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[post_content] => Amélie a musical based on the movie of the same name made its way to Broadway but was closed soon after. Was it too soon? The production Amélie is about a girl who, as a child, was hidden from the real world for the most part, as her father mistakenly diagnoses her with a heart defect. She is at Notre Dame, where her mother is praying for a son as she believed it would solve the problems of her daughter's creativeness. As she is leaving she witnesses her mothers death which happens when a tourist falls on her. As she grows old she quickly realizes she does NOT understand the world around her, and for multiple years avoids contact with people, including the people she works with as a waitress at "The Windmill Café". As she finds a box that belongs to the old owner of the apartment. She decides that if she can find the owner and return it she will become an anonymous do-gooder. After she returns meeting many unique characters. She sees a man lose his book. This is where the romance begins. In the song(Sisters Pickle) she disguises as a nun to return the book and decides she will try to stay in touch. But chickening out last minute just leaves pieces of her disguise as hopes he will try to find her. Through her dad's obsession with a gnome, her do-gooding, and her social awkwardness they end up together. Though it takes work they get to the point of a romantic relationship. Though there are worries about the relationship they both talk about how they would not be upset about the relationship ending(although we all hope it will last).
People involved in this including the actors and actresses, crew, but very importantly the writers Daniel Messé and Nathan Tysen, one of whom wanted to make this a musical since they saw the movie the very first time.
Dates relevant to the show
August 29, 2015-Opening at Berkeley
October 18, 2015-Last show at Berkley
December 4, 2016-Opening at Ahmanson Theatre in LA
January 15, 2017- End of showing at the Ahmanson
March 9, 2017- The official beginning of previews on. broadway at The Walter Kerr Theatre
April 3, -Official Opening
May 21, 2017- The (much too early) closing of Amélie
The Closing of Amélie
Some feel the closing of Amélie wasn't closed soon enough but many feel it closed much too soon(I'd agree). Despite a marvelous cast, they were excluded from Tony Nominations (despite the show being phenomenal). Unfortunately, due to not getting nominated there was minimal popularity. This means it was not producing enough money to stay running. The show coming to a close so abruptly luckily cause a large sale of tickets for the last performances meaning there is hope of a revival.
Personal connection:
When I saw the movie I was immediately attached and also thought a great production could be made. Luckily later it was announced. Unfortunately, I couldn't see at Berkeley or in LA. When I heard Soo and Berat were both remaining in the cast I knew I HAD to see it. As I am young and reliant on my mother because I cannot get tickets let alone go to NY alone I had to wait to go. When the closing was announced I ran to my mother sobbing, as I was busy all the way to the closing I was afraid I wouldn't be able to go, especially on short notice. At first, she thought I was joking, when I showed the official announcement I ran to my room crying. Later she called me and told me she had gotten tickets. I could hardly breathe. After I was sobbing while seeing it I went to the stage door. I got to meet one of my favorites in the show Savvy among the other actors and actresses who made me break into tears. My sister had told me before how a lot of people have a show that they really feel. The way she described it I knew Amélie was that for me...I am now determined to revive it.
All in all, Amélie is amazing and you should definitely go listen to the soundtrack...asap!
[post_title] => Amélie A NEW MUSICAL! All The Info!
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[post_content] => Whether you’re just beginning your theatre journey or have been in the business for a while, there are plenty of things that drive performers crazy. We polled actors across the United States to get their insights on just what those things are. How many of these pet peeves can you relate to?
My theory is this: If there is a Tony for best costume design, then why shouldn't there be one for best makeup and hair design? Some of the greatest artists in the world are ones that put makeup on an actor's face, and make them transform into character. These people need to be recognized for the work they put in -- or on -- a show.
The amazing people standing behind the amazing Josh Groban? The amazing ensemble of Natasha, Pierre, and the Great Comet of 1812. Just like these people, ensembles all over Broadway put in so much work to put the show on its feet. They need to be triple threats, and prepare for long and intense dance numbers. Without these actors, these shows would not have the pizzazz and spark that they do.
Behind the scenes, waiting backstage, are understudies and swings. These people have to learn many tracks, and have to cover lead roles. The work they put in is crazy, and they never know when they might go on. These people deserve to be recognized for all of the work they put in, which many argue is more work than the leads. Amazing understudies like Colton Ryan and so many others go unrecognized. So what about it? A Tony for the less recognized actors and actresses?
Listening to cast albums make us theatre nerds feel like we are transported to NYC to see the show. It showcases the amazing voices of the cast, and makes you feel safe while listening to it. And, it makes you wanna dance and sing in public, am I right? There's always one song on the album that is entrancing and addictive, that we listen to it over and over and over and over and over and over. Clearly, the writers were on to something with this song, and it needs to be recognized.
Although this category might have been added in 2005, based on not enough support, it was kicked aside. But now, I feel it is time for it to come back. Many of the replacements in musicals deserve spots on the Tony's, because, let's face it'; it is so hard to replace the original amazing performer and try to make the role your own. Performers such as Stephanie J. Block and Sara Barielles missed out on opportunities for Tonys because they were replacements.
Quick! To rehearse! Oh, snap.
[post_title] => Oops There Goes My Cheerios
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[post_title] => Quiz: What Type Of Shakespeare Play Are You?
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[post_content] => “This is taking chances, this is almost touching, what the beauty is…”
Contemporary roles for sopranos are an interesting bunch. Whereas sopranos typically play young, romantically inclined ingenues, contemporary characters do far more than just “glitter and be gay.” The 16 roles we’ve compiled here have various age ranges and complex characters, each with their own goals and struggles that are not seen in more classic Golden Age shows. While some roles are more wickedly popular than others, they all offer personalities performers and audiences will continue to treasure.
If getting to the Broadhurst Theatre isn’t an option, you can feast your eyes on this 1997 animated feature. This popular cartoon of Disney musical caliber is definitely on Broadway for a reason: It’s a rags-to-riches princess story with tons of good music. We’re in!
Pop! Six! Squish!
“Chicago” transports you to the Cook County Jail during the height of the Jazz Age. Beware: This is no “Orange Is the New Black.” This infamous musical is full of glitz, glamour and merry murderesses — plus, a few dazzling dance numbers.
Our Netflix recap last year sported this morbid musical, and we’re dying of happiness that we can still stream “Sweeney Todd.” Tim Burton’s take on Stephen Sondheim’s melodious creation is forever worth the watch when you want something a little bit darker than “La La Land.”
Yup, this classic is still available on Netflix, too. We’re (summer) lovin’ it.
Filmed stage musicals can be tough to find, but this Broadway show, starring Brian d’Arcy James and Sutton Foster, has remained in Netflix’s library. This ogre-ish fairy tale is a must for every musical theatre lover.
We’re geeking out over the fact that this animated feature might have a future on a Broadway stage! The 1998 Dreamworks film features songs by Stephen Schwartz (“Wicked,” “Pippin,” “Godspell”) and a score by Hans Zimmer (“Pirates of the Caribbean,” “Interstellar,” “The Dark Knight,” “Inception”). Before it garners a few Tony nominations, this Academy Award-winning movie should make it to your Netflix List. Need we say more?
June is bustin’ out all over, and we’re still obsessed with this classic Rodgers and Hammerstein musical. This movie is complete with a dream ballet sequence, beautiful ballads and a heart-wrenching love story. Just be sure to grab a box of tissues!
This adaptation of Jason Robert Brown’s nitty-gritty love story stars Hollywood sweetheart Anna Kendrick and Broadway heartthrob Jeremy Jordan. A glorious collection of duets accompany the tale of an aspiring actress and an up-and-coming writer trying to make life together work.
In case you need some holiday cheer this summer, “White Christmas” has your back. Bing Crosby, Danny Kaye, Rosemary Clooney and Vera-Ellen star in this Irving Berlin masterpiece, which embodies both the best of Broadway and Hollywood.
We love a good jukebox musical, especially when it’s a romance set in the ‘60s and encompasses 34 Beatles songs. Fans of HBO’s hit series “Westworld” can also appreciate actress Evan Rachel Wood showing off her singing chops opposite Jim Sturgess.
Once you’ve finished watching “White Christmas,” you can make some frozen hot chocolate and tune into Tim Burton’s holiday-themed cult classic.
Why not just host a “Christmas in July” musical movie night? Netflix now features the broadcast version of Radio City Music Hall’s famous Rockettes. Though this isn’t your traditional musical, the iconic celebration boasts oodles of dancing and enough good tidings to make you wish you were celebrating the holidays in the Big Apple.
Okay, we know this isn’t exactly a movie, but it is on Netflix! If binge-watching a TV show is more your speed, check out this hilarious series created by and starring Rachel Bloom. It’s chock-full of ridiculously relatable and fabulous musical numbers.
“Hamilton” might not be on Netflix (we can dream, right?), but you can stream Disney’s latest blockbuster featuring Lin-Manuel Miranda’s musical penmanship. Warning: You just might find yourself belting “How Far I’ll Go” for the rest of the week.
Disney's 2006 surprise smash hit still holds up, at least according to the generation it first touched! So be before you dog this one, give it a chance! Directed by the amazing Kenny Ortega (Newsies) and even stars a current Broadway favorite, (recently in Holiday Inn) Corbin Bleu.
Channel your inner George and check out your local art museum. See if there is a tour or audio guide and learn about the different artists and styles.
It doesn’t need to be Broadway — depending on your options, it could be a touring company or local community theatre production. There is something to be gained from any show you see.
Help inspire change like Tracy Turnblad and volunteer for a cause you believe in.
Take a theatre-inspired road trip to a theatre festival or show.
Head to a local park and enjoy a picnic with your posse. You could even fly a kite!
Enroll in a creative summer course such as dance, acting, design or comedy to improve your skills. If there are no in-person class options in your area, try to find something online instead.
Enjoy a clear night like Guy and Girl and try some stargazing.
Do some research to learn more about your community theatre groups and how you can become a part of them.
Get your friends together and practice applying stage/costume makeup using a YouTube tutorial as your guide.
Challenge your friends to a “Waitress”-style pie-making contest and indulge in sampling everyone’s creations afterward.
Get a job or volunteer at a local theatre camp to help promote the arts to a new generation.
Nature is a great place to get ideas about dance and movement. You don’t need to go far to find your nearest zoo or wildlife park to observe the way animals move and interact.
Start a scrapbook with your favorite theatre experiences, or put those saved programs and ticket stubs on display in a shadow box or framed collage.
Take a trip to somewhere new and take in the local sights. Stuck at home? Plan a dream trip inspired by your favorite musical, such as Anastasia’s St. Petersburg, Maria’s Salzburg or Hamilton’s New York. Who knows, you might actually end up taking that trip someday! Need some inspiration? Check out our post on theatre-inspired vacation destinations.
Next time the clouds let loose, head outside and sing and dance in the rain. Of course, always be safe and check whether there will be lightning!
Attend an outdoor concert or theatre in the park. It’s a great way to get some fresh air and your theatre kick!
Tour your city by bike and check out the local sights. Feel free to sing “Do-Re-Mi” while you ride.
Cruise your local library or bookstore for reading material. Lin-Manuel Miranda came up with the idea for “Hamilton” after reading Rob Chernow’s book on the Founding Father while on vacation. It just goes to show that you never know where inspiration may strike!
Explore the wide world of dance and learn a new style. Many places will offer free classes or lessons over the summer, either at their studios or local events. You never know when you could be caught up in a dance battle!
Share the list with your friends and see how many you can check off before the bells ring and class is back in session.
Recommended supplies: (click on name to view/purchase) Clear iPhone 6 case Clear iPhone 7 case Clear Samsung Galaxy case Paint Pens used in video:
Perhaps you have just graduated high school and are entering college. Perhaps you are changing your career to pursue your first love of being a backstage technician. Either way, you may be wondering how to build a resume and get experience if no one will hire you without it.
The answer is simple. If you are in school, work in the theatre department. Delve into any and all aspects you can. That work experience counts, since everyone has to start somewhere. Also, take the time to ask your teachers and professors about their lives in the theatre, what they enjoy about it and how they have built up their resumes.
If you aren’t in school or your school doesn’t offer theatre education, seek out local theatres in your area. Many need volunteers or have internships, apprentice/mentorship programs or production assistants. All of these are geared toward those with little to no experience. Show your interest through an application phone call or written inquiry. Then, get in there and start working. Those entry-level positions and internships could lead to a very lucrative career with that theatre if they like you and your work. Who knows, a paid position may open up and you might be able to put yourself in the running for it.
Also, remember many theatres bring in artists and designers from across the country you can work directly with. It’s possible you may start to develop a successful working relationship with one or more of them. In turn, this newfound connection may allow you to be put in the mix for when a job opens up at another theatre company they are affiliated with. You just never know! If nothing else, you build up your resume, network and overall skill set to apply for bigger jobs.
Is your skill set up to the professional level? Do you have the hands-on experience and theatre credits to book regular backstage work?
Your next step is to format a clean, concise and clear resume listing all your experience. Get someone to help you if you don’t know how, or find sample resumes online with your similar skill sets and copy their formatting. Once your resume is complete and you have a professional cover letter stating your interests, it’s time to start applying for paid jobs.
Watch notices daily on Backstage and Playbill. These two sites are the go-to spots for backstage theatre job postings throughout the country. Be bold and brave and see which theatres bite once you send out your resume.
Have the skill set and resume and are working in your local performing arts scene? The next step in the career ladder of a backstage artist eventually moving toward Broadway is to consider joining your applicable IATSE union.
Wardrobe, sound, stagehands, hair, makeup, etc., all have union locals in cities nationwide. Joining is a great stepping stone to a lifetime in the theatre as a backstage professional. Not only is being a union member a must for working on Broadway, but it can be your opening to higher-paying work, as well as protection against workplace mistreatment/injury and great long-term benefits such as health insurance and money for retirement.
The Broadway touring shows that travel from city to city all use union stagehands who are based in the local city in which the show is playing. Many professional regional houses also use stagehands. Visit or call your local union for more information about requirements, how to join and how to apply for positions.
You’ve built up your experience and resume to the level of a solid working paid professional and you’ve perhaps joined your city’s local union. You’ve moved to the Big Apple and are now dying to get to work in one of those beautiful theatres along 42nd Street. What do you do?
First, visit your New York City union office to join or see whether you can transfer your membership from your previous city to the New York one. Once you are a member (and in some cases, registered), you can start to look for work on the Great White Way.
Broadway job openings aren’t really announced, so you have to be smart and have some strategy when getting your resume out there. First, ask the union how to best apply for jobs in your field, since your membership may get you access to contact lists and job openings.
Second, do resume/cover letter drop-offs at the stage door of theatres addressed to the specific supervisor you want to hire you. This information can be found at the union or on the back of the Playbill you get when you see a show.
Third, ask someone in your field on Broadway to refer you. This referral may come from someone you worked with in the past or someone you’ve met while on the job hunt or even in your social life.
Fourth, keep working! The New York market offers plenty of opportunities both Off-Broadway and beyond. Keep working and meeting people. You might be surprised how many of those gigs or connections can help take you to Broadway as well.
No matter what, don’t give up. Your Broadway gig might not happen right away, but if you are professional, proactive, passionate and pervasive, it’s bound to happen one day.
Okay, this is an obvious one, but tickets are going faster than Squidward gets annoyed. Ticket sales began June 26, so grab your best friend and choose a date you’ll have totally free so you can plan festivities for all-day fun! Tickets can be found here.
Design the perfect experience by making your visit to the Big Apple seem more like a trip to the big pineapple under the sea (see what we did there?). Since you can’t actually dive deep into the depths of the ocean while in Manhattan, we’ve compiled some excellent nautical spots to consider visiting on your journey:
This is a separate section of the planning process because as every SpongeBob fan understands, the Krabby Patty is considered sacred in Bikini Bottom. Despite there not being a Krusty Krab restaurant in New York City (anyone want to get that started?), there are definitely spots where you can grab a Mr. Krabs-approved meal:
Get excited, because now that you’ve completed all the necessary preparations, it’s time to relax and enjoy some SpongeBob. Prepare for the musical extravaganza that awaits you by watching as many episodes as you can — heck, throw a viewing party! That way, you’ll fully appreciate every homage and nuance the Broadway version pays to its animated predecessor.
After all this, you can officially quote your dear square friend and shout: “I’m ready!”
While more classical-sounding musicals such as “Camelot” and “110 in the Shade” continued to flourish, budding composers such as Stephen Sondheim, Jerry Herman and Kander and Ebb were scoring their first hit musicals. Star vehicles such as “Hello, Dolly!,” “Mame” and “Funny Girl” catapulted the careers of then-new stars Carol Channing, Angela Lansbury and Barbara Streisand, respectively.
https://www.youtube.com/watch?v=iVh9zjf0Tww
It was common for musicals such as “A Funny Thing Happened on the Way to the Forum” and “Cabaret” to mix elements of light comedic opera with jazz/swing to tell their stories.
https://www.youtube.com/watch?v=RC4g4wkiN_I
Not until the end of the decade did rock musicals such as “Hair” begin to sway the direction of musical theatre toward the dominant styles today.
https://www.youtube.com/watch?v=xlCilKlqrvI
The success of “Hair” led to more rock musicals coming to Broadway, specifically “Jesus Christ Superstar,” “The Rocky Horror Picture Show,” “Grease” and “Godspell.”
https://www.youtube.com/watch?v=TfKDYiF1jTw
https://www.youtube.com/watch?v=39tXfUm80Bc
The ‘70s also saw a surge of African-American-themed musicals such as “The Wiz,” “Purlie,” “Timbuktu!” and the black-cast revival of “Hello, Dolly!”
Two of the longest-running musicals from the ‘70s were “A Chorus Line” and “Chicago.” While composers such as Sondheim continued to thrive with hit shows, other names such as Stephen Schwartz and Andrew Lloyd Webber began to achieve their earliest successes in New York.
https://www.youtube.com/watch?v=_97F4CnzVBc
The ‘80s were the peak era for the pop-opera genre, which combines elements of opera with traces of mainstream pop music. This genre is best exemplified by musicals such as “The Phantom of the Opera,” “Les Misérables” and “Chess.” The latter show produced “One Night in Bangkok,” one of the last show tunes to be a pop radio hit in the United States.
https://www.youtube.com/watch?v=rgc_LRjlbTU
These shows were innovative for their groundbreaking sets, such as having a helicopter onstage (“Miss Saigon”), a chandelier falling (“Phantom”) and a light-up chessboard platform (“Chess”).
https://www.youtube.com/watch?v=oZDcSrODALQ
American musicals such as “Nine,” “Drood” and “Into the Woods” had similarly structured musical scores. Aside from “Phantom,” Lloyd Webber’s era of commercial peak in the United States included Broadway transfers of “Cats,” “Joseph and the Amazing Technicolor Dreamcoat” and “Starlight Express.”
https://www.youtube.com/watch?v=9ZKSVKDvkF0
While the pop opera genre was still popular thanks to musicals by Frank Wildhorn, such as “Jekyll and Hyde” and “The Scarlet Pimpernel,” Jonathan Larson’s rock musical “Rent” was a turning point in making musical theatre appeal to younger audiences. Like “Falsettos,” “Rent” deals with topics such as homosexuality and HIV/AIDS in contemporary New York City, and Larson’s musical won the Pulitzer Prize for Drama in 1996.
https://www.youtube.com/watch?v=cQZeH-JTie8
https://www.youtube.com/watch?v=0vVnzD0itSE
Meanwhile, Disney movies such as “Beauty and the Beast” and “The Lion King” turned into long-running Broadway productions.
A new generation of composers introduced Jason Robert Brown and Michael John LaChiusa, whose biggest successes include “Parade” and “The Wild Party,” respectively.
https://www.youtube.com/watch?v=tBmw2ZY7bDI
Last decade, there was a plethora of musical adaptations of various films, such as “Hairspray,” “Shrek,” “Legally Blonde,” “The Color Purple” and “Xanadu.”
https://www.youtube.com/watch?v=3g4ekwTd6Ig
While “Wicked” became the decade’s longest-running original musical, more vulgar shows such as “Avenue Q” and “Spring Awakening” received wide acclaim, too.
https://www.youtube.com/watch?v=xEYV5bNMZVo
Disney kept producing Broadway adaptations with “The Little Mermaid” and “Mary Poppins.” Furthermore, “In the Heights” brought hip-hop and Latin music to the Great White Way, while more serious musicals such as “Next to Normal” discussed mental illness.
https://www.youtube.com/watch?v=UvVgm4imyj0
Lin-Manuel Miranda’s sleeper hit musical “Hamilton” took the world by storm in 2015, using hip-hop and color-blind casting to tell the life story of one of America’s founding fathers.
https://www.youtube.com/watch?v=b5VqyCQV1Tg
Meanwhile, female composers such as Cyndi Lauper, Lisa Kron and Jeanine Tesori scored success by winning Tony Awards for “Kinky Boots” and “Fun Home,” respectively.
https://www.youtube.com/watch?v=mFs7UREmXyM
Disney’s Broadway adaptations included “Newsies” and “Aladdin,” while more mature shows such as “The Book of Mormon” sold out performances for months back in 2011.
Musicals of the 2016–2017 season such as “Dear Evan Hansen” and “Natasha, Pierre and the Great Comet of 1812” showcased scores influenced by singer-songwriter music as well as EDM and indie rock, respectively.
At first glance from the trailer, the show gives off a “Moulin Rouge!” vibe, but with a graphic and scandalous spin. The flavor looks to be the same: history with a contemporary twist. This shouldn’t be surprising, considering the show’s creator is Craig Pearce, Baz Luhrmann’s co-writer for “Romeo + Juliet,” “Moulin Rouge!” and “The Great Gatsby.” Much like Pearce’s film work, the show is promoted as having a modern soundtrack, where old meets new.
https://www.youtube.com/watch?v=iRBzBEm4HGU
Golden Globe-nominated Shekhar Kapur directed early episodes of the show, including the long-awaited pilot. The seasoned director has experience in bringing the past to the screen, as he is best known for his historical dramas “Elizabeth” and “Elizabeth: The Golden Age.”
British actor and recent LAMDA graduate Laurie Davidson will make his television debut as the legendary playwright in his younger years. And, according to the network, this is not your high school English class Shakespeare.
Sarah Aubrey, executive vice president of original programming for TNT, told Deadline, “Shakespeare was a 16th-century rockstar, and ‘Will’ perfectly captures in contemporary terms what that must have felt like for the young writer and his fans. We are delighted to be working with such an extraordinary team of executive producers and cast in putting a fresh, bold spin on the story of Shakespeare.”
“The Shannara Chronicles” actor Mattias Inwood, who will take on the role of famed actor Richard Burbage, will flank Davison alongside Australian up-and-comer Olivia DeJonge, who will appear as Shakespeare’s love interest, Alice Burbage. The latest trailer also boasts British heartthrob Jamie Campbell Bower as the enigmatic playwright Christopher Marlowe, considered to be one of Shakespeare’s biggest rivals.
Focusing the series on a historically ambiguous period in Shakespeare’s life will give the show some leeway with the story and the ability to play up the dramatics. Pair that with a passionate and rebellious lead character who is easy on the eyes, and we could see a widespread change in preconceived notions of the centuries-old playwright.
However, the urge to make Shakespeare sexy to younger generations is not a new concept. Theatre lovers will recall Christian Borle’s Tony Award-winning portrayal of the Bard as a leather-clad, celebrity stud in “Something Rotten!” One could also argue Broadway’s smash hit “Hamilton” sparked a renewed effort to modernize history and pique the interest of a technology-driven society. This latest attempt by TNT certainly shows promise.
Could this be the surprise hit of the summer season? Only time will tell. Check out “Will” on TNT starting Monday, July 10.
Inspirational educator Lou Volpe, a drama teacher at Harry S. Truman high school in small-town Pennsylvania, is the subject of Michael Sokolove’s book, “Drama High,” which provides the basis for the show.
Volpe created what is now a thriving program through his use of contemporary repertoire, with Truman becoming a pilot school for high-school versions of musicals being considered for widespread use.
The book has been transformed into a one-hour drama series that will follow Lou Mazzuchelli as he infuses life into a high-school theatre department.
As is typically the case these days, there are always six degrees of separation between anything and “Hamilton.” This is no exception. “Hamilton” producer Jeffrey Seller has teamed up with former “Friday Night Lights” showrunner Jason Katims to bring the show to life.
The show has found its home on NBC, which you may remember was the previous home of “Smash” (may it rest in peace). The network was also the first to launch the live-musical train with “The Sound of Music,” and it recently found acclaim with its live version of “Hairspray.” Next year will see the live musical trend continue on NBC with productions of “Jesus Christ Superstar” and “Bye Bye Birdie” already in the works.
Josh Radnor of “How I Met Your Mother” fame will take on the lead role of Lou Mazzuchelli. Actress and activist Rosie Perez is also listed in the cast, though her role is unknown as of right now. “Stranger Things” fan-favorite Shannon Purser, also known as Barb, is rumored to have a recurring guest spot on the show.
NBC has opted to reserve the show for a mid-season premiere, so the wait for this one will be a bit longer than previously expected.
While Radnor will be playing the lead, everyone is ready to see whether “Moana” star Auli’i Cravalho will find similar success on the small screen. Given this is a show about musicals, it’s clear she will unleash her killer musical pipes at some point.
The popular “Hamilton” composer must not sleep. How else would he find the time to complete the number of projects he is connected to these days? His name has been attached to “Rise” as well, with Cravalho revealing to TV Guide, “I will let you know that Lin-Manuel had a special part in our show. So, whether or not you’ll see him? You’ll definitely hear him and feel his influence.”
While it’s unclear whether viewers will see interpretations of his hit musicals or perhaps a cameo, it’s certainly increased the buzz around the highly anticipated show.
Musical television shows have had mixed success, from the long-running “Glee” to the short-lived “Smash.” So, it’s hard to tell whether “Rise” will have the potential for multiple seasons. Either way, one thing is for sure: It’s good to have more Broadway on television.
It never hurts to have a quick refresh before the start of the show and during intermission. It’s also good to have for reference, just in case.
Exhaustion and colds are common actor ailments. One a two-show day, getting home can be a difficult feat. A pillow and blanket are perfect when you need to curl up and catch a quick nap or just relax.
Keeping plants or flowers around has been known to reduce stress, so having them in the dressing room is ideal for creating a den of Zen to relax in before the show. Just remember to be courteous and check whether any of your fellow dressing roommates has allergies before you choose a plant.
Use a small bulletin board and create an ode to your character. Display pictures, sayings, trinkets and anything that reminds you of the person you are inhabiting. Look at it before the start of every show as you prepare.
Sometimes, water just doesn’t cut it, so have your personal mug handy for when a hot drink is required. Keep your vocal chords in tip-top shape by downing warm water, lemon and honey.
Some places provide clothing storage areas, but this isn’t always the case. Collapsible clothing racks are inexpensive and invaluable when it comes to keeping your things organized and fresh.
A traveling makeup case is great, but sometimes, it’s nice to have stationary storage you can leave behind at the theatre each night rather than lugging everything back and forth.
A speaker is crucial for a pre-show pump-up with your favorite playlist. These days, they come in all shapes and sizes, which is great if you are short on space.
It’s been said before, but it’s always worth repeating: You have to hydrate to dominate. Having a refillable water bottle that you can leave at the theatre each night will ensure you are never left high and dry because you forgot it at home.
Dressing rooms can get crazy, especially when shared by multiple castmates. Throwing on your headphones and blocking out the chaos will help you focus and relax. Just don’t miss your cue!
When the nerves set in, the doubts will creep up. Combat this by posting up positive messages around the room. Use cards or encouraging words from family and friends, or quotes from those who inspire you.
If you share a dressing room with other actors, mirror space can be difficult to come by. Sometimes, the mirror is nonexistent. Having a freestanding vanity mirror is the perfect solution. It’s also helpful for a closer view when applying items such as fake eyelashes.
The heat from stage lights combined with intense physical activity, costume changes, the usual lack of air conditioning in dressing rooms and the number of bodies in a small space equals a sweaty mess. Stay cool between scenes with a small fan.
Outlets can be limited, especially in older theatres. A power bar will keep everyone happy by eliminating the epic struggle for a free outlet.
Give your feet a rest between scenes and throw on a pair of slippers or comfortable shoes. Dance stores also sell warmup booties that keep feet cozy and protected.
These days, few people wear a watch because our phones have become an extra appendage. Many actors prefer to keep their phones stowed away during a performance to avoid breaking their focus. A clock removes the temptation to pull out the phone just to check the time.
Keep yourself entertained between scenes with books, newspapers or magazines. You can maybe even research topics related to the show!
Once hair and makeup are done, pulling clothes over your head can be difficult. A robe or dressing gown will keep you warm and make it less complicated to change into costumes.
Having a few hand towels is never a bad idea, especially when it comes to keeping sweat at bay or washing off makeup at the end of the night. Just remember to replace them each time you take them home for washing.
These are useful for making those hot drinks discussed in No. 5.
You never know what will happen during a show, so having a personal first aid kit complete with bandages and pain-relief medication can be a lifesaver.
This is vital if you are puckering up with any of your castmates onstage. There’s nothing worse than doing a kissing scene and being able to identify your castmate’s last meal.
It takes a lot of energy to get through a performance, so being hungry will just not do. Have some healthy snacks that are vocal chord-friendly on hand. Just don’t let anyone catch you eating in your costume.
Odd smells are not uncommon in dressing rooms, be it mildewy carpet or the fragrant food of the restaurant next door. A diffuser will combat the smell and freshen the place up. Again, make sure everyone who shares the space is on board before you set one up.
Putting yourself in the right mindframe before a performance is as crucial as the time spent rehearsing. Having a space with little touches that makes it feel like your own can help you give the best performance possible.
Many times, it’s not about what you know, but more about who you know. An internship is a great way to start networking with industry professionals and build a connection with the creatives who could hire you for a job in the future. You couldn’t ask for a better situation for those in the business to easily get to know your personality, work ethics and talents.
With an internship, you are basically gaining entry into the place where you are working, which could very easily open the door for other dream opportunities with them in the future. Just make sure to work hard and always put your best foot forward to create a positive impression that will last a lifetime.
Through an internship, you can find out whether you have what it takes as you get to know the basics of your chosen performing arts field. This will act as your foundation and stepping stone for the jobs you’ll apply for in the future that will ultimately require larger skill sets and more responsibility.
Sometimes you may be uncertain whether you want to pursue a career in the performing arts field and/or which parts you want to spend a lifetime in. Perhaps you may even want to do a bit of everything. Internships are a great way to explore your options, whether you want to be onstage, backstage or somewhere in between.
In a career path that is uncertain and can have many ups and downs, those you meet in the trenches of your internships may possibly become your friends and support system for years to come. They will be there to hold your hand, guide you and lift you up during your journey in show business.
[post_title] => Quiz: Which 'Phillipa Soo' Are You?
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[post_content] => Belting can be one of the best ways to get out pent-up energy, and luckily for a good mezzo, belting songs are pretty common in musicals. They are essentially the power ballad of Broadway, and the audience lives for that. For mezzos, it’s the perfect way to showcase your voice and just let it all out onstage.
Here are some of the best songs to let out your inner belting diva:
This theatre company has been around for over 20 years and is highly devoted to the classics. It has Shakespeare shows happening all year, but it has a great selection during the summer months, boasting both an indoor and outdoor stage. This year, the company is performing “The Merchant of Venice,” “A Midsummer Night’s Dream” and “Shakespeare in Love.” If you choose to see a show performed on its outdoor stage, you can bring a beach chair, food and drinks as you relax and watch the Bard’s work. Also, tickets for all shows are under $70.
Each summer, The Public hosts two Shakespeare shows. These shows sometimes take modern and experimental twists on classics, but you can always count on a great production. There are also many stars who perform in these shows. Lily Rabe, James Earl Jones and Jesse Tyler Ferguson are just some big names who have graced the stage over the years.
This summer, you can find Annaleigh Ashford, Danny Burstein and Phylicia Rashad in “A Midsummer Night’s Dream.”
The best part about Shakespeare in the Park is that tickets are completely free. The only downside with this one is that if you are not a member of The Public, you do need to get there quite early to snag tickets. Tickets are also available through a lottery system on TodayTix.
As an extra bonus, if you are a complete Shakespeare nerd, the Shakespeare Garden is located right near the stage. See if you can find all the quotes scattered throughout the flowers.
Located in Garrison, New York, this outdoor theatre has a series of Shakespeare plays that run through the summer. The scenery of the Hudson Valley is beautiful at this location. There is a garden to walk through, a gift shop and a lawn you can have a picnic on before the show. If you are lucky enough to go on opening night, the theatre usually has free food and a band playing before the show.
Though the performance is held outdoors in an intimate tent, some productions of Hudson Valley Shakespeare Festival are traveling. Depending on the show, there are a bunch of locations where it can be seen in New York. Along with some of the classic show’s, this year’s season also features an original work, “The Book of Will.”
Known for its commitment to celebrating and exploring Shakespeare’s work, this festival offers a number of plays and educational programs throughout the summer. Having started in 1958, the Colorado Shakespeare Festival is the second-oldest Shakespeare festival in the country. This summer, it will be celebrating its 60th season.
This festival will have a whopping five Shakespeare shows playing from June to August, including “Hamlet” and “The Taming of the Shrew.”
In Ashland, Oregon, this festival not only runs in the summer months, but is actually around from February through November. Its goal is to present as many pieces of work as possible nearly year-round. It has two indoor stages and one outdoor stage that opens in June. The outdoor stage is beautiful, with a real Elizabethan feel. The Oregon Shakespeare Festival has six plays going on this summer, including “Julius Caesar” and “The Merry Wives of Windsor.”
The Pennsylvania Shakespeare Festival has been around for about 25 years. It offers brilliant productions of the Bard’s work and performs musicals, world classics, contemporary comedies, dramas and children’s shows. Along with its regular plays and musicals, this festival offers an hourlong show about Shakespeare just for kids. On the mainstage this year is “As You Like It” and “Troilus and Cressida,” running from July through August.
Yes, this one is definitely a bit of a stretch, but where better to see Shakespearean shows than where his work originated? ‘Tis the season to travel or take that Shakespeare summer course you’ve heard so much about!
There are a ton of different places in England to see his work. There are usually at least a couple shows playing on the West End in London. Then, of course, there is the Shakespeare Globe, which has productions year-round.
If you want a full Shakespeare experience, you can also travel to his birthplace, Stratford Upon Avon. This town is filled with Shakespeare tours galore and is home to the Royal Shakespeare Company.
[post_title] => Quiz: How Well Do You Remember These 'In The Heights' Lyrics?
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[post_content] => High adventure! The city of Agrabah cheered this past weekend when Telly Leung made his highly anticipated debut as Aladdin a few days early. The Broadway veteran, who was most recently seen in “In Transit,” made one jump ahead on his schedule, excitedly writing on Instagram: “Well, that happened! The incredible @aladdin team got me ready a bit early and I made my debut tonight as Aladdin – a few days early. Thanks to everyone at Agrabah for welcoming me with such love and warmth!”
Lucky for us Theatre Nerds, we caught up with the 37-year-old superstar a day before he hopped on the magic carpet for the first time. Check out our interview with Broadway’s newest Aladdin below:
[caption id="attachment_8857" align="alignnone" width="502"]
Leung backstage during his first “Aladdin” performance / Photo: Instagram/@tellyleung[/caption]
Theatre Nerds: Congratulations on stepping into Aladdin! How has the journey compared to the many other shows you've worked on? I imagine being under Disney is magically different.
Telly Leung: This is my seventh Broadway show, and my second time replacing. I replaced Robin De Jesus in “Rent” on Broadway in 2006. Most of my Broadway experience has been originating roles, which has its own challenges: the pressure (and joy) of creating something from scratch, the constant changes during previews (what song is cut? What are the new lyrics? What joke are we trying out tonight?). But, there is a certain ownership of the material and the process that comes with originating a role.
Replacing in a show, especially in a role this big, has been a challenge. An actor always feels this constant pressure to play catch-up with the rest of the company. Luckily, I have a wonderful, warm, patient company at Agrabah, and everyone has been so supportive throughout the process. It’s truly a top-notch company. I feel very lucky.
TN: That’s wonderful! The “first look” pictures of you are awesome! Does it feel wild to be entering the world of such a beloved film?
TL: Thank you! Bravo to Matt Murphy, one of my favorite photographers in New York. There is certainly pressure to not disappoint all those people who have such a soft spot in their heart for the 1992 film. I count myself as one of those fans! All I can do is bring my sense of truth and honesty to the show, moment to moment, and attempt (to the best of my ability) to fill the big shoes left to me by the amazing Adam Jacobs, who originated the role.
TN: Did your “Allegiance” costar Lea Salonga, who is, of course, famous for voicing Jasmine and Mulan in the animated films, offer up any advice?
TL: My show-sister Lea didn’t offer any advice, but I loved hearing her talk about her wonderful experience being not one, but two Disney princesses. She had the most wonderful things to say about Alan Menken and what a warm person he is. I got to meet Alan recently at an event in Los Angeles, and it’s always a relief when you meet your heroes and they end up being as warm and down-to-earth as you hope they’d be!
TN: When you first watched the musical, what moment were you most excited to get a chance to do?
TL: Of course, I was excited to fly on that magic carpet. It’s a moment of pure stage magic that truly takes your breath away. But I was also excited to tackle “Proud of Your Boy,” Aladdin’s big “I want” song in Act 1. It’s a song that was cut from the movie, but it’s beautifully written by Alan Menken and Howard Ashman — and it has found new life in the stage production. It’s such a great exploration of Aladdin’s character, and I enjoy singing it every night!
TN: Aladdin is quite a demanding role, both physically and vocally. What measures have you been taking to prepare and to maintain stamina for the run?
TL: Aladdin is a beast of a role. One must stay healthy, hydrated and in shape to tackle it eight times a week. I eat right. I exercise. I rest. I drink lots of water. I take voice lessons. It’s a very disciplined life, but it’s worth it.
TN: I’m sure! Fresh off your incredible turn in the a-capella musical “In Transit,” have you taken anything you've learned from that experience and applied it to this one?
TL: Yes! I learned so much about myself vocally in “In Transit.” We all had to be vocal athletes in that show, and it was a lesson in stamina and preservation while still giving a full performance. I’ve certainly taken those lessons with me to the New Am!
“In Transit” was also a tight-knit company — a family — where everyone depended on each other. There was no lead. We were all part of an ensemble. I think this is an important dynamic to have in the theatre — even if the show has a lead. I’m playing the title character of “Aladdin” — what you may call the lead — but I don’t like to think of myself as the lead. I like to think of myself as part of a large ensemble of about 100 people — made up of dancers, actors, dressers, crew, stage, managers, ushers — that all make up the show that is “Aladdin.” That “little show,” family mentality is something I’d like to maintain and encourage during my time at Agrabah, even though it’s an enormous show.
TN: What are you most hoping your portrayal of Aladdin will give audiences?
TL: When I was in rehearsal, I had the pleasure of watching the show every night. I got to experience the emotional magic carpet ride the audience feels night after night at the New Am. The show itself is beautifully constructed, with great songs and a great story. All I have to do is take the audience with me on a little emotional rollercoaster and have them get on that ride with Aladdin.
TN: Although you're living the dream right now, if you had a Genie suddenly poof into your life, what would your three wishes be?
TL: 1. I'd wish for the ability to fly like Superman.
2. I’d wish to go back in time and see all the Broadway shows I was too young to see! Can you imagine seeing the original productions of “Gypsy,” “Mame” and “Carousel?!”
3. I'd wish for a new president in the White House.
TN: What's your best piece of advice for aspiring performers?
TL: Theatre is an art that doesn’t happen in a vacuum. It’s not like you’re a sculptor or a painter who can create art by himself or herself. It takes a village. Treat everyone in the collaborative process with respect, because no one job is more important than the other. The lead of the show is just as important as the person who does props or whose sole job is to sweep the stage every night.
TN: To end on a rather "Theatre Nerds-esque” note, I'm wondering if you've ever had a moment when you totally geeked out over a Broadway performer upon meeting them?
TL: I met Carol Channing once. I was in the presence of greatness. She was warm, charming, funny and made everyone around her feel like they were an old friend. That’s a star!
[post_title] => Quiz: Can We Guess What Green Room Personality You Are?
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If you are a Platt fan, you’ve likely listened to “Waving Through a Window” more times than you can count. But, since the internet is a fantastic place just ripe with videos of our favorite stars’ performances, here are 13 videos to watch to further fuel your obsession with this Broadway superstar:
Theatre Nerds: What led you to scenic design?
David Gallo: I was 10 years old when the movie “Star Wars” came out, and I was blown away by the completeness of the world and the design. I just thought that it was extraordinary that people figured things out. This was made apparent because George Lucas did something that not a lot of people had done: He had released books that you could buy in the bookstore that showed all of the design. Lucas really promoted what went into making those films so you could see the evidence of the men and women who created that alternate universe. I was captivated with the design based on those books that I procured, and I started doing high school theatre, and the rest is history.
TN: How does the creative process/conceptualization of the design differ depending on the medium you are working in (i.e., Broadway, TV, film, etc.)?
DG: Honestly, when you are creating different things, the process is similar. I want to empty and free my mind and start off with a blank page, and then I develop things from there. Where “Sesame Street” was concerned, I wanted to honor the past and retain certain things but bring it toward the future, so the process was more streamlined than that. For plays, it can be a little bit different, but it is still a similar creative process.
TN: Do you have a team of people to help you with your process in creating the set design?
DG: Yes, I have quite a number of people that do all sorts of jobs, from helping with design to building the models. I do all the painting and design documentation that gets created. I then have shops creating and painting the actual sets and teams of people that load them into the theatre. There is an awful lot of people involved before the show opens onstage. I’m also in the theatre from the time the show loads in through previews.
TN: Congratulations on your Tony nomination for scenic design for “Jitney.” Can you tell us a bit about how you came to work with August Wilson?
DG: It was pretty early on in my career, and I was looking around for things that interested me, and I sort of pursued and fell into doing a lot of African-American plays. I don’t even really know how that happened, but it was something I wanted to do. One thing led to another, and I very quickly met Marion McClinton, the brilliant director, and he and I did a brilliant production together of a Lorraine Hansberry play, which was quite successful. Marion was then brought on board to direct “Jitney,” and that’s when I started working directly with August. And while “Jitney” wasn’t a new play, this production was being looked at anew to be created as a definitive production.
TN: What impact as a designer do you have on set design once you receive the confines that are created in the script?
DG: The scenic designer (with the help of the director, hopefully the writer and the rest of the creative team) establishes the style of the play. When the curtain goes up, it’s the first thing the audience sees that tells them what the play is about. If it’s an empty theatre, it’s one thing, and if it’s a stage full of scenery, it’s another. One of the tricks to being a scenic designer is that you are committing to design a certain form, tone and shape to the production very early on in the process.
TN: Do you have any advice for those who want to be a scenic designer?
DG: There are so many things that people can do in the theatre. Scenic design is a fascinating one. My advice is to learn as much as you can about it before you commit to it completely, but it is certainly a very interesting thing to explore. Scenic design also requires a level of commitment that not a lot of people are ready to make because it requires many different sets of skills. There is also a staggering artistic responsibility for getting things right well before rehearsals have even begun.
Learn more about David Gallo at davidgallo.com
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[post_content] => We at Theatre Nerds are excited to bring you this interview with five-time Tony-nominated lighting designer Japhy Weideman. The following is an in-depth view of how Weideman’s amazing lighting design of “Dear Evan Hansen” came to fruition, as well as an insider look at the process of lighting a show for Broadway:
Theatre Nerds: What led you to lighting design?
Japhy Weideman: I’ve always been interested in how we, as humans, perceive the world. When I started undergrad at the University of New Mexico in Albuquerque, I had never been exposed to live theatre. I was sampling an array of disciplines such as sociology, political science, English literature, painting and photography, and I needed an elective credit, so I decided to take a course called “Intro to Stage Lighting.” My professor, John Malolepsy, proved to be far beyond anything but a normal teacher. He is not only an amazing set and lighting designer, but he is an advanced philosopher of all things related to light. He taught me to dissect everyday reality into an experience defined by the light that inhabited each moment. The key is to become a keen observer of your emotional state and connect that to the visual information generated by the light surrounding one’s experience. If you watch closely at all times, you will begin to learn about how light affects everything you feel. I began applying some of these teachings into my own practice while designing student shows (theatre and dance) and experimenting in the lighting laboratory. In the summer, I did an apprenticeship at the Santa Fe Opera. Five seasons there proved to be fertile ground for professional learning, allowing me to build relationships with new peers and to work with world-class designers.
TN: Can you explain a bit about the creative process with regards to lighting for a Broadway show?
JW: In the early stage of design, I always begin with reading the text and listening to the music prior to having a meeting with a director or other designers. It’s very important to get one’s own impression of the piece before being influenced by others. In some projects, I am brought in before a set design has been created, and in others, there is already a design in process. Once I see a geography of the environment we are working in, we create a lighting plan that contains a lot of flexibility. There will be clear ideas that get implemented in the beginning, but there is always a need to create unknown visual images yet to be discovered. Whether lighting a Broadway show, a downtown show or any other piece of theatre, the real creative process for me begins when we start focusing lights onstage. I never really know what a particular piece is going to look like until I get in the room and start experimenting. While I begin with a system of light that I feel will provide a piece with the right quality and variety of light, I find there is always a secret visual code waiting to be unlocked. Often I will see strong images revealed through a mistake. For example, I might turn on a light that happens to be pointed down into a corner of the room, not where it’s intended to go, but in this accident, it may create a haunting halo around the back edge of the set or possibly a strong shadow. The result will be something unique and beautiful, which in turn leads me down a different path of how to shape that particular environment. It’s a process of discovering clues that lead to the essence of the visual language.
TN: Congrats on your Tony nomination for “Dear Evan Hansen!” I would imagine this show, in particular, was quite complex as far as designing the lights, considering it involves many projections as well as really making the audience feel what it was like to go inside the mind of Evan. Can you talk a bit about how you came up with these ideas and how you can manipulate lights to create such strong feelings within the world of the musical and influence the audience’s feelings as well?
JW: The lighting, working hand in hand with the music, is a very important, symbiotic relationship for the design. There is a unique scientific connection between frequencies of light and sound that has been explored by scientists and artists throughout history. Basically, I interpret the emotional frequencies of the music in Paul and Pasek’s score into a visual picture. It cannot be explained as to how this is done, other than emotional instinct. I manipulate the angle and quality of the light until it most closely reflects the feeling of the musical tones.
One of the strong elements that can be seen in the design is that we use many shades and sizes of intense beams of light from above during special moments in the music. The beams range from piercing tight blue-white pinpoints (like the iconic moment in “Waving Through a Window” when all the characters create a circle around Evan and are suddenly revealed in a circle of interconnecting beams), to intense thick golden columns of sunlight (“For Forever”). The beams sometimes form geometrical intersections, creating a kind of aerial architecture that weaves the interrelationships of the characters together. While these light beams serve as a way to draw the eye directly to the actor, they also serve to connect them to the divine and mysterious, always emanating from above. The result of this multifaceted approach generates an evocative atmosphere that results in an unforgettable, visceral audience experience.
TN: What inspires you to pursue specific projects?
JW: For me, it’s about working with fellow collaborators who inspire me. It’s less about the type of show or subject matter that interests me; it's all about the people. The process of making theatre is collaborative. It’s all about sharing ideas with fellow artists and bringing out the best in each other’s talents in order to sell stories.
TN: Any advice for those wanting to become a lighting designer?
JW: Learn to observe the light of your everyday experiences and how they affect you. Watch and listen always, wherever you are. Don’t spend all of your time in the theatre or studying design. Become infinitely curious about life and all things art. Travel the world. Be a passionate lover. Make friends everywhere you go.
Learn more about Japhy at www.japhyweideman.com
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[post_content] => It’s not every day our favorite Broadway shows get made into films. These star-studded movies can either go very well (such as “Les Misérables” or “Hairspray”) or terribly wrong (did anyone see “Jersey Boys?”).
What comes with these new adaptations are newer takes on some of our favorite shows, sometimes with new songs or new effects that couldn’t have been done onstage. If done correctly, like “Rent” or “Chicago,” these films can capture the musical just right and be around for us to watch for years to come.
During the crazy success of “Hamilton” in 2016, it was announced that Lin-Manuel Miranda’s 2007 hit “In the Heights” will officially be made into a film. The road to the silver screen has been a little shaky for this adaptation. This four-time Tony Award-winning musical is sure to be an amazing film, but a cast has yet to be announced.
Though Miranda has enough on his plate, currently filming “Mary Poppins Returns” and recently being cast in the “DuckTales” reboot, some can’t help but hope he reprises his role as Usnavi in the film adaptation.
Miranda told the Huffington Post, “I don’t want to play the role if it feels like it’s not age-appropriate with the rest of the cast. But Chris Jackson (who originated the role of Benny in the show) and I can be in the background playing dominoes during ‘When You’re Home’ and that would be f***king great.”
With producers such as Jay Z already signed on to the project, this adaptation is going to warrant more than a bottle of cold champagne.
This project is pretty new compared to the others, but it has been reported that this Tony Award-winning musical will be moving to the big screen. This musical, which first opened on Broadway in 2014, starred Jessie Mueller and won her her first Tony Award for her performance as Carole King.
Variety reports the film is currently set to be produced by Sony Pictures, with Tom Hanks already signed on as one of the producers. With classic songs that appeal to all ages, this biopic musical adaptation could really be a big hit.
Who do you think should play the iconic songwriter on the big screen?
This Andrew Lloyd Webber classic is currently in the works to come to the big screen. With a revival now on Broadway, there is still a lot of admiration for this show that many people love to hate.
According to Vanity Fair, Tom Hooper, director of the “Les Misérables” adaptation, is already signed on to direct this feline-filled film. And though not much else is known at this point, we can’t help but wonder how it will go.
It’s one thing for a film to try to stay true to the story of a musical, not let down during big ensemble numbers and deliver on casting, but this is “Cats.” Who is going to sign on to play Rum Tum Tugger or Grizabella? These days, we are fortunate enough to see big Broadway stars in TV musicals and big film adaptations, but something tells us names such as Darren Criss and Meryl Streep are not going to claw at the opportunity to be in this film.
Despite the skepticism facing this project, it shouldn't be counted out just yet. Webber’s other film adaptations were fairly good, and just think of the amazing effects this adaptation can bring to Mr. Mistoffelees’ tricks! Worst-case scenario, we can always revert back to the 1998 VHS version of the show.
This punk rock musical first graced the stage in 2010, reinventing Green Day’s 2004 concept album of the same name. The film is currently being produced by HBO and is set to be directed by Michael Mayer, the director of the Broadway musical.
As of right now, there is no set date or cast for this film, but Green Day frontman Billie Joe Armstrong is already set to reprise his role as St. Jimmy. When speaking to NME, he said, “I think it’s going to be a lot different from the musical. It’s kind of more surreal, but I think there’s going to be parts of it that might offend people — which is good. I think it’s a great time to offend people. I think there’s just going to be a lot of imagery that we couldn’t pull off in the musical in the stage version. You know, I don’t want to give away too much, but it will be shocking in a way which makes you think.”
This classic musical about a plant that comes from outer space and eats people is in talks for a musical movie remake. Though this show has not been on Broadway in recent years, the success of its two-night concert at the New York City Center in 2015, led by Jake Gyllenhaal, proves this show still has a very strong fanbase.
Entertainment Weekly reports Greg Berlanti (“The Flash,” “Supergirl”) has signed on to direct the remake. With Matthew Robinson set to do the screenplay and Marc Platt Productions signed on to produce, this remake could come sooner than we think.
It seems like the only thing left to do is decide on the cast. Could you imagine Tituss Burgess as Audrey II, or Neil Patrick Harris as Seymour? Of course, this is extremely wishful thinking, but the real question is, can Steve Martin reprise his frightening “Dentist!” for the new film?
This is a weird one to get a musical film adaptation. Unlike the other musicals on this list, “Finding Neverland” was based on a film of the same name starring Johnny Depp that told the story of how J.M. Barrie brought Peter Pan to life.
Though snubbed at the Tony Awards in 2015, this Gary Barlow-scored musical has truly brought a new, magical dimension to an already great story. The show is currently on a national tour and has a pretty solid fanbase, but what would a film adaptation of a musical adaptation based on a film look like for this show?
No cast or director has been assigned to the project. Here’s hoping this magical musical actually sails to the big screen.
This loud musical has been in talks to become a film for the past few years. “Matilda,” based on the Roald Dahl novel of the same name, closed on Broadway on Jan. 1, 2017. Though there were talks that the movie would potentially start filming in 2016, the production has yet to get underway.
To be fair, Tim Minchin has had his hands full lately. His new hit, “Groundhog Day” has been making waves on Broadway after transferring from London, where it took home the Olivier Award for Best New Musical. The hype is not dying down for this new musical anytime soon, as it was nominated for multiple Tony Awards this year.
However, there is still hope for the film adaptation of “Matilda.” With Matthew Warchus signed on as the director (“Matilda,” “Groundhog Day”), the film should be able to get underway soon. Minchin told The Stage, “We didn’t want to rush it, as we wanted it to be known as a theatre piece. We didn’t want people going to the theatre saying, ‘Oh, it’s the musical of that movie.’ You want people seeing the film, saying, ‘It’s the movie of that musical.’”
Minchin also said he hopes the film could wrap up by 2018. With a cast not yet announced, it’s hard to tell whether that will happen, but let’s hope production starts moving again soon. It would be a great way to see this naughty group of revolting children bring this great musical to life onscreen.
After many years of rumors and speculation, this popular musical is coming to the big screen. This adaptation of Stephen Schwartz and Winnie Holzman’s musical is probably one of the most anticipated stage-to-film adaptations in production. With work already underway on the screenplay, Schwartz has given fans more to look forward to with this new movie.
When speaking to Playbill just a few weeks ago, he said we can expect at least two new songs in the adaptation. Schwartz was also very adamant that his adaptation will not be exact.
“There are things that work onstage but won’t work on film,” he said. “In order to do something that will work on its own merits, you have to do something different. The only concern is people who would be coming expecting to see a filmed version of the play. They’re not going to see that.”
However, fans already seem to have their dream casting for this particular adaptation. With ideas of Lea Michele as Elphaba, Aaron Tveit as Fiyero and Beth Behrs as Glinda, it’s hard not to get ahead of ourselves. But what this adaptation has that most do not is an official premiere date: Dec. 20, 2019.
NBC recently announced it would stage the popular (and controversial) 1960s musical. “Hair” will join a string of live-action musicals put on by NBC, including “Jesus Christ Superstar,” which aired on the network on Easter this year. There have been no announcements on casting yet, but theatre lovers are already speculating.
Release Date: May 19, 2019
With Guy Ritchie at the helm, Disney’s remake of the beloved animated classic will feature old favorites as well as new songs penned by the film’s original composer, Alan Menken, alongside Benj Pasek and Justin Paul, the team behind “Dear Evan Hansen.” This live-action adaptation features Hollywood heavy-hitter Will Smith as the Genie, Canadian actor Mena Massoud as Aladdin, and British actress Naomi Scott as Princess Jasmine.
Release Date: May 24, 2019
The stars came out for this one, including the one which eclipses them all: Queen Beyonce, who will voice Nala. Donald Glover will play opposite as Simba, and James Earl Jones will reprise his role as Mufasa. The remainder of the cast includes other Hollywood favorites such as Chiwetel Ejiofor, Seth Rogen, John Oliver, and Keegan-Michael Key, to name a few. The film’s director, Jon Favreau, directed Disney’s recent remake of “The Jungle Book,” which could be an indication of the style of the upcoming remake.
Release Date: July 19, 2019
Miranda is a busy guy. With “In the Heights” already in the works, he announced his intention to direct an adaptation of Jonathan Larson’s musical “Tick, Tick…Boom!” with the script written by “Dear Evan Hansen” writer Steven Levenson. In the past, Miranda has praised Larson’s work as inspirational in his personal process, and additionally played the character of Jon in a revival of the show back in 2014.
Release Date: TBA
The rumors of this remake from Steven Spielberg and Tony Kushner became a reality earlier this year when a casting call went out for actors/singer/dancers for the leading roles of Tony, Maria, Anita, and Bernardo. No announcements have been made regarding actors chosen for the film or a release date, but the Spielberg/Kushner duo has audiences waiting with bated breath.
Release Date: TBA
Producers of this social media sensation recently announced plans for a film adaptation. This is somewhat surprising since the show has not even opened on Broadway yet. However, Joe Iconis's runaway hit has been getting Broadway-Hit like attention since its recent sold-out run Off-Broadway. Many are predicting this as next big winner on the great white way. Needless to say, the movie is still far from being here and no timetable has yet been given.
Release Date: TBA
Kate Johnston also contributed to this article
1. Deciding on the perfect audition song for your dream role.
2. Waiting for the phone to ring to find out whether you got that callback.
3. Finding out your worst enemy got a part over you.
4. Spending hours learning your sides and only getting to sing a portion of them.
5. Trying on everything in your closet to get that perfect audition outfit.
6. People being loud in audition holding rooms when you just want to concentrate and focus.
7. Carrying tons of changes of clothes and dance shoes for one day’s worth of auditions and classes.
8. Being asked, “Have I seen you in anything?” or “What’s coming up next?” or “How come you’re not famous?”
9. Getting callbacks for a show numerous times and not getting the job.
10. When anyone other than the director gives you direction.
11. When people are late, complain and aren’t respectful of time and talents.
12. Being told you will work a lot when you’re older.
13. When those behind the table in the audition room are on their phones during your audition.
14. Actors taking up others’ time with questions that could have been answered by doing a bit of homework or at least a Google search.
15. When you have to move everything else around in your schedule to go to a last-minute audition.
16. When audience members leave their cell phone on during a performance.
Did we miss any? Tell us about your pet peeves in the comments below...
[post_title] => 16 Things That Drive Performers Crazy [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 16-things-drive-performers-crazy [to_ping] => [pinged] => [post_modified] => 2017-07-13 14:22:56 [post_modified_gmt] => 2017-07-13 18:22:56 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=9161 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 9 [filter] => raw ) [3] => WP_Post Object ( [ID] => 9133 [post_author] => 786 [post_date] => 2017-07-12 15:11:36 [post_date_gmt] => 2017-07-12 19:11:36 [post_content] => The Tony's are one of the -- no, the BIGGEST -- night for Broadway and theatre nerds all over the world. Every theatre nerd get pumped up for the awards season on Broadway, and screams when the opening number comes on! But, we all know... When they special presenters start to announce the awards, we watch intently, but in the back of our brain, we are thinking about what other categories could be added. So here they are:5 Tony categories we NEED to see added:
1. Best Hair/Makeup Design
My theory is this: If there is a Tony for best costume design, then why shouldn't there be one for best makeup and hair design? Some of the greatest artists in the world are ones that put makeup on an actor's face, and make them transform into character. These people need to be recognized for the work they put in -- or on -- a show.
2. Best Ensemble
The amazing people standing behind the amazing Josh Groban? The amazing ensemble of Natasha, Pierre, and the Great Comet of 1812. Just like these people, ensembles all over Broadway put in so much work to put the show on its feet. They need to be triple threats, and prepare for long and intense dance numbers. Without these actors, these shows would not have the pizzazz and spark that they do.
3. Best Understudy
Behind the scenes, waiting backstage, are understudies and swings. These people have to learn many tracks, and have to cover lead roles. The work they put in is crazy, and they never know when they might go on. These people deserve to be recognized for all of the work they put in, which many argue is more work than the leads. Amazing understudies like Colton Ryan and so many others go unrecognized. So what about it? A Tony for the less recognized actors and actresses?
4. Best Song
Listening to cast albums make us theatre nerds feel like we are transported to NYC to see the show. It showcases the amazing voices of the cast, and makes you feel safe while listening to it. And, it makes you wanna dance and sing in public, am I right? There's always one song on the album that is entrancing and addictive, that we listen to it over and over and over and over and over and over. Clearly, the writers were on to something with this song, and it needs to be recognized.
5. Best Replacement
Although this category might have been added in 2005, based on not enough support, it was kicked aside. But now, I feel it is time for it to come back. Many of the replacements in musicals deserve spots on the Tony's, because, let's face it'; it is so hard to replace the original amazing performer and try to make the role your own. Performers such as Stephanie J. Block and Sara Barielles missed out on opportunities for Tonys because they were replacements.
BRING THIS BACK (#6)
The Tony Award for Best Newcomer!
This award was created to recognize undeniable talent in shows by performers making their Broadway debut! It was presented only to 2 performers in 1948. Broadway debut's can be extremely hard because the performers need to adjust to a rigorous schedule, and in many cases, all the press, all while performing a part 8 shows a week. This award would provide more excitement for the broadcast, and theatre kids would love to watch their news idols win this! [post_title] => 5 Tony Award Categories That NEED To Be Added! [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 5-tony-award-categories-need-added [to_ping] => [pinged] => [post_modified] => 2017-07-14 12:34:46 [post_modified_gmt] => 2017-07-14 16:34:46 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=9133 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [4] => WP_Post Object ( [ID] => 9157 [post_author] => 791 [post_date] => 2017-07-12 15:04:55 [post_date_gmt] => 2017-07-12 19:04:55 [post_content] =>
Quick! To rehearse! Oh, snap.
[post_title] => Oops There Goes My Cheerios
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[post_title] => Quiz: What Type Of Shakespeare Play Are You?
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[post_content] => “This is taking chances, this is almost touching, what the beauty is…”
Contemporary roles for sopranos are an interesting bunch. Whereas sopranos typically play young, romantically inclined ingenues, contemporary characters do far more than just “glitter and be gay.” The 16 roles we’ve compiled here have various age ranges and complex characters, each with their own goals and struggles that are not seen in more classic Golden Age shows. While some roles are more wickedly popular than others, they all offer personalities performers and audiences will continue to treasure.
1. Glinda from ‘Wicked’
https://www.youtube.com/watch?v=0l75sfnH6bA Glinda, the rival-turned-friend-turned-frenemy of the Wicked Witch of the West, is one of Broadway’s most recognizable contemporary characters. Created by Kristin Chenoweth, who received a Tony nomination for her performance, Glinda’s privileged background and sunny personality initially make her clash with Elphaba, her jaded, morose roommate.2. Miss Dorothy Brown from ‘Thoroughly Modern Millie’
https://www.youtube.com/watch?v=_4V9uE0Baf0 A wealthy actress from California, Miss Dorothy Brown is Millie’s best friend. While they enjoy the glamour of New York City life, they get caught in the middle of taking down a white slavery ring.3. Phoebe D'Ysquith from ‘A Gentleman's Guide to Love and Murder’
https://www.youtube.com/watch?v=JMCjOpxe49g Sure, Sibella gets most of the female spotlight in this comedy, but Phoebe takes most of the high notes. An aristocrat who marries a distant cousin, Phoebe’s big solo number, “Inside Out,” showcases her stratospheric range.4. Clara Johnson from ‘The Light in the Piazza’
https://www.youtube.com/watch?v=Jk9S6YsEgPE While on a trip to Italy with her mother, Margaret, Clara falls for Fabrizio, a singer from Florence.5. Little Edie from ‘Grey Gardens’
https://www.youtube.com/watch?v=EZW6IugbCok Based on the real-life Edith Bouvier Beale, struggling actress Little Edie has a strained relationship with her fiancé, Joe Kennedy Jr., and her mother, Edith Ewing Bouvier Beale.6. Francesca Johnson from ‘The Bridges of Madison County’
https://www.youtube.com/watch?v=apnHOwWuTkQ An Italian war bride from Iowa, Francesca has an affair with Robert, a photographer, while her family is in Indianapolis for three days.7. Marie Christine from ‘Marie Christine’
https://www.youtube.com/watch?v=74i3HtY87nY Based on the Euripides play “Medea,” “Marie Christine” is about a woman whose voodoo practices have serious consequences on her family.8. Marguerite from ‘Marguerite’
https://www.youtube.com/watch?v=_kHm31gVFkA Based on “La Dame aux Camélias,” “Marguerite” is about a 40-year-old singer who falls in love with a young man in Nazi-occupied Paris. Ruthie Henshall received an Olivier nomination for her performance as the title character.9. Miss Honey from ‘Matilda the Musical’
https://www.youtube.com/watch?v=gPlFmqq0cQI A kind and gentle librarian with a rough past, Miss Honey sees great potential in her student, Matilda.10. Rebecca Steinberg from ‘It Shoulda Been You’
https://www.youtube.com/watch?v=1JuhYxYaflk Created on Broadway by Sierra Boggess, the character Rebecca is a nervous bride who is afraid to come out as gay to her family.11. Isabelle from ‘Amour’
https://www.youtube.com/watch?v=tGQUE-M2kys Isabelle, who is miserably married to a prosecutor with a dark secret, is the object of affection to Dusoleil, who can walk through walls.12. Lara Guishar from ‘Doctor Zhivago’
https://www.youtube.com/watch?v=fP-8lVk7AqI Based on the Boris Pasternak novel, Lara (the daughter of Amalia Guichard) has an affair with the lawyer Viktor Komarovsky while working as a governess.13. Christine Daae from ‘Love Never Dies’
https://www.youtube.com/watch?v=zZoQLaYKOGg While the 2010 sequel to “The Phantom of the Opera” has its harsh critics, the vocal writing for Christine Daae remains beautiful as she travels to New York for the opening of Phantasma, a new amusement park.14. Cathy Whitaker from ‘Far From Heaven’
https://www.youtube.com/watch?v=G-0NC7w8oLc Based on a 2002 film character, Cathy Whitaker is a 1950s housewife who observes her life gradually falling apart.15. Albertine from ‘My Life with Albertine’
https://www.youtube.com/watch?v=9sKdwyH586I Based on a character created by Marcel Proust, the musical centers on the aforementioned author’s feelings for his character Albertine, which become dark jealousy.16. Hope Cladwell from ‘Urinetown’
https://www.youtube.com/watch?v=eyWCRoHPdzw The lead female character of this dark comedy, Hope is the daughter of Caldwell B. Cladwell, the president of the Urine Good Company. She falls in love with Bobby, who attempts to take down her father’s company.
Which one of these soprano roles would you want to play? Let us know in the comments below...
[post_title] => 16 Great Contemporary Roles For Sopranos [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 16-great-contemporary-roles-sopranos [to_ping] => [pinged] => [post_modified] => 2017-07-11 12:01:05 [post_modified_gmt] => 2017-07-11 16:01:05 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=9124 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [7] => WP_Post Object ( [ID] => 9097 [post_author] => 11 [post_date] => 2017-07-10 08:48:24 [post_date_gmt] => 2017-07-10 12:48:24 [post_content] =>Here are the 15 best musicals you can stream on Netflix right now:
1. ‘Anastasia’
If getting to the Broadhurst Theatre isn’t an option, you can feast your eyes on this 1997 animated feature. This popular cartoon of Disney musical caliber is definitely on Broadway for a reason: It’s a rags-to-riches princess story with tons of good music. We’re in!
2. ‘Chicago’
Pop! Six! Squish!
“Chicago” transports you to the Cook County Jail during the height of the Jazz Age. Beware: This is no “Orange Is the New Black.” This infamous musical is full of glitz, glamour and merry murderesses — plus, a few dazzling dance numbers.
3. ‘Sweeney Todd: The Demon Barber of Fleet Street’
Our Netflix recap last year sported this morbid musical, and we’re dying of happiness that we can still stream “Sweeney Todd.” Tim Burton’s take on Stephen Sondheim’s melodious creation is forever worth the watch when you want something a little bit darker than “La La Land.”
4. ‘Grease’
Yup, this classic is still available on Netflix, too. We’re (summer) lovin’ it.
5. ‘Shrek the Musical’
Filmed stage musicals can be tough to find, but this Broadway show, starring Brian d’Arcy James and Sutton Foster, has remained in Netflix’s library. This ogre-ish fairy tale is a must for every musical theatre lover.
6. ‘The Prince of Egypt’
We’re geeking out over the fact that this animated feature might have a future on a Broadway stage! The 1998 Dreamworks film features songs by Stephen Schwartz (“Wicked,” “Pippin,” “Godspell”) and a score by Hans Zimmer (“Pirates of the Caribbean,” “Interstellar,” “The Dark Knight,” “Inception”). Before it garners a few Tony nominations, this Academy Award-winning movie should make it to your Netflix List. Need we say more?
7. ‘Carousel’
June is bustin’ out all over, and we’re still obsessed with this classic Rodgers and Hammerstein musical. This movie is complete with a dream ballet sequence, beautiful ballads and a heart-wrenching love story. Just be sure to grab a box of tissues!
8. ‘The Last Five Years’
This adaptation of Jason Robert Brown’s nitty-gritty love story stars Hollywood sweetheart Anna Kendrick and Broadway heartthrob Jeremy Jordan. A glorious collection of duets accompany the tale of an aspiring actress and an up-and-coming writer trying to make life together work.
9. ‘White Christmas’
In case you need some holiday cheer this summer, “White Christmas” has your back. Bing Crosby, Danny Kaye, Rosemary Clooney and Vera-Ellen star in this Irving Berlin masterpiece, which embodies both the best of Broadway and Hollywood.
10. ‘Across the Universe’
We love a good jukebox musical, especially when it’s a romance set in the ‘60s and encompasses 34 Beatles songs. Fans of HBO’s hit series “Westworld” can also appreciate actress Evan Rachel Wood showing off her singing chops opposite Jim Sturgess.
11. ‘The Nightmare Before Christmas’
Once you’ve finished watching “White Christmas,” you can make some frozen hot chocolate and tune into Tim Burton’s holiday-themed cult classic.
12. ‘Radio City Christmas Spectacular’
Why not just host a “Christmas in July” musical movie night? Netflix now features the broadcast version of Radio City Music Hall’s famous Rockettes. Though this isn’t your traditional musical, the iconic celebration boasts oodles of dancing and enough good tidings to make you wish you were celebrating the holidays in the Big Apple.
13. ‘Crazy Ex-Girlfriend’
Okay, we know this isn’t exactly a movie, but it is on Netflix! If binge-watching a TV show is more your speed, check out this hilarious series created by and starring Rachel Bloom. It’s chock-full of ridiculously relatable and fabulous musical numbers.
14. ‘Moana’
“Hamilton” might not be on Netflix (we can dream, right?), but you can stream Disney’s latest blockbuster featuring Lin-Manuel Miranda’s musical penmanship. Warning: You just might find yourself belting “How Far I’ll Go” for the rest of the week.
15. ‘High School Musical’
Disney's 2006 surprise smash hit still holds up, at least according to the generation it first touched! So be before you dog this one, give it a chance! Directed by the amazing Kenny Ortega (Newsies) and even stars a current Broadway favorite, (recently in Holiday Inn) Corbin Bleu.
Have another musical favorite on Netflix? Leave a comment below...
[post_title] => Top 15 Musicals On Netflix Right Now (2017) [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => top-15-musicals-netflix-right-now-2017 [to_ping] => [pinged] => https://theatrenerds.com/top-12-musicals-netflix-right-now-2016/ [post_modified] => 2017-08-03 13:48:56 [post_modified_gmt] => 2017-08-03 17:48:56 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=9097 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 18 [filter] => raw ) [8] => WP_Post Object ( [ID] => 9051 [post_author] => 440 [post_date] => 2017-07-09 09:10:22 [post_date_gmt] => 2017-07-09 13:10:22 [post_content] => In the famous words of Alice Cooper, “School’s out for the summer.” With community theatre groups on hiatus and school drama programs breaking for the holidays, you may be experiencing summertime sadness due to a theatre-sized hole in your life. Never fear, Theatre Nerds is here to rescue your summer better than a “Baywatch” lifeguard.Here are 22 items to check off your theatre-themed summer bucket list:
1. Plan a Classic Movie Musical Marathon
Not sure where to begin? “The Sound of Music,” “West Side Story” or “South Pacific” are great starting points. Or, if you’d rather stick to movies you can stream, check out our list of the top musicals streaming on Netflix right now.
2. Channel Your Inner James Corden
https://www.youtube.com/watch?v=YshgmStEZh0 Get your theatre-loving friends together and have a Broadway-themed carpool karaoke session.3. Visit an Art Museum
Channel your inner George and check out your local art museum. See if there is a tour or audio guide and learn about the different artists and styles.
4. See At Least One Show
It doesn’t need to be Broadway — depending on your options, it could be a touring company or local community theatre production. There is something to be gained from any show you see.
5. Do Some Good in the World
Help inspire change like Tracy Turnblad and volunteer for a cause you believe in.
6. Hit the Road
Take a theatre-inspired road trip to a theatre festival or show.
7. Get Outdoors
Head to a local park and enjoy a picnic with your posse. You could even fly a kite!
8. Brush Up on Your Skills
Enroll in a creative summer course such as dance, acting, design or comedy to improve your skills. If there are no in-person class options in your area, try to find something online instead.
9. Look at the Stars
Enjoy a clear night like Guy and Girl and try some stargazing.
10. Get Involved
Do some research to learn more about your community theatre groups and how you can become a part of them.
11. Practice Makes Perfect
Get your friends together and practice applying stage/costume makeup using a YouTube tutorial as your guide.
12. Get Cooking
Challenge your friends to a “Waitress”-style pie-making contest and indulge in sampling everyone’s creations afterward.
13. Spread the Word
Get a job or volunteer at a local theatre camp to help promote the arts to a new generation.
14. Put on Your Own Show
https://www.youtube.com/watch?v=OR5OtoUkVPo Be creative and put together your own versions of your favorite Broadway numbers with your friends. For inspiration, check out Working With Lemons or Todrick Hall. https://www.youtube.com/watch?v=GAUZIw95ueM&t=46s15. Explore Nature
Nature is a great place to get ideas about dance and movement. You don’t need to go far to find your nearest zoo or wildlife park to observe the way animals move and interact.
16. Get Crafty
Start a scrapbook with your favorite theatre experiences, or put those saved programs and ticket stubs on display in a shadow box or framed collage.
17. Go Sightseeing
Take a trip to somewhere new and take in the local sights. Stuck at home? Plan a dream trip inspired by your favorite musical, such as Anastasia’s St. Petersburg, Maria’s Salzburg or Hamilton’s New York. Who knows, you might actually end up taking that trip someday! Need some inspiration? Check out our post on theatre-inspired vacation destinations.
18. Perform in the Rain
Next time the clouds let loose, head outside and sing and dance in the rain. Of course, always be safe and check whether there will be lightning!
19. Head to the Great Outdoors
Attend an outdoor concert or theatre in the park. It’s a great way to get some fresh air and your theatre kick!
20. Go Cycling
Tour your city by bike and check out the local sights. Feel free to sing “Do-Re-Mi” while you ride.
21. Hit the Books
Cruise your local library or bookstore for reading material. Lin-Manuel Miranda came up with the idea for “Hamilton” after reading Rob Chernow’s book on the Founding Father while on vacation. It just goes to show that you never know where inspiration may strike!
22. Learn a New Dance
Explore the wide world of dance and learn a new style. Many places will offer free classes or lessons over the summer, either at their studios or local events. You never know when you could be caught up in a dance battle!
Share the list with your friends and see how many you can check off before the bells ring and class is back in session.
What’s on your summer theatre bucket list? Let us know in the comments below...
[post_title] => 22 Activities For An Official 'Theatre Kid' Summer [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 22-activities-official-theatre-kid-summer [to_ping] => [pinged] => https://theatrenerds.com/11-vacation-destinations-inspired-favorite-musicals/ [post_modified] => 2017-07-09 09:12:41 [post_modified_gmt] => 2017-07-09 13:12:41 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=9051 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [9] => WP_Post Object ( [ID] => 9033 [post_author] => 774 [post_date] => 2017-07-08 16:23:03 [post_date_gmt] => 2017-07-08 20:23:03 [post_content] =>[adthrive-in-post-video-player video-id="CEKs3r2X" upload-date="2018-10-03T20:04:01.000Z" name="Dear Evan Hansen DIY Phone Case" description="In this Broadway DIY we will be creating a 'Waving Through A window" phone case, themed after Dear Evan Hansen."]
The Materials! For this project, all you will need is:
- Paint Pens (can be purchased at any craft store-you may use any combination of colors that you like)
- Clear Phone Case (Sold in stores, but cheaper on Amazon. All phone types available)
Instructions:
1. Begin creating your “Waving Through A Window” window by shaping out the frame. Put the phone to the side to allow the paint to dry. 2. Print a font you enjoy, or handwrite “waving through a window” onto paper. With that as a reference, create a mirrored image of the phrase to use to trace. 3. With your reversed writing, place your phone case facedown and begin to trace the writing onto the case. After you are finished and happy with your writing, allow it to dry. 4. Once your wording has dried, you may now finish creating your window but drawing in the rest of the crossbeams. You may also emphasis the windows by lining each box with a darker color. 5. Bonus! Find your favorite ‘Dear Evan Hansen’ Ben Platt image and print them out. You can choose whatever size appeals to you the most. 6. Cut out your little Ben Platt and place him inside your window. Once you adhere him to the case, and it has completely dried go ahead and finally clip on your new phone case. You are now ready to hit the town and show off your phone to all of your friends!Share with us your version of your “waving through a window” phone case on our Facebook and Instagram page. We can’t wait to see what you have done.
Leave a comment below with comments/suggestions of what you would like to see next...
Happy Crafting! Follow Katie on Instagram @kbettiniartRecommended supplies: (click on name to view/purchase) Clear iPhone 6 case Clear iPhone 7 case Clear Samsung Galaxy case Paint Pens used in video:
Craft Smart® Fine Line Paint Pen, 2 Pack - Dark Blue
Premium Paint Pens by Beric 12 pack
Sharpie Oil-Based Paint Markers
[post_title] => 'Dear Evan Hansen' DIY Phone Case To Indulge The Crafty Theatre Nerd [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => dear-evan-hansen-diy-phone-case [to_ping] => [pinged] => [post_modified] => 2019-05-08 10:03:53 [post_modified_gmt] => 2019-05-08 14:03:53 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=9033 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [10] => WP_Post Object ( [ID] => 9001 [post_author] => 736 [post_date] => 2017-07-07 10:50:29 [post_date_gmt] => 2017-07-07 14:50:29 [post_content] => So, being center stage in the spotlight during the eleven o’clock number isn’t your thing. Instead, your calling is creating the art the actors onstage can then live in for a few hours. Whether you want to work with costumes, sets, props, sound, lights, makeup, hair or any other technical aspects of theatre, here are some steps to getting those coveted behind-the-scenes jobs and how to climb the ladder to eventually work on Broadway:Learn Your Trade and Get Work Experience
Perhaps you have just graduated high school and are entering college. Perhaps you are changing your career to pursue your first love of being a backstage technician. Either way, you may be wondering how to build a resume and get experience if no one will hire you without it.
The answer is simple. If you are in school, work in the theatre department. Delve into any and all aspects you can. That work experience counts, since everyone has to start somewhere. Also, take the time to ask your teachers and professors about their lives in the theatre, what they enjoy about it and how they have built up their resumes.
If you aren’t in school or your school doesn’t offer theatre education, seek out local theatres in your area. Many need volunteers or have internships, apprentice/mentorship programs or production assistants. All of these are geared toward those with little to no experience. Show your interest through an application phone call or written inquiry. Then, get in there and start working. Those entry-level positions and internships could lead to a very lucrative career with that theatre if they like you and your work. Who knows, a paid position may open up and you might be able to put yourself in the running for it.
Also, remember many theatres bring in artists and designers from across the country you can work directly with. It’s possible you may start to develop a successful working relationship with one or more of them. In turn, this newfound connection may allow you to be put in the mix for when a job opens up at another theatre company they are affiliated with. You just never know! If nothing else, you build up your resume, network and overall skill set to apply for bigger jobs.
Get Those Resumes Out
Is your skill set up to the professional level? Do you have the hands-on experience and theatre credits to book regular backstage work?
Your next step is to format a clean, concise and clear resume listing all your experience. Get someone to help you if you don’t know how, or find sample resumes online with your similar skill sets and copy their formatting. Once your resume is complete and you have a professional cover letter stating your interests, it’s time to start applying for paid jobs.
Watch notices daily on Backstage and Playbill. These two sites are the go-to spots for backstage theatre job postings throughout the country. Be bold and brave and see which theatres bite once you send out your resume.
Connect With Your Local Unions
Have the skill set and resume and are working in your local performing arts scene? The next step in the career ladder of a backstage artist eventually moving toward Broadway is to consider joining your applicable IATSE union.
Wardrobe, sound, stagehands, hair, makeup, etc., all have union locals in cities nationwide. Joining is a great stepping stone to a lifetime in the theatre as a backstage professional. Not only is being a union member a must for working on Broadway, but it can be your opening to higher-paying work, as well as protection against workplace mistreatment/injury and great long-term benefits such as health insurance and money for retirement.
The Broadway touring shows that travel from city to city all use union stagehands who are based in the local city in which the show is playing. Many professional regional houses also use stagehands. Visit or call your local union for more information about requirements, how to join and how to apply for positions.
The Bright Lights of Broadway
You’ve built up your experience and resume to the level of a solid working paid professional and you’ve perhaps joined your city’s local union. You’ve moved to the Big Apple and are now dying to get to work in one of those beautiful theatres along 42nd Street. What do you do?
First, visit your New York City union office to join or see whether you can transfer your membership from your previous city to the New York one. Once you are a member (and in some cases, registered), you can start to look for work on the Great White Way.
Broadway job openings aren’t really announced, so you have to be smart and have some strategy when getting your resume out there. First, ask the union how to best apply for jobs in your field, since your membership may get you access to contact lists and job openings.
Second, do resume/cover letter drop-offs at the stage door of theatres addressed to the specific supervisor you want to hire you. This information can be found at the union or on the back of the Playbill you get when you see a show.
Third, ask someone in your field on Broadway to refer you. This referral may come from someone you worked with in the past or someone you’ve met while on the job hunt or even in your social life.
Fourth, keep working! The New York market offers plenty of opportunities both Off-Broadway and beyond. Keep working and meeting people. You might be surprised how many of those gigs or connections can help take you to Broadway as well.
No matter what, don’t give up. Your Broadway gig might not happen right away, but if you are professional, proactive, passionate and pervasive, it’s bound to happen one day.
How did you get your first job working backstage? Leave a comment below...
[post_title] => Here's How To Work Backstage On Broadway [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => how-to-work-backstage-broadway [to_ping] => [pinged] => [post_modified] => 2017-07-07 10:51:16 [post_modified_gmt] => 2017-07-07 14:51:16 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=9001 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [11] => WP_Post Object ( [ID] => 8998 [post_author] => 736 [post_date] => 2017-07-06 21:03:26 [post_date_gmt] => 2017-07-07 01:03:26 [post_content] => https://www.facebook.com/theatrenerds/videos/1967434150198532/ [post_title] => Alicia Albright Talks Wicked, Swing Performing & Advice To Those With Broadway Dreams [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => alicia-albright-talks-wicked-swing-performing-advice-broadway-dreams [to_ping] => [pinged] => [post_modified] => 2017-07-07 10:59:49 [post_modified_gmt] => 2017-07-07 14:59:49 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8998 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [12] => WP_Post Object ( [ID] => 8960 [post_author] => 712 [post_date] => 2017-07-06 09:41:43 [post_date_gmt] => 2017-07-06 13:41:43 [post_content] => Unless you’ve been living under a rock (we’re looking at you, Patrick), you know that SpongeBob and friends will be swimming onto Broadway this November. And no, we don’t mean the creepy version you’ve witnessed sulking around Times Square. We’re talking the real Nickelodeon deal! With tickets just going on sale last week, we’ve decided to weave together a theatre nerds’ perfect plan for seeing “SpongeBob SquarePants: The Broadway Musical for Everyone.” So, gather up your loved ones and take notes, because we’re about to bring you all the steps necessary for the best day ever, as SpongeBob would call it. Are you ready, nerds? (That’s your cue to shout, “Aye, aye, Captain!”)Step 1: Buy Your Tickets!
Okay, this is an obvious one, but tickets are going faster than Squidward gets annoyed. Ticket sales began June 26, so grab your best friend and choose a date you’ll have totally free so you can plan festivities for all-day fun! Tickets can be found here.
Step 2: Make Your Visit to New York Like Bikini Bottom!
Design the perfect experience by making your visit to the Big Apple seem more like a trip to the big pineapple under the sea (see what we did there?). Since you can’t actually dive deep into the depths of the ocean while in Manhattan, we’ve compiled some excellent nautical spots to consider visiting on your journey:
- Fill your day with water at one of New York City’s waterfront piers.
- Get close to SpongeBob’s friends at the New York Aquarium.
- Float on the Hudson at the historic Lightship Frying Pan, or get in a kayak.
Step 3: Planning Your Food
This is a separate section of the planning process because as every SpongeBob fan understands, the Krabby Patty is considered sacred in Bikini Bottom. Despite there not being a Krusty Krab restaurant in New York City (anyone want to get that started?), there are definitely spots where you can grab a Mr. Krabs-approved meal:
- Check out Rasa in Greenwich Village and order the Southeast Crab sandwich.
- Head over to Flatiron to eat at L&W Oyster Co. While its very popular crab cake dish isn’t “”krusty,” it is considered “angry.”
- If you’re looking for top-notch seafood closer to the theatre, then stick around Times Square and chow down at Blue Fin . Boasting a trendy menu, this spot is right across from where the musical will play.
- Don’t listen to this withering fish! Definitely grab some chocolate before the show at Hershey’s Chocolate World and M&M's World in Times Square — SpongeBob and Patrick will love you for it.
Step 4: Binge-Watch the Show
Get excited, because now that you’ve completed all the necessary preparations, it’s time to relax and enjoy some SpongeBob. Prepare for the musical extravaganza that awaits you by watching as many episodes as you can — heck, throw a viewing party! That way, you’ll fully appreciate every homage and nuance the Broadway version pays to its animated predecessor.
After all this, you can officially quote your dear square friend and shout: “I’m ready!”
Are you pumped for the SpongeBob musical? Have any plans to hit New York City to see it? Let us know in the comments below...
[post_title] => Here's The Best Way To See ‘SpongeBob SquarePants’ On Broadway [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => best-way-see-spongebob-squarepants-broadway [to_ping] => [pinged] => [post_modified] => 2017-07-06 09:43:50 [post_modified_gmt] => 2017-07-06 13:43:50 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8960 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [13] => WP_Post Object ( [ID] => 8949 [post_author] => 391 [post_date] => 2017-07-05 09:01:14 [post_date_gmt] => 2017-07-05 13:01:14 [post_content] => With contemporary musicals dominating so many schools and theatres, it seems tempting to overlook some of the older, beloved, traditional musicals. While some of them feel outdated, unrealistic and culturally insensitive, some Golden Age musicals such as “Oklahoma!” and “West Side Story” are timeless classics that are still performed frequently. Nonetheless, each decade after the Golden Age is distinct in its contributions to the musical theatre art form. Let’s take a trip down memory lane and analyze each of the past six decades on Broadway:1. The 1960s
While more classical-sounding musicals such as “Camelot” and “110 in the Shade” continued to flourish, budding composers such as Stephen Sondheim, Jerry Herman and Kander and Ebb were scoring their first hit musicals. Star vehicles such as “Hello, Dolly!,” “Mame” and “Funny Girl” catapulted the careers of then-new stars Carol Channing, Angela Lansbury and Barbara Streisand, respectively.
https://www.youtube.com/watch?v=iVh9zjf0Tww
It was common for musicals such as “A Funny Thing Happened on the Way to the Forum” and “Cabaret” to mix elements of light comedic opera with jazz/swing to tell their stories.
https://www.youtube.com/watch?v=RC4g4wkiN_I
Not until the end of the decade did rock musicals such as “Hair” begin to sway the direction of musical theatre toward the dominant styles today.
https://www.youtube.com/watch?v=xlCilKlqrvI
2. The 1970s
The success of “Hair” led to more rock musicals coming to Broadway, specifically “Jesus Christ Superstar,” “The Rocky Horror Picture Show,” “Grease” and “Godspell.”
https://www.youtube.com/watch?v=TfKDYiF1jTw
https://www.youtube.com/watch?v=39tXfUm80Bc
The ‘70s also saw a surge of African-American-themed musicals such as “The Wiz,” “Purlie,” “Timbuktu!” and the black-cast revival of “Hello, Dolly!”
Two of the longest-running musicals from the ‘70s were “A Chorus Line” and “Chicago.” While composers such as Sondheim continued to thrive with hit shows, other names such as Stephen Schwartz and Andrew Lloyd Webber began to achieve their earliest successes in New York.
https://www.youtube.com/watch?v=_97F4CnzVBc
3. The 1980s
The ‘80s were the peak era for the pop-opera genre, which combines elements of opera with traces of mainstream pop music. This genre is best exemplified by musicals such as “The Phantom of the Opera,” “Les Misérables” and “Chess.” The latter show produced “One Night in Bangkok,” one of the last show tunes to be a pop radio hit in the United States.
https://www.youtube.com/watch?v=rgc_LRjlbTU
These shows were innovative for their groundbreaking sets, such as having a helicopter onstage (“Miss Saigon”), a chandelier falling (“Phantom”) and a light-up chessboard platform (“Chess”).
https://www.youtube.com/watch?v=oZDcSrODALQ
American musicals such as “Nine,” “Drood” and “Into the Woods” had similarly structured musical scores. Aside from “Phantom,” Lloyd Webber’s era of commercial peak in the United States included Broadway transfers of “Cats,” “Joseph and the Amazing Technicolor Dreamcoat” and “Starlight Express.”
https://www.youtube.com/watch?v=9ZKSVKDvkF0
4. The 1990s
While the pop opera genre was still popular thanks to musicals by Frank Wildhorn, such as “Jekyll and Hyde” and “The Scarlet Pimpernel,” Jonathan Larson’s rock musical “Rent” was a turning point in making musical theatre appeal to younger audiences. Like “Falsettos,” “Rent” deals with topics such as homosexuality and HIV/AIDS in contemporary New York City, and Larson’s musical won the Pulitzer Prize for Drama in 1996.
https://www.youtube.com/watch?v=cQZeH-JTie8
https://www.youtube.com/watch?v=0vVnzD0itSE
Meanwhile, Disney movies such as “Beauty and the Beast” and “The Lion King” turned into long-running Broadway productions.
A new generation of composers introduced Jason Robert Brown and Michael John LaChiusa, whose biggest successes include “Parade” and “The Wild Party,” respectively.
https://www.youtube.com/watch?v=tBmw2ZY7bDI
5. The 2000s
Last decade, there was a plethora of musical adaptations of various films, such as “Hairspray,” “Shrek,” “Legally Blonde,” “The Color Purple” and “Xanadu.”
https://www.youtube.com/watch?v=3g4ekwTd6Ig
While “Wicked” became the decade’s longest-running original musical, more vulgar shows such as “Avenue Q” and “Spring Awakening” received wide acclaim, too.
https://www.youtube.com/watch?v=xEYV5bNMZVo
Disney kept producing Broadway adaptations with “The Little Mermaid” and “Mary Poppins.” Furthermore, “In the Heights” brought hip-hop and Latin music to the Great White Way, while more serious musicals such as “Next to Normal” discussed mental illness.
https://www.youtube.com/watch?v=UvVgm4imyj0
6. The 2010s
Lin-Manuel Miranda’s sleeper hit musical “Hamilton” took the world by storm in 2015, using hip-hop and color-blind casting to tell the life story of one of America’s founding fathers.
https://www.youtube.com/watch?v=b5VqyCQV1Tg
Meanwhile, female composers such as Cyndi Lauper, Lisa Kron and Jeanine Tesori scored success by winning Tony Awards for “Kinky Boots” and “Fun Home,” respectively.
https://www.youtube.com/watch?v=mFs7UREmXyM
Disney’s Broadway adaptations included “Newsies” and “Aladdin,” while more mature shows such as “The Book of Mormon” sold out performances for months back in 2011.
Musicals of the 2016–2017 season such as “Dear Evan Hansen” and “Natasha, Pierre and the Great Comet of 1812” showcased scores influenced by singer-songwriter music as well as EDM and indie rock, respectively.
Which is your favorite decade of Broadway music? Let us know in the comments below...
[post_title] => Broadway Musical Trends By The Decade: Which Is Your Favorite? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => broadway-musical-trends-decade [to_ping] => [pinged] => [post_modified] => 2017-07-05 09:03:22 [post_modified_gmt] => 2017-07-05 13:03:22 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8949 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 5 [filter] => raw ) [14] => WP_Post Object ( [ID] => 8938 [post_author] => 440 [post_date] => 2017-07-03 08:26:43 [post_date_gmt] => 2017-07-03 12:26:43 [post_content] => William Shakespeare has risen and is heading to television screens this July. TNT is gearing up to release the 10-episode series “Will” on July 10, dramatizing the life and times of young William Shakespeare and his infamous associates.One for ‘Moulin Rouge!’ Fans
At first glance from the trailer, the show gives off a “Moulin Rouge!” vibe, but with a graphic and scandalous spin. The flavor looks to be the same: history with a contemporary twist. This shouldn’t be surprising, considering the show’s creator is Craig Pearce, Baz Luhrmann’s co-writer for “Romeo + Juliet,” “Moulin Rouge!” and “The Great Gatsby.” Much like Pearce’s film work, the show is promoted as having a modern soundtrack, where old meets new.
https://www.youtube.com/watch?v=iRBzBEm4HGU
Historical Direction
Golden Globe-nominated Shekhar Kapur directed early episodes of the show, including the long-awaited pilot. The seasoned director has experience in bringing the past to the screen, as he is best known for his historical dramas “Elizabeth” and “Elizabeth: The Golden Age.”
Cast of Players
British actor and recent LAMDA graduate Laurie Davidson will make his television debut as the legendary playwright in his younger years. And, according to the network, this is not your high school English class Shakespeare.
Sarah Aubrey, executive vice president of original programming for TNT, told Deadline, “Shakespeare was a 16th-century rockstar, and ‘Will’ perfectly captures in contemporary terms what that must have felt like for the young writer and his fans. We are delighted to be working with such an extraordinary team of executive producers and cast in putting a fresh, bold spin on the story of Shakespeare.”
“The Shannara Chronicles” actor Mattias Inwood, who will take on the role of famed actor Richard Burbage, will flank Davison alongside Australian up-and-comer Olivia DeJonge, who will appear as Shakespeare’s love interest, Alice Burbage. The latest trailer also boasts British heartthrob Jamie Campbell Bower as the enigmatic playwright Christopher Marlowe, considered to be one of Shakespeare’s biggest rivals.
Bringing Sexy Back
Focusing the series on a historically ambiguous period in Shakespeare’s life will give the show some leeway with the story and the ability to play up the dramatics. Pair that with a passionate and rebellious lead character who is easy on the eyes, and we could see a widespread change in preconceived notions of the centuries-old playwright.
However, the urge to make Shakespeare sexy to younger generations is not a new concept. Theatre lovers will recall Christian Borle’s Tony Award-winning portrayal of the Bard as a leather-clad, celebrity stud in “Something Rotten!” One could also argue Broadway’s smash hit “Hamilton” sparked a renewed effort to modernize history and pique the interest of a technology-driven society. This latest attempt by TNT certainly shows promise.
Could this be the surprise hit of the summer season? Only time will tell. Check out “Will” on TNT starting Monday, July 10.
'Will' you tune in this summer? Let us your thoughts in the comments below.
[post_title] => The Bard Is Back In TV’s Newest Summer Drama [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => bard-back-tvs-newest-summer-drama [to_ping] => [pinged] => [post_modified] => 2017-07-03 08:26:43 [post_modified_gmt] => 2017-07-03 12:26:43 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8938 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [15] => WP_Post Object ( [ID] => 6936 [post_author] => 11 [post_date] => 2017-07-01 09:26:04 [post_date_gmt] => 2017-07-01 13:26:04 [post_content] => [viralQuiz id=34] [post_title] => Quiz: Are These Stage Productions Real Or Fake? [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => stage-productions-real-or-fake [to_ping] => [pinged] => [post_modified] => 2017-07-01 09:26:04 [post_modified_gmt] => 2017-07-01 13:26:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://theatrenerds.com/?p=6936 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [16] => WP_Post Object ( [ID] => 8927 [post_author] => 391 [post_date] => 2017-06-30 08:52:02 [post_date_gmt] => 2017-06-30 12:52:02 [post_content] => “Leave your expectations at the door, just let your eyes explore…” Long before “RuPaul’s Drag Race” took the world by storm, Broadway was making strides in LGBT inclusion and representation. For example, musicals such as “Falsettos” and “Rent” portrayed realistic scenarios of the AIDS epidemic in urban settings. Meanwhile, drag characters have been and continue to be a staple of Broadway shows, whether they are written as comic relief or deep provocative figures. As a tribute to the seasons of love audiences have with these characters, here are 15 of our favorite drag roles in musical theatre:1. Edna Turnblad from ‘Hairspray’
https://www.youtube.com/watch?v=SZmvBigt-HA First played on Broadway by Harvey Fierstein, Edna Turnblad is the loving, protective mother of rising “Corny Collins Show” star Tracy Turnblad. John Travolta played Edna in the 2007 film version of the musical.2. Mary Sunshine from ‘Chicago’
https://www.youtube.com/watch?v=uY6C26FyiYs First performed on Broadway by Michael O’Haughey, Mary Sunshine is a sympathetic new reporter following the murder trials of Roxie and Velma. Although the role is usually done by a man in drag, Christine Baranski played the character in the 2002 film version.3. Sylvia St. Croix from ‘Ruthless’
https://www.youtube.com/watch?v=uLruwucD1AM A sleazy talent agent with a dark secret, Sylvia aspires to turn fame-hungry Tina Denmark into a star.4. Ms. Trunchbull from ‘Matilda’
https://www.youtube.com/watch?v=VfRcovAklV4 The fearsome headmistress of Crunchem Hall, Ms. Trunchbull hates children and stops at nothing to put Matilda and her classmates in their place — or The Chokey.5. Lola from ‘Kinky Boots’
https://www.youtube.com/watch?v=-cvw_bOmqnI A headlining drag queen at a London nightclub, Lola teams up with Charlie to create a brand of high-heeled boots in order to save Charlie’s shoe factory.6. Mrs. Taylor from ‘Bat Boy’
https://www.youtube.com/watch?v=NLOswjpzMuA An aggressive and overbearing mother, Mrs. Taylor seeks to protect her children from the alleged horrors of the Bat Boy. The character is one of Laurence O’Keefe’s few drag roles.7. Lady Hyacinth D’Ysquith from ‘A Gentleman’s Guide to Love and Murder’
https://www.youtube.com/watch?v=oC2lNyBmQFQ An aged, unmarried noble, Lady Hyacinth is a philanthropist who aims to boost her social status by partnering with the right charity.8. Hedwig from ‘Hedwig and the Angry Inch’
https://www.youtube.com/watch?v=ZVWMtaAskZg Having survived a botched gender-reassignment surgery, the genderqueer East German rockstar Hedwig Robinson travels to West Germany to find her soulmate.9. Victor/Victoria from ‘Victor/Victoria’
https://www.youtube.com/watch?v=oYJhC1aA3bs Victoria, a financially struggling singer, disguises herself as a man named Victor, who performs as Victoria and quickly becomes the new star of Paris. This role was Julie Andrews’ last role on Broadway.10. Albin/Zaza from ‘La Cage Aux Folles’
https://www.youtube.com/watch?v=yPk7iH1ON8s The aging star of a Saint Tropez nightclub, Albin performs as “Zaza” while running the venue with his husband of 20 years, Georges.11. Bernadette Bassenger from ‘Priscilla, Queen of the Desert’
https://www.youtube.com/watch?v=I-4EjBSul1w In this jukebox musical, the transgender performer Bernadette (originally played by Tony Sheldon) joins Tick and Adam in this comedy of errors throughout their travels in Australia.12. Angel Schunard from ‘Rent’
https://www.youtube.com/watch?v=5G51cIrBvp4 An outrageously flamboyant drag queen percussionist who lives with AIDS, Angel is the love interest of Collins and is one of the best-loved characters in the show.13. Draco Malfoy from ‘A Very Potter Musical’
https://www.youtube.com/watch?v=tS2vjDlmt4w Harry Potter’s rival from the book and film series is transformed here into a flamboyant, obnoxious caricature who unexpectedly develops feelings for Hermione Granger.14. Peter Pan from ‘Peter Pan’
https://www.youtube.com/watch?v=mkn7OxTn1qE Traditionally a trousers role even before Broadway, Peter Pan has been played on Broadway by Mary Martin, Sandy Duncan and Cathy Rigby.15. Pseudolus* from ‘A Funny Thing Happened on the Way to the Forum’
https://www.youtube.com/watch?v=f6twfrbUstA Alright, so this one was a one-time occurrence, but Whoopi Goldberg succeeded Nathan Lane in this role for the 1995 Broadway revival of “Forum.” An ancient Roman slave, Pseudolus tries to be free by helping Hero win Philia’s love.What’s your favorite drag role? Let us know in the comments below...
[post_title] => 15 Great Drag Roles In Musical Theatre [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 15-great-drag-roles-musical-theatre [to_ping] => [pinged] => [post_modified] => 2017-06-30 08:54:24 [post_modified_gmt] => 2017-06-30 12:54:24 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8927 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 1 [filter] => raw ) [17] => WP_Post Object ( [ID] => 8924 [post_author] => 440 [post_date] => 2017-06-29 10:01:34 [post_date_gmt] => 2017-06-29 14:01:34 [post_content] => Ah, the spring. The flowers are blooming, the weather is warming up and the networks are putting their shiny new pilots on display at the upfronts. Many networks have unveiled their selected pilots for the upcoming television season, and theatre lovers will be thrilled. “Rise,” the story of a high school theatre teacher in a small town, has been ordered as an upcoming series after the trailer garnered positive reviews at the upfronts.Here is what we know about “Rise” so far:
1. Book Roots
Inspirational educator Lou Volpe, a drama teacher at Harry S. Truman high school in small-town Pennsylvania, is the subject of Michael Sokolove’s book, “Drama High,” which provides the basis for the show.
Volpe created what is now a thriving program through his use of contemporary repertoire, with Truman becoming a pilot school for high-school versions of musicals being considered for widespread use.
The book has been transformed into a one-hour drama series that will follow Lou Mazzuchelli as he infuses life into a high-school theatre department.
2. ‘Hamilton’ Meets ‘Friday Night Lights’
As is typically the case these days, there are always six degrees of separation between anything and “Hamilton.” This is no exception. “Hamilton” producer Jeffrey Seller has teamed up with former “Friday Night Lights” showrunner Jason Katims to bring the show to life.
3. A Musical-Loving Network
The show has found its home on NBC, which you may remember was the previous home of “Smash” (may it rest in peace). The network was also the first to launch the live-musical train with “The Sound of Music,” and it recently found acclaim with its live version of “Hairspray.” Next year will see the live musical trend continue on NBC with productions of “Jesus Christ Superstar” and “Bye Bye Birdie” already in the works.
4. Famous Faces
Josh Radnor of “How I Met Your Mother” fame will take on the lead role of Lou Mazzuchelli. Actress and activist Rosie Perez is also listed in the cast, though her role is unknown as of right now. “Stranger Things” fan-favorite Shannon Purser, also known as Barb, is rumored to have a recurring guest spot on the show.
5. Premiere Ballpark
NBC has opted to reserve the show for a mid-season premiere, so the wait for this one will be a bit longer than previously expected.
6. Star on the Rise
While Radnor will be playing the lead, everyone is ready to see whether “Moana” star Auli’i Cravalho will find similar success on the small screen. Given this is a show about musicals, it’s clear she will unleash her killer musical pipes at some point.
7. A Little Lin-Manuel?
The popular “Hamilton” composer must not sleep. How else would he find the time to complete the number of projects he is connected to these days? His name has been attached to “Rise” as well, with Cravalho revealing to TV Guide, “I will let you know that Lin-Manuel had a special part in our show. So, whether or not you’ll see him? You’ll definitely hear him and feel his influence.”
While it’s unclear whether viewers will see interpretations of his hit musicals or perhaps a cameo, it’s certainly increased the buzz around the highly anticipated show.
Musical television shows have had mixed success, from the long-running “Glee” to the short-lived “Smash.” So, it’s hard to tell whether “Rise” will have the potential for multiple seasons. Either way, one thing is for sure: It’s good to have more Broadway on television.
Will you tune in for “Rise” when it airs? Let us know in the comments below...
[post_title] => What We Know About NBC's Upcoming Theatre Show ‘Rise’ [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => what-we-know-nbc-upcoming-theatre-show-rise [to_ping] => [pinged] => [post_modified] => 2017-06-29 10:02:27 [post_modified_gmt] => 2017-06-29 14:02:27 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8924 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [18] => WP_Post Object ( [ID] => 8920 [post_author] => 391 [post_date] => 2017-06-27 10:04:27 [post_date_gmt] => 2017-06-27 14:04:27 [post_content] => With the contemporary musical theatre scene dominated by mezzo belters and rock tenors, it seems almost impossible to find a lead alto role. A voice part that once reigned supreme on Broadway through roles such as Mama Rose, Mrs. Lovett and Dolly Levi, it’s now reserved mostly for older, secondary characters. However, not all hope is lost for you low, brassy belters! Here are 15 contemporary roles that stand out among the rest:1. Ilse Neumann from ‘Spring Awakening’
https://www.youtube.com/watch?v=EsJdM8acLZQ Ilse has run away from her abusive parents to live in an artists’ community. Although she is not as close to the other characters as Wendla and Melchior, her song “The Dark I Know Well” with Martha is a heartrending depiction of sexual abuse.2. Carmen Bernstein from ‘Curtains’
https://www.youtube.com/watch?v=dDrNaP-dZ0M A more comedic alto role, Carmen is a boisterous, brassy theatre producer who is unhappily married to the luckless producer Sidney. Her solo, “It’s a Business” is sung to her estranged daughter, Bambi.3. Morticia Addams from ‘The Addams Family’
https://www.youtube.com/watch?v=5nQB-_DRSps Morticia is the Addams family matriarch. She always tries to see the good in everyone and is in control emotionally compared to the rest of the family.4. Muzzy Van Hossmere from ‘Thoroughly Modern Millie’
https://www.youtube.com/watch?v=MytP-iiut9A Muzzy is a vocal diva who enjoys the best in life and believes in valuing true love over money.5. Miss Minchin from ‘A Little Princess’
https://www.youtube.com/watch?v=Ltko9CNCUrw Miss Minchin is the bitter headmistress of a girls’ school in London. She can’t stand Sara Crewe, a new, popular student, and is jealous of Sara’s high reputation.6. Mother Superior from ‘Sister Act’
https://www.youtube.com/watch?v=AqG0e2sWNlk The dignified, conservative leader of a convent in Philadelphia, Mother Superior is sarcastic yet extremely protective of her loved ones.7. Motormouth Maybelle from ‘Hairspray’
https://www.youtube.com/watch?v=LeLF0ittXS0 A sassy record store owner, Motormouth pushes for “The Corny Collins Show” to become racially integrated.8. Madame Giry from ‘Love Never Dies’
https://www.youtube.com/watch?v=6Wr1VYHLNtY The mother of Meg, a headlining performer at Phantasma, Madame Giry is deeply concerned and furious about the Phantom’s continued obsession with Christine.9. Zoe Murphy from ‘Dear Evan Hansen’
https://www.youtube.com/watch?v=AN9x0v2-deU Coming to terms with the loss of her brother Connor, Zoe befriends Evan after he starts a project to keep Connor’s memory alive.10. Ursula from ‘The Little Mermaid’
https://www.youtube.com/watch?v=8eNnHxFqXqs In the stage version of the classic Disney film, the vengeful Ursula wishes to steal the sea throne from her brother, Triton, this time with more solo music.11. Sonya Rostova from ‘Natasha, Pierre and the Great Comet of 1812’
https://www.youtube.com/watch?v=_HHmHv26tao Sonya is Natasha’s loyal and protective cousin, and she goes out of her way to attempt to stop her elopement with Anatole.12. Adult Alison Bechdel from ‘Fun Home’
https://www.youtube.com/watch?v=iiLjzZAWNwc As an adult, the lesbian author-feminist Alison Bechdel reflects on her life as a child and as a young adult exploring her sexuality while attending Oberlin College.13. Bea from ‘Something Rotten!’
https://www.youtube.com/watch?v=4b3DfzlnuNg Based on the female lead from Shakespeare’s “Much Ado About Nothing,” Bea strives to help her husband’s acting troupe in any way she can, despite his doubts.14. Diana Bingley from ‘I Love You Because’
https://www.youtube.com/watch?v=Way2XGtfwFg Diana is an intelligent actuary who encourages her friend, Marcy, to find her Mr. Wrong before she can be with Mr. Right.15. Claire Zachanassian from ‘The Visit’
https://www.youtube.com/watch?v=UfeJKpM1Gqk When Claire, the richest woman in the world, returns to her hometown, the locals hope her wealth can give them a better life.
Think of a recent alto role that we left off? Let us know in the comments below...
[post_title] => 15 Great Contemporary Roles For Altos [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 15-great-contemporary-roles-altos [to_ping] => [pinged] => [post_modified] => 2017-06-27 15:58:01 [post_modified_gmt] => 2017-06-27 19:58:01 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8920 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 13 [filter] => raw ) [19] => WP_Post Object ( [ID] => 8917 [post_author] => 440 [post_date] => 2017-06-26 09:24:45 [post_date_gmt] => 2017-06-26 13:24:45 [post_content] => Whether your show is just for a weekend or running for months, it can feel at times like you live at the theatre. On a two-show day, you do live there. A dressing room becomes your home away from home. Most of the time, they are sparsely equipped, so it’s up to you and your castmates to outfit the place and turn it into an actor’s heaven. Here are 24 items worth having in your dressing room:1. Script
It never hurts to have a quick refresh before the start of the show and during intermission. It’s also good to have for reference, just in case.
2. Pillow and Blanket
Exhaustion and colds are common actor ailments. One a two-show day, getting home can be a difficult feat. A pillow and blanket are perfect when you need to curl up and catch a quick nap or just relax.
3. Plant or Flowers
Keeping plants or flowers around has been known to reduce stress, so having them in the dressing room is ideal for creating a den of Zen to relax in before the show. Just remember to be courteous and check whether any of your fellow dressing roommates has allergies before you choose a plant.
4. Character Inspiration Board
Use a small bulletin board and create an ode to your character. Display pictures, sayings, trinkets and anything that reminds you of the person you are inhabiting. Look at it before the start of every show as you prepare.
5. Mug
Sometimes, water just doesn’t cut it, so have your personal mug handy for when a hot drink is required. Keep your vocal chords in tip-top shape by downing warm water, lemon and honey.
6. Clothing Rack and Hangers
Some places provide clothing storage areas, but this isn’t always the case. Collapsible clothing racks are inexpensive and invaluable when it comes to keeping your things organized and fresh.
7. Makeup Storage
A traveling makeup case is great, but sometimes, it’s nice to have stationary storage you can leave behind at the theatre each night rather than lugging everything back and forth.
8. Speaker
A speaker is crucial for a pre-show pump-up with your favorite playlist. These days, they come in all shapes and sizes, which is great if you are short on space.
9. Water Bottle
It’s been said before, but it’s always worth repeating: You have to hydrate to dominate. Having a refillable water bottle that you can leave at the theatre each night will ensure you are never left high and dry because you forgot it at home.
10. Headphones
Dressing rooms can get crazy, especially when shared by multiple castmates. Throwing on your headphones and blocking out the chaos will help you focus and relax. Just don’t miss your cue!
11. Encouraging Words and Affirmations
When the nerves set in, the doubts will creep up. Combat this by posting up positive messages around the room. Use cards or encouraging words from family and friends, or quotes from those who inspire you.
12. Small Mirror
If you share a dressing room with other actors, mirror space can be difficult to come by. Sometimes, the mirror is nonexistent. Having a freestanding vanity mirror is the perfect solution. It’s also helpful for a closer view when applying items such as fake eyelashes.
13. Fan
The heat from stage lights combined with intense physical activity, costume changes, the usual lack of air conditioning in dressing rooms and the number of bodies in a small space equals a sweaty mess. Stay cool between scenes with a small fan.
14. Power Bar/Power Strips
Outlets can be limited, especially in older theatres. A power bar will keep everyone happy by eliminating the epic struggle for a free outlet.
15. Slippers or Spare Shoes
Give your feet a rest between scenes and throw on a pair of slippers or comfortable shoes. Dance stores also sell warmup booties that keep feet cozy and protected.
16. Clock
These days, few people wear a watch because our phones have become an extra appendage. Many actors prefer to keep their phones stowed away during a performance to avoid breaking their focus. A clock removes the temptation to pull out the phone just to check the time.
17. Reading Material
Keep yourself entertained between scenes with books, newspapers or magazines. You can maybe even research topics related to the show!
18. Robe or Dressing Gown
Once hair and makeup are done, pulling clothes over your head can be difficult. A robe or dressing gown will keep you warm and make it less complicated to change into costumes.
19. Towel
Having a few hand towels is never a bad idea, especially when it comes to keeping sweat at bay or washing off makeup at the end of the night. Just remember to replace them each time you take them home for washing.
20. Electric Kettle
These are useful for making those hot drinks discussed in No. 5.
21. First Aid Kit
You never know what will happen during a show, so having a personal first aid kit complete with bandages and pain-relief medication can be a lifesaver.
22. Mouthwash
This is vital if you are puckering up with any of your castmates onstage. There’s nothing worse than doing a kissing scene and being able to identify your castmate’s last meal.
23. Snacks
It takes a lot of energy to get through a performance, so being hungry will just not do. Have some healthy snacks that are vocal chord-friendly on hand. Just don’t let anyone catch you eating in your costume.
24. Diffuser
Odd smells are not uncommon in dressing rooms, be it mildewy carpet or the fragrant food of the restaurant next door. A diffuser will combat the smell and freshen the place up. Again, make sure everyone who shares the space is on board before you set one up.
Putting yourself in the right mindframe before a performance is as crucial as the time spent rehearsing. Having a space with little touches that makes it feel like your own can help you give the best performance possible.
What are your dressing room essentials? Let us know in the comments below...
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Many times, it’s not about what you know, but more about who you know. An internship is a great way to start networking with industry professionals and build a connection with the creatives who could hire you for a job in the future. You couldn’t ask for a better situation for those in the business to easily get to know your personality, work ethics and talents.
2. They Put the ‘In’ in ‘Internship’
With an internship, you are basically gaining entry into the place where you are working, which could very easily open the door for other dream opportunities with them in the future. Just make sure to work hard and always put your best foot forward to create a positive impression that will last a lifetime.
3. You’ll Learn the Basics
Through an internship, you can find out whether you have what it takes as you get to know the basics of your chosen performing arts field. This will act as your foundation and stepping stone for the jobs you’ll apply for in the future that will ultimately require larger skill sets and more responsibility.
4. You Can Find Out Whether It’s Something You Really Want to Do
Sometimes you may be uncertain whether you want to pursue a career in the performing arts field and/or which parts you want to spend a lifetime in. Perhaps you may even want to do a bit of everything. Internships are a great way to explore your options, whether you want to be onstage, backstage or somewhere in between.
5. You’ll Find a Support System
In a career path that is uncertain and can have many ups and downs, those you meet in the trenches of your internships may possibly become your friends and support system for years to come. They will be there to hold your hand, guide you and lift you up during your journey in show business.
Tell us about your experiences as an intern in the comments below...
[post_title] => 5 Reasons Internships Help Your Performing Arts Career [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 5-reasons-internships-help-performing-arts-career [to_ping] => [pinged] => [post_modified] => 2017-06-24 08:46:19 [post_modified_gmt] => 2017-06-24 12:46:19 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8887 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [22] => WP_Post Object ( [ID] => 8884 [post_author] => 717 [post_date] => 2017-06-22 11:14:13 [post_date_gmt] => 2017-06-22 15:14:13 [post_content] => The movie musical is a beloved genre that built Hollywood and still thrives today with movies such as “La La Land,” “Into the Woods” and “Beauty and the Beast.” However, just because a movie isn’t a musical doesn’t mean things can’t get a little theatrical! In fact, some of the best examples of movies with surprise musical numbers have eventually been adapted for the stage, such as “Young Frankenstein,” “The Wedding Singer, “Monty Python and the Holy Grail” and “The Producers.” The following are 15 great musical moments from non-musical movies, in no particular order:1. ‘My Little Buttercup’ from ‘The Three Amigos’ (1986)
https://youtube.com/watch?v=Zh7eAG2jJkA “The Three Amigos” is about three suddenly out-of-work Hollywood dandies who are hired to help rescue a Mexican village from fearsome bandits, though they think it’s a performance and are unaware the danger is very real. Steve Martin, Chevy Chase and Martin Short star as the titular amigos while at arguably the peaks of their careers. There were actually a few musical numbers in this film, all written by Randy Newman, who makes a voice cameo as the singing bush. However, the audience participation in “My Little Buttercup” makes it our favorite. Bonus Song: ‘Blue Shadows on the Trail' https://www.youtube.com/watch?v=iB89FIStq7Y2. ‘Love Will Keep Us Together’ from ‘Get Over It’ (2001)
https://www.youtube.com/watch?v=CJSQKtx5tVQ One of the many teen comedies of the early ‘00s, “Get Over It” was much quirkier than its contemporaries. The plot, loosely based on “A Midsummer’s Night Dream,” concerns Berke Landers, who joins the high school’s musical production of “Midsummer” to get close to his ex. The show the students put on was written by film and Broadway legends Marc Shaiman and Scott Wittman. In the opening of the film, Berke gets dumped by his girlfriend, Allison, and the movie goes full-on musical. Love it! Bonus Song: ‘Midsummer Night's Dream’ https://www.youtube.com/watch?v=nET7V9DsWgo3. ‘The Babysitting Blues’ from ‘Adventures in Babysitting’ (1987)
https://www.youtube.com/watch?v=bymE4SuxyR0 Elisabeth Shue starred in this not-quite family-friendly movie. She plays a babysitter who takes a group of suburban kids on a wild trek through downtown Chicago. While being chased by some bad dudes, the bunch winds up onstage with blues legend Albert “Iceman” Collins. And, as Collins states, “Nobody leaves without singing the blues.” The movie also features a very young Anthony Rapp playing a sex-obsessed teen who worms his way into the plot. Bonus Song: ‘Then He Kissed Me’ https://www.youtube.com/watch?v=xFrecN_dsPc4. ‘I Say A Little Prayer’ from ‘My Best Friend’s Wedding’ (1997)
https://www.youtube.com/watch?v=d-J4xYOxJ9w This 1997 romantic comedy starring Julia Roberts and Cameron Diaz has so many songs, it’s shocking it hasn’t been adapted for the stage. The musical highlight, though, has to be when Roberts’ character’s debonair gay best friend pretends to be her boyfriend and gets a little theatrical when asked how they met. Bonus Songs: ‘Wishin’ and Hopin’ https://www.youtube.com/watch?v=c74BSImG4xM ‘I Just Don’t Know What to Do With Myself’ https://www.youtube.com/watch?v=EA8sWvlBx1U5. ‘Billy’s Victory Song’ from ‘Billy Madison’ (1995)
https://youtube.com/watch?v=YGeFi3Ap61E “Billy Madison,” about a man-child who must quickly repeat grades 1–12 in order to inherit his father’s Fortune 500 company, launched the movie career of Adam Sandler and gave every middle-school boy countless lines to quote ad nauseum. The movie was written by Sandler and Tim Herlihy, the same team behind “The Wedding Singer,” who knew the importance of a good eleven o’clock number, even if you’re not in a musical. Bonus Song: ‘Back to School’ https://www.youtube.com/watch?v=uMtkiS1SU_c6. ‘The Mamushka’ from ‘The Addams Family’ (1991)
https://www.youtube.com/watch?v=CCNyHprEZK8&t Another film very close to people’s hearts, “The Addams Family” has a great number with music by Shaiman and lyrics by none other than Betty Comden and Adolph Green. Mind. Blown. The song is sung by Raul Julia (Gomez Addams), who was a Broadway star in his own right and the original Guido in “Nine.” Look for Shaiman himself as the creepy conductor. Bonus Song: ‘Eat Me!’ (technically from Addams Family Values, but whatevs) https://www.youtube.com/watch?v=p7v-LQsQKoY7. ‘Day-O’ from ‘Beetlejuice’ (1988)
https://www.youtube.com/watch?v=AQXVHITd1N4 Even though this musical moment is lip-synced, it’s too much fun and iconic not to be included. Geena Davis and Alec Baldwin are newly-deads who try to scare away their home’s new owners and avoid the “ghost with the most” Beetlejuice, played brilliantly by Michael Keaton. There is a Broadway version of “Beetlejuice” in workshop right now, with Alex Timbers directing and Chris Fitzgerald (“Wicked,” “Waitress”), playing the title role. Bonus Song: The intro from the awesome ‘90s animated version of “Beetlejuice” https://www.youtube.com/watch?v=KZIsSQQy96A8. ‘Cuban Pete’ from ‘The Mask’ (1994)
https://www.youtube.com/watch?v=-dyO9SWiY7k Jim Carrey had a very good year in 1994. That year, he starred in “Ace Ventura: Pet Detective,” “Dumb and Dumber” and “The Mask,” all of which were big box-office hits. In “The Mask,” Carrey plays Stanley Ipkiss, who finds an enchanted mask that turns him into a cartoon-like superhero. When ambushed by the police, “The Mask” begins a big production number to distract them. Bonus Song: ‘Gee Baby, Ain’t I Good to You?’ https://www.youtube.com/watch?v=_27x3M410Og9. ‘Holding Out For a Hero’ from ‘Shrek 2’ (2004)
https://youtube.com/watch?v=puTtnqoqHLQ While the first “Shrek” film became a Broadway musical in 2008, none of the sequels have been adapted, which is probably for the better since musical sequels rarely ever succeed. However, one musical moment stands out in “Shrek 2.” Sung by “Ab Fab” star Jennifer Saunders as the not-so-nice Fairy Godmother, “Holding Out for a Hero” is both hysterical and downright thrilling. Bonus Song: ‘Livin’ La Vida Loca’ https://www.youtube.com/watch?v=SXUG9zTpI_w10. ‘Bohemian Rhapsody’ from ‘Wayne’s World’ (1992)
https://www.youtube.com/watch?v=thyJOnasHVE Another entry that involves lip-syncing, “Wayne’s World,” starring Mike Myers and Dana Carvey, is a comedy classic. While joy-riding around town, Queen’s “Bohemian Rhapsody” plays, and Wayne and Garth get into it with car-ography and everything. And now, thanks to the film, you cannot hear that song without head-banging during the guitar solo. Bonus Song: ‘Foxy Lady’ https://www.youtube.com/watch?v=Ue0UpQBmA5s11. ‘Johnny B. Goode’ from ‘Back to the Future’ (1985)
https://www.youtube.com/watch?v=S1i5coU-0_Q This number utilizes a classic element of movie musicals: voice dubbing. Marty McFly, played by Michael J. Fox, travels back in time with the help of Doc Brown and a souped-up DeLorean. Through a whole mess of twists and turns, McFly performs at his parents’ senior prom. However, the voice you hear is not Fox — it’s Mark Campbell, who has done voice-overs for dozens of movies and TV shows.12. ‘Somebody to Love’ from ‘Ella Enchanted’ (2004)
https://youtube.com/watch?v=1bffIJDTrEM Before her award-winning turn as Fantine in the movie version of “Les Misérables,” Anne Hathaway showed off her singing skills in “Ella Enchanted,” a fairy tale with a twist. Here, Hathaway must sing for a ton of giants and totally rocks “Somebody to Love,” made famous by Queen. Bonus Song: ‘Don’t Go Breaking My Heart’ https://www.youtube.com/watch?v=q2wwmzbxwN413. ‘I Put a Spell on You’ from ‘Hocus Pocus’ (1993)
https://www.youtube.com/watch?v=zaC-WDrvmUQ The Halloween classic stars Sarah Jessica Parker, Kathy Najimy and current Broadway Dolly Bette Midler as the wicked Sanderson Sisters, who are brought back to life in Salem, Massachusetts, on Halloween night. It was directed by Kenny Ortega, who directed “Newsies” and the “High SChool Musical” trilogy. In this number, the Sanderson Sisters infiltrate a Halloween party and use their hypnotic voices to put a spell on the unsuspecting adults. It’s only a matter of time before we see a Broadway version of this movie! Bonus Song: ‘Sarah’s Theme’ https://www.youtube.com/watch?v=gEYgyWC_BpM14. ‘Twist and Shout’ from ‘Ferris Bueller’s Day Off’ (1986)
https://youtube.com/watch?v=tgd46QiHz4I “Life moves pretty fast. If you don’t stop to look around once in awhile, you could miss it.” These are the iconic words of Ferris Bueller after his legendary day off. With his best friend and girlfriend in tow, Ferris had an epic adventure throughout Chicago, culminating in a massive lip-sync of “Twist and Shout” on a parade float. It’s nearly impossible not to get into the spirit of living life to the fullest while watching this number! Bonus Song: ‘Danke Schoen’ https://www.youtube.com/watch?v=WHCS7uG4lkw15. ‘Men In Tights’ from ‘Robin Hood: Men in Tights’ (1993)
https://www.youtube.com/watch?v=G59JnM4JKNQ Mel Brooks is certainly no stranger to musicals. In fact, almost every movie he’s made has had some kind of big, Broadway-type number. One of our favorites, though, has to be the big title song from “Robin Hood: Men in Tights.” A spoof of all the great Robin Hood films, Brooks’ take brings Cary Elwes, Dave Chappelle and Amy Yasbeck into the tale of the hero who steals from the rich and gives to the poor. In this number, the Merry Men take pride in their outfit of choice. Bonus Song: ‘Marian’ https://www.youtube.com/watch?v=3yNOXJT5iKQ We could probably make a list of dozens more numbers that have given movie audiences a quick Broadway diversion. Let’s hope the movie musicals are here to stay and more films will at least give us a number or two.Did we leave off your favorite song from a non-musical film? Tell us in the comments below...
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[post_title] => Quiz: Which 'Phillipa Soo' Are You?
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[post_content] => Belting can be one of the best ways to get out pent-up energy, and luckily for a good mezzo, belting songs are pretty common in musicals. They are essentially the power ballad of Broadway, and the audience lives for that. For mezzos, it’s the perfect way to showcase your voice and just let it all out onstage.
Here are some of the best songs to let out your inner belting diva:
1. ‘And I Am Telling You, I’m Not Going’ from ‘Dreamgirls’
https://www.youtube.com/watch?v=QsiSRSgqE4E The Dreamgirls know exactly how to represent women working hard and getting it done for their careers. Divas don’t get days off, and they aren’t torn down by people. This song will not only push you to be better, but it will definitely push your vocal range.2. ‘Glitter and Be Gay’ from ‘Candide’
https://www.youtube.com/watch?v=aVsLMxam21I Want to really show off your classical range and express your creativity all in one song? This one’s for you. This is one of the more technically challenging songs, but with a bit of improv and creativity, you can change some of the fun runs in the song. The audience is sure to see the glitter in your performance as you feel like a true prima donna.3. ‘There’s No Business Like Show Business’ from ‘Annie Get Your Gun’
https://www.youtube.com/watch?v=4lakGIwI9u0 Everything about this song is appealing to a belter. It represents all that is wonderful and magical about the stage. It’s one of the more well-known songs on this list, but it’s also one of the best belting songs for altos. You can feel like a showboat and hit all those happy notes.4. ‘Bless the Lord’ from ‘Godspell’
https://www.youtube.com/watch?v=MG3wP349nuI Praise the lord (and Stephen Schwartz) for this belter’s dream of a song. If you need a little soul in your belt, this is an excellent song to bring back that swing and show off your incredible belting skills.5. ‘Adelaide’s Lament’ from ‘Guys and Dolls’
https://www.youtube.com/watch?v=uBK-0W4MG28 A diva can’t just sit around waiting for her man to make all the moves — instead, she laments on what’s going on in her life and then demands things change. Just like when Adelaide discovers she needs to fix her cold, you can see the fire in her eyes to get Nathan to commit.6. ‘Morning Person’ from ‘Shrek the Musical’
https://www.youtube.com/watch?v=E_TcJdzbHvo Princess Fiona is surely the diva of the Kingdom of Duloc, and she’s not afraid to get up early and sing out. You shouldn’t be afraid to bust this underrated tune out if you’re feeling like hitting some high notes in the morning.7. ‘Xanadu’ from ‘Xanadu’
https://www.youtube.com/watch?v=C5xwhULk_7k When it comes to singing, do you dare go to a place where nobody dared to go? Do you love to challenge yourself with range and depth? This song will take you to that place, and you can groove along while you sing.8. ‘My New Philosophy’ from ‘You’re a Good Man, Charlie Brown’
https://www.youtube.com/watch?v=060nwhVzzlw This song is not only great to show off your range, but it’s oozing with sass, making it the perfect tune for a diva who is interested in showing off her stuff. You’ll definitely feel like you own the stage when you take this one on.9. ‘Diva’s Lament’ from ‘Spamalot’
https://www.youtube.com/watch?v=Le77a4nmKoA The title just about says it all. This classic diva song is perfect for getting out all of your frustrations. It’s your time to shine, thank-you-very-much, and this song will help remind you just how capable you are.10. ‘Special’ from ‘Avenue Q’
https://www.youtube.com/watch?v=vttQxqFZQYk Just like any true professional, you know you can make people feel special with your talent. You can own the stage with sex appeal and show off your musical talents.11. ‘I Ain’t Down Yet’ from ‘The Unsinkable Molly Brown’
https://www.youtube.com/watch?v=eKFRekX-LrU There’s nothing like a song that can help you overcome anything. This song and musical truly represent all the independent and fighting women of the world. You’ll be hitting some unsinkable notes and feeling pretty confident by the end of this one.12. 'A Change in Me’ from ‘Beauty and the Beast’
https://www.youtube.com/watch?v=K3RxIZG15n8 Good can come from bad if you practice enough. This song from the “Beauty and the Beast” musical can remind you of how far you’ve come in your singing and life, and it will leave you feeling like a true princess.13. ‘Defying Gravity’ from ‘Wicked’
https://www.youtube.com/watch?v=BHOBHM935co Let’s face it, how can you make a list about belting and not add this song? It’s a classic example of how inspiring lyrics and a powerful voice can really make you feel confident. After belting this song, you can definitely take on bigger and bigger challenges.What songs do you love that help you release your inner belting diva? Let us know in the comments below...
[post_title] => 13 Songs For Your Inner Belting Diva [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 13-songs-inner-belting-diva [to_ping] => [pinged] => [post_modified] => 2017-06-20 08:25:20 [post_modified_gmt] => 2017-06-20 12:25:20 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8879 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 21 [filter] => raw ) [25] => WP_Post Object ( [ID] => 8875 [post_author] => 639 [post_date] => 2017-06-19 08:43:29 [post_date_gmt] => 2017-06-19 12:43:29 [post_content] => Summer is a great time for the beach, vacationing and Shakespeare. Though the Bard is not typically associated with summer, there are tons of Shakespeare festivals that take place around the country between the months of May and September. These festivals offer a great range of Shakespeare’s work, with amazing productions of both the classics and some of his lesser-performed plays. These festivals give people the opportunity to enjoy his work outdoors for relatively low prices and to be surrounded by other Shakespeare enthusiasts.Here is a list of places where you can catch some of Shakespeare’s work this summer:
1. The Shakespeare Theatre of New Jersey
This theatre company has been around for over 20 years and is highly devoted to the classics. It has Shakespeare shows happening all year, but it has a great selection during the summer months, boasting both an indoor and outdoor stage. This year, the company is performing “The Merchant of Venice,” “A Midsummer Night’s Dream” and “Shakespeare in Love.” If you choose to see a show performed on its outdoor stage, you can bring a beach chair, food and drinks as you relax and watch the Bard’s work. Also, tickets for all shows are under $70.
2. Shakespeare in the Park
Each summer, The Public hosts two Shakespeare shows. These shows sometimes take modern and experimental twists on classics, but you can always count on a great production. There are also many stars who perform in these shows. Lily Rabe, James Earl Jones and Jesse Tyler Ferguson are just some big names who have graced the stage over the years.
This summer, you can find Annaleigh Ashford, Danny Burstein and Phylicia Rashad in “A Midsummer Night’s Dream.”
The best part about Shakespeare in the Park is that tickets are completely free. The only downside with this one is that if you are not a member of The Public, you do need to get there quite early to snag tickets. Tickets are also available through a lottery system on TodayTix.
As an extra bonus, if you are a complete Shakespeare nerd, the Shakespeare Garden is located right near the stage. See if you can find all the quotes scattered throughout the flowers.
3. Hudson Valley Shakespeare Festival
Located in Garrison, New York, this outdoor theatre has a series of Shakespeare plays that run through the summer. The scenery of the Hudson Valley is beautiful at this location. There is a garden to walk through, a gift shop and a lawn you can have a picnic on before the show. If you are lucky enough to go on opening night, the theatre usually has free food and a band playing before the show.
Though the performance is held outdoors in an intimate tent, some productions of Hudson Valley Shakespeare Festival are traveling. Depending on the show, there are a bunch of locations where it can be seen in New York. Along with some of the classic show’s, this year’s season also features an original work, “The Book of Will.”
4. Colorado Shakespeare Festival
Known for its commitment to celebrating and exploring Shakespeare’s work, this festival offers a number of plays and educational programs throughout the summer. Having started in 1958, the Colorado Shakespeare Festival is the second-oldest Shakespeare festival in the country. This summer, it will be celebrating its 60th season.
This festival will have a whopping five Shakespeare shows playing from June to August, including “Hamlet” and “The Taming of the Shrew.”
5. Oregon Shakespeare Festival
In Ashland, Oregon, this festival not only runs in the summer months, but is actually around from February through November. Its goal is to present as many pieces of work as possible nearly year-round. It has two indoor stages and one outdoor stage that opens in June. The outdoor stage is beautiful, with a real Elizabethan feel. The Oregon Shakespeare Festival has six plays going on this summer, including “Julius Caesar” and “The Merry Wives of Windsor.”
6. Pennsylvania Shakespeare Festival
The Pennsylvania Shakespeare Festival has been around for about 25 years. It offers brilliant productions of the Bard’s work and performs musicals, world classics, contemporary comedies, dramas and children’s shows. Along with its regular plays and musicals, this festival offers an hourlong show about Shakespeare just for kids. On the mainstage this year is “As You Like It” and “Troilus and Cressida,” running from July through August.
7. England
Yes, this one is definitely a bit of a stretch, but where better to see Shakespearean shows than where his work originated? ‘Tis the season to travel or take that Shakespeare summer course you’ve heard so much about!
There are a ton of different places in England to see his work. There are usually at least a couple shows playing on the West End in London. Then, of course, there is the Shakespeare Globe, which has productions year-round.
If you want a full Shakespeare experience, you can also travel to his birthplace, Stratford Upon Avon. This town is filled with Shakespeare tours galore and is home to the Royal Shakespeare Company.
Are you going to try to see some Shakespeare this summer? Let us know in the comments below...
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https://www.youtube.com/watch?v=nkjjtX83-Cc It’s Miranda and Kate McKinnon together. Is there anything better? This genius sketch sees a group of high school drama kids narrating all the stereotypical moments of a post-production cast party. It’s hilariously accurate, and Miranda is a natural as he adds his trademark raps to the mix.2. Anne Hathaway’s Les Mis Monologue
Three-time host Anne Hathaway busted out her killer pipes again when she opened the show with a tribute to “Les Misérables,” a movie that would later win her the Oscar. The cast members dream of what they will do with their upcoming day off, and Hathaway finishes the performance with a stunning, Julie Andrews-style high note. Check it out HERE3. High School Musical 4
(Click to play)
Zac Efron has really embraced his strength as a comedic actor over the past few years, but that route is no surprise after seeing his hilarious “SNL” spoof of his days as Troy Bolton in the hit Disney trilogy “High School Musical.” Efron shines alongside “SNL” legends Andy Samberg, Kristen Wiig, Kenan Thompson and Bobby Moynihan as he gives a speech warning graduates that life is not a musical outside of high school.
4. Save Broadway
https://vimeo.com/40039983 This sketch from Season 34 guest stars Neil Patrick Harris and Taylor Swift and is overflowing with famous SNL cast members, including Jason Sudeikis as a sarcastic and frustrated Phantom. Harris is brilliant in his portrayal of Mark from “Rent,” while the rest of the cast take on characters from some of Broadway’s most famous shows and present their half-baked ideas for how to save the failing theatre scene.5. A Whole New World
https://www.youtube.com/watch?v=BIcHwskTu8k “Girls” actor and “Star Wars” villain Adam Driver displays his musical abilities alongside “SNL” darling Cecily Strong, playing Disney sweethearts Aladdin and Jasmine. The parody of the Disney classic “A Whole New World” shows a more realistic version of the carpet ride, including a bird flying into them and being hit by airplane waste. But, in true musical theatre fashion, the show must go on.6. Before the Show
https://vimeo.com/213459545 The ladies of SNL hit the nail on the head once again as they satirize an elementary school production of “Legally Blonde.” The backstage conversations are as humorous as the onstage action, with bumbled circular choreography, singing that is too quiet to be heard and a majority-female cast. It’s priceless.7. High School Theater Show
https://www.youtube.com/watch?v=HPAtpAelwe4 This recurring skit has several different versions featuring other celebrity hosts, including Emma Stone and Reese Witherspoon. It’s hard to say what’s funnier, the student scenes featuring Elizabeth Banks or the comments from the exaserated parents in the audience, played by Thompson and Vanessa Bayer. Parents of theatre kids everywhere will be able to relate to this one.8. Lin-Manuel Miranda’s ‘My Shot’ Monologue
https://www.youtube.com/watch?v=AsupmN90wBk Yes, Miranda’s already on this list, but it would be crazy to ignore his opening monologue, inspired by “Hamilton.” Strolling through the “SNL” studios, he drops truth bombs and even has a clever bit with “SNL” producer Lorne Michaels.9. ‘50s Romance
https://www.hulu.com/watch/455132 It’s the ladies of “SNL” who once again steal the show, this time in a sketch inspired by “Grease.” Strong’s Angie relives her date with Justin Bieber’s not-so-bright Billy, and the reactions from her friends are sensational. Bieber does little to add to the comedy but does provide a nice vocal run at the end. Any actor can attest to the difficulty of performing in a live show, whether it’s theatre or television. Preparedness for that element can make or break an “SNL” host. Broadway actors face that challenge eight times a week and are the masters of improvisation when things go awry. With that in mind, here’s hoping more Broadway faces will grace the “SNL” stage in upcoming seasons. Andrew Rannells, anyone?Have a favorite sketch that we missed? Which Broadway performers would you like to see host “SNL?” Let us know in the comments below...
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[post_title] => Quiz: How Well Do You Remember These 'In The Heights' Lyrics?
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[post_content] => High adventure! The city of Agrabah cheered this past weekend when Telly Leung made his highly anticipated debut as Aladdin a few days early. The Broadway veteran, who was most recently seen in “In Transit,” made one jump ahead on his schedule, excitedly writing on Instagram: “Well, that happened! The incredible @aladdin team got me ready a bit early and I made my debut tonight as Aladdin – a few days early. Thanks to everyone at Agrabah for welcoming me with such love and warmth!”
Lucky for us Theatre Nerds, we caught up with the 37-year-old superstar a day before he hopped on the magic carpet for the first time. Check out our interview with Broadway’s newest Aladdin below:
[caption id="attachment_8857" align="alignnone" width="502"] Leung backstage during his first “Aladdin” performance / Photo: Instagram/@tellyleung[/caption]
Theatre Nerds: Congratulations on stepping into Aladdin! How has the journey compared to the many other shows you've worked on? I imagine being under Disney is magically different.
Telly Leung: This is my seventh Broadway show, and my second time replacing. I replaced Robin De Jesus in “Rent” on Broadway in 2006. Most of my Broadway experience has been originating roles, which has its own challenges: the pressure (and joy) of creating something from scratch, the constant changes during previews (what song is cut? What are the new lyrics? What joke are we trying out tonight?). But, there is a certain ownership of the material and the process that comes with originating a role.
Replacing in a show, especially in a role this big, has been a challenge. An actor always feels this constant pressure to play catch-up with the rest of the company. Luckily, I have a wonderful, warm, patient company at Agrabah, and everyone has been so supportive throughout the process. It’s truly a top-notch company. I feel very lucky.
TN: That’s wonderful! The “first look” pictures of you are awesome! Does it feel wild to be entering the world of such a beloved film?
TL: Thank you! Bravo to Matt Murphy, one of my favorite photographers in New York. There is certainly pressure to not disappoint all those people who have such a soft spot in their heart for the 1992 film. I count myself as one of those fans! All I can do is bring my sense of truth and honesty to the show, moment to moment, and attempt (to the best of my ability) to fill the big shoes left to me by the amazing Adam Jacobs, who originated the role.
TN: Did your “Allegiance” costar Lea Salonga, who is, of course, famous for voicing Jasmine and Mulan in the animated films, offer up any advice?
TL: My show-sister Lea didn’t offer any advice, but I loved hearing her talk about her wonderful experience being not one, but two Disney princesses. She had the most wonderful things to say about Alan Menken and what a warm person he is. I got to meet Alan recently at an event in Los Angeles, and it’s always a relief when you meet your heroes and they end up being as warm and down-to-earth as you hope they’d be!
TN: When you first watched the musical, what moment were you most excited to get a chance to do?
TL: Of course, I was excited to fly on that magic carpet. It’s a moment of pure stage magic that truly takes your breath away. But I was also excited to tackle “Proud of Your Boy,” Aladdin’s big “I want” song in Act 1. It’s a song that was cut from the movie, but it’s beautifully written by Alan Menken and Howard Ashman — and it has found new life in the stage production. It’s such a great exploration of Aladdin’s character, and I enjoy singing it every night!
TN: Aladdin is quite a demanding role, both physically and vocally. What measures have you been taking to prepare and to maintain stamina for the run?
TL: Aladdin is a beast of a role. One must stay healthy, hydrated and in shape to tackle it eight times a week. I eat right. I exercise. I rest. I drink lots of water. I take voice lessons. It’s a very disciplined life, but it’s worth it.
TN: I’m sure! Fresh off your incredible turn in the a-capella musical “In Transit,” have you taken anything you've learned from that experience and applied it to this one?
TL: Yes! I learned so much about myself vocally in “In Transit.” We all had to be vocal athletes in that show, and it was a lesson in stamina and preservation while still giving a full performance. I’ve certainly taken those lessons with me to the New Am!
“In Transit” was also a tight-knit company — a family — where everyone depended on each other. There was no lead. We were all part of an ensemble. I think this is an important dynamic to have in the theatre — even if the show has a lead. I’m playing the title character of “Aladdin” — what you may call the lead — but I don’t like to think of myself as the lead. I like to think of myself as part of a large ensemble of about 100 people — made up of dancers, actors, dressers, crew, stage, managers, ushers — that all make up the show that is “Aladdin.” That “little show,” family mentality is something I’d like to maintain and encourage during my time at Agrabah, even though it’s an enormous show.
TN: What are you most hoping your portrayal of Aladdin will give audiences?
TL: When I was in rehearsal, I had the pleasure of watching the show every night. I got to experience the emotional magic carpet ride the audience feels night after night at the New Am. The show itself is beautifully constructed, with great songs and a great story. All I have to do is take the audience with me on a little emotional rollercoaster and have them get on that ride with Aladdin.
TN: Although you're living the dream right now, if you had a Genie suddenly poof into your life, what would your three wishes be?
TL: 1. I'd wish for the ability to fly like Superman.
2. I’d wish to go back in time and see all the Broadway shows I was too young to see! Can you imagine seeing the original productions of “Gypsy,” “Mame” and “Carousel?!”
3. I'd wish for a new president in the White House.
TN: What's your best piece of advice for aspiring performers?
TL: Theatre is an art that doesn’t happen in a vacuum. It’s not like you’re a sculptor or a painter who can create art by himself or herself. It takes a village. Treat everyone in the collaborative process with respect, because no one job is more important than the other. The lead of the show is just as important as the person who does props or whose sole job is to sweep the stage every night.
TN: To end on a rather "Theatre Nerds-esque” note, I'm wondering if you've ever had a moment when you totally geeked out over a Broadway performer upon meeting them?
TL: I met Carol Channing once. I was in the presence of greatness. She was warm, charming, funny and made everyone around her feel like they were an old friend. That’s a star!
Thank you, Telly! You can catch him flying over Broadway now at the New Amsterdam Theatre in “Aladdin.”
[post_title] => Interview: Telly Leung On Stepping Into Aladdin, His Three Wishes And More! [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => interview-telly-leung-stepping-aladdin-three-wishes [to_ping] => [pinged] => [post_modified] => 2017-06-19 16:49:04 [post_modified_gmt] => 2017-06-19 20:49:04 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8856 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [29] => WP_Post Object ( [ID] => 8853 [post_author] => 440 [post_date] => 2017-06-15 09:38:03 [post_date_gmt] => 2017-06-15 13:38:03 [post_content] => “Rent” is the musical that just keeps on giving. It has been tugging at the heartstrings of audiences for two decades, with countless stage productions worldwide and even a big-screen adaptation in 2005 with several members of the original cast. Still riding the success of “Grease Live!” Fox has announced that “Rent” is now on the docket as its next live musical. With few details on the production available, the question remains of who will play Jonathan Larson’s iconic characters. Here are some possible actors we’d like to see considered for “Rent Live:”1. Leslie Odom Jr.
Best known for his Tony Award-winning performance as Aaron Burr in “Hamilton,” Leslie Odom Jr. has actually appeared in a Broadway production of “Rent,” as well as a staging of “Tick, Tick...Boom!” alongside Lin-Manuel Miranda and Karen Olivo. https://www.youtube.com/watch?v=DF7yJKpqdzk2. Anna Kendrick
Will someone please put this woman in a live musical, already? Anna Kendrick has proven time and time again that she has some serious vocal abilities and continues to wow audiences in movie-musical roles. https://www.youtube.com/watch?v=NiImvQTI5ZE3. Ben Platt
Broadway and film favorite Ben Platt is a triple-threat talent riding high on the success of award-season favorite “Dear Evan Hansen.” Casting him in “Rent Live” would please both his Broadway and movie fans. https://www.youtube.com/watch?v=LiOkfnkDxwg4. Amber Riley
Yes, the former “Glee” star has already done a live television musical, appearing in NBC’s “The Wiz” back in 2015. However, that just means she can bring experience as well as the incredible vocals she’s currently turning heads with in “Dreamgirls” on the West End. https://www.youtube.com/watch?v=nrsSf1RpHOc5. Jonathan Groff
Jonathan Groff has seemingly done it all, from theatre, television and movies to voice work for the film you can never really get away from, “Frozen.” The only thing left would be a live television musical. He really should check this one off his list! https://www.youtube.com/watch?v=QT4NbW8evhQ6. Denée Benton
Tony-nominated actress Denée Benton made her Broadway debut this past year in “Natasha, Pierre and the Great Comet of 1812” and created quite the buzz. The “Rent Live” musical would be a great opportunity for this rising musical theatre star. https://www.youtube.com/watch?v=emxtq4lxVhE7. Daveed Diggs
Since his exit from “Hamilton,” Daveed Diggs has been awfully busy acting, rapping, producing and giving the world intense hair envy. Diggs would be a welcome addition to “Rent Live,” as he is a natural both onstage and in front of the camera. https://www.youtube.com/watch?v=PEHKBckBcr48. Lea Michele
It’s somewhat surprising Lea Michele has yet to participate in a live musical given both her Broadway and television history. Her triple-threat status would make her a natural fit. https://www.youtube.com/watch?v=cLSdCLm92PM9. Jordan Fisher
One of the problems with the successful “Grease Live!” was not enough Jordan Fisher. His vocal ability is stunning, and “Rent Live” deserves him. https://www.youtube.com/watch?v=0DLzyvT4eUo10. Renee Elise Goldsberry
The “Hamilton” star was the last actress to play Mimi in the Broadway version of “Rent,” so it seems fitting the powerhouse performer should join the cast of the live television event. https://www.youtube.com/watch?v=w48UFnGMwqo11. Skylar Astin
Skylar Astin is equally talented as his fictional “Pitch Perfect” roommate, Platt. He also boasts some “Rent” experience, having played the role of Mark in the star-studded production produced by Neil Patrick Harris at the Hollywood Bowl. https://www.youtube.com/watch?v=d5IqcP0E6xs12. Karen Olivo
Tony Award-winning actress Olivo is a Broadway favorite and has some television experience. Her electric voice and onstage sass make her the perfect fit for the television musical. She can do “Hamilton” in Chicago and “Rent Live,” right? https://www.youtube.com/watch?v=B_FvvrBO6s813. Darren Criss
When Broadway and television actor Darren Criss hosted the behind-the-scenes experience of “Hairspray Live,” the question on everyone’s mind was why he wasn’t in the performance. Hopefully, viewers won’t miss out on seeing Criss perform this time around. https://www.youtube.com/watch?v=h1kHuV4rGqw14. Kelley Jakle
While Kelley Jakle’s resume lists her as a three-time Bella in the “Pitch Perfect” series along Kendrick, she’s also a regular in the California theatre scene, with starring roles in “Marilyn” and an adaptation of the film “Almost Famous.” https://www.youtube.com/watch?v=fc3HiJ_kFwk15. Corbin Bleu
Formerly of “High School Musical” fame, Corbin Bleu has proven he’s more than just a Disney kid. It’s safe to say he’s familiar with the cameras, and with Broadway roles in productions of “In the Heights” and “Holiday Inn,” he’s proving to be a natural fit for a live television musical. https://www.youtube.com/watch?v=Yd-8_Jkexjc16. Ester Dean
A staple of the “Pitch Perfect” series, Esther Dean is a fan favorite and a triple threat ready for her television musical debut. https://www.youtube.com/watch?v=aNV6UtkYPU417. Justin Timberlake
He can sing, he can dance and he’s so good on live television that he’s hosted “Saturday Night Live” five times. Enough said. https://www.youtube.com/watch?v=6A6BkL3DW6g18. Ashleigh Murray
Ashleigh Murray caught her big break when she scored the role of Josie McCoy in the Archie Comics reboot, “Riverdale,” and showed off her musical talent as the lead singer of the famed Josie and the Pussycats. With her career just taking off, it would be interesting to see Murray expand into musical theatre. https://www.youtube.com/watch?v=ffW17Ym9JLE19. Blake Jenner
“Glee” alum Blake Jenner can undoubtedly sing and dance, and his recent performance as Hailee Steinfeld’s brooding brother in “The Edge of Seventeen” gives credit to his ability to take on the serious emotional content of “Rent.” https://www.youtube.com/watch?v=jqLrp3QwcAk Regardless of casting, “Rent Live” is guaranteed to be a performance worth watching. Most importantly, the show will continue the legacy of Larson, spreading his message of love and acceptance to a new generation of fans worldwide.Who would you like to see cast in “Rent Live?” Let us know in the comments below...
[post_title] => 19 Actors We Want To See In ‘Rent Live’ [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 19-actors-want-see-rent-live [to_ping] => [pinged] => [post_modified] => 2017-06-15 09:38:03 [post_modified_gmt] => 2017-06-15 13:38:03 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8853 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 2 [filter] => raw ) [30] => WP_Post Object ( [ID] => 8848 [post_author] => 391 [post_date] => 2017-06-14 08:30:50 [post_date_gmt] => 2017-06-14 12:30:50 [post_content] => “There’s a war going on out there somewhere…” Based on Book 8 of Leo Tolstoy’s “War and Peace,” “Natasha, Pierre and the Great Comet of 1812” is about as contemporary as contemporary musical theatre can get. It’s the result of mixing the bleak melodrama of shows such as “Spring Awakening” with the furious passion of every pop-opera ever written. While the term “electropop opera” is a slight misnomer here (there is plenty of rock influence, too), Dave Malloy’s musical is one of the most finely crafted shows of the decade. It has not one, but two magnificent cast albums, each distinct from the other in their strengths and weaknesses. Here are my thoughts:‘What About Pierre?’
https://www.youtube.com/watch?v=VvAHdm8sCRQ https://www.youtube.com/watch?v=JcVcYT2TBAo One of the biggest surprises to me with the Broadway cast was hearing Josh Groban as Pierre Bezukhov. At first, I was a tad nervous about hearing Groban as “dear, bewildered and awkward Pierre.” Even after hearing him in the 2008 “Chess” concert, I was unsure of how he would do in a more rock-sounding show. Luckily, Groban’s versatility never fails him, especially as the titular hero. He might not have the natural rock inflections of Malloy, but Groban’s robust tenor gives Pierre a more heroic quality. His performance on “Dust and Ashes,” a new soliloquy for the Broadway transfer, is a welcome gem. With this musical being Groban’s Broadway debut, I hope it is the start of more appearances (and Tony nominations!) for him on the Great White Way.‘Natasha Is Young’
https://www.youtube.com/watch?v=vMgSjwgp1Hc https://www.youtube.com/watch?v=OL6GLr3k_Vo Among the two Natasha Rostovas, Phillipa Soo has a beautiful falsetto, which makes me wonder why she doesn’t pursue more soprano roles. The range of emotions she displays (from confusion and naïveté to anger) is broader than anything she was given as a Schuyler sister. She is quite a womanly sounding Natasha, which is a contrast to Denée Benton's more ingénue-like and, at times, more pop-sounding Natasha.‘Hélène Is a Slut, Anatole Is Hot, Marya’s Old-School, Sonya’s Good…’
https://www.youtube.com/watch?v=vGmWnklOKRE https://www.youtube.com/watch?v=3HzGp1I2Qqg In the words of Hélène Kuragina, all of the returning cast members give charming performances, with a few standouts. Grace McLean remains delightful as Marya Dmitriyevna, though she sounds more regal in the Off-Broadway cast album and more boisterous in the Broadway recording (think “Les Misérables” factory worker). Lucas Steele is still spectacularly menacing as the conniving Anatole, even if his vocals are somewhat more subtle/sotto voce during parts of the Broadway recording. Brittain Ashford and Amber Gray deliver terrific reprises as Sonya and Hélène, respectively. Ashford remains convincing as Natasha’s concerned cousin, while Gray brings every last bit of soulful sass to the forefront.‘Miiinnorrrr Charaacctterrrrssss’
https://www.youtube.com/watch?v=hKgRLHbVSYU https://www.youtube.com/watch?v=STzIIYf3iS0 As for the chorus, the ensemble sounds more polished and unified in the Broadway recording. There are no traces of individual voices sticking out, unlike the Off-Broadway recording. Although the score calls for 16 voices, the chorus sounds more effective with a larger group, a necessity for transferring to the capacity of a Broadway theatre. I am personally biased toward the Original Off-Broadway cast, mostly for Soo’s dynamic chemistry with all the leads. However the original Broadway recording has few shortcomings, and I’m thrilled Broadway audiences now get to experience this innovative, cutting-edge work. If you haven’t heard of either of the cast albums for “The Great Comet of 1812,” study up a little bit and go buy them!Which is your favorite recording of “The Great Comet of 1812?” Let us know in the comments below...
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[post_title] => Quiz: Can We Guess What Green Room Personality You Are?
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[post_content] => It's no secret that this year has been a pretty great year for Ben Platt, and last night's Tony's were the cherry on top. While most people only previously recognized the 23-year-old from his performance as Benji in the "Pitch Perfect" series, his stunning performance in the new Tony Award-winning Broadway musical "Dear Evan Hansen" has proven his acting and singing ability and turned him into quite the household name. In fact, he just won a Tony Award for Best Lead Actor in a Musical!
1. Ben Platt and Uzo Aduba Sing ‘A Little Priest’ from ‘Sweeney Todd’
https://www.youtube.com/watch?v=EJ7yUadOrU8 Okay, so maybe this wasn’t where your mind immediately went when you thought of Platt. But seeing him tackle the role of Mrs. Lovett alongside Uzo Aduba’s Sweeney Todd is one of those things you didn’t know you needed in your life until you had it.2. Ben Platt — ’Stay With Me’ (Broadway Loves Sam Smith)
https://www.youtube.com/watch?v=gYE8L6X_-Ew That riff at the beginning? Sighhhhhh. Our love for Sam Smith is eternal, but for theatre nerds, there’s something just extra swoonworthy with Platt at the mic.‘3. Crazy Ever After’ Cover by Ben Platt, Henry Platt, Adam Yaron and Elizabeth Gaba
https://www.youtube.com/watch?v=NPQrJwYNrKg The harmonies in this song are such #goals and are too much fun to sing along with.4. Ben Platt and Laura Dreyfuss Perform ‘Only Us’ from ‘Dear Evan Hansen’ on TODAY
https://www.youtube.com/watch?v=-FgEKPxcXEU For all the people shipping Evan and Zoe, you get to watch their love song in all its close-up glory. That eye contact! THAT KISS!5. ‘Pitch Perfect:’ ‘I've Got The Magic In Me’ (Boys Final)
https://www.youtube.com/watch?v=oSsQsFS8Us0 Here’s a little bit of a throwback for you to Platt’s “Pitch Perfect” days. Benji spent most of the movie waving through the window at the Treblemakers, who wouldn’t accept him into their a cappella group. This makes his big reveal all the more amazing once he finally gets his chance to shine!6. Ben Platt — ‘I Can't Stand Still’ (‘Footloose’)
https://www.youtube.com/watch?v=YxVHGzTclxY Watch Platt shred this song to pieces while giving us a glimpse of some classic ‘80s dance moves.7. Ben Platt Covers "Make It Rain" by Ed Sheeran
https://www.youtube.com/watch?v=_ysTYQvgM_8 In this video, Platt sings along to an Ed Sheeran classic with Adam Yaron on guitar. Where does one have to go to stumble upon performances like this happening in nature? Asking for a friend.8. Ben Platt — ’Georgia On My Mind’ and Funny Story (Live) @ Le Poisson Rouge
https://www.youtube.com/watch?v=cnldIU_09yE “What does Anna Kendrick smell like?” “Intelligence.” Though this video is a bit on the longer side, treat yourself to some of Platt’s vocal chops and some hilarious behind-the-scenes stories about his life and performances.9. ‘Donald: The Musical’ (With Tim Minchin, Ben Platt and Abigail Spencer)
https://www.youtube.com/watch?v=WZWNHCRCpNM A musical about Donald Trump, Sean Spicer, Kellyanne Conway and Steve Bannon combined with “Matilda” — sounds crazy, no? But somehow, it’s the best thing ever.10. Ben Platt and Henry Platt — ‘Make You Feel My Love’ (Bob Dylan)
https://www.youtube.com/watch?v=KRVM8UJrhAo Platt takes the stage with his brother, Henry, in this incredible cover that truly shows off the power of musical genes.11. ‘Who Am I?’ — Ben Platt
https://www.youtube.com/watch?v=wtqaMqK9lfk Everyone has to start somewhere, right? Here, Platt performs as Jean Valjean in the Kidz Theater’s 2012 production of “Les Misérables.” His talent is awe-inspiring even in his late teens, but what’s great here is to see how much you can grow as a singer over time. Go Baby Platt!12. Breaking Down The Riffs With Natalie Weiss — Episode 30: Pitch Perfect
https://www.youtube.com/watch?v=jC9E6ZKRpXc&t=5s We love this one for the shower scene alone, but watching Platt riff his face off to Destiny’s Child’s “Bootylicious” alongside the amazingly talented Natalie Weiss will be the best 11 minutes and 28 seconds of your life.13. Dear Evan Hansen: ‘Waving Through a Window’
https://www.youtube.com/watch?v=x_CNqKA2t9M Okay, yeah, so this one’s a given. Listen to it as many times as you want — it’s just that good.
What’s your favorite Ben Platt video? Let us know in the comments below...
[post_title] => 13 Videos To Watch If You're Obsessed With Ben Platt [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 13-videos-watch-youre-obsessed-ben-platt [to_ping] => [pinged] => [post_modified] => 2017-07-06 11:24:09 [post_modified_gmt] => 2017-07-06 15:24:09 [post_content_filtered] => [post_parent] => 0 [guid] => https://theatrenerds.com/?p=8839 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 3 [filter] => raw ) [33] => WP_Post Object ( [ID] => 8765 [post_author] => 736 [post_date] => 2017-06-10 08:15:59 [post_date_gmt] => 2017-06-10 12:15:59 [post_content] => We at Theatre Nerds are thrilled to bring you this interview with award-winning media and scenic designer David Gallo, who provides insightful visual storytelling for live theatricals, concerts and immersive experiences. He has received four Tony nominations, this year for “Jitney,” and won once for “The Drowsey Chaperone.” His work can be seen daily in more than a dozen cities worldwide. Read on to find out how his creative process goes from page to stage.
Theatre Nerds: What led you to scenic design?
David Gallo: I was 10 years old when the movie “Star Wars” came out, and I was blown away by the completeness of the world and the design. I just thought that it was extraordinary that people figured things out. This was made apparent because George Lucas did something that not a lot of people had done: He had released books that you could buy in the bookstore that showed all of the design. Lucas really promoted what went into making those films so you could see the evidence of the men and women who created that alternate universe. I was captivated with the design based on those books that I procured, and I started doing high school theatre, and the rest is history.
TN: How does the creative process/conceptualization of the design differ depending on the medium you are working in (i.e., Broadway, TV, film, etc.)?
DG: Honestly, when you are creating different things, the process is similar. I want to empty and free my mind and start off with a blank page, and then I develop things from there. Where “Sesame Street” was concerned, I wanted to honor the past and retain certain things but bring it toward the future, so the process was more streamlined than that. For plays, it can be a little bit different, but it is still a similar creative process.
TN: Do you have a team of people to help you with your process in creating the set design?
DG: Yes, I have quite a number of people that do all sorts of jobs, from helping with design to building the models. I do all the painting and design documentation that gets created. I then have shops creating and painting the actual sets and teams of people that load them into the theatre. There is an awful lot of people involved before the show opens onstage. I’m also in the theatre from the time the show loads in through previews.
TN: Congratulations on your Tony nomination for scenic design for “Jitney.” Can you tell us a bit about how you came to work with August Wilson?
DG: It was pretty early on in my career, and I was looking around for things that interested me, and I sort of pursued and fell into doing a lot of African-American plays. I don’t even really know how that happened, but it was something I wanted to do. One thing led to another, and I very quickly met Marion McClinton, the brilliant director, and he and I did a brilliant production together of a Lorraine Hansberry play, which was quite successful. Marion was then brought on board to direct “Jitney,” and that’s when I started working directly with August. And while “Jitney” wasn’t a new play, this production was being looked at anew to be created as a definitive production.
TN: What impact as a designer do you have on set design once you receive the confines that are created in the script?
DG: The scenic designer (with the help of the director, hopefully the writer and the rest of the creative team) establishes the style of the play. When the curtain goes up, it’s the first thing the audience sees that tells them what the play is about. If it’s an empty theatre, it’s one thing, and if it’s a stage full of scenery, it’s another. One of the tricks to being a scenic designer is that you are committing to design a certain form, tone and shape to the production very early on in the process.
TN: Do you have any advice for those who want to be a scenic designer?
DG: There are so many things that people can do in the theatre. Scenic design is a fascinating one. My advice is to learn as much as you can about it before you commit to it completely, but it is certainly a very interesting thing to explore. Scenic design also requires a level of commitment that not a lot of people are ready to make because it requires many different sets of skills. There is also a staggering artistic responsibility for getting things right well before rehearsals have even begun.
Learn more about David Gallo at davidgallo.com
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[post_content] => We at Theatre Nerds are excited to bring you this interview with five-time Tony-nominated lighting designer Japhy Weideman. The following is an in-depth view of how Weideman’s amazing lighting design of “Dear Evan Hansen” came to fruition, as well as an insider look at the process of lighting a show for Broadway:
Theatre Nerds: What led you to lighting design?
Japhy Weideman: I’ve always been interested in how we, as humans, perceive the world. When I started undergrad at the University of New Mexico in Albuquerque, I had never been exposed to live theatre. I was sampling an array of disciplines such as sociology, political science, English literature, painting and photography, and I needed an elective credit, so I decided to take a course called “Intro to Stage Lighting.” My professor, John Malolepsy, proved to be far beyond anything but a normal teacher. He is not only an amazing set and lighting designer, but he is an advanced philosopher of all things related to light. He taught me to dissect everyday reality into an experience defined by the light that inhabited each moment. The key is to become a keen observer of your emotional state and connect that to the visual information generated by the light surrounding one’s experience. If you watch closely at all times, you will begin to learn about how light affects everything you feel. I began applying some of these teachings into my own practice while designing student shows (theatre and dance) and experimenting in the lighting laboratory. In the summer, I did an apprenticeship at the Santa Fe Opera. Five seasons there proved to be fertile ground for professional learning, allowing me to build relationships with new peers and to work with world-class designers.
TN: Can you explain a bit about the creative process with regards to lighting for a Broadway show?
JW: In the early stage of design, I always begin with reading the text and listening to the music prior to having a meeting with a director or other designers. It’s very important to get one’s own impression of the piece before being influenced by others. In some projects, I am brought in before a set design has been created, and in others, there is already a design in process. Once I see a geography of the environment we are working in, we create a lighting plan that contains a lot of flexibility. There will be clear ideas that get implemented in the beginning, but there is always a need to create unknown visual images yet to be discovered. Whether lighting a Broadway show, a downtown show or any other piece of theatre, the real creative process for me begins when we start focusing lights onstage. I never really know what a particular piece is going to look like until I get in the room and start experimenting. While I begin with a system of light that I feel will provide a piece with the right quality and variety of light, I find there is always a secret visual code waiting to be unlocked. Often I will see strong images revealed through a mistake. For example, I might turn on a light that happens to be pointed down into a corner of the room, not where it’s intended to go, but in this accident, it may create a haunting halo around the back edge of the set or possibly a strong shadow. The result will be something unique and beautiful, which in turn leads me down a different path of how to shape that particular environment. It’s a process of discovering clues that lead to the essence of the visual language.
TN: Congrats on your Tony nomination for “Dear Evan Hansen!” I would imagine this show, in particular, was quite complex as far as designing the lights, considering it involves many projections as well as really making the audience feel what it was like to go inside the mind of Evan. Can you talk a bit about how you came up with these ideas and how you can manipulate lights to create such strong feelings within the world of the musical and influence the audience’s feelings as well?
JW: The lighting, working hand in hand with the music, is a very important, symbiotic relationship for the design. There is a unique scientific connection between frequencies of light and sound that has been explored by scientists and artists throughout history. Basically, I interpret the emotional frequencies of the music in Paul and Pasek’s score into a visual picture. It cannot be explained as to how this is done, other than emotional instinct. I manipulate the angle and quality of the light until it most closely reflects the feeling of the musical tones.
One of the strong elements that can be seen in the design is that we use many shades and sizes of intense beams of light from above during special moments in the music. The beams range from piercing tight blue-white pinpoints (like the iconic moment in “Waving Through a Window” when all the characters create a circle around Evan and are suddenly revealed in a circle of interconnecting beams), to intense thick golden columns of sunlight (“For Forever”). The beams sometimes form geometrical intersections, creating a kind of aerial architecture that weaves the interrelationships of the characters together. While these light beams serve as a way to draw the eye directly to the actor, they also serve to connect them to the divine and mysterious, always emanating from above. The result of this multifaceted approach generates an evocative atmosphere that results in an unforgettable, visceral audience experience.
TN: What inspires you to pursue specific projects?
JW: For me, it’s about working with fellow collaborators who inspire me. It’s less about the type of show or subject matter that interests me; it's all about the people. The process of making theatre is collaborative. It’s all about sharing ideas with fellow artists and bringing out the best in each other’s talents in order to sell stories.
TN: Any advice for those wanting to become a lighting designer?
JW: Learn to observe the light of your everyday experiences and how they affect you. Watch and listen always, wherever you are. Don’t spend all of your time in the theatre or studying design. Become infinitely curious about life and all things art. Travel the world. Be a passionate lover. Make friends everywhere you go.
Learn more about Japhy at www.japhyweideman.com
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[post_content] => It’s not every day our favorite Broadway shows get made into films. These star-studded movies can either go very well (such as “Les Misérables” or “Hairspray”) or terribly wrong (did anyone see “Jersey Boys?”).
What comes with these new adaptations are newer takes on some of our favorite shows, sometimes with new songs or new effects that couldn’t have been done onstage. If done correctly, like “Rent” or “Chicago,” these films can capture the musical just right and be around for us to watch for years to come.
UPDATE: We've added new additions recently announced to this list
Here are 14 musicals that are currently in production and will eventually head to the big screen:
1. ‘In the Heights'
2. ‘Beautiful: The Carole King Musical’
This project is pretty new compared to the others, but it has been reported that this Tony Award-winning musical will be moving to the big screen. This musical, which first opened on Broadway in 2014, starred Jessie Mueller and won her her first Tony Award for her performance as Carole King.
Variety reports the film is currently set to be produced by Sony Pictures, with Tom Hanks already signed on as one of the producers. With classic songs that appeal to all ages, this biopic musical adaptation could really be a big hit.
Who do you think should play the iconic songwriter on the big screen?
3. ‘Cats’
This Andrew Lloyd Webber classic is currently in the works to come to the big screen. With a revival now on Broadway, there is still a lot of admiration for this show that many people love to hate.
According to Vanity Fair, Tom Hooper, director of the “Les Misérables” adaptation, is already signed on to direct this feline-filled film. And though not much else is known at this point, we can’t help but wonder how it will go.
It’s one thing for a film to try to stay true to the story of a musical, not let down during big ensemble numbers and deliver on casting, but this is “Cats.” Who is going to sign on to play Rum Tum Tugger or Grizabella? These days, we are fortunate enough to see big Broadway stars in TV musicals and big film adaptations, but something tells us names such as Darren Criss and Meryl Streep are not going to claw at the opportunity to be in this film.
Despite the skepticism facing this project, it shouldn't be counted out just yet. Webber’s other film adaptations were fairly good, and just think of the amazing effects this adaptation can bring to Mr. Mistoffelees’ tricks! Worst-case scenario, we can always revert back to the 1998 VHS version of the show.
4. ‘American Idiot’
This punk rock musical first graced the stage in 2010, reinventing Green Day’s 2004 concept album of the same name. The film is currently being produced by HBO and is set to be directed by Michael Mayer, the director of the Broadway musical.
As of right now, there is no set date or cast for this film, but Green Day frontman Billie Joe Armstrong is already set to reprise his role as St. Jimmy. When speaking to NME, he said, “I think it’s going to be a lot different from the musical. It’s kind of more surreal, but I think there’s going to be parts of it that might offend people — which is good. I think it’s a great time to offend people. I think there’s just going to be a lot of imagery that we couldn’t pull off in the musical in the stage version. You know, I don’t want to give away too much, but it will be shocking in a way which makes you think.”
5. ‘Little Shop of Horrors’
This classic musical about a plant that comes from outer space and eats people is in talks for a musical movie remake. Though this show has not been on Broadway in recent years, the success of its two-night concert at the New York City Center in 2015, led by Jake Gyllenhaal, proves this show still has a very strong fanbase.
Entertainment Weekly reports Greg Berlanti (“The Flash,” “Supergirl”) has signed on to direct the remake. With Matthew Robinson set to do the screenplay and Marc Platt Productions signed on to produce, this remake could come sooner than we think.
It seems like the only thing left to do is decide on the cast. Could you imagine Tituss Burgess as Audrey II, or Neil Patrick Harris as Seymour? Of course, this is extremely wishful thinking, but the real question is, can Steve Martin reprise his frightening “Dentist!” for the new film?
6. ‘Finding Neverland’
This is a weird one to get a musical film adaptation. Unlike the other musicals on this list, “Finding Neverland” was based on a film of the same name starring Johnny Depp that told the story of how J.M. Barrie brought Peter Pan to life.
Though snubbed at the Tony Awards in 2015, this Gary Barlow-scored musical has truly brought a new, magical dimension to an already great story. The show is currently on a national tour and has a pretty solid fanbase, but what would a film adaptation of a musical adaptation based on a film look like for this show?
No cast or director has been assigned to the project. Here’s hoping this magical musical actually sails to the big screen.
7. ‘Matilda’
This loud musical has been in talks to become a film for the past few years. “Matilda,” based on the Roald Dahl novel of the same name, closed on Broadway on Jan. 1, 2017. Though there were talks that the movie would potentially start filming in 2016, the production has yet to get underway.
To be fair, Tim Minchin has had his hands full lately. His new hit, “Groundhog Day” has been making waves on Broadway after transferring from London, where it took home the Olivier Award for Best New Musical. The hype is not dying down for this new musical anytime soon, as it was nominated for multiple Tony Awards this year.
However, there is still hope for the film adaptation of “Matilda.” With Matthew Warchus signed on as the director (“Matilda,” “Groundhog Day”), the film should be able to get underway soon. Minchin told The Stage, “We didn’t want to rush it, as we wanted it to be known as a theatre piece. We didn’t want people going to the theatre saying, ‘Oh, it’s the musical of that movie.’ You want people seeing the film, saying, ‘It’s the movie of that musical.’”
Minchin also said he hopes the film could wrap up by 2018. With a cast not yet announced, it’s hard to tell whether that will happen, but let’s hope production starts moving again soon. It would be a great way to see this naughty group of revolting children bring this great musical to life onscreen.
8. ‘Wicked’
After many years of rumors and speculation, this popular musical is coming to the big screen. This adaptation of Stephen Schwartz and Winnie Holzman’s musical is probably one of the most anticipated stage-to-film adaptations in production. With work already underway on the screenplay, Schwartz has given fans more to look forward to with this new movie.
When speaking to Playbill just a few weeks ago, he said we can expect at least two new songs in the adaptation. Schwartz was also very adamant that his adaptation will not be exact.
“There are things that work onstage but won’t work on film,” he said. “In order to do something that will work on its own merits, you have to do something different. The only concern is people who would be coming expecting to see a filmed version of the play. They’re not going to see that.”
However, fans already seem to have their dream casting for this particular adaptation. With ideas of Lea Michele as Elphaba, Aaron Tveit as Fiyero and Beth Behrs as Glinda, it’s hard not to get ahead of ourselves. But what this adaptation has that most do not is an official premiere date: Dec. 20, 2019.
9. 'Hair'
NBC recently announced it would stage the popular (and controversial) 1960s musical. “Hair” will join a string of live-action musicals put on by NBC, including “Jesus Christ Superstar,” which aired on the network on Easter this year. There have been no announcements on casting yet, but theatre lovers are already speculating.
Release Date: May 19, 2019
10. 'Aladdin'
With Guy Ritchie at the helm, Disney’s remake of the beloved animated classic will feature old favorites as well as new songs penned by the film’s original composer, Alan Menken, alongside Benj Pasek and Justin Paul, the team behind “Dear Evan Hansen.” This live-action adaptation features Hollywood heavy-hitter Will Smith as the Genie, Canadian actor Mena Massoud as Aladdin, and British actress Naomi Scott as Princess Jasmine.
Release Date: May 24, 2019
11. 'Lion King'
The stars came out for this one, including the one which eclipses them all: Queen Beyonce, who will voice Nala. Donald Glover will play opposite as Simba, and James Earl Jones will reprise his role as Mufasa. The remainder of the cast includes other Hollywood favorites such as Chiwetel Ejiofor, Seth Rogen, John Oliver, and Keegan-Michael Key, to name a few. The film’s director, Jon Favreau, directed Disney’s recent remake of “The Jungle Book,” which could be an indication of the style of the upcoming remake.
Release Date: July 19, 2019
12. ‘Tick, Tick…Boom!’
Miranda is a busy guy. With “In the Heights” already in the works, he announced his intention to direct an adaptation of Jonathan Larson’s musical “Tick, Tick…Boom!” with the script written by “Dear Evan Hansen” writer Steven Levenson. In the past, Miranda has praised Larson’s work as inspirational in his personal process, and additionally played the character of Jon in a revival of the show back in 2014.
Release Date: TBA
13. ‘West Side Story’
The rumors of this remake from Steven Spielberg and Tony Kushner became a reality earlier this year when a casting call went out for actors/singer/dancers for the leading roles of Tony, Maria, Anita, and Bernardo. No announcements have been made regarding actors chosen for the film or a release date, but the Spielberg/Kushner duo has audiences waiting with bated breath.
Release Date: TBA
14. 'Be More Chill'
Producers of this social media sensation recently announced plans for a film adaptation. This is somewhat surprising since the show has not even opened on Broadway yet. However, Joe Iconis's runaway hit has been getting Broadway-Hit like attention since its recent sold-out run Off-Broadway. Many are predicting this as next big winner on the great white way. Needless to say, the movie is still far from being here and no timetable has yet been given.
Release Date: TBA
Kate Johnston also contributed to this article
What musicals do you want to see head to the big screen? Which of these eight are you most excited to see? Let us know in the comments below...
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8 Musicals Heading To The Big Screen
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