effects Of Being A Theatre Kid [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 14-side-effects-of-being-a-theatre-kid [to_ping] => [pinged] => [post_modified] => 2017-05-29 11:53:41 [post_modified_gmt] => 2017-05-29 15:53:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3142 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 7 [filter] => raw ) [8] => WP_Post Object ( [ID] => 3263 [post_author] => 391 [post_date] => 2016-07-14 09:59:02 [post_date_gmt] => 2016-07-14 13:59:02 [post_content] => One of the most important steps when mounting a musical is the audition round. To the dismay of some casting directors, it is quite common to hear the same song numerous times over the course of the auditions. Sometimes, out of aggravation for the lack of variety in audition pieces, the director may dismiss an otherwise talented actor. Whole blogs and websites are inundated with “overdone” and “do-not-sing” lists.To help inspire more creative selections for tenors, here are ten overlooked audition songs for the tenor vocal range:
1. “A Bit of Earth” from The Secret Garden.
This ballad’s best-known rendition is by Mandy Patinkin, who performed it while playing “Archibald” in the 1991 Broadway run of The Secret Garden. This beautiful song is perfect for lighter, gentler voices, and is a great substitute for any overdone ballad such as “The Music of the Night” or “Close Every Door.” Range: Db3-Gb4, optional A4 in falsetto. https://www.youtube.com/watch?v=Nj8K-uYdp0g2. “30/90” from tick, tick…BOOM!
The opening number from Jonathan Larson’s pre-Rent show is a thrilling up-tempo rock number that is ideal for any future Adam Pascals or Aaron Tveits of the world. The song tells of a fictional version of Larson and his conflicting feelings about turning 30 years old. Range:E3-A4 https://www.youtube.com/watch?v=gas2yE7AaGU3. “Oh, Is There Not One Maiden Breast” from The Pirates of Penzance.
Although not an actual musical, this Gilbert and Sullivan classic has made its way around the Broadway circles thanks to Joseph Papp’s 1981 Broadway production of it. In this scene “Frederic” an ex-pirate who has just returned to the normal world, begs for a group of maidens to take pity on him. This number is best for more classical sounding tenors. Range: G3-Gb4, optional Bb5. https://www.youtube.com/watch?v=xBWJs9UsWHc4. “Fortune Favors the Brave” from Aida.
Originally based on Verdi’s opera Aida, the musical version by Elton John and Tim Rice is eclectic, borrowing elements from pop, rock, Motown, reggae, and gospel. In this opening tenor solo, “Radames” and his soldiers return to Egypt after a mission through Egypt’s rival Nubia. Range: F3-A4. https://www.youtube.com/watch?v=utjN5X_zc1I5. “Why, God, Why?” from Miss Saigon.
Taken from Boublil and Schönberg’s most famous musical after Les Miserables, this number follows the pop-opera style popular throughout the 1980s and early to mid-90s. For this solo, the character “Chris” is anxious about God’s plan, since Chris is scheduled to leave Vietnam soon, but has just met a young girl named Kim. Range:E3-G4. https://www.youtube.com/watch?v=AGc8hxMVqSg6. “Love Can’t Happen” from Grand Hotel.
With songs written by Robert Wright, Maury Yeston, and George Forrest, Grand Hotel ran on Broadway from 1989 to 1992. This number is performed in the show by the optimistic, yet broke, “Baron Felix von Gaigern.” Like the aforementioned Gilbert and Sullivan number in this list, this solo suits well with a more classical tenor. Range: D#3-A4. https://www.youtube.com/watch?v=jPRuj6TtRKo7. “All Good Gifts” from Godspell.
Stephen Schwartz’s first big hit Godspell premiered Off-Broadway in 1971 before transferring to Broadway in 1976. The soft-rock/Christian ballad “All Good Gifts” is sung by “Lamar,” who explains the meaning behind the Parable of the Sower. This solo is best for younger, more lyrical voices. Range: D3-A4. https://www.youtube.com/watch?v=Nlagfh5eFP48. “I’ll Be There” from The Pirate Queen.
Based on the novel Grania, She-King of the Irish Seas, Boublil and Schönberg’s last Broadway musical The Pirate Queen was a critical failure, but the actors’ performances were praised. In this number, the character “Tiernan” is devastated after his longtime love “Grace” has married another man. Tiernan senses, however, that this is not the end for him and Grace, and vows to remain close to her. The tenor Hadley Fraser created the role of Tiernan in 2006, and is known for his robust, heroic voice. Range: C3-A4. https://www.youtube.com/watch?v=Kj1Vzj9tYXc9. “Alive” from Jekyll and Hyde.
After a Houston world premiere in 1990 and a U.S. tour in 1995, Jekyll and Hyde premiered on Broadway in 1997. This song is a pivotal moment in the show, which sees “Henry Jekyll’s” alter ego “Edward Hyde” manifest. Like certain numbers in Phantom of the Opera, the singer is encouraged to exclaim certain musical phrases rather than sing them to help dramatize much of the song. Range: D3-E4. https://www.youtube.com/watch?v=VzVbFBRnk_s10. “Standing On the Corner” from The Most Happy Fella.
This 1956 Frank Loesser musical has been revived three times on Broadway. While this musical is sometimes called an opera, some Broadway experts have disagreed. This number fits well for tenor versions of crooners in the style of Dean Martin or Bobby Darin. Range: F#3-A4. https://www.youtube.com/watch?v=ap1mwitwPLMYou May Like: 53 Refreshing Audition Songs For Tenors
Have an overlooked tenor song to add to the list, leave a reply below...
[post_title] => 10 Overlooked Audition Songs For Tenors [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-audition-songs-for-tenors [to_ping] => [pinged] => [post_modified] => 2018-10-03 21:44:29 [post_modified_gmt] => 2018-10-04 01:44:29 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3263 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [9] => WP_Post Object ( [ID] => 2955 [post_author] => 12 [post_date] => 2016-07-12 12:14:35 [post_date_gmt] => 2016-07-12 16:14:35 [post_content] =>Tech week is over and it’s game time. Every actor in the cast handles the pressures of opening night differently. Which of these types of actors are you?
1. The Procrastinator
The procrastinator shows up unprepared, hasn’t learned their lines or blocking, but nonetheless creates pure magic on stage. You love to hate them but are secretly envious of their effortless approach.
2. The Superstitious One
The Superstitious actor wears the same underwear three nights in a row, they’d never dream of uttering anything other than a “Merde” or “Break a leg” backstage, and they have a pre-show routine that they’re sticking to no matter how monotonous.
3. The Overly Warmed Up
You’re warmed up and ready to go, yet somehow the Overly Warmed Up actor is still going strong, ‘toy boat, toy boat, toy boat, toy boat, toy boat...’
4. The Inspirational Quote Actor
The inspirational quote actor’s dressing room mirror is plastered with positivity. “I’m great, you’re great, we’re all great!”
5. The Character Geography Obsessed Actor
My character’s birthstone is Amethyst, she was born at 3:45am on a Wednesday, her first word was Pop-Tart, she doesn’t like socks and she loves trees....
6. The Silent Type
The silent type is stoic and reserved. You’ll most likely catch them chugging Throat Coat and sucking on lozenges. Must. Preserve. Vocal. Integrity.
7. The Researcher
The researcher knows everything about the show from the type of undies worn during the time period to what was happening in the news that week. You can catch the researcher scrolling through Wikipedia while waiting in the wings.
8. The Crash Dieter
There’s a crash dieter in every cast. Whether it’s their nerves or body consciousness, they’re bound to give the costume department grief. I
don’t know what happened, I just ate nothing but celery and salsa every day for a week and now my costume is too big!
The Green Room snack table is empty and the stress eater is to blame. He’s the one covered in artificial cheese powder from all those Cheetos.
The music freak has crafted a highly complex playlist that brings out the elaborate emotions of their character’s journey. Don’t try to talk to him, his earbuds aren’t coming out until his first cue.
The Social Media Monster’s way of getting into character is by Tweeting their character’s inner monologue, posting costume selfies and shamelessly self-promoting. Hey, somebody’s got to get butts in the seats.
The partier’s idea of preparation is a birdbath-size of tequila to take the edge off.
Tai chi, meditation, yoga, you name it. The Buddha is serious about getting seriously Zen before that curtain goes up.
The Jumper jumps around backstage, mindlessly hoping up and down before each entrance. This appears to be all the prep work needed for them.
There’s no wrong way to prepare as long as it works for you. (Okay, maybe don’t drink the birdbath-sized cocktail until after the show.)
[post_title] => 16 Pre-Show Preparation Personalities: Which One Are You?
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[post_content] => 9. The Stress Eater
The Green Room snack table is empty and the stress eater is to blame. He’s the one covered in artificial cheese powder from all those Cheetos.
10.The Music Freak
The music freak has crafted a highly complex playlist that brings out the elaborate emotions of their character’s journey. Don’t try to talk to him, his earbuds aren’t coming out until his first cue.
11.The Social Media Monster
The Social Media Monster’s way of getting into character is by Tweeting their character’s inner monologue, posting costume selfies and shamelessly self-promoting. Hey, somebody’s got to get butts in the seats.
12.The Partier
The partier’s idea of preparation is a birdbath-size of tequila to take the edge off.
13.The Buddha
Tai chi, meditation, yoga, you name it. The Buddha is serious about getting seriously Zen before that curtain goes up.
14.The Jumper
The Jumper jumps around backstage, mindlessly hoping up and down before each entrance. This appears to be all the prep work needed for them.
15.The Pacer
Much like the jumper only with pacing.
16.The Overly Caffeinated
The overly caffeinated actor warms up with a pot of Joe. He may be twitchy but he’s ready to let loose once he hits the spotlight!
There’s no wrong way to prepare as long as it works for you. (Okay, maybe don’t drink the birdbath-sized cocktail until after the show.)
Did we miss one? List your prep persona below!
Hey Actors! Here’s what you should be doing this summer to stay on top of your game!
1. Practice Meditation.
Tons of actors use regular meditation as a way to up their presence and groundedness on stage. Get in the game by checking out YouTube for some guided videos. Daily practice will help keep you balanced (on and off the stage) when school starts again in the fall. Tip: HeadSpace is a great meditation app for your smart phone2. Read at least a play a week!
By the end of the summer you’ll have tons of new plays under your belt and a STRONG monologue game. It’s also the time that you can fill in any...um…”gaps” in your repertoire.*cough* anyone else who has never read Death of a Salesman *cough* Tip: Need more ideas? Here's 5 Classic Plays All Thespians Should Read3. See more theatre.
Shakespeare in the Park, Summer Stock...find some “pay what you can” nights and have a ball!! Mastering a craft is a combination of practice and observation. The summer is the perfect time to hone in on the “observational” part. See theatre, watch movies, get inspired! And don’t forget-it’s just as valuable to see theatre you hate as it is to see theatre you love. Really try to be a good student and get in touch with why you didn’t like a performance.4. Don't forget what you've learned (Aka PRACTICE!).
You know those voice exercises that your teacher said you should be doing every day? But then homework and tests and sleep happens…? The summer is prime time to really give attention to those stretches, throat openers, posture exercises, and all that fun stuff. Come back to school even better! Not rusty!5. Have diverse experiences.
Remember: interesting, well-rounded, experienced people make interesting, well-rounded, experienced actors! Go have some fun! Try new things, go on a road trip, take a totally random class on something not theatre-y. I remember the last day of freshman year, my acting professor said “This summer, go kiss some boys or something!” The summer is the time to have fun! Gather an arsenal of kick-ass experiences for you to draw upon when scene study class comes back around.6. Do theatre.
This may seem like a no-brainer, but the best way to stay sharp is to keep performing. It doesn't matter where. It could be a community theatre, children's theatre, camp, or a one man (or woman) show in your parents living room; just perform. The more you perform the more confident and comfortable you will feel on stage.Have something to add to the list? Leave a reply below...
[post_title] => How Theatre Kids Can Stay Sharp During Summer Vacation [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => how-theatre-kids-can-stay-sharp-during-summer [to_ping] => [pinged] => [post_modified] => 2017-06-28 08:26:11 [post_modified_gmt] => 2017-06-28 12:26:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3189 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [11] => WP_Post Object ( [ID] => 3173 [post_author] => 1 [post_date] => 2016-07-07 10:44:57 [post_date_gmt] => 2016-07-07 14:44:57 [post_content] => “Congratulations! You’ve been cast!”... And so it begins. The moment you read those magical words in an email, hear them in a phone call, or see your name in metaphorical lights on that long-awaited cast list. You know that you are about to start your next thrilling theatre adventure!Before that adventure begins however, every theatre nerd ‘round the world most definitely experiences these 8 things:
Before: The anticipation…
“I don’t even care if I’m cast or not but I WISH THEY WOULD JUST TELL ME ALREADY!” That seemingly eternal wait to find out if you’ve been cast is the worst kind of tedious purgatory an actor could imagine. A day feels like a week, two days-- a month, three days-- you don’t even know because you’ve gone crazy with anticipation.
2. You get super excited.
It doesn’t matter if you’ve been cast as the titular role or you’ve been cast as Background Tree #3-- The director saw something they liked and chose you! You’re in a show, and this calls for celebration! Say goodbye to the residual post-show-depression from the last show you were in because you have a new show to get excited about! Some joyful dancing around the room is definitely in order!
3. You tell everyone.
Time to alert the presses! You post that shameless self-promotional “I’m so excited to be cast as *insert role* in *insert show*!” status and you invite everyone you know to the Facebook event.
4. You clear your schedule.
You’re ready to dive head-first into this show! You know “I can’t, I have rehearsal” will become your motto for a while, and you’re totally okay with that.
5. You get a little obsessed with the show.
If you have the script already, you’ve probably already read it at least twice before the show begins. If the show is a musical, you’re definitely playing the Broadway Original Cast Album and any revival album on repeat. There’s a movie? Netflix here you come! And of course you’re all over YouTube looking for inspiration. You have important research to do!
6. You scope out the cast on social media.
Don’t lie, you know we all do it. If you don’t know your fellow cast members already, you are definitely spending more time than you should scrolling through their Facebooks and Instagrams (with nimble fingers so you don’t accidentally like something they posted a year ago).
7. You get a little nervous.
You have such high hopes for this show that you start to wonder if you’re setting your expectations too high. You start to think...“What if the director regrets casting me?”, “What if I don’t get along with the cast?”, “What if this role is my downfall as an actor, everyone hates me and nobody ever wants to cast me again?” You know you’re overreacting, but you can’t help but wonder...
8. But you can't wait to get working.
The next month or so of your life will be filled with new people, new experiences, and giving everything you’ve got to creating some amazing live theatre-- How much better does it get?! You’re counting down the days until your rehearsals begin because you just know that you are in for a great time and a great show! Isn’t theatre the best?
Post by TN Contributor Rachel Brudner
What are your reactions after being cast in a show? Leave a reply below...
[post_title] => 8 Things You Definitely Do When You Get Cast In A Show [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 8-things-you-definitely-do-when-cast-in-show [to_ping] => [pinged] => [post_modified] => 2016-08-06 20:59:15 [post_modified_gmt] => 2016-08-07 00:59:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3173 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [12] => WP_Post Object ( [ID] => 3077 [post_author] => 11 [post_date] => 2016-07-02 10:44:34 [post_date_gmt] => 2016-07-02 14:44:34 [post_content] => Match the photo to the Babs musical and see how well you know this superstar! [viralQuiz id=9] [post_title] => Can You Name That Barbra Streisand Musical? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => name-that-barbra-streisand-musical [to_ping] => [pinged] => [post_modified] => 2016-07-02 10:44:34 [post_modified_gmt] => 2016-07-02 14:44:34 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3077 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [13] => WP_Post Object ( [ID] => 3091 [post_author] => 395 [post_date] => 2016-07-01 12:47:05 [post_date_gmt] => 2016-07-01 16:47:05 [post_content] => No matter how many cast albums fill your Spotify playlists, how many times you’ve basked in the glowing lights of Broadway or how many stage doors you’ve stood in front of waving a copy of Playbill, you’ll never forget your first Broadway musical. The first musical I ever saw on Broadway was “Wicked,” which my mom bought tickets for me to see after months and months of me belting out “Defy Gravity” in the car, shower, living room, front yard, kitchen, grocery store...well, you get the gist. “Wicked” was my gateway musical, the one that took me from someone who liked catching a community theater production of “Guys and Dolls” with my grandma to a full-blown theater aficionado determined to memorize every line, lyric, and piece of trivia I could.However, like so many others, the experience of actually seeing a Broadway show for the first time is one I’ll never forget — here’s why:
The City
New York City is a wonder to behold for any theater-obsessed Broadway newbie. There’s something so thrilling about wandering around the gritty, noisy streets of Time Square and gazing up at the dazzling marquees boasting the names of the shows and actors you’ve only been able to enjoy through your headphones and computer screen. Of course, all this exploring will fill you with an insatiable desire to dish out cash to see every single one of them, but knowing there’s a ticket tucked in your pocket that will let you experience at least one is enough — for now.
The Anticipation
Whether you’re in the front row of the orchestra or tucked all the way in the nosebleed seats, those seemingly miserable minutes spent mentally begging the lights to dim are actually some of the most memorable. These minutes are best spent thumbing through your Playbill program to see the names you recognize, running your finger down the list of songs, and devouring all the credits and notes from the director. The waiting is tough but absolutely worth it.
The Music
From the moment the first note of your first Broadway musical is played, it’s very clear that this is not your high school pit orchestra. Even if you know every note by heart, it somehow feels like you’re really hearing it for the first time. The slight nuances and subtle changes from the album you know and love — an unexpected riff, an ambitious option-up, a reprise not featured on the album — is enough to take you aback and make you fall in love all over again.
The Show
Beyond the overwhelming music, sets, and lights, there’s something amazing about putting all those little puzzle pieces of a show together and finally seeing it as a cohesive production. Small asides finally make sense, musical shifts are accompanied by complementary lights, and a piece of information is revealed that changes the entire way you see the show. I didn’t know I could still be shocked until I saw “Wicked Witch of the East” performed for the first time and my entire perception shifted.
The Stars
It wouldn’t be a Broadway show without a triple-threat onstage completely knocking your socks off. No matter if you’re watching a superstar you’ve followed for years or someone just getting their big break, Broadway shows have some of the most talented people strutting their stuff — and your first one sets the stage for all others to follow.
The Swag
It’s nearly impossible to leave your first Broadway show without making one (or two) pit stops at the souvenir stands in the lobby. After all, when’s the next time you can drop all your savings on musical-themed sweatshirts, jewelry, sheet music, mugs or posters? This first show is the start of your bedroom inevitably turning into a show tune shrine.
The Memories
Even though most shows run less than three hours, they leave memories that last. I might not exactly remember every note or line, but I certainly remember the feeling in my chest when the orchestra first launched into “No One Mourns the Wicked” or the fact that I spent all of intermission embarrassingly sobbing to myself after “Defy Gravity.” In the end, that’s what theater is all about — how it makes you feel, how it becomes a part of you.
For any Broadway nerd, your first show can be mind-boggling, emotional and worth every penny. And, if you’re lucky, that first one will set the stage for a lifelong love of theater and encourage you to attend your second, your third — and so on and so forth.
What are your favorite memories of your first Broadway Show? Leave a reply below...
[post_title] => Why You'll Never Forget Your First Broadway Musical [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => youll-never-forget-first-broadway-musical [to_ping] => [pinged] => [post_modified] => 2016-07-01 12:47:05 [post_modified_gmt] => 2016-07-01 16:47:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=3091 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 13 [filter] => raw ) [14] => WP_Post Object ( [ID] => 2799 [post_author] => 11 [post_date] => 2016-06-29 09:46:42 [post_date_gmt] => 2016-06-29 13:46:42 [post_content] => If you’re a Broadway enthusiast, chances are your iTunes is chalked full of Sondheim, Webber, Lerner and Loewe. While the classics of the Great White Way remain the heart of musical theatre, Broadway has evolved into a diverse hodgepodge of songful storytelling.While we could listen to “Oklahoma!” on loop, here are eight cast albums you need to try when you are craving something different.
1) “Waitress”
It can be a gamble when composers flock to the stage from other genres. In the case of “Waitress”, the Sara Bareilles-coined musical, it was match made (or should we say “mixed”) in heaven! Nominated for four Tony Awards this season, “Waitress” is a cast recording that’s perfect for both sob sessions and car jamming. Bareilles’ “pop soul” style lends itself to the stage in a deliciously artful way. You need to add this one to your playlist, like, now.
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2) “In the Heights”
While we’re totally advocates for listening to “Hamilton” 4,000 times a day, we’re going to supply you with another great rap musical: “In the Heights” (Yes, it’s also by our king, Lin-Manuel Miranda). Though it shares notes of rap in common, the show is radically different than Miranda’s latest hit. This musical also combines hip hop and Latin-inspired song. It’s perfect for when you need a good beat.
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3) “The Last 5 Years”
Triple-threat (composer/lyricist/playwright) Jason Robert Brown is no stranger to shattering traditional Broadway stereotypes. His critically-acclaimed show, “The Last 5 Years”, dives into the relationship between an average husband and wife. The twist? One is telling their story from beginning-to-end while the other tells their story from end-to-beginning. The music is jam-packed with witty, modern, all-too-relatable duets that are so good you won’t know how to stop listening.
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4) “American Idiot”
Fans of punk rock will have a field day with this one. Set to the music of Green Day, “American Idiot” includes familiar tunes such as “Wake Me Up When September Ends”, “Holiday” and “Boulevard of Broken Dreams”. Whether you’re a feeling a little angsty or simply in the mood to ditch Rodgers and Hammerstein for something a little more... hardcore, “American Idiot” is always a great choice.
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5) “Bright Star”
This season’s Tony-nominated “Bright Star” brings bluegrass to Broadway. Is there anything better? Created by Steve Martin (yes, that Steve Martin!) and Edie Brickell, this show covers themes of love, loss, regret and hope. These Country-inspired, banjo-clad tunes are your next obsession if you’re into bands like “Mumford and Sons”.
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6) Bridges of Madison County
Everyone needs a good cry. At least do it to some Jason Robert Brown music. Brown’s adaptation of the film our moms love to watch is strikingly beautiful. It’s full of slow, soulful ballads that are unlike any other show to take the stage. Add the vocals of Kelli O'Hara and Steven Pasquale and what more could you need? You’ll certainly dig this one if you’re in a melancholy mood.
LISTEN ON SPOTIFY BUY ON AMAZON
7) “Hedwig and the Angry Inch”
This show combines rock and roll with power ballads that you’ll be singing to for days. Looking for music to dance around you house to while you belt at the top of your lungs? Let Neil Patrick Harris help you channel your inner Hedwig!
LISTEN ON SPOTIFY BUY ON AMAZON
8) “Once”
With a simple love story at its core, “Once” proves that less is often more. Its small-scale orchestra mirrors live music that you might find in a cozy Irish pub. It’s folk-y style, encompassing the perfect amount of guitar and violin, makes this the perfect soundtrack to studying, strolling or spending time with someone you love.
LISTEN ON SPOTIFY BUY ON AMAZON
Have one you think we left out? Leave a reply below...
[post_title] => 8 Non-Traditional Cast Recordings You Didn't Know You Needed [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 8-non-traditional-cast-recordings-didnt-know-needed [to_ping] => [pinged] => [post_modified] => 2016-06-29 16:38:17 [post_modified_gmt] => 2016-06-29 20:38:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2799 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [15] => WP_Post Object ( [ID] => 2923 [post_author] => 190 [post_date] => 2016-06-28 14:50:10 [post_date_gmt] => 2016-06-28 18:50:10 [post_content] =>1) The King of the Warm Up
Hard to miss, they are flailing arms in a circular fashion while doing a variety of tongue twisters. You can hear their “What to do to die today?” from the moment you step into the hallway, and you’ll want to ask yourself the same question…
What to do: They may ask you to put your hands on their “womb space” while they focus on some grounding breaths. Do not. I repeat DO NOT engage. Also, three words for you: Noise. Cancelling. Headphones. Pop those suckers in your ears, enjoy a meditative space and focus on your own (hopefully less intrusive) warm ups.
2) The Doppelgänger
Especially common at callbacks. You walk into the waiting room, look around, and see a group of people that look vaguely like yourself. It’s odd. They turn to look at you, and you know everyone is thinking the same thing... “oh my god we could be septuplets!” It can be disarming.
What to do: Trust that you’ve done your homework. Your choices and unique energy will differentiate you from the crowd. If anything, take it as a reminder that you need to bring your own essence into the character. Yes my friends, as cliche as it sounds, always be yourself.
3) The Monologue Stealer
Maybe you hear them muttering it to themselves, or you see the script in their hands as a shiver runs down your spine. Yes, my friends. They’re doing the exact. same. monologue. as you. It’s bound to happen at least once in your acting career...no matter how “obscure” you thought your play was.
What to do: Similar to Doppelganger. Trust that your take will be enough to differentiate yourself. Also, it might be worth an emergency revisiting of your tool kit. Experiment with “Playing Opposites” (aka, making choices for your character that are opposite of expected...like playing with having the character laugh after your being told that their mom died,r whispering when the script says “scream”). Chances are, Mr. Doppelganger is making obvious, boring choices. Do not be like Mr. Doppelganger, be the opposite
4) The Stress Case
This figure most commonly appears in the form of one running the auditions, be it a stage manager or assistant. They’re usually seen flitting about, thermos in hand, talking loudly about how “they’re in tech for this show and have a meeting with that director and haven’t slept in thirteen days.” If someone asks if they need something, they usually respond with an overdramatic “I would LOOOOVE a coffee” and when it is brought to them, they respond an equally dramatic “I LOVE you. You’re a LIFESAVER.” TBH it feels more like power-play. Like “Hey, so I’m running this audition, but really it doesn’t mean anything to me because I’m SO busy.” Remember friends. Stress and snarkiness is not indicative of how important you are.
What to do: Don’t indulge them. Also don’t let yourself catch their crummy energy. Get as far away as you can (while still being able to hear if they call you. Obvs.) Maybe do some meditating or listen to a song that gets you in the zone.
5) The “Big Deal”
Casually works their Juilliard degree or child-star Broadway credit into conversations in what is clearly an attempt to intimidate the competition. Do not fall for it.
What to do: They may have a fancier resume but y’all are still here at the same audition. The playing field is level. Just get in there, do the work, and peace out, girl scout
6) The Underprepared
Will ask you to go over their monologue with them because they “just started memorizing this morning”.
What to do: Say something along the lines of “You know, I think I’m up soon. So I don’t think we’d have time.” Do not let someone’s lack of preparation distract you from your own warm up time. You’re not being mean, you’re being smart. You’re here because you are ready to work your butt off and book the role. This person, however, is not. Running lines with someone who is prepared and ready can be stimulating and full of discoveries. Running lines with someone just to help them get the lines right is doing nothing but costing you time and energy. Sidenote: this actually happened to me at college auditions. Dude...you knew this day was coming for like months.
Who did I miss? Anyone have any good audition hallway encounters?. We would LOVE to hear. Leave a reply below...
[post_title] => 6 Formidable Foes In The Audition Hallway & How To Defeat Them... [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 6-foes-in-the-audition-hallway [to_ping] => [pinged] => [post_modified] => 2016-06-30 16:47:11 [post_modified_gmt] => 2016-06-30 20:47:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2923 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [16] => WP_Post Object ( [ID] => 2990 [post_author] => 11 [post_date] => 2016-06-25 08:49:58 [post_date_gmt] => 2016-06-25 12:49:58 [post_content] =>This is YOUR SHOT to see which Hamilton character you identify with the most!
[viralQuiz id=8]Try Another Quiz: Which ‘Hamilton’ Song Best Describes Your Life?
[post_title] => Which "Hamilton" Character Are You? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => which-hamilton-character-are-you [to_ping] => [pinged] => https://theatrenerds.com/which-hamilton-song-best-describes-your-life/ [post_modified] => 2019-01-04 21:58:49 [post_modified_gmt] => 2019-01-05 02:58:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2990 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 302 [filter] => raw ) [17] => WP_Post Object ( [ID] => 2430 [post_author] => 12 [post_date] => 2016-06-22 09:56:53 [post_date_gmt] => 2016-06-22 13:56:53 [post_content] =>1. The False Phone Call.
You think it’s your agent calling to tell you the part is yours when really it’s just Verizon reminding you your bill is past due.
2. “You must be an ASPIRING actor.”
You have a pricey theatre degree and multiple professional credits on your résumé, yet you still get the A-bomb dropped on you constantly. (Just because I’m bussing your table doesn’t mean I’m not successful!)
3. When your friends and family use the terms ‘play’ and ‘musical’ interchangeably.
“Have fun at musical practice, honey. “ Sorry Mom, pretty sure the only time Stanley Kowalski broke out into song is during that Simpsons episode.”
4. Dream Role Interrupted.
It’s the perfect part for you! Until you realize it requires opera singing, break dancing, or a Turkish accent. (But I can learn!!!)
5. Your scene partner gives you a note.
Nuf’ said.
6. Realizing you can’t deduct your gym membership at tax time.
But I need to be pretty!!!
7. “That Doesn’t Look Like You.”
You just dropped a grand on your new headshots that you’re completely in love with when someone utters those nasty five (probably true) words. You don’t know what you’re talking about because you only ever see me when I look like total crap!
8. “You’re amazing!” ...Crickets.
You kill it in your audition, Casting both weeps in sadness and pees themselves laughing. They tell you you’re awesome, hell they give you a standing ovation, you call your mom to tell her to expect good news any day ...and then nothing.
9. You’ve aged out of your niche.
But who am I if I’m not the cute college co-ed anymore?
10. Choosing between an audition and your day job.
You spend all day waiting to audition, realize if you stick it out for thirty more minutes you’ll probably get seen, but if you don’t leave in the next ten minutes you can kiss your paying-the-rent job good-bye!
11.“Come sit next to me on this lovely Casting Couch.”
There’s nothing worse than realizing the casting director that’s been asking for your reel is only interested in getting into your pants. (It hurts infinitely worse when you pay to take their workshop, they hit on you, you reject them, and now you’ll never get called into their office, AND you’re out fifty bucks! ...Just saying.)
Have a time your actor soul died a little? Leave a reply below...
[post_title] => 11 Times Your Actor Soul Died A Little [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 11-times-your-actor-soul-died-a-little [to_ping] => [pinged] => [post_modified] => 2016-06-22 09:58:55 [post_modified_gmt] => 2016-06-22 13:58:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2430 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [18] => WP_Post Object ( [ID] => 2816 [post_author] => 190 [post_date] => 2016-06-20 09:58:53 [post_date_gmt] => 2016-06-20 13:58:53 [post_content] => Every actor’s approach to the craft is unique and beautiful. How you “act” varies greatly depending on your technique, schooling, and even psychological makeup. Each actor is a snowflake, drifting through this merciless tundra of an industry with as much grace, determination, and courage as they can muster. It’s a thrilling example of the tenacity of the human spirit. But even in this intoxicating whirlwind of a life, we actors have one thing for certain. One little strand from which we can draw some sense of security, continuity, and trust...You’ve gotta know your gosh-darned lines.
Whether it’s Shakespeare, Simon, Sophocles, or Sorkin. Whether you just graduated grade school or Yale University. If you don’t have your lines memorized, your fellow actors will have (to quote the aforementioned Billy Shakes) “no more faith in thee than in a stewed prune.”
So in attempt to avoid becoming said prune, Here are some tried and true tips & hacks to help memorize lines.
1. Abbreviate Them
Write out the first letter of each word, leaving all capitalizations and punctuations in place. So “Good Night, Good night! Parting is such sweet sorrow, that I shall say good night till it be morrow.” would become “G N, G n! P i s s s, t I s s g n t i b m.” This gives you just enough of a map to make sure that you’re word-perfect, while still providing a challenge.
2. Writing Them
Pretty simple but it works. If you have a monologue or speech that keeps tripping you up, rewrite it over and over again. The key here is to handwrite it. The physicality will help give this technique sticking power.
3. Record Them
Record yourself speaking the lines & listen to this recording as you go about your day. When I use this technique, I make sure to speak them relatively monotone so that I don’t get stuck in a certain inflection.
4. Get moving!
You’re not going to be onstage, staring into a corner, and reciting your lines like a robot, so don’t practice them that way! Go for a jog, do jumping jacks, heck, even devise an interpretive dance for each line (surprisingly effective). It’s one thing to be able to recite lines when you’re giving 100% of your focus. Incorporating movement will be a truer test, and a closer representation of what’ll be required of you in rehearsals and performances.
5. Use The Buddy System
Having a friend or fellow cast member with you can keep you accountable, I mean who doesn't want to look good in front of their peers. Even better, invite your scene partner to go through lines with you. Not only will this help you get off book, but odds are you will get comfortable with each other during the process. This will reap further rewards when it's time to perform together on stage.
*Just make sure the friend is someone you know will help keep you accountable, not the one who just wants to talk about last nights GoT.
Bonus Tips!
- Familiarize yourself with the script first. It’ll be much easier to memorize once you have an idea of the character and the structure of the scene.
- Sleep help converts new information from short term memory to long term memory. Review your lines as you’re dozing off, and you will be shocked at much you recall in the morning!
- There’s an app for that! Some folks swear by The Rehearsal 2 App. It’s essentially a recording and teleprompter in one. Pretty genius, if you ask me. But at 20 bucks, it costs a bit of a pretty penny.
- Avoid the traditional “I’ll just repeat this line 2,000 times until I get it” strategy, as this will cement not only what you’re saying, but also how you’re saying it. You want your speech to be naturally influenced by your character’s intentions and tactics, so be careful not to memorize inflections and tones.
What do you do to memorize lines? Leave me a comment with your tips and tricks!
[post_title] => Off Book Is Coming! 5 Hacks To Help You Memorize Lines [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 5-hacks-to-help-you-memorize-lines [to_ping] => [pinged] => [post_modified] => 2016-06-20 10:02:30 [post_modified_gmt] => 2016-06-20 14:02:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2816 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 3 [filter] => raw ) [19] => WP_Post Object ( [ID] => 2788 [post_author] => 11 [post_date] => 2016-06-18 12:46:31 [post_date_gmt] => 2016-06-18 16:46:31 [post_content] =>Many films take their inspiration from the Bard and his plays. Can you match these popular flicks up with their Elizabethan counterparts?
[viralQuiz id=7] [post_title] => Can You Match The Movie With Its Shakespeare Play? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => match-the-movie-with-its-shakespeare-play [to_ping] => [pinged] => [post_modified] => 2016-06-18 12:54:44 [post_modified_gmt] => 2016-06-18 16:54:44 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2788 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [20] => WP_Post Object ( [ID] => 2844 [post_author] => 11 [post_date] => 2016-06-15 20:49:14 [post_date_gmt] => 2016-06-16 00:49:14 [post_content] => Host James Corden said it best: the Tony Awards are “like the Super Bowl for people who don't know what the Super Bowl is.” On Sunday, theatre nerds across the country tuned in for TV’s glitziest, most glamorous night honoring the 2015-2016 Broadway season. This annual celebration of theatre’s best is our night to root for our favorite productions and performers. Here are our favorite moments from 70th Annual Tony Awards (in no particular order):1. James Corden dedicates the opening number to ambitious theater kids.
Any avid award-show buff knows that a successful opening number is key to a successful night. This year, actor James Corden swapped his ‘talk-show host’ hat for an ‘award-show host’ hat, guiding us through this season’s best of Broadway. His opening number set the scene of a young James, sitting rear mezzanine with mom and dad, dreaming of all the roles he might play someday. The goofy, jazz hands-worthy number paid homage to lots of classic Broadway and left us with the inspiring message that it truly could be you on that stage. https://www.youtube.com/watch?v=psFLbMpKh7M2. James Corden in general.
As an actor with prominent theater roots who just so happens to host his own Late Late Show, Corden was a shoo-in as this year’s M.C. He kept things light, humorous, fun and witty even amidst tragedy earlier that day. Corden did a great job at giving us all the *Broadway feels* and we wouldn’t even be mad if they asked him to host again next year.
3. Lin-Manuel Miranda proclaims “Love is love is love...”
Though Miranda’s win may have been highly anticipated, it was nothing short of emotional. In true Lin-Manuel Miranda-fashion, the playwright/actor took to the stage with an acceptance poem, thanking his wife and urging viewers to stand together in goodness and in love. Even those few folks left in the world who haven’t jumped on the Hamilton bandwagon can appreciate his well-worded speech. https://www.youtube.com/watch?v=nUffUHGqYco4. Barbra Streisand makes her first Tony’s appearance since 1970!
Last time the Tony’s saw Babs, she was accepting her Star of the Decade award. The legendary powerhouse has been MIA for the last couple of decades of awards ceremonies, so her return made for lots of well-deserved hubbub. After Corden’s quip that there would be medical assistance (should anyone faint in the presence of this icon, of course), Streisand took the stage looking straight outta Hamilton. Even if she didn’t actually open the envelope to read the obvious winner of Best Musical, a rare Babs sighting could never rain on our parade.
5. Josh Groban's “Fiddler on the Roof” blast from the past.
Josh Groban thought he was just going to be a presenter for the evening, but host James Corden had other plans. He played a clip of Groban as Tevye in a high school production of "Fiddler on the Roof". Groban (who will be making his Broadway debut this fall) appeared surprised and a little embarrassed, but was a good sport about Corden's prank. https://www.youtube.com/watch?v=Z2xooT_lsZU6. Cynthia Erivo completely kills it in her “The Color Purple” performance.
While it was a night of outstanding performances, “London girl” Cynthia Erivo blew others out of the water. Belting a soulful rendition from “The Color Purple” (for which she won Lead Actress in a Musical), Erivo certainly left us wondering where she’ll go next in her Broadway career. https://www.youtube.com/watch?v=3k2xzQyT2bk7. The Tony’s honor those lost in the Orlando tragedy.
Though this year’s ceremony televised shortly after a devastating nationwide tragedy, the Tony’s shed a little light on our country’s gloomy day. Many acceptance speeches honored the lives that were lost, allowing the theater community to band together in support. Frank Langella, who took home the title of Best Lead Actor in a Play for his performance in “The Father”, was a prime example: “I found some words that will mean more to you than a list of names,” he said. “When something bad happens we have three choices: we let it define us, we let it destroy us, or we let it strengthen us. Today in Orlando we had a hideous dose of reality, and I urge you Orlando to remain strong.”
8. “The Humans” wins Best Play.
After pinning down six Tony noms, Roundabout Theatre Company’s “The Humans” was crowned Best Play. Set over a Thanksgiving dinner, this dramedy follows one family’s plight to coexist harmoniously.
9. Hamilton wins Best Musical.
We all knew it would happen...and we’re totally thrilled it did. Nominated for a record-breaking 16 awards, the larger-than-life Broadway hit took home 11 (nearly breaking another record as the highest amount of wins in one night is 12 for “The Producers”). One of those awards was, of course, Best Musical. After watching the cast’s performances, one thing is certain: a history lesson never had such a good beat.
10. It was the culmination of a truly diverse, inspiring Broadway season.
With performances from School of Rock, Spring Awakening, Bright Star, Shuffle Along, Fiddler on the Roof and more, this year’s ceremony was nothing short of diverse in terms of culture, music, dance and story. It was the perfect end to a brilliant Broadway season, leaving us all-too-ready for another year of epic theater.
What was your favorite moment of the 70th annual Tony Awards? Leave a reply below...
[post_title] => Top 10 Moments Of The 70th Annual Tony Awards [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => top-10-moments-70th-annual-tony-awards [to_ping] => [pinged] => [post_modified] => 2017-06-10 08:39:31 [post_modified_gmt] => 2017-06-10 12:39:31 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2844 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [21] => WP_Post Object ( [ID] => 2655 [post_author] => 9 [post_date] => 2016-06-14 10:10:51 [post_date_gmt] => 2016-06-14 14:10:51 [post_content] => Do you ever wonder what kind of things theatre teachers see in auditions? After all, theatre teachers see thousands of auditions, so you know there are bound to be some unfortunately memorable performances.1. The same monologue
I have nothing against D.M. Larson or Kellie Powell, but I have all their monologues memorized now. Time to read some more plays, people!
2. The improviser
You just came up with that monologue on the spot? I had no idea…
3. Fierce eye contact
Please don’t look me in the eyes while you perform a monologue about “me” attacking you.
4. Wrong genre
Your monologue was hilarious, but I don’t think Hamlet is supposed to be funny…
5. Vulgar performance
You would think people would censor themselves with teachers in the room… alas… they do not.
6. “Can I start over?”
I’m starting to think this monologue is about short-term memory loss. If it is… brilliant.
7. Overly prepared freshman
This one is only unfortunate because the seniors are going to whine that they were beat out by a freshman.
8. Lazy seniors
The senioritis is strong with this one… so I’m giving your part to a freshman.
9. Techies who can act and sing
You can act and sing too?! Great, now who’s going to build the set?
10. The plagued
You’re so sick that you weren’t at school today, but theatre is life, so… wipe your nose and try not to cough on the directors.
11. The Nervous Fish
At any moment these students think a shark will appear and eat them whole. (I have yet to see this shark).
12. No-show
Thank you for signing up last too… I was hoping to wait around for no one.
13. One character McGee
I really want to cast you… unfortunately the only character you can play doesn’t really fit in this show.
14. Original monologue
Must every original monologue be a dark and depressing window into your inner-thoughts?
15. Multi-tasking
Remember, you’re allowed to act and sing simultaneously!
16. Two left feet
Don’t worry, we’ll put you in the back.
17. Ineligible
I can’t cast you when you’re failing everything except Theatre and Choir.
Are you one of these people? What are some other unfortunate things theatre teachers see in auditions? Let us know by commenting below!
[post_title] => 17 Unfortunate Things Theatre Teachers See In Auditions [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 17-unfortunate-things-theatre-teachers-see-in-auditions [to_ping] => [pinged] => [post_modified] => 2022-04-04 21:22:31 [post_modified_gmt] => 2022-04-05 01:22:31 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2655 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 19 [filter] => raw ) [22] => WP_Post Object ( [ID] => 2509 [post_author] => 12 [post_date] => 2016-06-10 10:46:20 [post_date_gmt] => 2016-06-10 14:46:20 [post_content] => Actors are never short on collecting advice, whether it’s from a fellow actor, teacher, director, your hairdresser, plumber, that customer that only left 10%, or your Aunt Claire; “I just love that Julia Roberts, you should get her agent to represent you.” (Thanks, Aunt Claire)... you get the idea. But a lot of the advice we receive is about the craft, how to get an agent, whose workshop is really hot, blah, blah, blah. What about how to thrive as an artist? How to balance your life? Be an actor people want to work with again? How to keep your soul alive? Or how to stay fresh?Over my decade in the trenches, this is by far, the BEST advice I’ve received to date on how to be an actor.
It’s hard to be an interesting/likeable/castable actor when you are completely boring. Trust me, no agent or casting director wants to hear about how many classes you’re taking, or that you found a perfect monologue, or how you really just ‘got it’ during that Viewpoints workshop the other day. They want to know what makes you special and not just like every other actor that walked through their door that day. Go to new places, learn how to cook, get a hobby, fall in love, make babies and live your life. Then wow them with how you speak three different languages, dated a descendant of Ernest Hemingway, and deliver babies in Guatemala during your free time. Not only will you stand out- but you’ll live a much more fulfilling life.Get a life.
I’ve never had an official dresser before, so at first, I had no idea what this meant. Basically, be nice to people. In fact, be nice to EVERYONE. Buy the costume department coffee. Say thank you to the guy who goes up your shirt to mic you each day. Make friends with the gaffers, the set designers, the sound guys, etc. Not only do you never know what assistant may be your future agent/director/producer one day- but it just feels good to do good and put all that positive energy out there.Tip Your Dresser.
It’s easy to get in your head trying to figure out what you think that “they” want, and then end up going crazy making choices that aren’t true to yourself. Sometimes, you just have to say, screw it and do the monologue you really want, sing the song you love, and read the copy the way your instincts tell you- even though it goes against the direction they gave. When we listen to our gut and do what we love, it radiates out and gets attention- sometimes it even books the job, but ultimately we leave feeling satisfied.Don’t audition for them anymore, do it for yourself.
Watch the news, read books, see plays, go to museums. Step out of your comfort zone. If you only listen to pop music, try listening to country for a week. Download a new podcast, read a book that you normally would have never thought to read. When we step out of our daily routines and explore new areas of music, literature, and culture, we explore new sides of our personalities; thus, creating new and exciting characters, which makes for a more dynamic life, which makes for more dynamic art.Know what’s going on in the world.
Don’t fall into the trap of comparing yourself to your friends and peers. The rain falls on all of us, the sun shines on all of us. Be genuinely ecstatic when your colleague books that gig. Share their successes with the world, be a cheerleader. Not only does it feel a million times better to celebrate someone rather than pouting, but, those good vibes will come back your way.Never compare, never despair.
It’s a cold reality but one we must embrace. Just picture your favorite movie stars, Broadway divas, and television actors- they all still get rejected! Doesn’t that make you feel better? Huh? Huh? Maybe not. But just remember we all deal with it, it’s part of the package. So figure out what works for you- a trip to the beach, journaling, kickboxing, or Haagen-Dazs. Whatever it is, find what works so you can put your rejection behind you in order to move forward.Rejection never goes away.
Whether it’s a basement cabaret, a sketch video, a one-person show or a podcast. Do it! It doesn’t matter if that agent you’ve been dying to get in front of turns up for opening night or not. What matters is you’re creating and keeping your passion alive. Regardless if you realize it or not, you’re putting something out there and something eventually will come back from it.Create your own work
What's the best acting advice you have ever received? Have some advice of your own? Leave a reply below...
[post_title] => The Best Acting Advice I Ever Received [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => the-best-acting-advice-i-ever-received [to_ping] => [pinged] => [post_modified] => 2016-06-10 16:45:20 [post_modified_gmt] => 2016-06-10 20:45:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2509 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [23] => WP_Post Object ( [ID] => 2724 [post_author] => 1 [post_date] => 2016-06-06 07:22:33 [post_date_gmt] => 2016-06-06 11:22:33 [post_content] => We asked you Theatre Nerds what what movies you think should be made into Broadway musicals. After receiving over 400 responses, there were some clear winners. Providing a full disclaimer, some of these shows have been made (or attempted) into musicals, but have either flopped or not made it to the Broadway stage. Two of the top voted movies also have upcoming productions so we left them off the list. These two were: Mean Girls & Back To The Future. Some of our favorites that didn't quite make the list: Godfather (a parody version) & Jurassic Park!Here are your top 15 movies that should be made into Broadway musicals:
15. Spaceballs - 19 Nerd Votes
14. The Sandlot - 25 Nerd votes
13. Clue - 28 Nerd Votes
12. Hercules - 30 Nerd Votes
11. Pirates of the Caribbean - 34 Nerd Votes
10. The Goonies - 35 Nerd Votes
9. Ferris Bueller's Day Off - 36 Nerd Votes
8. The Perks of Being a Wallflower - 39 Nerd Votes
7. Labyrinth - 43 Nerd Votes
6. Napoleon Dynamite - 49 Nerd Votes
5. The Princess Diaries - 58 Nerd Votes
4. The Great Gatsby - 62 Nerd Votes
3. Monsters, Inc. - 76 Nerd Votes
2. The Breakfast Club - 83 Nerd Votes
1. The Princess Bride - 91 Nerd Votes
What movie would you like to see as a musical? Leave a reply below...
[post_title] => 15 Movies That Should Be Made Into Broadway Musicals [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => movies-that-should-be-musicals [to_ping] => [pinged] => [post_modified] => 2016-06-06 07:34:47 [post_modified_gmt] => 2016-06-06 11:34:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2724 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 15 [filter] => raw ) [24] => WP_Post Object ( [ID] => 2513 [post_author] => 190 [post_date] => 2016-06-04 11:00:35 [post_date_gmt] => 2016-06-04 15:00:35 [post_content] =>1. You will cry in front of every teacher you have.
Maybe because of a scene...but most likely just because of life.
2. You might get naked in class.
Never a requirement (obvi!!). But sometimes, it just happens. ¯\_(ツ)_/¯
3. You won’t be going out on Thursday nights.
Aka you might be the only one of your friends to have class on Friday...and then rehearsal on Saturday...and a show on Sunday.
4. You’ll question what you’re doing...a lot.
In your acting class...in your acting major...in your acting life...
5. You’ll embarrass yourself THOROUGHLY.
But it’ll get to the point where you don’t even care anymore! Which, honestly, is pretty freakin’ awesome.
6. You and your classmates will bond SO FAST.
Once #5 (or #2) happens, how could you not?
7. You’re gonna get really good at interpretive dance.
No, like really good. Something like 40% of your BFA is interpretive dancing.
8. You’ll start getting really meta when bad things happen to you, especially when you start learning about emotional recall.
*Roommate eats last of your cinnamon toast crunch* “Well. I’ll be remembering THIS for Medea later.”
9. Acting parties are by far the BEST parties.
Nothing like a little emotional exploration to really get a party going.
10. You’ll never watch a movie or play the same way again.
Especially ones with dialects. “Ooooh did you hear that intrusive r? SWEET.”
11. You’ll graduate feeling like you’re prepared for nothing, and yet prepared for EVERYTHING.
Acting skills = life skills, y’all. Bring it.
Have one of your own? Leave a reply below...
[post_title] => 11 Things Nobody Tells You About Acting School [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => things-nobody-tells-you-about-acting-school [to_ping] => [pinged] => [post_modified] => 2016-10-11 16:44:41 [post_modified_gmt] => 2016-10-11 20:44:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2513 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [25] => WP_Post Object ( [ID] => 2358 [post_author] => 9 [post_date] => 2016-05-31 12:11:05 [post_date_gmt] => 2016-05-31 16:11:05 [post_content] => Every theatre department is unique in its own way, but there seem to be the same type of people in each group. Here is a list of the 18 personalities that comprise pretty much every theatre department.1. The Annoying Talent
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The Annoying Talent is very talented… there’s no doubt, but you kind of hate them for it. Everything comes naturally to them and it seems like they don’t have to work as hard as everybody else. They can do no wrong.
2. The Tech Guru
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The Tech Guru can do anything… seriously. We’re not certain when they had time to learn all the stuff they know. If you turn your back for one second, they have the set built. Let’s be honest, the theater belongs to them.
3. The Hidden Talent
4. The Athlete
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The Athlete thought it would always be fun to try acting. They’re not bad either! By the end of the show they’ll say, “I wish I would have done theatre sooner.” It’s always fun having half the football team in the audience because you cast the wide receiver.
5. The Drama (AKA The Gossip)
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The Drama is the reason we call it the “Drama Department.” When they’re not spreading rumors on Twitter and Facebook… you might hear common phrases like “She said,” “He said,” and “Let them say it to my face.”
6. The Optimist
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The Optimist always has a smile… it’s slightly alarming, but refreshing at the same time. You’re not sure how they’re able to generate a smile as often as they do, but you love it!7. The Singer
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The Singer knows they can sing… and they let everyone else know it. Yes, we know you know every song in Hamilton. And no, we don’t want to hear it for the eighth time today.8. The Hugger
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The Hugger loves EVERYONE! They will give you hug. You can’t say no… you can’t escape the hug.9. The Overachiever
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The Overachiever does everything in theatre. If ever you can’t find them… check the theatre. You often hear them joking that they should just sleep at the school… because they’re always there. The department wouldn’t function without them!
10. The Boss
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The Boss gets work done! These people are usually attracted to student leadership jobs like stage manager, student director, and crew chief. Their favorite thing in life is bossing people around… and they’re good at it.11. The Mom
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The Mom is everyone’s best friend. They always take care of everyone and wipe our tears when we cry.12. The Absent
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The Absent is the person who you know is in the show, but you don’t usually see them until show night. They give a whole new meaning to “Empty chairs at empty tables.” They always seem to have other commitments… allegedly.
13. The Fan
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The Fan is everyone’s biggest fan! They attend every show and always tell you how great of a job you did. They aspire to be just like you!14. The Critic
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The Critic cannot be pleased. No one is ever good enough for their taste. They always have an opinion (welcomed or unwelcomed).
15. The Awkward
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The Awkward is exactly what you think. Every theatre department has that one awkward kid who is too awkward to be in a show… until you finally see them in a perfect role and then you must see them in every show! There is something mesmerizing about all that awkward!
16. The Misunderstood
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The Misunderstood is very misunderstood. They prove how misunderstood they are by wearing elaborate makeup and clothing that you’re pretty certain they stole from the costume closet.
17. The Guitar Player
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The Guitar Player has a guitar. The guitar player has hair that dramatically falls into their eyes. The Guitar Player has a small following of underclassmen who have never heard such genuine and honest music.
18. The Jokester
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The Jokester is hilarious. They always make you laugh… even when you probably shouldn’t be laughing. They’re a child at heart and probably will be for the rest of their life.
18 different personalities, but we need all of them to make our departments so memorable. Which type are you? Which type are your friends? Maybe you’re a dangerous combination!
Did we miss a personality? Comment below and let us know some of the "characters" in your theatre department!
(Cover: Special thanks to Brenna McCulloch of Corvallis High School for letting us use this great photo)You Might Like This: Only A Real Theatre Nerd Can Ace This Quiz
[post_title] => 18 Types Of Theatre Kids: Which One Are You? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 18-types-of-theatre-kids [to_ping] => [pinged] => https://teestalktimeblog.wordpress.com/2013/11/17/pep-talk-sunday-self-criticism/ https://theatrenerds.com/only-a-real-theatre-nerd-can-ace-this-quiz/ [post_modified] => 2018-09-29 18:49:45 [post_modified_gmt] => 2018-09-29 22:49:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2358 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 107 [filter] => raw ) [26] => WP_Post Object ( [ID] => 2505 [post_author] => 11 [post_date] => 2016-05-28 11:42:59 [post_date_gmt] => 2016-05-28 15:42:59 [post_content] =>Try Another Quiz: What % Glinda The Good Witch Are You?
[post_title] => Which "Wicked" Character Are You? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => which-wicked-character-are-you [to_ping] => [pinged] => [post_modified] => 2018-10-02 13:56:53 [post_modified_gmt] => 2018-10-02 17:56:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2505 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [27] => WP_Post Object ( [ID] => 2154 [post_author] => 8 [post_date] => 2016-05-26 12:13:31 [post_date_gmt] => 2016-05-26 16:13:31 [post_content] =>1. Self-Confidence
To command a stage, and deliver your lines or actions takes guts. The more we practice those skills, the more confident we become in trying new things, taking risks, and gaining personal confidence on the other stages in our lives. This kind of confidence definitely carries over into work, home, school, & anywhere we need to step out of our comfort zone or “perform.”
2. Creative Thinking & Problem Solving
Being able to approach a problem from a different angle, or with unique abilities is truly a life skill. Thinking on your feet. Asking questions. Taking notes, adapting movement, adjusting inflection, and trying everything again in a fresh way makes us more creative when we’re tackling other areas in life. It makes us limber mentally and emotionally, and gives us options onstage and off.
3. A Broad Human Perspective
Much of theatre revolves around the script, choices on stage, character motivations, and human interactions. We delve into the human condition and strive to understand others through their own lenses. Human behavior and psychology are central to crafting our characters and portraying their social interactions onstage. We also read many scripts, and experience different historical eras, dance styles, and musical styles. We learn to sympathize, empathize and understand humanity everyday, and this helps us when we interact in the real world.
4. Follow Through
Deadlines, professionalism and quality control are integral parts to every production, both on and off stage. The perseverance required by the theatre makes us stronger people in our personal lives. Opening Night never goes away, and every audience is new, so our practice and performance has to remain solid for the run. The world needs and expects resilient people who step up and make it happen. In other words, “The show must go on!”
5. Teamwork
The very nature of theatre is people working towards a common goal, which is telling a story in a certain way. You can’t escape the team nature of theatre (and sometimes there’s drama that should have been left on the stage), but teamwork is also one of the things we love best about performance! The social fun, interaction, and energy of the cast and crew make those inevitable difficult times more than worth it, and this teaches us to push through problems and conflicts by seeing the big picture, which is the team goal.
6. The ability to work under pressure.
Live audiences! Technical snafus! Lack of sleep! And yet, we learn to thrive under pressure, when needed, by performing. We learn that challenges often bring out the best in us, and we learn that nervous “butterflies” are a sign of life and energy that we can harness. We start to appreciate the adrenaline, the anticipation, and the rush of the stage. We become stronger people by surviving the obstacles and moving forward every day in the theatre.
7. Sheer Enjoyment
Passion for the scripts and collaboration with a team that you care about is deeply fun for those who choose theatre. We learn to bring texts to life. We learn to live in the moment. We learn to improvise when necessary. We inhabit our characters each night on stage. We dance and sing, and call cues, and create something. We face setbacks, but if it wasn’t sheer enjoyment to create and make and perform, we wouldn’t keep choosing this highly demanding work. We find our passion in the theatre. And at the end of every exhausting day, we push forward, for the love of our craft.
Have a skill to add? Leave a reply below...
[post_title] => 7 Life Skills Every Theatre Kid Will Learn [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => life-skills-every-theatre-kid-will-learn [to_ping] => [pinged] => [post_modified] => 2016-05-26 16:12:30 [post_modified_gmt] => 2016-05-26 20:12:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2154 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 8 [filter] => raw ) [28] => WP_Post Object ( [ID] => 1991 [post_author] => 5 [post_date] => 2016-05-24 09:00:23 [post_date_gmt] => 2016-05-24 13:00:23 [post_content] => Today’s Lesson is Brought To You By The Letters ‘G’ and ‘T’ ‘G’ for Glossophobia Glossophobia: Fear of Public Speaking or Performance Greek γλῶσσα glōssa, meaning tongue, and φόβος phobos, fear or dread ‘T’ for Triskaidekaphobia Triskaidekaphobia: Fear of the Number 13 Greek tris meaning "three", kai meaning "and", deka meaning "10" and phobos meaning "fear" or "morbid fear"Theatres offer many things to thespians, such as a place to try new things, a safe space, a creative sphere of awesomeness, and the physical place of many a life’s firsts. Theatres give those who partake countless opportunities and outlets. Theatres help take small ideas and morph them into larger-than-life productions.
So it seems only natural that theaters would be breeding ground for superstitious beliefs.1. The Scottish Play
Belief:
Unless you are on stage, rehearsing or acting in Shakespeare’s Macbeth, you are under no circumstance ever to say “Macbeth” while on a stage or in a theatre. Doing so will lead to you ultimate failure, the theatre’s collapse, and the stage manager losing their production notes.
Background:
Some historians believe the “Scottish Play Curse” came to be after a series of rumors evolved that the Witches’ spells within the text contained actual black magic curses. Other theatre historians believe Shakespeare’s plays were often produced (on the cheap) to help failing theatres pull out of financial ruin; cheap budget cuts paired with onstage duels and normal theatre stresses led to larger-than-life rumors of horrible acts occurring during production.
Reverse the Curse
Undoing the curse of saying Macbeth on stage: Turn around three times Spit over your left shoulder with each turn Swearing between each spit Complete spins and reciting another line from a different Shakespeare play Curse Reversed*
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*Note: No promises of any actual curses reversing. Also note that this is one of more than a dozen “curse reverse” practices.
2. “Break A Leg”
Belief:
Saying “Good Luck” will ensure your DOOM when in performance. Instead, “Break A Leg,” should be said as nod to fortune and never-a-forgotten-line
Background:
The saying started popping up in Western theatres, it is believed, around teh 1920s
“Break A Leg” didn’t work its way into an English publication (directly) until the late 1930s. Edna Ferber was the first to print anything about the superstition, writing, “...all the understudies sitting in the back row politely wishing various principals would break a leg.” **
Of all the theatrical origins, “break a leg” has more than this one blog post can report on.Some research favorites include:
Understudies wished the leads to “break a leg” so often it became considered rude for someone not to say it Shakespearian English: “Break” = “Bend”“Break a Leg” = “Bend a Leg” or “Cheers to a bow at the end”
Fooling Theatre Sprites! By saying “break a leg,” mischievous sprites would do the opposite, granting wonders and good things. And My Personal Favorite: The Lincoln Conspiracy! ***After shooting President Abraham Lincoln, John Wilkes Booth leapt from the theatre box, breaking his leg before running out of the theatre. Booth later wrote in his diary (between fleeing and his own death) that his performance would always be remembered… ‘Cause broken leg.
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3. Whistling In A Theatre
Belief:
It is bad luck to whistle in a theatre
Background:
Ok. This one has been difficult to find printed history about. All the following is compiled from theatre spoken lore.
Fly crews in theatres used to hire out-of-work sailors. Sailors communicated through a series of high pitched whistles with each other. This form of whistling was used on boats to express quickly how sails should be raised and lowered. As these men moved to theatrical spaces to work, the whistling continued. Being that the only individuals privy to this form of communication were sailors, it was believed sandbags, flys, scenery, and other such things could be dropped on an actor’s head with the simple act of a whistle.
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4. Always Light the Ghost Light
Belief:
One should always leave a light on stage in a theatre, even when it is unoccupied, to keep the space from being completely dark. Usually, in modern theatres, this consists of an exposed bulb with no lamp shade.
Background:
Ghost lights became theatre staples around the same time that England and America became more interested in communicating with the supernatural. If you review history as electricity was more widely introduced and interest in the spiritual other world, many theatre superstitions seem to have origin stories dating back to this time. There is not a definitive “this theatre left a ghost light starting at this time” history. Superstitions have oral origins about leaving the ghost lights out for former thespians to take the stage in their next-life form and reenact their roles with lighting.
Practically? Technicians are often the first in and last out. The light is a safety precaution in a dark theatre to prevent actual broken legs.
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Have proof these superstitions are REAL? Reply below...
1. Source: Burt, Richard. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. Westport, Conn.: Greenwood, 2007.
2. Sources:** Ferber, Edna. A Peculiar Treasure. New York: Doubleday, Doran, 1939*** Kauffman, Michael W. American Brutus: John Wilkes Booth and the Lincoln Conspiracies. New York: Random House
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Those pages can’t help but transport you back to the very first time you bought one, ran it home, got out your reddest pen and circled every single audition listing you thought you were ‘right’ for.
2. That Surreal Feeling You Got Auditioning For A Chorus Line
Anytime you hear ‘I Hope I Get It’ your mind races back to that bizarre moment in time when you auditioned for A Chorus Line and sang the lyrics that lined up perfectly with your current thought process. “I really need this job. Please God, I need this job. I’ve got to get this Job.”
3. The First monologue You Ever Memorized.
It’s thirty years later and you can still spout off that Charlie and the Chocolate Factory monologue verbatim. (And you can do it in six different dialects too!)
4. The First Time Your Agent Called to Say, “You Got The Part!”
Whether you were crammed in the backseat of a car next to a dog with diarrhea, or eating a vegan BLT in a NYC diner, or maybe even wrapped in a paper gown at the docs...that first call (and many similar calls) will always be near and dear to your heart.
5. The First Time You Totally Bombed an Audition
You’re still cringing at the Ashlee Simpson Shuffle you did off stage after totally blowing it. (It happens to everyone!)
6. Showmance!
Falling in love with your scene partner one time or another is as inevitable as a long pause in a Beckett play.
7. Discovering the Life Force That is Throat Coat.
Time and time again, this little tea bag has saved the show.
8. The First Time You Wore a Costume You Loathed.
Maybe it was a nude unitard, a horse that you wore around your waist, or a fat suit. No matter the level of embarrassment, you suit up anyway because the show must go on.
9. That Diner You and Your Theatre Pals Always Go to After a Show.
You know the place. The one that’s open late and doesn’t mind a gaggle of loud thespians taking over an entire section, drinking endless coffee refills and bursting into song randomly. (Not to mention that incredible muffin with the sugar crumbles on top.)
10. The First Time You Got Paid To Do What You Love.
Whether it was a theme park, cruise ship, independent theatre, or Broadway, there’s nothing better than the moment you became a working actor.
Have one to add to the list? Leave a reply below...
[post_title] => 10 Things For Actors To Get Ridiculously Nostalgic About [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 10-things-actors-get-ridiculously-nostalgic [to_ping] => [pinged] => [post_modified] => 2016-05-19 15:51:14 [post_modified_gmt] => 2016-05-19 19:51:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=2066 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [31] => WP_Post Object ( [ID] => 2261 [post_author] => 1 [post_date] => 2016-05-19 12:00:11 [post_date_gmt] => 2016-05-19 16:00:11 [post_content] => Updated: We asked what you would consider to be your "dream role" on stage, and received over 600 responses! Impressed with the diverse array of replies, there were still some roles that owned the majority.We thought it would be fun to put together a list of the top 19 roles Theatre Nerds want to play...
19. Maria - West Side Story - 25 Nerds
18. Rizzo - Grease - 26 Nerds
17. Phantom - The Phantom of the Opera - 27 Nerds
16. Eliza Doolittle - My Fair Lady - 27 Nerds
15. Sweeney Todd - Sweeney Todd - 29 Nerds
14. Elder Price - The Book of Mormon - 31 Nerds
13. Mimi - Rent - 32 Nerds
12. The Witch - Into The Woods - 35 Nerds
11. Fiona - Shrek The Musical - 36 Nerds
10. Fantine - Les Misérables - 40 Nerds
9. Glinda - Wicked - 42 Nerds
8. Maureen - Rent - 46 Nerds
7. Mrs. Lovett - Sweeney Todd - 48
6. Eliza - Hamilton - 50 Nerds
5. Javert - Les Misérables - 54 Nerds
4. Belle - Beauty and the Beast - 58 Nerds
3. Éponine - Les Misérables - 62 Nerds
2. Christine - The Phantom of the Opera - 67 Nerds
1. Elphaba - Wicked - 72 Nerds
What is your dream role on stage? Leave a reply below...
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[post_content] => If you’re like me… you probably laughed at the title of this article and then cried on the inside while considering the harsh realities. When I was an acting major at the University of Northern Colorado I used to joke that the final class in our program should be a bartending class. We can just call it THEA 450. I mean… so many people end up going into the service industry, why not? Let’s be honest, we’re just in these jobs to pay the bills. So here comes the big question…
What day jobs are most ideal for the aspiring performer?
10. Bartending & Serving
I know this article is about alternate options, but there’s a reason why so many actors are drawn to these jobs! Work hours are flexible, multiple people can usually cover your shift, and there are restaurants and bars everywhere! Plus, walking away from each shift with cash tips… not so bad!
9. Catering
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Between catering companies and catering departments at venues and event centers, this is a booming industry. You have the chance of meeting new people, attending different events, and traveling to appealing places. With all those people… you just never know who you might meet! Plus, can anyone say free leftovers!8. Uber & Lyft Drivers
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Do you have a car? Then you have a job! Companies like Uber and Lyft have made it so much easier to fatten up your wallet. You work as frequently as you want and whenever you want. People always need rides. The best part is… you are your own boss!7. Tour Guide
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What kind of tour guide? Any kind of tour guide! Every tour is practically a performance! Employers love to hire actors as tour guides. Actors are naturally enthusiastic, personable, and good at remembering things.6. Retail/Sales
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Maybe you’ve never considered sales, but you’re good at it! You know how to listen, react, and appeal to customers. Wow, you didn’t even know you had those skills. Maybe you picked the right major after all. You’ll be top salesperson by the end of the month!5. Hospitality/Customer Service
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The best part of these jobs is probably the character study. You’ll get to meet all the people… and then you’ll make all the characters. If you can tolerate needy people and do it all while smiling… you might actually enjoy a job in hospitality or customer service.4. Movers & Junk Removers
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These jobs aren’t for everyone, but if you like staying active… this might be the perfect option. You stay active and fit while traveling around town. Plus, these jobs often entail some kind of tip at the end of the job. (I was getting the feeling that you like money… so I thought I’d mention that part).3. Teaching & Tutoring
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Is there something you think you could teach? There are always opportunities to teach and tutor. There are websites dedicated to finding teachers and tutors for young kids and even adults. Even if you don’t teach an acting or directing class… you got an A+ in Algebra and little Timmy two blocks down is struggling and his mom is willing to pay good money to make sure he doesn’t have to retake that class for a third time.2. House Sitting
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Not babysitting… house sitting! You are paid to watch someone’s house while they’re on vacation! This job often entails an overnight commitment and usually feeding and walking animals, but that’s it! Every job is a little different, but you still get to operate on your own schedule. Do you have an audition at 2:00? That’s okay… you can walk the dogs at 3:00! Search for house sitting jobs near you and you will seriously consider applying!1. Working in a Theatre
This one seems like a no-brainer, but you’d be surprised! Actors sometimes forget that there are other jobs in the theatre world than just acting. Working in a theatre keeps you in the industry and keeps you connected to other people. We’ve all heard the saying, “It’s not what you know, but who you know.” Make sure you know the right people. Any job in a theatre is going to help you get closer and closer to making the right connections and landing your dream role! There’s no doubt about it, you’re a performer first. Performing just doesn’t always pay the bills, so until it does, consider these options while you pursue your dreams.
What are some other ideal jobs for aspiring performers? List them below!
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1) It completely changed the face of Broadway culture.
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RENT not only shed light on some real-world topics such as HIV and AIDS, but was one of the first Broadway musicals to develop a serious following. ‘Rent-heads’ were basically like today’s Hamilton fans. They made camping out on a crowded NYC sidewalk and stage dooring cool...and for that we thank them.2) It taught us to never take friendship for granted…
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While each character comes from a drastically different past, they band together to tackle even the bleakest hardships. In the face of tragedy, this group of friends support each other and learn a lot about life along the way.3) ...and to always remind your loved ones that you care.
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This tear-jerking musical taught us that life is short. It reminds us that we must live life to the fullest, embrace those around us, and never hesitate to say (or sing) that we love someone.4) The movie version was actually pretty awesome.
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While the stage version is ALWAYS better, the show’s 2005 movie adaptation included numerous original cast members and introduced the beauty of RENT to a whole new audience!5) The story was originally created by a brilliant artist who was lost too soon.
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Writer and composer Jonathan Larson was only 35 when his work was taken to the New York City stage, and he was determined to commentate on various “taboo” social issues. Unfortunately, Larson passed away on the first day of Off-Broadway previews. From then on, the actors performed in his honor.6) It showed us that being different is something to be proud of!
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As a musical centering around struggling artists desperate to survive in NYC, RENT brings audiences a group of misfits that aren’t your typical Broadway leads. Whether you’re sassy like Angel, awkward like Mark or wild like Maureen, this show embraces our differences.7) It gave us some of the greatest characters in Broadway history...
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There’s a smorgasbord of scrumptious roles for aspiring thespians! Whether it’s the dream of playing the iconic role of Mark, or belting “Out Tonight” as Mimi, ‘Rent-heads’ old and new are obsessed with adding this show into their repertoire.8) ...and some of the greatest songs.
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“Seasons of Love”, “Take Me Or Leave Me”, “I’ll Cover You”, “One Song Glory”...Need I say more? (And what musical has a tune that asks the audience to moo?)9) It created some amazing Broadway/TV/film stars...
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The original Broadway cast cranked out some serious talent! Many actors, like Anthony Rapp, went on to dominate the Broadway stage in other big-name productions. Others, like Taye Diggs and Idina Menzel, took to Hollywood for thriving TV and movie careers. Who knew that the original Maureen would tackle the role of a Disney queen?!10) ...who talk about how life-changing this show was, even to this day.
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It’s been twenty years and folks are still asking the original cast about their experience in RENT. During his tour with If/Then, Anthony Rapp recently said, “There was no way to know that it would change all of our lives." In 2012, Adam Pascal told Broadway.com, “I hope to create memorable roles in the future, but I don’t know if anything will have the impact that Rent has had in musical theater.”11) It proved Broadway was a powerful platform to address real world issues.
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Pre-Rent, Broadway was not known to address social and economic issues to the scale it does today. RENT proved that a musical could deal with sensitive topics, and still be a massive success commercially. This Tony Award Winning Best Musical covered themes such as the Aids epidemic, addiction, and economic disparities in America. Rents' success paved the way for other shows to boldly tackle hard issues in society.12. It taught us to measure our lives in love.
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525,600 minutes can seem like an eternity, but can also can fly right by us without much warning. So, what will you do with those minutes; that is the provoking question RENT asked us. Will you spend your minutes angry, afraid & bitter, or will you spend them in love with your friends & family (and several cups of coffee).
Have a reason of your own? Help us get to 525,600! Leave a reply below...
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Teaching stage combat produces some interesting sentences that could be misinterpreted if taken out of context.2. "You need to wear different underwear"
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Costumes can be a nightmare. Between see through costumes, tight costumes, and revealing costumes… this line is said more than it should be.3. "You're not drunk enough" (Let me show you how to be drunk)
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Teaching students how to act drunk… awkward for everyone involved.4. "I don't like that dress... try on this one"… to a boy
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Did I mention costumes were a nightmare? I thought so.
5. "Try to threaten me"
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You’re supposed to be scary in this scene! Try to threaten me!6. I'm your father now
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Okay, in this improv scene I’m going to play the role of your father.7. "Nobody loves you and you're all alone in the world"
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What’s my character motivation?
8. "Who did your makeup? It's all wrong."
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Just a little too much lipstick…
9. "Today we're going to learn how to breathe"
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Fundamentals of stage speech… you’ve been breathing wrong your whole life… Seriously…10. "I am a mother pheasant plucker..."
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Tongue Twister (the freshmen love this one) I am a mother pheasant plucker. I pluck mother pheasants. I am the best mother pheasant plucker to ever pluck a mother pheasant. Say that five times fast… and then go to the dean’s office.
11. "I've always wanted to be a serial killer"
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I mean I’ve always wanted to play a serial killer.
12. "This summer I was a dancing fork"
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Let’s be honest… if you’ve been in Beauty and the Beast, your resume probably has something like “Dancing Fork #8.” But I was the most graceful of all the dancing utensils! [thrive_leads id='11846']13. "You sound Indian... not Irish" (Your accent doesn't sound real)
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When learning dialects, everyone’s culture is offended equally!14. "I need you guys to kiss again"
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This time let’s try it with a little less tongue…15. When a student asks, "Is it because I'm black?" you can say yes
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“Why do I have to sit in the balcony in this scene? Is it because I’m black?” Yes, we’re doing To Kill a Mockingbird… that’s kind of the point.16. "You're a pig"
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It’s not every day you get to call a student a pig… unless of course they’re a pig.17. "I've never hated you more"
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And I mean that in a good way! You played that villain so convincingly!18. "Build me a castle... you have three weeks"
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I decided this scene should have a castle… you can make that happen right?19. "I want your death to be a violent death…"
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The audience should cheer when you die.20. "I could hear everything you said in the bathroom…"
Because your microphone is still on
21. I love you!
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When it’s all said in done… no other teacher knows you like your theatre teacher. The theatre department is like your second family.
So you might have some bizarre quotes from your theatre teacher, but you wouldn’t want it any other way!
Have your theatre teachers said some bizarre things? Are you a theatre teacher that’s said some bizarre things? List them in the comments section below!
You May Also Like: 21 Problems Only Community Theatre Actors Understand
[adace_shop_the_post ids="373136,373154" id="1557589528093"] [post_title] => 21 Things Theatre Teachers Can Tell Their Students That Regular Teachers Can't [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 21-things-theatre-teachers-can-tell-students-regular-teachers-cant [to_ping] => [pinged] => https://taskandpurpose.com/10-things-probably-never-knew-full-metal-jacket/ https://theatrenerds.com/21-problems-community-theatre-actors-understand/ [post_modified] => 2019-05-11 11:45:31 [post_modified_gmt] => 2019-05-11 15:45:31 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=1829 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 132 [filter] => raw ) ) [post_count] => 36 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 3495 [post_author] => 1 [post_date] => 2016-08-02 11:16:08 [post_date_gmt] => 2016-08-02 15:16:08 [post_content] =>1. You Get Excited When Auditions Are Announced...
You've been dying to get back in the theatre after a "severe" 3 week break from the last show. New auditions are announced, which means it's game time.
2. And Then Freak Out When You Realize How Much Work You Have To Do...
3. You Spend Days Trying To Find The Perfect Audition Song/Monologue...
4. And Then That Feeling When You FINALLY Find It...
5. The First Few Run-Throughs Are Amazing...
6. Then You Practice So Much You Start To Second Guess Yourself...
7. But It's Too Late To Change, Audition Day Is Here
8. You Arrive At The Theatre Feeling Ready To Do This...
9. And Excited...
10. And Nervous.
11. You Walk In And Stare Down The Competition...
12. No Doubt Finding "That Girl/Guy" Who Always Goes For YOUR Part Is There
13. Waiting Your Turn...For What Feels Like Days
14. When Your Name Is Finally Called...
15. First Up: The Song
16. Then The Monologue.
17. And Finally The Dance.
18. Hard Work Pays Off As You Deliver A Solid Audition....
19. Well, for the most part...
20. Your Audition Is Over, Time To Wait (again) For The Cast List...
21. And Wait For It...
22. Did We Mention Waiting Can Take You To Some Dark Places?
22. And Then When It's Finally Posted...
23. You Get The Part You Wanted...
24. Or, A Part That You "Kinda" Wanted
25. Or, You'll Be Eating Ice Cream Every Night For A Couple Weeks...
Whatever The Case, We Can All Agree That The Audition Process Is Pretty Much Torture.
But We Keep Coming Back For More...
Have another reason? Leave a comment below...
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